𝘽𝙧𝙪𝙣𝙤 𝙎𝙩𝙖𝙧𝙧𝙞𝙣𝙜 ☑️’s review published on Letterboxd:
"When I First Saw Joker. When I Saw You… For Once In My Life, I Didn't Feel So Alone Anymore."
"Joker: Folie à Deux" is a bold sequel that delves even deeper into the complexities of the human psyche. The sequel explores the emotional depths of Arthur Fleck, played once again brilliantly by Joaquin Phoenix, now in a musical context that contrasts with the darkness of the first film.
The narrative unfolds with Arthur, where his internal struggle between Arthur's identity and the Joker persona intensifies. The arrival of Harleen “Lee” Quinzel, played by Lady Gaga, brings a new dynamic to the plot, revealing not only Arthur's emotional fragility, but also the complexity of his search for love and acceptance. The themes addressed in this film, such as identity, mental illness, abuse and fantasies, are simply exceptional. These themes, when indirectly shown, make the film choose to show a more sensitive side that we have never seen before in the Joker films. The chemistry between Arthur and Harleen is intense and questionable when it comes to how they feel about each other, but beautiful moments emerge when they end up transforming each scene, each song into a window into Arthur's deepest emotions. While the film is full of intense moments, the choice to distance Lee from the film at certain points can frustrate the exploration of the richness of this relationship, limiting the development that could have been deeper. The story expands beyond a romance, addressing themes of fame and public perception as the line between reality and fantasy becomes increasingly blurred. The pressure to live up to external expectations becomes a burden, reflecting a harsh critique of celebrity culture and its consequences.
Visually, “Joker: Folie à Deux” is a spectacle, combining vibrant colors and each scene with great reflection. The color palette of the film is vibrant and varied, contrasting with the darkness of the first Joker. While the first film adopted darker and more oppressive tones, the sequel incorporates brighter colors, especially in the musical sequences, which serve to express the euphoria and fragility of Arthur and Lee’s feelings. This use of color not only enriches the visual aesthetic, but also helps to highlight the complex emotions that the characters experience.
The musical aesthetic that permeates the film transforms pain and beauty into a disturbing dance, enriching the sensory experience and further enriching the film's atmosphere. However, as the film progresses, it seems that Todd Phillips finds himself hostage to this choice, inserting musical numbers that, although creative, begin to interrupt the flow of the story. The production focuses and delves into deep psychological issues, bringing reflections on mental health and the constant struggle between the true self and the masks we wear. The relationship between Arthur and Lee reveals itself as a dance between hope and despair, where both reflect each other's fears and desires. Throughout the film, we are confronted with the idea that love and pain often go hand in hand, challenging us to understand what it means to live in such a complex and often indifferent world. Arthur and Lee's journey reflects the universal struggles for connection and acceptance, and is a powerful reminder that even in the darkest hours, the light of hope can shine. One of the most interesting questions is the reaction of fans. As a sequel to the 2019 film, expectations vary widely. While some may expect a Joker that is closer to the comics, others may appreciate the focus on exploring trauma and the human psyche. The sequel moves away from the iconic villain many were expecting to see and instead delves deeper into the life of Arthur, a man whose journey is marked by misfortune and despair. This simpler approach offers a new perspective on the character. Rather than being a mere agent of chaos, Arthur is presented as a product of his circumstances, and the film focuses on his suffering and the consequences of his reality. For those who enjoyed the emotional depth of the first film, this sequel may be powerful. However, for those expecting a more classic portrayal of the Joker, there may be a sense of disappointment.
“Joker: Folie à Deux” is not just a sequel; it’s a bold reinvention that provokes deep reflections on the human condition. I can understand people’s negative views on the film, but what they wanted was a cookie-cutter version of an existing film, while Todd Phillips introduces us to a new formula to give us something completely different, unique, and mesmerizing (something I REALLY admire). To fully enjoy this film, you have to understand what you’re going to see and be prepared to suspend your disbelief and let the entire atmosphere of the film and its music completely envelop you. In this sequel, Phillips invites us to look inward, questioning our own histories and the way we shape our identities amidst external pressures. He excels at exploring the human condition, but he risks alienating those who seek a Joker closer to the character’s comic book origins. The experience is complex and multifaceted, and while it may not be perfect, it certainly provokes reflections on love, pain, and the fragility of the human mind. Ultimately, empathy and the ability to feel connect us, revealing that behind every exterior lies a rich story about every human experience.
It’s an anti-super-hero, anti-comic-book movie, maybe not a fanboy pleaser, but something of a wow for the rest of us.