Milburn Morante(1887-1964)
- Actor
- Director
- Make-Up Department
Milburn Morante (often alternatively credited as 'Moranti') began as a
turn-of-the-century vaudevillian, part of a family trio calling
themselves 'The Three Morantes'. After moving from San Francisco to
L.A., he gravitated towards the film industry by 1913, initially with
Keystone-Triangle, and, later, becoming regular support for eccentric
knockabout comedienne Gale Henry in
Universal's 'Joker' and 'Model' series of comedy shorts. Two years
later, he formed his own production company, Mercury, which effectively
provided steady employment to his old vaudeville partners, father Joe
and brother Al. He released through the independent Bull's Eye Film
Corporation, but his comic characterisations never caught on with the
public. By the time Bull's Eye became incorporated into Reelcraft in
1920, the Morante company had gone bust and Milburn moved into
directing small-scale westerns (usually starring
Pete Morrison) and comedy shorts
for Morris R. Schlank's independent
Premier Pictures Corporation, inevitably destined for rural release
only.
Milburn also continued as a prolific character actor, both in slapstick farce (eg in The Detectress (1919), opposite Henry), and as comic relief in westerns, notably as sidekick to Buzz Barton in a series of oaters made between 1926 and 1929. As visual madcap comedy waned with the advent of sound, Milburn confined himself almost exclusively to playing grizzled prospectors, tramps, bartenders and more town drunks than one can throw a whiskey glass at. On occasion, he essayed the odd seedy second string villain and was last gainfully employed in several episodes of The Cisco Kid (1950).
Milburn also continued as a prolific character actor, both in slapstick farce (eg in The Detectress (1919), opposite Henry), and as comic relief in westerns, notably as sidekick to Buzz Barton in a series of oaters made between 1926 and 1929. As visual madcap comedy waned with the advent of sound, Milburn confined himself almost exclusively to playing grizzled prospectors, tramps, bartenders and more town drunks than one can throw a whiskey glass at. On occasion, he essayed the odd seedy second string villain and was last gainfully employed in several episodes of The Cisco Kid (1950).