Lionsgate will be unleashing the exorcism-based horror movie Prey for the Devil (formerly The Devil’s Light) in theaters on October 28, 2022, and a new image has arrived today.
In Prey for the Devil, “In response to a global rise in demonic possessions, the Catholic Church reopens exorcism schools to train priests in the Rite of Exorcism. On this spiritual battlefield, an unlikely warrior rises: a young nun, Sister Ann (Jacqueline Byers).
“Although nuns are forbidden to perform exorcisms, a professor recognizes Sister Ann’s gifts and agrees to train her. Thrust onto the spiritual frontline with fellow student Father Dante (Christian Navarro; “13 Reasons Why”), Sister Ann finds herself in a battle for the soul of a young girl (who Sister Ann believes is possessed by the same demon that tormented her own mother years ago), and soon realizes the Devil has her right where he wants her….and it wants in.
In Prey for the Devil, “In response to a global rise in demonic possessions, the Catholic Church reopens exorcism schools to train priests in the Rite of Exorcism. On this spiritual battlefield, an unlikely warrior rises: a young nun, Sister Ann (Jacqueline Byers).
“Although nuns are forbidden to perform exorcisms, a professor recognizes Sister Ann’s gifts and agrees to train her. Thrust onto the spiritual frontline with fellow student Father Dante (Christian Navarro; “13 Reasons Why”), Sister Ann finds herself in a battle for the soul of a young girl (who Sister Ann believes is possessed by the same demon that tormented her own mother years ago), and soon realizes the Devil has her right where he wants her….and it wants in.
- 9/13/2022
- by John Squires
- bloody-disgusting.com
If there’s life on Mars, there must also be death on Mars: That’s the plainest takeaway from “Settlers,” a stark, scorched, occasionally jolting sci-fi slow burn in which relocating to the red planet can’t save humanity from its basest instincts. Tracing the tumultuous household dynamics of four ex-earthlings over the course of a decade, as they attempt to forge a new life on a hostile surface, Wyatt Rockefeller’s polished, confident debut feature succeeds most vividly as a feat of minimalist world-building — constructing an overwhelmingly desolate Martian farmstead in South Africa’s Namaqualand desert, in which avenues of exploration feel infinite, and escape impossible. Rockefeller’s story world might indeed be more richly imagined than his story, which tends to idle after a tensely wound opening. Still, a fine, surprising ensemble lends human heft to this Tribeca premiere, which could springboard its writer-director to more lavish visions.
- 6/26/2021
- by Guy Lodge
- Variety Film + TV
The Box of Delights
N Conrad
Click here to friend Best British TV on Facebook or here to follow us on Twitter.
Over the years, the British TV networks have aired some amazing shows over the festive season. People will inevitably argue over the Christmas dinner table as to which of these shows are the best. In order to spare you all from such fierce debates we have decided to put together our list of the 10 best ever British TV Christmas shows.
1. The Snowman. As the debate about the best Christmas show rages on, it is ironic that the best ever British TV Christmas show is the one that contains absolutely no dialogue unless you count David Bowie’s cheesy intro scene. Raymond Briggs’ artwork and Aled Jones singing have ensured that this 80s cartoon will always remain at the top of this list.
2. The Box of Delights. Money was...
N Conrad
Click here to friend Best British TV on Facebook or here to follow us on Twitter.
Over the years, the British TV networks have aired some amazing shows over the festive season. People will inevitably argue over the Christmas dinner table as to which of these shows are the best. In order to spare you all from such fierce debates we have decided to put together our list of the 10 best ever British TV Christmas shows.
1. The Snowman. As the debate about the best Christmas show rages on, it is ironic that the best ever British TV Christmas show is the one that contains absolutely no dialogue unless you count David Bowie’s cheesy intro scene. Raymond Briggs’ artwork and Aled Jones singing have ensured that this 80s cartoon will always remain at the top of this list.
2. The Box of Delights. Money was...
- 12/19/2011
- by admin
'Muppet Christmas Carol'
In ''The Muppet Christmas Carol, '' Michael Caine and a few other humans join the cast of TV's ''The Muppet Show, '' as well as some new fabric-and-foam creations, for a half-serious, half-joking musical adaptation of Dickens' seasonal warhorse.
The fit between sentiment and satire is not always a comfortable one and the more dedicated fans of either the story or the Muppets may leave theaters dissatisfied. However, the film's overt appeal to both the season and the furry creatures' adult and juvenile fans should make this a steady performer at least for December. Its real fortunes, however, probably lie ahead in video.
