To be fair, I’d let young Fredric March wreck my life, too.
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Atomic Blonde 2017
Bisexual badass British bitch Charlize kicking Commie ass in 1989 Berlin while drenched in Wong/Refn-style neon, wearing gorgeous clothes, and set to a bangin' New Wave (mostly) soundtrack? What did you expect me to rate it?
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Honor Among Lovers 1931
Most unrealistic part of this film: That anyone would, even for a second, ever go for Monroe Owsley over Fredric March (especially when March is super rich on top of it).
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Gilda 1946
Has to be one of my favorite screenplays ever; the dialogue sizzles with scintillating psychosexual barbs and is positively overflowing with double (and triple) entendres (sadomasochistic and gay subtext abounds). It’s a beautiful film to look at as well, not least of which because of Hayworth, whose delivery, both verbally and physically, is absolutely stupendous. Another all-timer noir for me!
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The Red Shoes 1948
Visually sumptuous and technically unimpeachable, and that ballet sequence is one of the greatest things I've ever seen, but emotionally this left me a little bit cold. Therefore, A Matter of Life and Death just barely remains my favorite Powell & Pressburger thus far.
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Saltburn 2023
So many possible reviews I could write, so please enjoy a few different options:
1. I would’ve done the same thing with that bathwater. 😂👀😅🥵
2. That scene with Ollie and Venetia gives a whole new meaning to “eating the rich”.
3. “Well, mark me down as scared and horny.”
5. The Fall of the House of Catton
6. And lastly:
“You and your museum of lovers
The precious collection you've housed in your covers
My…