From Wikipedia, the free encyclopedia
This is a list of pages in the scope of Wikipedia:WikiProject Color along with pageviews.
To report bugs, please write on the Community tech bot talk page on Meta.
Period: 2024-07-01 to 2024-07-31
Total views: 3,828,588
Updated: 20:46, 5 August 2024 (UTC)
Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
List of colors: A–F
|
80,316
|
2,590
|
List
|
High
|
2
|
Eye color
|
71,339
|
2,301
|
C
|
Mid
|
3
|
Johann Wolfgang von Goethe
|
66,977
|
2,160
|
B
|
Mid
|
4
|
Color blindness
|
45,283
|
1,460
|
B
|
Top
|
5
|
Purple
|
43,403
|
1,400
|
C
|
High
|
6
|
Shades of gray
|
42,802
|
1,380
|
List
|
Mid
|
7
|
Shades of green
|
40,724
|
1,313
|
List
|
Mid
|
8
|
Red hair
|
40,001
|
1,290
|
C
|
Low
|
9
|
Red
|
37,945
|
1,224
|
B
|
Top
|
10
|
Web colors
|
36,011
|
1,161
|
C
|
Mid
|
11
|
Human skin color
|
34,316
|
1,106
|
B
|
High
|
12
|
Indigo
|
31,611
|
1,019
|
Start
|
Mid
|
13
|
Primary color
|
31,281
|
1,009
|
B
|
Top
|
14
|
PAL
|
31,176
|
1,005
|
C
|
Low
|
15
|
Blue
|
31,134
|
1,004
|
B
|
Top
|
16
|
Shades of purple
|
30,369
|
979
|
List
|
Mid
|
17
|
Shades of red
|
29,854
|
963
|
List
|
Mid
|
18
|
Fitzpatrick scale
|
29,193
|
941
|
Start
|
Low
|
19
|
Technicolor
|
27,946
|
901
|
C
|
Low
|
20
|
Color
|
27,702
|
893
|
C
|
Top
|
21
|
Blond
|
27,110
|
874
|
C
|
Low
|
22
|
Shades of blue
|
26,986
|
870
|
List
|
Mid
|
23
|
Shades of pink
|
26,823
|
865
|
List
|
Mid
|
24
|
White
|
26,772
|
863
|
C
|
Top
|
25
|
Prussian blue
|
26,571
|
857
|
B
|
Mid
|
26
|
Vantablack
|
26,475
|
854
|
C
|
Low
|
27
|
Black
|
26,079
|
841
|
C
|
Top
|
28
|
Shades of brown
|
26,027
|
839
|
List
|
Mid
|
29
|
RGB color model
|
26,008
|
838
|
B
|
High
|
30
|
HSL and HSV
|
24,645
|
795
|
B
|
High
|
31
|
Magenta
|
24,558
|
792
|
Start
|
High
|
32
|
Tyrian purple
|
24,152
|
779
|
B
|
Mid
|
33
|
Vermilion
|
24,133
|
778
|
C
|
Mid
|
34
|
CMYK color model
|
23,931
|
771
|
Start
|
High
|
35
|
Violet (color)
|
23,779
|
767
|
B
|
High
|
36
|
Visible spectrum
|
23,730
|
765
|
B
|
Top
|
37
|
ROYGBIV
|
21,426
|
691
|
Start
|
Mid
|
38
|
Green
|
20,916
|
674
|
B
|
Top
|
39
|
Color wheel
|
20,794
|
670
|
C
|
High
|
40
|
Color theory
|
20,741
|
669
|
C
|
Top
|
41
|
Ochre
|
20,337
|
656
|
C
|
Mid
|
42
|
Human hair color
|
20,330
|
655
|
Start
|
Mid
|
43
|
List of Crayola crayon colors
|
20,010
|
645
|
List
|
Mid
|
44
|
Cyan
|
19,844
|
640
|
C
|
High
|
45
|
Color television
|
19,592
|
632
|
B
|
Mid
|
46
|
Lists of colors
|
19,492
|
628
|
List
|
Mid
|
47
|
Light skin
|
18,757
|
605
