List of French films/TV series

A part of Joan of Arc's life. At the beginning, Jeanne (Joan) has already left Domremy, she is trying to convince a captain to escort her to the Dauphin. It ends during Jeanne's first battle, at Orleans. Meanwhile, Jeanne is depicted more as a warrior than a saint (all cliches are avoided), with only her faith for strength.

Film about the later life of Joan Of Arc including her trial and execution.

The growing pains of three young women contrast with the immutability of the holy Bengal River, around which their daily lives unfold.

The life of the poor Tucker family who worked as cotton pluggers and decided to get their own ground, but nature was against them.

The wife and mistress of a loathed school principal plan to murder him with what they believe is the perfect alibi.

Monsieur Hulot visits the technology-driven world of his sister, brother-in-law, and nephew, but he can't quite fit into the surroundings.

Monsieur Hulot curiously wanders around a high-tech Paris, paralleling a trip with a group of American tourists. Meanwhile, a nightclub/restaurant prepares its opening night, but it's still under construction.

New York actors rehearse Chekhov's "Uncle Vanya" in a dilapidated theatre.

Two old friends meet for dinner; as one tells anecdotes detailing his experiences, the other notices their differing worldviews.

With minimal narration by the director and very little context this is a kaleidoscope of stunning visuals from Calcutta, a city of 8,000,000 in the late 1960's: rich and poor, exotic and mundane, secular and religious, children and adults, animate and inanimate. Given only the images, the viewer can read any meaning she or he wants into the film.

Eric Rohmer leads a conversation with Jean Renoir and Henri Langlois on the art of filmmaker Louis Lumière. The cinematographic pioneer Lumière produced thousands of documentaries in the end of the 19th century, but also some short comedies with amateur actors. The films are done in one shot and are only 1 minute in length. Lumiére and his operators chose a place, put up the camera and then recorded what happened in front of the lens. In spite of this both Renoir and Langlois argue that the films of Lumière are not simply reproductions of reality, but pieces of art. Renoir points out that Lumiére didn't just reproduce the externals of what he saw, but also its spirit and inner life. The films are not only showing a piece of contemporary reality, but Lumière's vision of that reality. Langlois remarks that the films of Lumière were not made at random, but out of a consciously chosen dramaturgy and composition. Lumiére and his team chose, after long deliberations, the motif of the film as well as the camera-angle. There is usually some kind of beginning and end of the film. The main action never occurs in the center of the screen, but either at the right or the left side of it. This means that the main movements happen along a diagonal across the screen, which produces a dynamic impression. The films are made in one shot, but the shots are usually very deep, which means that you get some close-ups in the foreground at the same time as you see something happen in full scale behind that and something else even more far away. The conversation with Renoir and Langlois is interspersed with some of Lumière's films, to underline the arguments.

Stéphane is an emotionally distant but professionally dedicated violin restorer whose cold heart is tested when his employer's new girlfriend, a beautiful violinist, falls for him.

A 25-year-old male student in Paris becomes indifferent to the world around him, and subsequently feels a strong sense of alienation and hopelessness.

A musical story about how people find their love on the streets of beautiful Paris.

A poet in love with Death follows his unhappy wife into the underworld.

A story that mixes fantasy, philosophy and everyday reality. The problem with Antoine Martin is that he only exists one day out of two. And it is from this circumstance so personal that he meets Clémentine, a girl who lives full time. All this will only deepen his anguish.

During the 1950s, in French Indochina, the Dufresne family struggles to survive amid harsh economic times and natural disasters.

Franco de Peña's movie deals with three very different love stories, all taking place on the Avenida Libertador, the main avenue of Caracas.

A group of young Francophones visiting the west coast decide to stay on Galiano Island, where things turn out to be very different from back east.

A dialogue-driven drama about a woman and her brother who meet at a deserted seaside hotel to deal with their passionate incestuous feelings for each other and reminisce about their happy childhood.

Paris, summer 1960. Michel is about to leave for Algeria for military service. He meets Liliane and Juliette, two inseparable friends. Michel goes on vacation to Corsica, where the two girls decide to join him

Young innocent aristocrat Benjamin comes to live with his Countess aunt. Her lover teaches him the techniques of seduction and sends him to test them, first on the maids, then on the upper class Anne and finally on the countess herself.

Juliette Merteuil and Valmont is a sophisticated couple, always looking for fun and excitement. Both have sexual affairs with others and share their experiences with one another. But there is one rule: never fall in love. But this time Valmont falls madly in love with a girl he meets at a ski resort, Marianne.

Serge Mouret is a frail and devout young priest in a tough country parish. When he falls down and loses his memory, he is nursed back to health by Albine, the beautiful carefree niece of the outspoken atheist Jeanbernat. After Serge and Albine fall in love, Serge recovers his memory and realizes the grave sin he has committed.

Ivan, an arrogant yet handsome douche, crashes the car he lifted from an auto garage for a joyride. Rather than go to jail the kid talks the owner into letting him pay the damages with money he can squeeze out of his girlfriend Manuelle and her mobster father.