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TributeThe filmmaker, often credited with revolutionising cinema, passed away by assisted death in Switzerland on September 13.CrisJean-Luc Godard / Courtesy - IFFKNo one had expected 90-year-old Jean-Luc Godard to show up on stage in Thiruvananthapuram, when Kerala’s most cherished film festival – International Film Festival of Kerala – was belatedly held in February last year. Godard, a pioneer of the new wave French cinema in the 60s, was declared the winner of the Lifetime Achievement Award at the fest, held two months too late because of Covid-19. But when the big screen at the Nishagandhi Auditorium lit up to show his face, a Cuban cigar in his hands, the crowd sat bewildered. They broke into laughter and applause at his first line: “Ok I will speak with the tongue of the dominators, I will speak in English.” Godard, a beloved of the festival crowd of Kerala, accepted the award, mocked the language...

Jean-Luc Godard, the revered filmmaker regarded as a giant of the French New Wave movement, has died at the age of 91.

He was known for directing a run of radical, medium-changing films throughout the 1960s, including Breathless and Alphaville.

News of Godard’s death was reported by the French newspaper Liberation.

Along with contemporaries such as Éric Rohmer, Jacques Rivette, and François Truffaut, the Paris-born Godard was a central figure in the Nouvelle Vague, an experimental film movement that emerged in France in the late 1950s.

Several of his films are frequently cited among the best movies ever made.

Godard’s first feature was Breathless, released in 1960, an experimental tribute to American film noir. Starring Jean-Paul Belmondo as a hoodlum named Michel, and Jean Seberg as his American girlfriend, the film caused a stir with its unusual visual style and editing techniques, immediately announcing Godard as one of cinema’s great innovators.

Critic-turned-filmmaker Godard is known for films including ‘Breathless’ and ‘Contempt’.

Influential French filmmaker Jean-Luc Godard has died aged 91, according to a report in French newspaper Liberation.

The publication cites people close to the filmmaker as the source of the news.

Born in Paris in 1930, Godard was a central figure in the French New Wave movement of the late 1950s and 60s. He worked as a critic for then newly-founded French magazine Cahiers du cinéma in 1952, before making his first fiction short Une femme coquette in 1955.

The filmmaker’s first feature, 1960’s Breathless (French title: A Bout De Souffle) is among...

Jean-Luc Godard, a leading figure of the French New Wave, has died. He was 91. The French newspaper Liberation first reported the news which was confirmed to Deadline by a source close to the filmmaker.

Best known for his radical and politically driven work, Godard was among the most acclaimed directors of his generation with classic films such as Breathless (À bout de souffle), which catapulted him onto the world scene in 1960. The film was from a treatment by his contemporary and former friend François Truffaut and followed the story of a young American woman in Paris, played by Hollywood star Jean Seberg, and her doomed affair with a young rebel on the run, played by Jean-Paul Belmondo.

Hollywood & Media Deaths 2022: A Photo Gallery

President Emmanuel Macron of France paid tribute to the director with a statement on Twitter, calling him the “iconoclastic of New Wave filmmakers.”

Born in Paris...

Ever since Michel Hazanavicius’ Oscar-winning tribute to silent cinema “The Artist,” the French filmmaker has continued to focus his work on the process of filmmaking itself, for better and, mostly, for worse. After “Redoutable,” centered on the relationship between Jean-Luc Godard and Anne Wiazemsky during the filming of “La Chinoise,” he again explored la magie du cinéma in “The Lost Prince,” where Omar Sy saw the rich fantasy film-set world he had created for his daughter begin to crumble as she started to outgrow his fairytales.

Continue reading ‘Final Cut’ Review: Michel Hazanavicius’ Meta Filmmaking Zombie Comedy Remake Is A Depressing Dud [Cannes] at The Playlist.

Close-Up is a feature that spotlights films now playing on Mubi. Philippe Garrel's L'enfant secret is exclusively showing October and November 2019 in the United Kingdom and United States in Mubi's Rediscovered series.To engage in Philippe Garrel’s autopoetic world is not a task; instead, the viewer’s participation fuses with a spellbinding mood. Garrel is a filmmaker who seems to be forever working on the periphery, yet he is treasured whenever he is discovered. His body of work, which spans over six decades, is remarkably self-complementary and bracingly emotionally consistent. Across it can be found an unmissable thread of thematic preoccupations, as well as typified characters drawn from Garrel’s biography, such as a consistent filmmaker protagonist (Garrel shot his first film age sixteen) and tumultuous relationships (mirroring his own with the singer Nico), electroshock and heroin abuse. A son of an actor himself, he often explored familial...