|
B
|
High
|
48
|
Chartreuse (color)
|
18,739
|
604
|
Start
|
Mid
|
49
|
Pink
|
18,599
|
599
|
C
|
High
|
50
|
CIE 1931 color space
|
18,336
|
591
|
B
|
High
|
51
|
National colours of Australia
|
18,286
|
589
|
Start
|
Low
|
52
|
Political colour
|
18,180
|
586
|
B
|
Low
|
53
|
Dark skin
|
18,030
|
581
|
B
|
High
|
54
|
Chromesthesia
|
17,755
|
572
|
Start
|
Low
|
55
|
Complementary colors
|
17,617
|
568
|
Start
|
High
|
56
|
Pantone
|
17,593
|
567
|
Start
|
High
|
57
|
Ultra-high-definition television
|
16,716
|
539
|
C
|
Low
|
58
|
CIELAB color space
|
16,683
|
538
|
C
|
High
|
59
|
Yellow
|
16,680
|
538
|
C
|
Top
|
60
|
Orange (colour)
|
16,515
|
532
|
C
|
High
|
61
|
NTSC
|
16,492
|
532
|
C
|
Low
|
62
|
Terracotta
|
16,317
|
526
|
Start
|
Low
|
63
|
Fuchsia (color)
|
15,330
|
494
|
Start
|
Mid
|
64
|
Teal
|
14,915
|
481
|
C
|
High
|
65
|
Black body
|
14,718
|
474
|
B
|
Mid
|
66
|
Grey
|
14,479
|
467
|
C
|
Top
|
67
|
Sky blue
|
13,896
|
448
|
Start
|
High
|
68
|
SRGB
|
13,868
|
447
|
C
|
High
|
69
|
Shades of white
|
13,817
|
445
|
List
|
Mid
|
70
|
List of colors (alphabetical)
|
13,701
|
441
|
List
|
Low
|
71
|
Impossible color
|
13,589
|
438
|
Start
|
Mid
|
72
|
Periwinkle (color)
|
13,550
|
437
|
Stub
|
Mid
|
73
|
Khaki
|
13,534
|
436
|
Start
|
Mid
|
74
|
List of colors: N–Z
|
13,513
|
435
|
List
|
High
|
75
|
Azure (color)
|
13,476
|
434
|
Start
|
Mid
|
76
|
Skin whitening
|
13,462
|
434
|
B
|
Low
|
77
|
List of colors by shade
|
13,386
|
431
|
List
|
Low
|
78
|
Shades of orange
|
13,239
|
427
|
List
|
Mid
|
79
|
Grayscale
|
13,235
|
426
|
Start
|
High
|
80
|
Shades of yellow
|
13,102
|
422
|
List
|
Mid
|
81
|
Ultramarine
|
13,094
|
422
|
C
|
Mid
|
82
|
Tetrachromacy
|
12,967
|
418
|
C
|
High
|
83
|
Brilliant blue FCF
|
12,960
|
418
|
Start
|
Mid
|
84
|
Brown hair
|
12,838
|
414
|
C
|
Low
|
85
|
Freckle
|
12,737
|
410
|
Start
|
Low
|
86
|
Color temperature
|
12,626
|
407
|
B
|
High
|
87
|
Ishihara test
|
12,584
|
405
|
C
|
Mid
|
88
|
Shades of cyan
|
12,388
|
399
|
List
|
Mid
|
89
|
Cerulean
|
12,379
|
399
|
Start
|
Low
|
90
|
Iridescence
|
12,266
|
395
|
Start
|
Mid
|
91
|
Paint
|
12,103
|
390
|
C
|
High
|
92
|
Brown
|
12,052
|
388
|
Start
|
High
|
93
|
Turquoise (color)
|
12,021
|
387
|
C
|
Mid
|
94
|
International Klein Blue
|
11,984
|
386
|
C
|
Low
|
95
|
Lavender (color)
|
11,903
|
383
|
C
|
Mid
|
96
|
Color depth
|
11,796
|
380
|
C
|
Mid
|
97
|
Beige
|
11,750
|
379
|
C
|
Mid
|
98
|
Burgundy (color)
|
11,663
|
376
|
Start
|
Low
|
99
|
Crimson
|
11,344