Familiar Muppets ''play'' various characters, starting with the long-nosed Great Gonzo as Charles Dickens. Joined by wisecracking Rizzo the Rat, Gonzo's Dickens offers an explanatory narrative as he skulks around and about the story proper. The tale itself is centered around Caine's straightforward depiction of miserly Scrooge, a solid performance that is at its best during the more poignant moments with the Ghosts of Christmas Past and Yet to Come.
Those two spirits, along with their mate, Present, are the highpoint of the new creations. Past is a floating mass of veils headed by a porcelain face; Present an otherwise unexceptional rotund fellow who, delightfully, shrinks or grows to fit the available space; while Yet to Come is a statuesque, cowled fright.
Other characterizations by familiar Muppet personalities are more problematic: Kermit the Frog merges pretty well into Bob Cratchit, but Miss Piggy as Mrs. Cratchit is weirdly show biz.
All the Muppets, however, are very well-animated, and the sense of individualized personality extends through a large cast of supporting ''players'' and ''extras.'' The picturesque production design by Val Strazovec is extremely evocative and does an excellent job of accommodating both human and Muppet proportions, often simultaneously. The time travel effects are also top-notch.
The musical sequences are not standouts, what with the obvious limitations on dancing, but songs by Paul Williams do the trick of emphasizing mood.
THE MUPPET CHRISTMAS CAROL
Buena Vista
Walt Disney Pictures presents from Jim Henson Prods.
Director Brian Henson
Producer Brian Henson, Martin G. Baker
Screenplay Jerry Juhl
Based on ''A Christmas Carol'' by Charles Dickens
Executive producer Frank Oz
Co-producer Jerry Juhl
Editor Michael Jablow, A.C.E.
Director of photography John Fenner
Production designer Val Strazovec
Score Miles Goodman
Songs Paul Williams
Color/Dolby
Cast:
Scrooge ... Michael Caine
Muppet Cast ... Dave Goelz, Steve Whitmire, Jerry Nelson, Frank Oz, David Rudman, Donald Austen, Rob Tygner, Karen Prell, William Todd Jones, Jessica Fox
Running time -- 85 minutes
MPAA Rating: G
(c) The Hollywood Reporter...
The fit between sentiment and satire is not always a comfortable one and the more dedicated fans of either the story or the Muppets may leave theaters dissatisfied. However, the film's overt appeal to both the season and the furry creatures' adult and juvenile fans should make this a steady performer at least for December. Its real fortunes, however, probably lie ahead in video.
Familiar Muppets ''play'' various characters, starting with the long-nosed Great Gonzo as Charles Dickens. Joined by wisecracking Rizzo the Rat, Gonzo's Dickens offers an explanatory narrative as he skulks around and about the story proper. The tale itself is centered around Caine's straightforward depiction of miserly Scrooge, a solid performance that is at its best during the more poignant moments with the Ghosts of Christmas Past and Yet to Come.
Those two spirits, along with their mate, Present, are the highpoint of the new creations. Past is a floating mass of veils headed by a porcelain face; Present an otherwise unexceptional rotund fellow who, delightfully, shrinks or grows to fit the available space; while Yet to Come is a statuesque, cowled fright.
Other characterizations by familiar Muppet personalities are more problematic: Kermit the Frog merges pretty well into Bob Cratchit, but Miss Piggy as Mrs. Cratchit is weirdly show biz.
All the Muppets, however, are very well-animated, and the sense of individualized personality extends through a large cast of supporting ''players'' and ''extras.'' The picturesque production design by Val Strazovec is extremely evocative and does an excellent job of accommodating both human and Muppet proportions, often simultaneously. The time travel effects are also top-notch.
The musical sequences are not standouts, what with the obvious limitations on dancing, but songs by Paul Williams do the trick of emphasizing mood.
THE MUPPET CHRISTMAS CAROL
Buena Vista
Walt Disney Pictures presents from Jim Henson Prods.
Director Brian Henson
Producer Brian Henson, Martin G. Baker
Screenplay Jerry Juhl
Based on ''A Christmas Carol'' by Charles Dickens
Executive producer Frank Oz
Co-producer Jerry Juhl
Editor Michael Jablow, A.C.E.
Director of photography John Fenner
Production designer Val Strazovec
Score Miles Goodman
Songs Paul Williams
Color/Dolby
Cast:
Scrooge ... Michael Caine
Muppet Cast ... Dave Goelz, Steve Whitmire, Jerry Nelson, Frank Oz, David Rudman, Donald Austen, Rob Tygner, Karen Prell, William Todd Jones, Jessica Fox
Running time -- 85 minutes
MPAA Rating: G
(c) The Hollywood Reporter...
- 12/11/1992
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.