Stars: Anne Wiazemsky, François Lafarge, Philippe Asselin, Walter Green | Written and Directed by Robert Bresson

Robert Bresson’s mid-career misery-fest is often cited as a masterpiece (it’s sitting pretty on a perfect Metacritic score), although having now endured Au Hasard Balthazar twice in my life I must simply be blind to its supposed power. Using the seven deadly sins as its backdrop and its equine star as a stand-in for faith, it’s an absurdly grim allegory, and one which feels like a chore even at ninety minutes.

The wisp of a plot follows the travails of the titular donkey, once a beloved pet of rural girl Marie (Anne Wiazemsky). Balthazar is effectively sold into slavery, and the film charts the parallel lives led by the pair: Balthazar into old age and Marie into her teenage years. It seems that, without the love of each other, both are bound...

Bodard worked with iconic directors Jacques Demy, Agnès Varda, Robert Bresson, Jean-Luc Godard, Maurice Pialat, Alain Resnais and Claude Miller.

Legendary French producer Mag Bodard, who worked with iconic directors Jacques Demy, Agnès Varda, Robert Bresson, Jean-Luc Godard, Maurice Pialat, Alain Resnais and Claude Miller, has died at the age of 103-years-old.

Bodard, whose heyday was in the 1960s and 70s, got her first producer credit in 1962 on Norbert Carbonnaux’s comedy The Dance, featuring Françoise Dorléac in her first starring role opposite Jean-Pierre Cassel.

The crew featured production designer Jacques Saulnier, who would go on to work closely with Resnais,...

As fly-on-the-wall rock-doc experiences go, there are few more thrilling than the first 10 minutes of Jean-Luc Godard’s 1968 film Sympathy for the Devil.

After the opening credits silently roll, we’re immediately transported to London’s Olympic Studios in the June of 1968, where the Rolling Stones are recording what will become Beggar’s Banquet. The band is in peak Byronic-dandy form, sporting an impressive array of colorful trousers and footwear (Bill Wyman’s hot pink boots take first prize), but it quickly becomes clear that these gentlemen aren’t merely flouncing around in their finery.

Rosa Attab

Producer, Why Not Productions

Although she likes to keep a low profile, Attab is a key producer at Parisian outfit Why Not Prods., where she works with top filmmakers such as Cristian Mungiu, Arnaud Desplechin and Jacques Audiard, whose latest film “The Sisters Brothers” played at Venice and will screen next at Toronto. Attab’s first experience as a full-on producer was on Lynne Ramsay’s “You Were Never Really Here,” which world premiered in competition at the 2017 Cannes Film Festival and won prizes for actor (Joaquin Phoenix) and screenplay. Attab is developing an English-language feature with BAFTA-nominated helmer Yann Demange, who recently directed “White Boy Rick,” which unspooled at Telluride, and the feature debut of actor Samir Guesmi (“The Returned”).

Stephanie Bermann (pictured center)

Co-Founder, Domino Films

Bermann founded Domino Films with Alexis Dulguerian six years ago after heading acquisitions at leading independent distribution company Mars Films for eight years.

With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’re highlighting the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.

Black Panther (Ryan Coogler)

There’s a sentiment expressed early on in Black Panther that just because something works doesn’t mean it can’t be improved. It’s a fitting ethos for the 18th film in Marvel Studios’ ten-year assembly line of blockbusters. However same-ish or fatigued some of the cinematic universe might feel, on the balance sheet, they work. While Ryan Coogler’s deep dive into the titular character’s Wakandan homeworld keeps the assembly line working, it heralds not only an improvement on the McU, but a striking and grandiose fantasy in its own right. – Conor O. (full review)

Where to Stream: Netflix

Did...

Au Hasard Balthazar

Blu ray

Criterion

1966 / 1:66 / Street Date May 29, 2018

Starring Anne Wiazemsky, François Lafarge

Cinematography by Ghislain Cloquet

Directed by Robert Bresson

At moments in his career Robert Bresson, the filmmaker behind The Trial of Joan of Arc and The Diary of a Country Priest, seemed to be directing from the pulpit. Likewise, Au Hasard Balthazar, his 1966 film about a messianic donkey, just begs to be canonized – unlike most grabs for cinematic sanctitude, Balthazar deserves its pedestal.

A movie out of time, Balthazar‘s somber black and white landscape rebuffs its own era – a pop art wonderland that produced Blow Up, Modesty Blaise and Our Man Flint. Jean-Luc Godard, rule-breaking bomb-thrower of brightly colored social satires, heaped on the praise – “… this film is really the world in an hour and a half.” On the other hand, Ingmar Bergman, not exactly a popcorn munching thrill-seeker, thought it was a “bore...

In 1967, 37-year old Jean-Luc Godard fell in love with his 17-year old actress Anne Wiazemsky whilst making his film La Chinoise. He would later go on to marry her. Redoubtable is a comedy drama – note the refusal to quite embrace the ‘dramedy’ tag – based on Wiazemsky’s book ‘Un an Apres’ which chronicled her time shooting the aforementioned feature with her future husband.