|
365
|
Start
|
Mid
|
100
|
Tiffany Blue
|
11,184
|
360
|
Start
|
Low
|
101
|
Chromatic aberration
|
11,140
|
359
|
B
|
Mid
|
102
|
Color space
|
11,102
|
358
|
C
|
High
|
103
|
Pigment
|
10,957
|
353
|
B
|
Top
|
104
|
List of colors: G–M
|
10,914
|
352
|
List
|
High
|
105
|
Visual perception
|
10,818
|
348
|
C
|
Mid
|
106
|
Shades of black
|
10,729
|
346
|
List
|
Mid
|
107
|
Stroop effect
|
10,699
|
345
|
B
|
Mid
|
108
|
X11 color names
|
10,616
|
342
|
Start
|
Mid
|
109
|
Pastel (color)
|
10,365
|
334
|
Stub
|
Mid
|
110
|
Black-and-white
|
10,345
|
333
|
Start
|
Mid
|
111
|
Navy blue
|
10,264
|
331
|
C
|
Mid
|
112
|
Auburn hair
|
9,991
|
322
|
Start
|
Low
|
113
|
Maroon
|
9,935
|
320
|
C
|
Mid
|
114
|
DCI-P3
|
9,890
|
319
|
C
|
Low
|
115
|
Hue
|
9,886
|
318
|
Start
|
High
|
116
|
Black hair
|
9,764
|
314
|
Start
|
Low
|
117
|
Color psychology
|
9,747
|
314
|
C
|
High
|
118
|
Color photography
|
9,675
|
312
|
C
|
Low
|
119
|
Verdigris
|
9,671
|
311
|
Start
|
Low
|
120
|
Gold (color)
|
9,631
|
310
|
Start
|
Mid
|
121
|
Royal blue
|
9,611
|
310
|
Start
|
Mid
|
122
|
Color vision
|
9,568
|
308
|
C
|
Top
|
123
|
Cobalt blue
|
9,412
|
303
|
Stub
|
Mid
|
124
|
Secondary color
|
9,345
|
301
|
C
|
High
|
125
|
List of flags containing the color purple
|
9,032
|
291
|
List
|
Low
|
126
|
Light-on-dark color scheme
|
8,950
|
288
|
Start
|
Low
|
127
|
Dye
|
8,853
|
285
|
C
|
High
|
128
|
High-dynamic-range television
|
8,831
|
284
|
C
|
Mid
|
129
|
Gamut
|
8,796
|
283
|
C
|
High
|
130
|
YCbCr
|
8,794
|
283
|
Start
|
High
|
131
|
Haint blue
|
8,794
|
283
|
Start
|
Low
|
132
|
Chroma subsampling
|
8,781
|
283
|
C
|
Low
|
133
|
Y′UV
|
8,738
|
281
|
C
|
Low
|
134
|
Tincture (heraldry)
|
8,715
|
281
|
B
|
Mid
|
135
|
Color symbolism
|
8,611
|
277
|
Start
|
Mid
|
136
|
Pan-Arab colors
|
8,398
|
270
|
Start
|
Low
|
137
|
Hair coloring
|
8,380
|
270
|
Start
|
Low
|
138
|
Scarlet (color)
|
8,352
|
269
|
C
|
Mid
|
139
|
Shades of violet
|
8,281
|
267
|
List
|
Mid
|
140
|
Food coloring
|
8,224
|
265
|
C
|
Mid
|
141
|
Rec. 709
|
8,204
|
264
|
C
|
Low
|
142
|
Spectrophotometry
|
8,152
|
262
|
C
|
High
|
143
|
Baker–Miller pink
|
8,148
|
262
|
Start
|
Low
|
144
|
Monochrome
|
8,071
|
260
|
C
|
High
|
145
|
Taupe
|
7,960
|
256
|
Start
|
Low
|
146
|
Mauve
|
7,953
|
256
|
Start
|
Mid
|
147
|
Olive (color)
|
7,855
|
253
|
Start
|
High
|
148
|
Color difference
|
7,811
|
251
|
B
|
High
|
149
|
Go Away Green
|
7,780
|
250
|
Start
|
Low
|
150
|
Amber (color)
|
7,710
|
248
|
Start
|
Mid
|
151
|
