When I think of Wu Xia movies, I immediately think of Shaw Brothers and the many classic they have made over the years. What I love about this genre is many things, the Swordplay, The Characters, Story lines, Setting, Costumes and much more.
Wu Xia, traditionally is a form of literature. But after high demand over the years it’s become involoved in many art forms such as Movies, Opera, Video Games and beyond. This list of 30 Wu Xia movies listed, i hope you’ll like and want to thank my friend Richard Robinson for contributing to the list. If we missed any classics out, its most probably because we honestly forgot at that time or maybe we haven’t seen all the classic Wu Xia movies so far, anyway enjoy the list and let us know what you thought in the commen box at the bottom.
1.Have Sword Will Travel (1969)
Cast: David Chiang,...
Wu Xia, traditionally is a form of literature. But after high demand over the years it’s become involoved in many art forms such as Movies, Opera, Video Games and beyond. This list of 30 Wu Xia movies listed, i hope you’ll like and want to thank my friend Richard Robinson for contributing to the list. If we missed any classics out, its most probably because we honestly forgot at that time or maybe we haven’t seen all the classic Wu Xia movies so far, anyway enjoy the list and let us know what you thought in the commen box at the bottom.
1.Have Sword Will Travel (1969)
Cast: David Chiang,...
- 10/14/2015
- by kingofkungfu
- AsianMoviePulse
The Magnificent Swordsman
Written by Ko Jui-Fen
Directed by Griffin Yueh Feng and Ching Gong
Hong Kong, 1968
At what point should movie watchers applaud a film which borrows heavily from other familiar sources for the quality of the filmmaking and when is it too apparent that said film is incapable of overcoming the fatal flaw that can be the lack of originality? It is a tricky question to say the least, one interested in the very slippery slope of homages, remakes, nods and the like in the realm of cinema. If one is being honest, there exists no singular answer encompassing all variations of circumstances under which directors, writers and producers are either playfully playing tribute to other material or rather unashamedly ripping off of it. Even in the latter category, provided the new film is of quality and possesses just enough of its own identity, does there still exist...
Written by Ko Jui-Fen
Directed by Griffin Yueh Feng and Ching Gong
Hong Kong, 1968
At what point should movie watchers applaud a film which borrows heavily from other familiar sources for the quality of the filmmaking and when is it too apparent that said film is incapable of overcoming the fatal flaw that can be the lack of originality? It is a tricky question to say the least, one interested in the very slippery slope of homages, remakes, nods and the like in the realm of cinema. If one is being honest, there exists no singular answer encompassing all variations of circumstances under which directors, writers and producers are either playfully playing tribute to other material or rather unashamedly ripping off of it. Even in the latter category, provided the new film is of quality and possesses just enough of its own identity, does there still exist...
- 2/10/2013
- by Edgar Chaput
- SoundOnSight
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