In terms of colour palette and general aesthetic, there is more than a touch of the New Wave titan present. Make no mistake, however, this is Michel Hazavanicius’s film. After all, Redoubtable is certainly no hagiography. Neither is it entirely true and quite a biopic. In fact, it is determinedly elusive to pigeonholing, which feels somehow rather apt for a mercurial talent such as Godard.

We sat down separately with the equally delightful co-lead Stacy Martinand Michel himself to talk through this enterprise and their careers.

The Anglo-French actor, who plays Jean-Luc Godard’s 19-year-old wife Anne Wiazensky in a new film, on the romanticisation of artists’ relationships, and defending Lars von Trier

The Anglo-French actor Stacy Martin is an unlikely – and reluctant – participant in the #MeToo wars currently convulsing the film industry: although not exactly for her new film, Redoubtable. It is a frothy biopic about Jean-Luc Godard and his second wife, Anne Wiazemsky, the star of his 1967 film La Chinoise who was just 19 when she met the 37-year-old Godard. Instead, the focus has become Lars von Trier, the director who gave Martin her first professional acting role, as sex addict Joe, in the explicit four-hour epic Nymphomaniac.

Von Trier had a reputation for years for making actors suffer for their art, especially female actors. But when I ask Martin, 27, about him, she describes their working relationship as “amazing”. “He has his flaws, but I...

Michel Hazanavicius, the Oscar-winning director of “The Artist” whose latest film “Redoutable” competed at Cannes Film Festival last year, is set to direct “The Lost Prince,” a fantasy-filled family comedy which will star Omar Sy (“Intouchables), François Damiens (“Heartbreaker”) and Bérénice Bejo (“The Artist”).

“The Lost Prince” is produced by Philippe Rousselet and Jonathan Blumental. Pathé, Studiocanal and TF1 Films Production are co-producing. Studiocanal also handles international sales and will begin pre-sales at Cannes. Pathé will release the film in France. Shooting will begin July 30.

“The Lost Prince” will star Sy as Djibi, a devoted single father whose life revolves around his beloved 7-year-old daughter Sofia.

Every night as Sofia falls asleep, Djibi takes her into “Storyland”, a fantasy film studio where their extraordinary fairytale adventures come to life starring Djibi in the lead role as the heroic Prince Charming. As Sofia eventually grows out of her father’s stories,...

 When setting out to create his film Godard Mon Amour, director and screenwriter Michel Hazanavicius didn’t want to change Anne Wiazemsky’s story. “So it actually comes from the book written by Anne Wiazemsky, played by Stacy Martin here, and I fell in love with the characters and the story and the context and everything and […]

Source: uInterview

The post Michel Hazanavicius & Stacy Martin On ‘Godard Mon Amour,’ Jean-Luc Godard’s Reaction [Video Exclusive] appeared first on uInterview.

Declared sacrilege the moment the project was announced, Michel Hazanavicius focuses on a critical, artistic, existential, and perhaps creative calamity period in both the masses and Jean-Luc Godard’s own timeline. Godard Mon Amour (U.S. distributor Cohen Media Group made the title switch from Redoubtable a little bit after its Tiff premiere) sees Louis Garrel in the shoes of Jlg towards the end of La Nouvelle Vague and at the time he moves into La Chinoise with Anne Wiazemsky (played by Stacy Martin). Here is a phoner audio interview conducted by Amir Ganjavie with Hazanavicius.…...

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.

Film Society of Lincoln Center

The Us’s first complete retrospective of Czech animation master Jiri Trnka has begun.

Quad Cinema

One of France’s most iconic performers, Anne Wiazemsky, is given a retrospective.

Liquid Sky must be seen to be believed, and it can now be seen in a 4K restoration

In celebrating their first-year anniversary,...

Jean-Luc Godard has been one of the most celebrated filmmakers for nearly 60 years, and he’s not slowing down anytime soon. At the 2018 Cannes Film Festival, the 87-year-old filmmaker will premiere “The Image Book” in Official Competition. However, while Godard’s stature hasn’t changed, the French New Wave legend is far away from the kind of films he made during the first decade of his career, when his whimsical and daring formalism transformed him into an internationally renowned artist. His transition into an angrier recluse, more inclined toward experimental projects with abstract political views, forms the centerpiece of “Godard Mon Amour” (previous titled “Redoubtable”), director Michel Hazanavicius’ playful dramatization of a young Godard (Louis Garrel) and his relationship with muse Anne Wiazemsky (Stacy Martin). Wiazemsky, who passed away last year, wrote a memoir that forms the basis of the movie — but “Godard Mon Amour” is mostly a referendum on...