Electronic color code
|
7,625
|
245
|
Start
|
Low
|
152
|
Cone cell
|
7,522
|
242
|
C
|
Mid
|
153
|
Shades of magenta
|
7,491
|
241
|
List
|
Mid
|
154
|
Blue–green distinction in language
|
7,474
|
241
|
Start
|
Mid
|
155
|
Flame test
|
7,457
|
240
|
Start
|
Low
|
156
|
Pantone 448 C
|
7,421
|
239
|
Stub
|
Low
|
157
|
Sepia (color)
|
7,412
|
239
|
Stub
|
Mid
|
158
|
British racing green
|
7,341
|
236
|
Start
|
Low
|
159
|
Munsell color system
|
7,311
|
235
|
B
|
High
|
160
|
Rec. 2020
|
7,286
|
235
|
C
|
Low
|
161
|
Bayer filter
|
7,227
|
233
|
C
|
Mid
|
162
|
CIELUV
|
7,223
|
233
|
Start
|
Mid
|
163
|
Eigengrau
|
7,116
|
229
|
Start
|
Low
|
164
|
Color of water
|
7,097
|
228
|
C
|
Low
|
165
|
Knowledge argument
|
7,009
|
226
|
C
|
Low
|
166
|
Prism (optics)
|
6,902
|
222
|
Start
|
Mid
|
167
|
Color mixing
|
6,827
|
220
|
C
|
High
|
168
|
Cosmic latte
|
6,678
|
215
|
Start
|
Low
|
169
|
Color in Chinese culture
|
6,641
|
214
|
Start
|
Mid
|
170
|
RAL colour standard
|
6,624
|
213
|
Start
|
Mid
|
171
|
Blue-green
|
6,623
|
213
|
Start
|
Mid
|
172
|
Halftone
|
6,584
|
212
|
C
|
Mid
|
173
|
Hermann von Helmholtz
|
6,582
|
212
|
C
|
Mid
|
174
|
Standard illuminant
|
6,580
|
212
|
B
|
High
|
175
|
Tint, shade and tone
|
6,537
|
210
|
Start
|
High
|
176
|
SECAM
|
6,517
|
210
|
C
|
Mid
|
177
|
List of redheads
|
6,492
|
209
|
List
|
Low
|
178
|
Pan-African colours
|
6,472
|
208
|
Start
|
Low
|
179
|
Whitewash
|
6,450
|
208
|
Start
|
High
|
180
|
Anaglyph 3D
|
6,370
|
205
|
C
|
Low
|
181
|
Thomas Young (scientist)
|
6,314
|
203
|
C
|
Mid
|
182
|
Carmine (color)
|
6,211
|
200
|
Stub
|
Low
|
183
|
Spectral color
|
6,201
|
200
|
Start
|
High
|
184
|
Color motion picture film
|
6,153
|
198
|
B
|
Low
|
185
|
Afterimage
|
6,145
|
198
|
C
|
High
|
186
|
RGBA color model
|
6,131
|
197
|
Start
|
Mid
|
187
|
Photoreceptor cell
|
5,990
|
193
|
C
|
Mid
|
188
|
Puce
|
5,931
|
191
|
Stub
|
Mid
|
189
|
List of video game console palettes
|
5,923
|
191
|
List
|
Low
|
190
|
List of monochrome and RGB color formats
|
5,826
|
187
|
List
|
Mid
|
191
|
Saffron (color)
|
5,736
|
185
|
Start
|
High
|
192
|
Natural dye
|
5,716
|
184
|
GA
|
Mid
|
193
|
Ermine (heraldry)
|
5,709
|
184
|
Stub
|
Low
|
194
|
Buff (colour)
|
5,682
|
183
|
Start
|
Low
|
195
|
Tan (color)
|
5,627
|
181
|
Start
|
Mid
|
196
|
Colorfulness
|
5,565
|
179
|
Start
|
High
|
197
|
Lilac (color)
|
5,473
|
176
|
Stub
|
Low
|
198
|
Color term
|
5,444
|
175
|
Start
|
High
|
199
|
Chromophore
|
5,440
|
175
|
Start
|
Mid
|
200
|
Autochrome Lumière
