Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub's arrival. Scar, Mufasa's brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba's exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his.
O Vasiliás Ton Liontarión, Król Lew, Арыстан Патша, Levji kralj, El rey león, Le Roi Lion, Король Лев, Цар Лъв, O Rei Leão, Il re leone, Ο Βασιλιάς των Λιονταριών, 라이온 킹, Qirol Sher, מלך האריות, Az oroszlánkirály, Løvernes konge, Lejonkungen, Leví kráľ, Der König der Löwen, 獅子王, Lví král, 狮子王, Regele Leu, เดอะ ไลอ้อน คิง, Vua Sư Tử, Araatnii Khaan Arslan, Краљ лавова, Karalis Lauva, Kralj lavova, الاسد الملك, Aslan Kral, მეფე ლომი, شیر شاه, 獅子王 2019, ライオン・キング, Lõvikuningas, Leijonakuningas, Konungur Ljónanna, Løvenes konge, Liūtas karalius, El rei lleó
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Germany6
France
UKPG
Argentina
Australia
Austria
Brazil
Canada
China
Colombia
Croatia
Czechia
Denmark
Estonia
Finland
France
Germany
Greece
Hong Kong
Hungary
India
Ireland
Israel
Italy
Japan
Kazakhstan
Lebanon
Lithuania
Netherlands
New Zealand
Norway
Philippines
Poland
Portugal
Romania
Russia
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Slovakia
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this is going to sound extremely stupid but my big problem with this movie is that nobody has eyebrows and i truly believe the movie would be fine if everybody just had eyebrows
simba seeing scary hyenas: 😐
simba nearly perishing at the hands of said scary hyenas: 😐
simba looking at his beloved father’s dead body: 😐
simba seeing his best friend nala after years of separation: 😐
Unfolding like the world’s longest and least convincing deepfake, Jon Favreau’s (almost) photorealistic remake of “The Lion King” is meant to represent the next step in Disney’s circle of life, but this soulless chimera of a film comes off as little more than a glorified tech demo from a greedy conglomerate — a well-rendered but creatively bankrupt self-portrait of a movie studio eating its own tail. In other words, it’s more of the same from a company that’s been all too happy to scavenge new spectacles from the carcasses of its most beloved classics.
At the same time, it’s also so much less. With the possible exception of 2015’s “Cinderella,” which was touched with just enough magic to feel like…
THEY FILMED "CAN YOU FEEL THE LOVE TONIGHT" DURING THE FUCKING DAY
IT LITERALLY SAYS NIGHT IN THE FUCKING NAME YOU IMBICILES
Oh I hated how expressive the 1994 version is too. Thank you so much for taking care of that for me. I hate colors too.
how is it underlit? it’s made by a fucking computer! they could just adjust the goddamn lights, none of this is real!
Groundbreaking virtual technology and the budget of a small country hoarded and deployed by people whose imaginations quite literally run as deep as "what if we took some of the most expressive, stylish hand-drawn animation of all time and forced the boring limitations of real cameras onto it?" As a kid I always watched those wonderfully heightened, colorful musical sequences and felt they were missing realistic physics and some HD drone shots. Everything wrong with this can be observed in how badly they butchered 'Be Prepared' both musically and formally; this is so far beyond the usual soulless replication, it's genuinely anti-art.
What they did to Be Prepared should be classed as a violation of the Geneva Convention
