Avant garde proto-giallo that splits the differences between Antonioni and Twin Peaks. A portrait of the neoliberal city and the gendered violence of commerce/advertising dressed up in an Indecipherable web of signs and quasi-narrative.

That you can be deep into both giallo/euro horror and experimental political cinema and never hear about this (actually high production value and well-restored) film says a lot about how much (re)discovery Anglo cinephilia still has to do.