Jean-Luc Godard is one of the founders of the French New Wave – and, at 87, he's still kicking at the limits lesser intellects erect around cinema. (His new film, a video essay called Le Livre d'Image, will compete at Cannes in May). Now Michel Hazanavicius, director of 2011's Oscar-winning salute to the silent film era The Artist, has rustled up the nerve to put the Godard story onscreen. Well, not the whole story – just the period from 1967 to 1968, when the moviemaker met and married actress Anne Wiazemsky, then 19, and became radicalized...

As debates about the future of moviegoing continue to accelerate, some arthouses are surviving on their own terms. When real estate mogul and Cohen Media founder Charles Cohen bought the abandoned Quad Cinema in the West Village for a reported $3 million and reopened the four-screen venue in 2017, the theater joined the network of independent venues in New York City known for showcasing a range of foreign language work and repertory programming, from Lincoln Center to the Metrograph. One year later, the city has lost two major venues for specialty releases — the Sunshine Cinema on the Lower East Side and the Lincoln Plaza Cinema on the Upper West Side — but the Quad, which celebrated its one-year anniversary on April 14, continues to fill its four screens with a mixture of first-run features and classics.

“You can’t go to the opera or ballet every night,” Cohen said in an interview with IndieWire.

One of his classics is on the official poster for Cannes Film Festival and he has a highly-anticipated new feature premiering at the festival, so it’s a fitting time for a new biopic surrounding Jean-Luc Godard to arrive. After taking on the silent era with his Best Picture-winning The Artist, Michel Hazanavicius will now focus on the French New Wave era with Godard Mon Amour (formerly Redoubtable), which arrives in theaters next week.

Featuring Louis Garrel as Godard and Stacy Martin as Anne Wiazemsky, the film depicts their relationship within the director’s late-60s “revolutionary period,” beginning with the production of his Mao-centered La Chinoise. Today we’re presenting an exclusive clip from the film courtesy of Cohen Media Group, which finds a fan of Godard singing his praises to him on the street without much to say. As one can imagine, Godard’s reaction is anything but pleased.

"I don't feel I have to be everyone." Cohen Media Group has released the full, official Us trailer for Michel Hazanavicius' somewhat controversial film Godard Mon Amour, which premiered at the Cannes Film Festival last year with the title Le Redoutable. The film focuses on famous French filmmaker Jean-Luc Godard, and his time in the 60s when he made La Chinoise with young Polish actress Anne Wiazemsky. He fell madly in love with her, the two eventually married, but the events of May 1968 shook Godard and things started to get a bit unstable. Louis Garrel plays Godard, and Stacy Martin plays Wiazemsky, with a cast including Bérénice Bejo, Micha Lescot, Grégory Gadebois, and Félix Kysyl. This film is more of an homage to Godard, than a profile of the director, but it's honest and accurate. And it's a surprisingly good film, that examines the challenges of an intellectual filmmaker in an ever-changing society.

As Jean-Luc Godard prepares for a potential Cannes debut of his new feature, a biopic on the French New Wave Icon (which premiered at the festival last year) is gearing up for a U.S. release. After taking on the silent era with his Best Picture-winning The Artist, Michel Hazanavicius followed it up with the little-seen The Search, and now he’s back with Redoubtable, which has been retitled Godard Mon Amour here in the states.

Featuring Louis Garrel as Godard and Stacy Martin as Anne Wiazemsky, the film depicts their relationship within the director’s late-60s “revolutionary period,” beginning with the production of his Mao-centered La Chinoise. Based on Wiazemsky’s memoirs Un An Après, Godard himself isn’t a big fan of the film: “Oh, to even hear about it do not want to! I do not like it. Although, in fact, do not care. Stupid idea,...

You’ve fallen in love with his films, but only a lucky few have fallen in love with Jean-Luc Godard himself. The French New Wave icon is at his most lively in “Godard Mon Amour,” a tragicomedy from “The Artist” director Michel Hazanavicius. Based on actress-turned-author Anne Wiazemsky’s 2015 memoir, “Un An Apres” (“One Year Later”), the film premiered at Cannes last year under the title “Redoubtable.”

“Godard Mon Amour” stars Louis Garrel (“Ismael’s Ghosts”) as a radical young Godard, during his short-lived marriage to Wiazemsky, played by Stacy Martin (“Nymphomaniac”). Set in 1968 during the filming of “La Chinoise,” the movie’s reception and the political climate provokes Godard into a profound self-examination, which propels the newlyweds in different directions.

In Eric Kohn’s 2017 review for IndieWire, he wrote: “The movie toys with Godard’s own early filmmaking style in a wry effort to salute his legacy and demystify its evolution.

