Punch-Drunk Love's Evil Twin or:
All's Fair in Love and Wardrobe or:
Be Careful What You Stitch For
Elegantly, caustically hilarious.
Punch-Drunk Love's Evil Twin or:
All's Fair in Love and Wardrobe or:
Be Careful What You Stitch For
Elegantly, caustically hilarious.
Third acts are tough. Most of my film-going experience has seen plot propelled by premise, launched by first acts and relying on an agreement with the audience that the filmmaker makes an opening deposit on engagement. In a world where nothing is original, and everything has been done before, we settle for predictability (sometimes, but less frequently, in hindsight) because "the journey is more important than the destination" has been hammered into us as a bulwark against criticism that escapism…
Leave it to Kurosawa to make an hour of listing evidence and clues exciting.
High and Low is tight, tense, and engaging, but what makes it so great for me is that Kurosawa (based on the book King's Ransom by Ed McBain) uses an almost Dante-like structuring of the three points of view by which this story is told. Each act is a discrete and self-contained plot with its own beginning, middle, and end, which make High and Low more…