Synopsis
Put on a happy face.
During the 1980s, a failed stand-up comedian is driven insane and turns to a life of crime and chaos in Gotham City while becoming an infamous psychopathic crime figure.
During the 1980s, a failed stand-up comedian is driven insane and turns to a life of crime and chaos in Gotham City while becoming an infamous psychopathic crime figure.
Joaquin Phoenix Robert De Niro Zazie Beetz Frances Conroy Brett Cullen Shea Whigham Bill Camp Glenn Fleshler Leigh Gill Josh Pais Rocco Luna Marc Maron Sondra James Murphy Guyer Douglas Hodge Dante Pereira-Olson Carrie Louise Putrello Sharon Washington Hannah Gross Frank Wood Brian Tyree Henry April Grace Mick Szal Carl Lundstedt Michael Benz Ben Warheit Gary Gulman Sam Morril Chris Redd Show All…
Richard Baratta Joseph Garner Aaron L. Gilbert Walter Hamada Bruce Berman Michael Uslan Jason Cloth Anjay Nagpal
Laura Ballinger Michael Auszura Aimee Dombo Desmond Jeffrey D. McDonald Matthew Jeffrey Sama Lauren Rockman Erica Hohf Robert Pyzocha Mason Chesler Ann Bartek
Kris Moran Shannon Nallan Theo Sena Joe Taglairino Candis Heiland John Schabel Ted Altman Janine Pesce Roman Greller Chris Heike Dan Decelle Joseph E. Petruccio
Peter Steffan Eric Mancha Matthew Mullarkey Huey Carroll Brian Adler Edwin Rivera Brice R. Parker Patrice Cormier Mathew Giampa
Steven John Brown Nitasha Bhambree John Cenatiempo Chris Cenatiempo Jill Brown Kevin Michael Murphy Frank Alfano Airon Armstrong G.A. Aguilar Richard Burden Josh Lakatos Stephen Izzi Peter Epstein
Tod A. Maitland John Joseph Thomas Christian Wenger Richard Duarte Ryan Murphy Jack Cucci Kira Roessler Darren Maynard Tony Pilkington Willard Overstreet Dan O'Connell Tom Ozanich Kevin Murray Dean A. Zupancic Alan Robert Murray John T. Cucci
ジョーカー, JOKER小丑, 小丑, Guasón, Джокер, जोकर, 조커, Coringa, جوكر, โจ๊กเกอร์, Жокера, ג'וקר, ჯოკერი, Џокер, Joker: Gã Hề, Džokers, Džokeris, Jokker, جوکر, Әзілкеш
Intense violence and sexual transgression Moving relationship stories Humanity and the world around us Crime, drugs and gangsters Powerful stories of heartbreak and suffering Gripping, intense violent crime Challenging or sexual themes & twists Emotional and captivating fantasy storytelling Graphic violence and brutal revenge Show All…
Todd Phillips’ “Joker” is unquestionably the boldest reinvention of “superhero” cinema since “The Dark Knight”; a true original that’s sure to be remembered as one of the most transgressive studio blockbusters of the 21st Century. It’s also a toxic rallying cry for self-pitying incels, and a hyper-familiar origin story so indebted to “Taxi Driver” and “The King of Comedy” that Martin Scorsese probably deserves an executive producer credit. It’s possessed by the kind of provocative spirit that’s seldom found in any sort of mainstream entertainment, but also directed by a glorified edgelord who lacks the discipline or nuance to responsibly handle such hazardous material, and who reliably takes the coward’s way out of the narrative’s most critical moments.
“Joker” is…
I have this whole series of YouTube videos that are like “what if Werner Herzog directed Ant-Man” or “what if the show Gotham was a teen drama” or “what if there was a gritty Tintin reboot.”
Anyway Joker is like if someone made a feature-length version of one of those.
“i don’t believe in anything”
surface level fare for audiences that crave some shock value but aren’t willing to go looking for something better, or deeper. i didn’t feel much of anything the entire duration, indifference turning to eventual boredom. the last act definitely gave me something more to work with, but by that point i’d already lost all interest and just wanted to get out of there. joaquin is always good at playing unhinged, sure, but i’d pass on this performance any day of the week for you were never really here or even the master. the former film has what this never could: nuance, intrigue and something to say
I wasn't sure if this was about mental illness then there was a close up of Arthur writing "mental illness," and then I was like oh this is about mental illness.
Man goes to doctor. Says he's depressed. Says life seems harsh and cruel. Says he feels all alone in a threatening world where what lies ahead is vague and uncertain. Doctor says, 'Treatment is simple. Great clown Pagliacci is in town tonight. Go and see him. That should pick you up.' Man bursts into tears. Says, 'But doctor…We live in a society.'
best picture showcase: film #2
“don’t you have to be funny to be a comedian?”
rancid and vile, a rotting carcass. has no true direction and nothing interesting to say. for a comic book movie, it’s a nightmare, and as a real film, it’s a joke. it would be different if it had clear drive behind it (demented as he is, even someone like lars von trier has unique style, for better or worse) but this thing is a hollow shell. to me this means nothing, and is nothing, and i couldn’t care less
About as sophisticated and nuanced of an exploration of violence, poverty, abuse, mental health, and This Political Moment as any other Todd Phillips film but I guess I'm supposed to take it seriously because it wears much better films about alienated incel psychos (namely the brooding psychological portraiture of Taxi Driver and the uncomfortable delusional fantasy of The King of Comedy) like a shoddy human skinsuit, puts some moody melodramatic strings on the soundtrack and knows how to mimic a dark and grimy vintage color palette. I would truly like to know what it is that people find "daring" and "complex" about this considering that beyond its hollow replication of style, it ultimately boils down to an insanely simplistic "impoverished…