Jean-luc Godard + Jean-pierre Gorin: Five Films, 1969-1971 will be available on Blu-ray from Arrow Academy on February 27th

After finishing his film Weekend in 1967, Jean-Luc Godard shifted gears to embark on engaging more directly with the radical political movements of the era, and thus create a new kind of film, or, as he eventually put it: new ideas distributed in a new way. This new method in part involved collaborating with the precocious young critic and journalist, Jean-Pierre Gorin. Both as a two-person unit, and as part of the loose collective known as the Groupe Dziga Vertov (named after the early 20th-century Russian filmmaker and theoretician), Godard and Gorin would realize some political possibilities for the practice of cinema and craft new frameworks for investigating the relationships between image and sound, spectator and subject, cinema and society.

Included here are five films, all originally shot in 16mm celluloid, that serve...

So it’s finally that time of year. Days are sitting between us and the beginning of a new year, and with the conclusion of 2017 imminent, it’s about time we all take stock of the very best that the home video world has offered us all. From mammoth box sets to an unsung classic from a French New Wave legend that is as urgent today as it has ever been, a final film from one of the greatest directors of all time to a retrospective of a documentary filmmaker few people know of, these are the five very best home video releases of the year 2017.

5. La Chinoise

Starting off this list, one of Jean-Luc Godard’s great and underrated masterpieces. La Chinoise comes at an exciting moment in Godard’s career, squarely prior to maybe his best film, Week End, and sees the iconic filmmaker at a moment of experimentation and revolution.

Foreplays is a column that explores under-known short films by renowned directors. Jean-Luc Godard & Anne-Marie Miéville's Liberté et Patrie (2002) is free to watch below. Mubi's retrospective For Ever Godard is showing from November 12, 2017 - January 16, 2018 in the United States.I. One of the most beautiful essay films ever made, Liberté et Patrie (2002) turns out to also be one of the most accessible collaborations of Jean-Luc Godard and Anne-Marie Miéville. The deeply moving lyricism of this short may astonish even those spectators who arrive to it casually, without any prior knowledge of the filmmakers’s oeuvre. Contrary to other works by the couple, Liberté et Patrie is built on a recognizable narrative strong enough to easily accommodate all the unconventionalities of the piece: a digressive structure full of bursts of undefined emotion; an unpredictable rhythm punctuated by sudden pauses, swift accelerations, intermittent blackouts and staccatos; a mélange of materials where...

The use of “I” statements when attempting to review a piece of art is often times the sign of a weak or lazy critic. However, in the case of viewing the newly-released Kino Lorber Blu-ray of Jean-Luc Godard’s La Chinoise (which comes hand in hand with a release of the iconic filmmaker’s equally revolutionary Le Gai Savior), it’s all but impossible not to give personal context.

One of Godard’s most esoteric and polarizing works, La Chinoise is a simply constructed story of a group of students, led by Jean-Pierre Leaud’s Guillaume, who form a Maoist revolutionary collective that ultimately sees extreme action as the only thing that can spark any actual change in the modern world. Leaud is opposite the brilliant Anne Wiazemsky who takes on the role of Veronique, effectively the co-leader of the small group, a group that draws inspiration from the students...

Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSThe luminously thoughtful French actress Anne Wiazemsky, indelible for her starring roles in Robert Bresson's Au hasard Balthazar, Jean-Luc Godard's Le chinoise, Pier Paolo Pasolini's Teorema and Porcile, and Philippe Garrel's L'enfant secret, has died at the age of 70. Part of her memoir Un an après has been adapted in the controversial film Redoubtable, which premiered at Cannes this year.Significant writings concerning Miramax and The Weinstein Company co-founder Harvey Weinstein's sexual abuse are appearing far and wide: Ronan Farrow for The New Yorker, Jodi Kantor & Rachel Abrams for The New York Times, Heather Graham for Variety, and Naveen Kumar for Vice. Recommended VIEWINGUploaded five months ago and undiscovered until now: Neil Bahadur has found the first trailer for Alan Rudolph's first film in 15 years, Ray Meets Helen.

Distinctive French actor who made an extraordinary debut in Au Hasard Balthazar and became a star of the Nouvelle Vague

“At the age of 17 I was chosen,” recalled Anne Wiazemsky of the moment in April 1965 when the film director Robert Bresson cast her in Au Hasard Balthazar. She had no formal training – for Bresson an essential requirement – and, as well as an aura of mystery, possessed a soft, flat voice perfectly suited to deliver opaque lines. She appeared at once fragile and headstrong, introspective and direct, sensuous and ironically detached. There was a quiet, radiant intensity to her fathomless gaze, as of pure, still waters running deep.

