2024

After marriage, a woman struggles to be the submissive wife that her husband and his family expect her to be. The story follows her journey, as she changes herself and, even more so, changes the household.

Jeanne Vaubernier, a young working-class woman hungry for culture and pleasure, uses her intelligence and allure to climb the rungs of the social ladder one by one until she meets and begins a scandalous relationship with King Louis XV.

A woman who has lost her memory struggles to reconstruct her past while cooking simple yet delicious food for workers at a working-class seaside tavern.

Follows Rama, a novelist who attends the trial of Laurence Coly at the Saint-Omer Criminal Court to use her story to write a modern-day adaptation of the ancient myth of Medea, but things don't go as expected.

On the brink of losing her home, Maddie finds an intriguing job listing: helicopter parents looking for someone to bring their introverted 19-year-old son out of his shell before college. She has one summer to make him a man or die trying.

In spring, a young girl leaves the island of Hokkaido to attend university in Tokyo.

A young private on military leave comes to the rescue of his girlfriend who's been abducted by thieves and brought to Rio de Janeiro. An extravagant adventure ensues.

It is a documentary on food design, redefining food through the lens of creativity and design. The film features interviewees from Italy, Spain, Taiwan, the Netherlands and the United Kingdom.

Byungsoo, a film director, goes with his daughter Jeongsu, an aspiring interior designer, to a building owned by an old friend already established in the design field. She gives them a tour of the property, which includes a restaurant and cooking studio on the first two floors, her office in the basement, a residence on the third floor, and an artist's studio at the top. The three of them chat and drink amicably until a business call pulls Byungsoo away. When he returns, it's the same place, but a different time, and the building owner invites him up to the second floor.

During a trip to Sicily in 1920, Luigi Pirandello meets Onofrio Principato and Sebastiano Vella, two actors rehearsing a new show with the actors of their amateur dramatics. This meeting brings great surprises.

Four women with nothing in common except a debt left behind by their dead husbands' criminal activities take fate into their own hands and conspire to forge a future on their own terms.

Two young women are playing "Would you rather?".

With nearly 70 monumental works of art scattered throughout the district, La Défense, Paris, is Europe's largest open-air museum. Sitting between the legs of the gigantic Red Spider, I wonder how I didn't notice them before.

An actor was poisoned and died on stage in the middle of a performance. Martin, a member of the troupe and friend of the victim, becomes a primary suspect while being chased by a mysterious organization named the Green Perfume.

"I'll look at you, but not at the camera. It could be a trap," whispers Jane Birkin shyly into Agnès Varda's ear at the start of JANE B. PAR AGNES V. The director of CLEO FROM 5 TO 7 and VAGABOND once again paints a portrait of a woman, this time in a marvelously Expressionistic way. "It's like an imaginary bio-pic," says Varda. Jane, of course, is the famed singer ("Je t'aime ... Moi non plus"), actress (BLOW UP), fashion icon (the Hermes Birkin bag) and longtime muse to Serge Gainsbourg. As Varda implies, JANE B. PAR AGNÈS V. abandons the traditional bio-pic format, favoring instead a freewheeling mix of gorgeous and unexpected fantasy sequences. In each, Jane inhabits a new character, playing a cat & mouse game with Varda as they explore the role of the Muse and the Artist, all the while showcasing the multifaceted nature of Birkin's talent. "I'd like to be filmed as if I were transparent, anonymous, like everyone else," says Birkin. But her wish to be a "famous nobody" is impossible to achieve; Birkin is simply too magnificent, too mesmerizing. Here, Varda's signature mix of aesthetic innovation and generosity of emotion results in a surreal and captivating essay on Art, Fame, Love, Children and Staircases. For its first-ever U.S. theatrical release the film has been newly-restored from the original 35mm camera negative, overseen by director Varda herself.

For 25 years, in an enormous nightclub, a man and a woman watch and wait for an unknown event. From 1979 to 2004, we follow the evolution of disco to techno music, the story of a love, the story of an obsession.

Jean is a "slow" man, he builds his life around his anxieties, and considers himself unsuited to life in society. He lives with Alex, who is a "fast" man. Passionate about aerodynamics and eurodance, Alex lives fast and asks himself as few questions as possible. One morning, he receives a fast friend, Lou, at their place, while Jean had also planned to receive a slow friend, Caroline.

Follows a teenage girl who begins a romantic relationship with her friend's brother.

At the dawn of their teenage years, Raphaël and Rémi are twins who see their fraternal attachment crumble while one of them, suffering from an increasingly marked disability, remains a prisoner of childhood. During one last summer surrounded by nature, time seems to want to stand still.

In their world, two sisters make one. The older one gives the younger one a hand, and together they did everything. When the younger one is able to move around without her big sister one day, it becomes clear what inclusion can lead to.

People from all sorts of backgrounds set sail on a warship. They get drunk on alcohol, drugs and sex. Later, everyone grows tired and falls asleep, then the ship enters an unknown space enveloped in fog.

When Olive lies to her best friend about losing her virginity to one of the college boys, a girl overhears their conversation. Soon, her story spreads across the entire school like wildfire.

A battle between the world's two greatest minds begins when Light Yagami finds the Death Note, a notebook with the power to kill, and decides to rid the world of criminals.