Dan’s review published on Letterboxd:
Frankly, an overwhelming sense of exhaustion has plagued me as I endured this yet another superhero spectacle. Typically, superhero flick didn't sparked my interest anymore due to my augmenting knowledge in Arthouse cinema recently. Yet, driven by a fervent nostalgia for the love of Deadpool franchise and also Logan movie, I succumbed to the allure of witnessing the much-anticipated union of Deadpool and Wolverine. Regrettably, having seen it, I must lament that it emerges as, at best, a rather tepid disappointment.
"Deadpool & Wolverine" features two disparate characters: Deadpool, as irredeemably unfledged, garrulous, and exasperating as ever, indefatigably uttering every single platitudinous & inanely designed puns he could ever think of. In stark contrast, Logan, who is reluctant, indifferent & low-tempered, is at his lowest point. While Deadpool embarks on a quest to safeguard his world and comrades, Wolverine is portrayed as a shadow of his former self, a figure of abject failure.
They reluctantly team up to face a common enemy, the telepathic and telekinetic mutant Cassandra Nova, who is the twin sister of Charles Xavier. The film explores the dynamic between the bickering duo and their personal regrets, adding a mix of action, humor, and meta-commentary typical of Deadpool. Their unlikely bond and ceaseless bickering provides fun at times, but unfortunately Wade's incessant antics can become overwhelming at times. Teamed up with bunch of unexpectedly esteemed cameos that i couldn't spoil you, they both confront the villain, providing a spectacle that is both exhilarating but also uneven and occasionally tiresome. In addition, i found the antagonist ultimately unmemorable, uninspiring and tediously decorated.
While 1st & 2nd Deadpool excelled in it's humor & action, Deadpool & wolverine is in utmost silliness & exacerbation compared to the predecessor. It is unequivocally an ultimate treat to the teenagers audience instead of the adults, which packed with profuse cameos, meta-references, fan service, and a barrage of ludicrous jokes. While it might pleasantly delight some, instead it lead me to a sense of fatigue from the over-the-top humor and constant jesting, which can feel obnoxious and tiresome.
Overall, this film woefully represents yet another preposterous addition to the superhero genre, leaning excessively on absurdity and fan service rather than delivering a genuinely high-caliber superhero experience.
Part of me longed for the incisive action and comedy of David Leitch, and solemnly lamented that he was not at the helm of this project. Because his previous works, particularly in Deadpool 2, is a testament to both hilarity and exhilaration.
Nevertheless, Marvel enthusiasts will find solace in the abundant fan service, tailored specifically for their delight. Personally, I still regard Spider-Man: No Way Home as superior in it's execution of fan service and cameo appearances.
I now find myself in need of an extended hiatus from consuming any further superhero films in order to restore my cinematic palate.