Related: Anne Wiazemsky, French actor, novelist and muse to Jean-Luc Godard, dies aged 70

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The French author and actress Anne Wiazemsky, whose haunting debut as the star of Robert Bresson’s classic Au Hasard Balthazar led to a movie career that she would later revisit in her celebrated writings, died in Paris on Thursday. An intriguing character in the history of European art film, Wiazemsky lent her…

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More than just a foil for Jean-Luc Godard, Wiazemsky was a vital performer – and exhilarating writer – who brought desire and compassion to the screen

It’s an uncomfortable irony that, after her life has ended, Anne Wiazemsky risks being seen as a bystander in her own story. In Michel Hazanavicius’s enjoyable but somewhat facetious new film Redoubtable, Wiazemsky, played by Stacy Martin, is depicted as a wry observer in her marriage to Jean-Luc Godard – the straight woman to his tormented clown.

Related: Anne Wiazemsky, French actor, novelist and muse to Jean-Luc Godard, dies aged 70

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Anne Wiazemsky, the actress best known as the star of “Au Hasard Balthazar” and for her appearances in French New Wave movies, has died at 70 after a battle with breast cancer. Her brother confirmed the news with the Afp. Wiazemsky was the second wife of Jean-Luc Godard and appeared in his 1967 dramas “La chinoise” and “Week End.”

The actress got her breakthrough in 1966 when Robert Bresson cast her in the lead role of Marie in “Au Hasard Balthazar.” The film memorably chronicled the relationship between the character, a shy farm girl, and her beloved donkey as they grow old and drift apart. Wiazemsky was only 18 year old when she appeared in the movie but became an instant favorite of Bresson. Her acting career continued until the late 1980s and she starred in films directed by Pier Paolo Pasolini (“Teorema,” “Pigsty”) and Philippe Garrel (“L’enfant secret”).

Most recently, Wiazemsky had...

Actor appeared in films by Bresson, Pasolini and Godard, to whom she was married for 12 years and whose memoir of their relationship was adapted into the 2017 film Redoubtable

Anne Wiazemsky, the actor best known for her appearances in films of the French Nouvelle Vague and marriage to director Jean-Luc Godard, has died aged 70 after a battle with cancer. “Anne died this morning. She had been very sick,” her brother Pierre told Afp.

Related: 'Godard is not God!' … Michel Hazanavicius on his film about France's most notorious director

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Brady Jandreau plays himself in Chloe Zhao’s The Rider - winner of the Grand Prix Award at the 43rd Festival of American Cinema in Deauville The Rider took the top prize, the Grand Prix Award, at the Deauville Festival of American Cinema. The second feature by Chinese-American director Chloe Zhao, this cowboy drama has received many approving reviews and previously scooped the Art Cinema Award in the Directors’ Fortnight at the Cannes Film Festival earlier in the year.

The Rider deals with a young cowboy Brady whose promising future as a top rodeo rider is suddenly jeopardised by a dreadful head injury. The clan are played by real-life family members Brady, Tim and Lilly Jandreau. Zhao met Brady before his real-life accident and developed the story out of the aftermath.

The jury, headed by The Artist director Michel Hazanavicius whose Redoubtable (the true story of how 17-year-old Anne Wiazemsky...

Kirsty Asher was a participant on this year's inaugural Film Critics Day workshop at the Cinema Rediscovered film festival in Bristol and Clevedon in the U.K. Cinema Rediscovered is a celebration of the finest new digital restorations, contemporary classics and film print rarities from across the globe. 15 early career and aspiring film critics took part in a full day workshop looking at the state of things for film criticism in the U.K. and beyond. They each produced a written or visual piece of criticism around the films in the program. Further examples of their work, as well as information about the program, can be found on the Cinema Rediscovered Blog.There is a moment in La chinoise where my dusty A-level French pricked up its ears: it was to the sound of a young student and co-ringleader of a commune of revolutionaries, Guillaume, using the passé simple tense...

Decades after he broke form and caught the world’s attention with his New Wave films, the influence of Jean-Luc Godard can still be felt on contemporary cinema. His post-modern filmmaking still remains vitally live, and “La Chinoise” is certainly one that feels fresh. And today we have an exclusive clip from the movie, that’s back in cinemas with a 50th anniversary restoration.

Starring Jean-Pierre Léaud and Anne Wiazemsky, the film follows a group of middle-class students, led by Guillaume and Veronique, who are disillusioned by their suburban lifestyles, and form a small Maoist cell and plan to change the world by any means necessary.

Continue reading Exclusive: Clip From Jean-Luc Godard’s Newly Restored ‘La Chinoise’ Gets Radical at The Playlist.

“We must confront vague ideas with clear images” (“Il faut confronter les idées vagues avec des images claires”), reads a graffito on the wall of the bourgeois apartment that is the setting for La chinoise. Jean-Luc Godard’s explosive 14th feature film (one of no less than three Godard masterpieces that were released in 1967), which Pauline Kael called “ a speed-freak’s anticipatory vision of the political horrors to come,” is getting a 50th anniversary re-release at the Quad Cinema in New York.Is there any clearer image than that of Juliet Berto in red war paint, against a red wall, surrounded by a fort of Chairman Mao’s Little Red Books, pointing a machine gun at the camera? In 1964 Godard had famously said, quoting D.W. Griffith, that all filmgoers want is a girl and a gun. And that is what René Ferracci (1927-1982), the house designer of the Nouvelle Vague,...

