• I Know What You Did Last Summer

    I Know What You Did Last Summer

    ★★★★

    This review may contain spoilers. I can handle the truth.

    I've seen this movie many times but not until this most recent viewing did I realize that Sarah Michelle Gellar is a beam of light, like a sunflower, an angel, a Precious Moment. A perfume counter girl with high-waisted denim shorts and cigarette affixed silver fingernails. Her chase scene is poetry in motion. The death of a beauty queen, tragic like an Opera. She runs and she runs. She breaks glass, she crawls out of a car window belly down,…

  • Home Alone 2: Lost in New York

    Home Alone 2: Lost in New York

    ★★★

    I could watch a whole movie just about the people who work at the hotel.

  • My Dinner with Andre

    My Dinner with Andre

    ★★★★★

    I watched this twice today. Wallace Shawn speaks from a place of familiar futility. He's the voice of the audience. Upon first viewing, I somewhat disliked Andre. He has the luxury of purchased hipster reality. He participates in quack cult-like retreats in foreign countries as away to reconnect with his humanity. Wally struggles to pay his bills and is content with the simple details of life, but in turn never bothers to ask important questions or take any risks.

    Having…

  • Women on the Verge of a Nervous Breakdown

    Women on the Verge of a Nervous Breakdown

    ★★★★★

    This was my introduction to Almodovar and is my forever favorite.

    When I first saw this film I would soon be entering the last echelon of my marriage. I didn't know it at the time but soon he would cheat, and I would catch him. I would have what I later realized was a nervous breakdown, and I would quit my job, digging us even deeper into poverty. I would lose forty pounds because I couldn't afford drugs or alcohol…

  • Practical Magic

    Practical Magic

    ★★★★

    There's something about this movie that I find extremely uplifting despite it's blaring mainstream sentimental overtones. Pre-Charmed, Pre-Gilmore Girls, Pre-Anthropologie. The whole world is so perfectly committed to the Stevie Nicks white witch vibe that it's nearly impossible not to love if you're remotely fazed by the aesthetic. I'm also slightly biased because it was a staple for my Mom and we lived in a little cottage in the woods with and herb garden. The whole thing just strikes a positive chord and I'll forever sing it's praise.

  • Wake in Fright

    Wake in Fright

    ★★★★★

    The most nihilistic film of all time. Worse than hell; there is nothing. You can drink, you can kill and you can try to escape but you'll still just end up in a void of your own human awfulness.

  • Viridiana

    Viridiana

    ★★★★★

    Viridiana isn't a good person. She's barely a person. She may seem virtuous and humble but at the core there's a self-righteousness that's prideful and disgusting. Bunuel was a known Anti-Catholic. It's not in the subtext but in the overtures. At the surface, Viridiana is about a nun falling from the grace of God, but it's the characters around her who are pure. While Viridiana is busy isolating her thoughts, human animals are living in God's image. Unnecessary Shame compels…

  • Slumber Party Massacre II

    Slumber Party Massacre II

    ★★★★★

    Who are all you people giving this less than five stars? Try again.

  • Working Girls

    Working Girls

    ★★★★½

    My favorite thing about 'Working Girls' (aside from the superficial 80's motifs in fashion and furniture), is how non-erotic and vacant the sex scenes are, and the general lack of sensuality over-all. Even these attractive women's nude bodies are just figures in the landscape. It very much shows the brothel as a workplace, just as boring and unappealing as any. Empty, unsatisfying, degrading, but weirdly tolerable.

  • Limitless

    Limitless

    ½

    This movie is a douche bag.

  • August in the Water

    August in the Water

    ★★★★★

    I've thought about this film a lot in the past year since I first saw it. Softly steps on very big subjects. Dealing with the universe, aliens, mysterious illnesses and ecological concerns, it could so easily be schlocky and ineffectual. Ishii captured the essence of a Pure Moods tape and transforms it into an engaging tranquil science fiction narrative. It tells a story mostly in the form of sounds, textures and a dream-like atmosphere. Giving details only when completely necessary;…

  • Ju-on: The Grudge

    Ju-on: The Grudge

    ★★★★½

    This review may contain spoilers. I can handle the truth.

    Kayako can't control her curse. She's trapped in boundless suffering and is begging for people to help her boy, but no one can.

    Toshio is scared and wants his cat and his Mom. Any Mom. "Are you my Mom?". Toshio, cold and tragic. A feral sprite. He won't KILL you, but if you make him nervous he may bite.

    Kayako and Toshio are in the same dimension but different realities. Forever trying to find one another. Toshio absorbs cat so he'll never be alone. The cat is his security and he is a sign that something else is coming, and it's dragging Kayako with it.