Art could have had them both, maybe by the end he does?

The lighting in this film is incredible, it’s very gratifying to see my favorite tool playing in every shot (silver underbounce) and it gives the film a surreal heightened feeling in its day scenes that allow it to sell extremely expressionistic night exts in its climax. The white wall confrontation (where Patrick propositions a married Tashi) and the wind storm parking lot are two of the most beautiful and striking things I’ve seen this year.