Michel Hazanavicius to attend festival’s opening ceremony.

Michel Hazanavicius’s Redoubtable, which played in competition at Cannes last month, will open the 34th Jerusalem Film Festival (July 12-23).

Hazanavicius will attend the festival’s opening ceremony at the open-air Sultan’s Pool venue.

Set in 1967, the film recounts the relationship between revered French film director Jean-Lus Godard and young actress Anne Wiazemsky.

Screen’s review called it “a dazzlingly executed, hugely enjoyable act of stylistic homage”. Wild Bunch is handling sales, Lev Films will distribute in Israel.

This year’s Jerusalem Film Festival will see the event spread its wings further afield, including events planned at various locations across the city such as the projection of a print of Giuseppe Tornatore’s 1988 classic Cinema Paradiso in Muristan Square.

The festival is also launching a new mobile cinema fitted with a high-quality projection setup that will travel to different Jerusalem neighbourhoods for free public screenings of a selection...

Michel Hazanavicius' Redoubtable will open this year's Jerusalem Film Festival on July 13.

For the biopic, the director of The Artist returns to the well of cinema history, looking at the life of French-Swiss New Wave legend Jean-Luc Godard, in particular his political radicalization and the breakup of his short marriage to the much younger actress Anne Wiazemsky in 1968. Redoubtable premiered in competition in Cannes last month.

Hazanavicius will attend the Jerusalem open-air premiere at the Sultan's Pool Amphitheatre. The 34th Jerusalem festival, which runs July 13-23, will screen more than 180 films.

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The film is set for a North American release in early 2018.

Cohen Media Group has acquired all North American distribution rights to Michel Hazanavicius’ Jean-Luc Godard biopic Redoubtable.

John Kochman, executive vice president of Cohen Media Group, negotiated the agreement with Eva Diederix, head of sales for Paris-based Wild Bunch and CAA.

Hazanavicius also wrote the film starring Louis Garrel as Godard and Stacy Martin as his second wife, Anne Wiazemsky that is currently in competition in Cannes.

A portrait of the artist as an angry middle-aged revolutionary, Redoubtable centres on the drama surrounding the shooting of Godard’s 1967 film, Le Chinoise, which starred his then-wife, Wiazemsky.

The romantic dramedy depicts the moment in Godard’s career when his commitment to revolutionary politics began to affect both his art and his personal life.

Cmg CEO Charles S. Cohen said, “We’re thrilled to work with Michel Hazanavicius and we’re especially excited to give this important film a...

Cohen Media Group has acquired the North American rights to Michel Hazanavicius’ free-wheeling Jean-Luc Godard biopic “Redoubtable,” which premiered late last week at the Cannes Film Festival.

Set in Paris 1967, “Redoubtable” follows Godard as he’s forced to re-examine himself after the reception of “La Chinoise,” his political film about young revolutionaries. Seeming to foreshadow France’s civil unrest in May of 1968, the director is shaken by the crisis and irrevocably changed by his own deep-rooted conflicts and misunderstandings. It is set for a North American release in early 2018.

Louis Garrel stars as Godard, with Stacy Martin as Anne Wiazemsky and Bérénice Bejo in a supporting role.

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CEO Charles Cohen has never met a French movie he doesn’t like, so the pairing of his outfit and Hazanavicius’ French film about a French filmmaker is a match made in acquisition heaven.

Exclusive: Wild Bunch sells Michel Hazanavicius’s Jean-Luc Godard biopic to UK.

Michel Hazanavicius’s Redoubtable, which premiered In Competition at Cannes Film Festival this week, has been picked up for UK distribution by Thunderbird Releasing.

The deal was negotiated by Kevin Chan, acquisitions manager at Thunderbird Releasing, and Emilie Serres of sales agent Wild Bunch.

The Jean-Luc Godard biopic stars Louis Garrel and Stacy Martin. It tells the story of revered French New Wave director Godard’s relationship with his wife Anne Wiazemsky.

Screen’s Cannes review of the film cited it as a “dazzlingly executed, hugely enjoyable act of stylistic homage” as well as a “poignant story of a dysfunctional marriage and an insightful recreation of a critical and contradiction-ridden period of modern French history”.

Chan commented: “Michel Hazanavicius turns the story of Jean-Luc Godard into a playful and honest film about politics, creativity and love, with extraordinary performances from Louis Garrel and Stacy Martin.

“All...

