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1961. Cameraman Viktor Khrustalev and director Egor Myachin are trying to shoot a movie based on the script of their friend, who tragically died.

Odessa, August 1970. A heat wave. The city is full of tourists. Boris and his eight-year-old son Valeri arrive from Moscow to visit his pensioner in-laws, Grigori and Raisa. Their daughters, Mira and Lora and their husbands, Arik and Volodya respectively and children are also there on vacation. His wife is the middle daughter and would come later. It is a Jewish family. Arik is a slobber and Volodya a quiet drunk. Something doesn't smell like love. On the day of their arrival, Odessa declares a quarantine due to a cholera outbreak, and the city is closed off. Boris is a true international journalist and a real import, metropolitan little thing. He drives women and girls in Odessa crazy with his metropolitan gloss. Having come for a few days, the son-in-law is plunged into a world changed by serious danger. Family secrets will be disclosed, improbable events happen, and a great forbidden love starts.

The ordinary troubles of the ordinary teacher in the ordinary class during the ordinary midlife crisis.

Kostya and Sanya are best friends and colleagues. A business trip to St. Petersburg prepares them for a fleeting acquaintance with two girls that will completely change their lives.

A Russian ballerina struggling for one play in Bolshoy theatre.

Nora is a successful businesswoman with a steely grip not only in work, but also in family relationships. The ideally built system of her life collapses when her beloved husband Vanya suddenly dies. The news of death is accompanied by no less shocking information: Vanya had a "second life." He not only cheated on his wife, but also secretly practiced tango - a passionate dance that is the complete opposite of a clear and structured life with Nora. Trying to understand what happened, Nora herself goes to a tango school, which at first seems to her to be a meeting place for people with low social responsibility. But in the end, it is this colorful world that changes Nora beyond recognition: she will go from a woman with an iron grip to a free and soft dancer.

The story of a Moscow family in a noisy communal apartment at a crucial point in Soviet history. Passions slowly smolder in a small kommunalka until the fire breaks out on New Year's Eve 1953.

During the Cold War, Russian spy brings 1960s aesthetics to Khrushchev's era.Unveiling Russian-American espionage acts and personal lives impacted by the fragile geopolitical climate, opening at the 1959 American National Exhibition.

A charismatic architect, despite divorces, remains central to his ex-wives' lives. He secretly maintains sexual relationships with them until he becomes interested in another woman.

Teenage Misha receives hypnotic treatment for sleepwalking from psychotherapist. Eventually, Misha becomes so dependent on the hypnologist that he is no longer able to distinguish reality from illusion.

In 1957, a French student Pierre Duran arrives in Moscow for an internship at Moscow State University.

Liza, Sonya and Yana have been friends since childhood and grew up in the same dacha. Usually a 25-year-old girl has already graduated from college, has work experience and several novels behind her. Some even manage to get married and have a child. But for Liza, Sonya and Yana, everything does not go according to plan. They don't yet know who they want to be and have not yet found the love of their life. They grow up, want to be happy, and each is looking for their own path.

Moscow, 1974. During the premiere show, the leading fashion model, Mila Nikanorova, was found hanged in the back room of the House of Models on Kuznetsky Most. The principled and stubborn MUR investigator Kirill Bessonov begins the investigation.

The film is an attempt to recreate the world of Marc Chagall and his myth within the genre of a folklore ballad. We are not exploiting Chagall's images, but are attempting to create a dramatized projection of his creativity onto the movie screen, relying on both, facts and fantasy (as Chagall himself would).The story is based on real events which occurred at the time of Chagall's short-lived period in Vitebskin in 1917-18, during which time he creates the Academy of Modern Art, inspired by his dreams of a bright and beautiful future. Many pictures by Chagall and Malevich are used in the film.

Anna Vorontsova, or, as her colleagues in the investigative committee called her, Vorona has been refusing for three weeks to open a case about the disappearance of a famous bohemian photographer. By a fateful coincidence, this man dies. Now, tormented by the pangs of conscience, the heroine sets her task to sort out this matter at all costs.

Nadia, a timid office girl from Moscow, comes to Belgrade on holidays and falls in love with an easy-going street performer called Nesa.

The brilliant scientist Mikhail Rubin ends up in the camp because of a personal conflict with Commissar Beria. But suddenly Rubin is released: his best friend and colleague Kirill Muromtsev recommended Mikhail to a secret project to create a Soviet atomic bomb, and the physicist's candidacy was approved by Academician Kurchatov. Mikhail returns to Moscow and learns that while he was in the camp, his fiancee Anna Galeeva managed to become Kirill's wife. To fulfill the task of the state at any cost, young scientists will have to work together, despite the personal drama. They face a race to the brink of human capabilities, a mortal risk and a decisive day of the first test. Physicists had no right to make a mistake - the future of the whole world was decided at the training ground in Semipalatinsk. They should have won.

Captain of the Ministry of Internal Affairs Aglaya Mezentseva and investigator Vsevolod Kosinskiy, one of the best specialists in the search for children, are unraveling the case of the missing 5-year-old grandson of the world famous conductor Mark Krechetov. The child mysteriously disappeared while walking with the nanny, and the woman herself received a blow to the head and lost her memory. Literally all members of the Krechetov family come under suspicion, and Kosinskiy does not spare anyone in order to achieve results. Aglaya does not accept Kosinskiy's methods, but nevertheless becomes his best student. The more Aglaya unravels the tangle of complex family relationships and financial fraud in the Krechetov family, the more she has to sacrifice - her peace of mind, her career, the lives and feelings of other people. And even put your unborn child at risk.

Eight friends, they are already under forty, but in many ways they are still like children: in their free time from their successful careers they drive football, go to the cinema with a big company, live for their own pleasure. But when Igor's heart fails, and he loses consciousness right on the street, he decides to "give" a child to his wife at all costs. There is only one catch: Igor cannot have children. However, a successful official will find a way to cope with this annoying misunderstanding, because he can cope with everything except his own feelings.

12-year-old Moscow schoolgirl Milana writes poetry, but her fear of public speaking does not allow her to read her works, and even her mother is skeptical about her daughter's poetic talent. Milana wants to win the All-Russian rap duel competition based on the novel "Evgeniy Onegin" so that her mother will believe in her and refuse to work in China. To win, Milana will have to not only overcome stage fright, but also cope with an insidious rival. Milana will be helped by a black cat in which the soul of the hooligan Sasha Pushkin lives.