Review

Martin Scorsese's 'The Departed' was probably one of the most critically-acclaimed films of 2006, and, upon hearing the tumult of praise that accompanied its release, it was a film that I desperately wanted to see. However, I couldn't do so until I had seen the 2002 Hong Kong film upon which it was based, 'Mou gaan dou {Infernal Affairs},' directed by Wai-keung Lau and Siu Fai Mak. Fortunately, not too long ago, my local movie rental store was having a sale on their superfluous VHS tapes, at a price of $2.00 apiece. Among the cheap movies that I snapped up was a copy of 'Infernal Affairs' that looked like it had never been opened. Having now watched it, I must say that, despite my limited experience with Asian cinema, I very much enjoyed the film. 'Infernal Affairs' combines an irresistible story of intrigue, loyalty and betrayal with some extremely slick editing and camera-work; it's no surprise that the film has acquired an impressive following in the West.

Tony Leung plays Chan Wing Yan, an overwrought undercover cop who has spent the last ten years infiltrating numerous dangerous gangs and exposing their criminal dealings. On the opposite end of the spectrum, Andy Lau plays Inspector Lau Kin Ming, a police mole who is secretly working the Triad, the same gang with which Yan is currently affiliated. After an expensive drugs transaction goes wrong for both the gang and the police force, each side suspects that they have a traitor in their midst, and, in a bitterly ironic turn, it falls to each of the two moles to find out who it is. Both main actors do a good job of maintaining the intensity of the story. There are certainly countless parallels to be drawn between the characters, but what struck me most were the contrasts between the two: Ming is a cold, devoted and ruthlessly efficient, whilst Yan has been reduced to a tired and neurotic wreck after a decade of living in fear.

The plot of 'Infernal Affairs' moves forward at a ripper pace, probably owing more to Western action cinema than that from its own region. The cinematography is bright and stylish, and the climactic scene on the rooftop, with the vibrant sunlight beaming overhead, was captured to great effect {Australian-born Christopher Doyle, who has worked on such films as '2046' and 'Rabbit-Proof Fence,' contributed to this film, so you already know that the cinematography will be good}. There are several moments when the storytelling was not handled as well as it might have been: the film made too frequent use of unnecessary flashbacks, and, following the death of Superintendent Wong (Anthony Wong), we are treated to a video montage that feels like the final episode of a long-running sitcom. Also, the failed attempts of Ming's wife to finish her novel ("I don't know whether he's good or bad") was a blatantly-obvious attempt to draw parallels with Andy Lau's character. Despite my trivial complaints, 'Infernal Affairs' is an entertaining and thrilling film that I'd certainly recommend to anyone.