It’s more Pastiche du Godard than Histoire(s) du Godard in Michel Hazanavicius’ Redoubtable and that’s not a bad thing. The director’s slight but surprisingly playful account of nouvelle vague maestro Jean-Luc Godard’s marriage to actress Anne Wiazemsky and his re-radicalization in the late 1960s has the potential to infuriate the more devout of Godard followers but there is plenty of good-hearted goading and creative homage to savor for the less pedantic fan.

Honing in on a tumultuous time for Godard and his adoptive France, Hazanavicius charts the relationship between him and Wiazemsky from beginning — on the set of his 1967 film La Chinoise — to end, taking in the 1968 protests and subsequent student movement (“I like the movement, not the students,” he later exclaims) as well as Godard’s own abstract departures from his previous filmmaking methods. It marks a welcome return for the director (Michel that...

The first week ends with the return of Michel Hazanavicius and his latest project, Redoubtable. He gave us the Oss films, Cannes invited The Artist and The Search, and this biopic on the original enfant terrible sees Louis Garrel as Jean-Luc Godard who falls in love with actress Anne Wiazemsky (Stacy Martin) while shooting a movie.

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With his “Redoubtable,” Oscar-winning “The Artist” writer-director Michel Hazanavicius delivers another homage to period cinema, this time channeling Jean-Luc Godard’s moviemaking techniques as he portrays the cinema god during his late ’60s transition from groundbreaking film iconoclast to actual radical revolutionary. (Read Eric Kohn’s review here.)

American buyers are already sniffing around the feature film, one that could play well for older cinephiles who love Godard, an admittedly narrow niche.

French star Louis Garrel, who also appears in Arnaud Desplechin’s festival opener “Ismael’s Ghosts,” is superb as Godard and could land an acting prize. At the beginning, we get a glimpse of the director audiences are clearly expecting to see: confident, playful, and adoring his 19-year-old leading lady Anne Wiazemsky (Stacy Martin), gazing straight at her (and us) as the camera tracks by during the filming of “La Chinoise.”

Read More: The 2017 IndieWire Cannes Bible: Every Review,...

With his “Redoubtable,” Oscar-winning “The Artist” writer-director Michel Hazanavicius delivers another homage to period cinema, this time channeling Jean-Luc Godard’s moviemaking techniques as he portrays the cinema god during his late ’60s transition from groundbreaking film iconoclast to actual radical revolutionary. (Read Eric Kohn’s review here.)

American buyers are already sniffing around the feature film, one that could play well for older cinephiles who love Godard, an admittedly narrow niche.

French star Louis Garrel, who also appears in Arnaud Desplechin’s festival opener “Ismael’s Ghosts,” is superb as Godard and could land an acting prize. At the beginning, we get a glimpse of the director audiences are clearly expecting to see: confident, playful, and adoring his 19-year-old leading lady Anne Wiazemsky (Stacy Martin), gazing straight at her (and us) as the camera tracks by during the filming of “La Chinoise.”

Read More: The 2017 IndieWire Cannes Bible: Every Review,...

There’s plenty of knowing winks and stylistic homages to Godard’s work, but this study of a politicised and resentful Jlg doesn’t quite put you where it wants to

Michel Hazanavicius’s Redoubtable is a reasonably funny, moderately interesting movie, wearing its sprightly colourful pastiche like dry-cleaned retro couture. It is about Jean-Luc Godard – amusingly played by Louis Garrel – and his mic-drop moment in the late 60s. Nettled at the accusation that his cinema is selling out and neglecting the revolution promised by the Paris événements of 1968, and that he himself is becoming middle-aged and irrelevant, Godard rejects the French industry that had lionised him as a global celebrity and finally goes on a political and artistic journey way upriver, experimenting with communal cinema and radical film-making.

He also painfully breaks with his beautiful young wife Anne Wiazemsky, played by Stacy Martin, whose memoir One Year Later has...

As a filmmaker, Jean-Luc Godard is a brilliant enigma whose work offers more questions than answers. “Redoubtable” solves that challenge with an outside source: Adapted from actress-turned-author Anne Wiazemsky’s 2015 memoir, “Un An Apres” (“One Year Later”), this surprisingly endearing tragicomedy recounts her short-lived marriage to Godard and the moment in which the feisty filmmaker soured into the angry, outspoken political radical that became his post-’60s persona.

Written and directed by Michel Hazanavicius (“The Artist”), the movie toys with Godard’s own early filmmaking style in a wry effort to salute his legacy and demystify its evolution. Light and inoffensive, it trades the intellectual rigor of Godard’s work for fluffy sentiments, but never gets crass. Above all else, it succeeds at transforming cinephile trivia into a genuine crowdpleaser.

A welcome rebound after Hazanvicius’ misbegotten remake “The Search,” the new movie is a return to the colorful period details...