|
5,396
|
174
|
C
|
Low
|
201
|
Spring green
|
5,365
|
173
|
C
|
Low
|
202
|
Equine coat color
|
5,355
|
172
|
Start
|
Low
|
203
|
Color rendering index
|
5,326
|
171
|
C
|
Mid
|
204
|
Mummy brown
|
5,235
|
168
|
Start
|
Mid
|
205
|
Sienna
|
5,150
|
166
|
Start
|
Mid
|
206
|
National colours
|
5,145
|
165
|
Start
|
Mid
|
207
|
False color
|
5,048
|
162
|
Start
|
Mid
|
208
|
Contrast (vision)
|
4,999
|
161
|
Start
|
High
|
209
|
Egyptian blue
|
4,974
|
160
|
C
|
Mid
|
210
|
Grapheme–color synesthesia
|
4,941
|
159
|
C
|
Low
|
211
|
Color scheme
|
4,842
|
156
|
Start
|
Mid
|
212
|
Color grading
|
4,825
|
155
|
Start
|
Mid
|
213
|
Theory of Colours
|
4,787
|
154
|
B
|
High
|
214
|
Congenital red–green color blindness
|
4,780
|
154
|
C
|
Mid
|
215
|
Ecru
|
4,759
|
153
|
Stub
|
Mid
|
216
|
Pan-Slavic colors
|
4,723
|
152
|
Start
|
Low
|
217
|
Chromaticity
|
4,710
|
151
|
Start
|
High
|
218
|
International orange
|
4,707
|
151
|
Stub
|
Low
|
219
|
Gules
|
4,676
|
150
|
Start
|
Low
|
220
|
Brightness
|
4,646
|
149
|
Start
|
Mid
|
221
|
Viridian
|
4,593
|
148
|
Start
|
Low
|
222
|
Traditional colors of Japan
|
4,523
|
145
|
Start
|
Mid
|
223
|
Marker pen
|
4,506
|
145
|
Start
|
Low
|
224
|
Ivory (color)
|
4,504
|
145
|
Stub
|
Low
|
225
|
List of colors
|
4,411
|
142
|
NA
|
High
|
226
|
Coral (color)
|
4,369
|
140
|
Stub
|
Low
|
227
|
Subtractive color
|
4,353
|
140
|
Start
|
High
|
228
|
RYB color model
|
4,309
|
139
|
C
|
Mid
|
229
|
YPbPr
|
4,306
|
138
|
Start
|
Mid
|
230
|
Umber
|
4,269
|
137
|
Start
|
Low
|
231
|
List of international auto racing colours
|
4,229
|
136
|
Start
|
Low
|
232
|
Cornflower blue
|
4,208
|
135
|
Stub
|
Low
|
233
|
8-bit color
|
4,121
|
132
|
Start
|
Low
|
234
|
List of color palettes
|
4,116
|
132
|
List
|
Mid
|
235
|
ICC profile
|
4,112
|
132
|
C
|
Low
|
236
|
Lake pigment
|
4,095
|
132
|
Start
|
Low
|
237
|
Lime (color)
|
4,076
|
131
|
Start
|
Mid
|
238
|
Polychrome
|
4,062
|
131
|
C
|
Mid
|
239
|
YInMn Blue
|
4,037
|
130
|
B
|
Low
|
240
|
Rose (color)
|
4,018
|
129
|
C
|
Low
|
241
|
Argent
|
4,010
|
129
|
Start
|
Low
|
242
|
List of color spaces and their uses
|
4,005
|
129
|
Start
|
High
|
243
|
Structural coloration
|
3,992
|
128
|
GA
|
Mid
|
244
|
Feldgrau
|
3,916
|
126
|
Start
|
Low
|
245
|
Lincoln green
|
3,915
|
126
|
C
|
Low
|
246
|
RGB color spaces
|
3,914
|
126
|
Start
|
Mid
|
247
|
Color of chemicals
|
3,903
|
125
|
C
|
High
|
248
|
Film colorization
|
3,901
|
125
|
C
|
Low
|
249
|
Shades of chartreuse
|
3,863
|
124
|
List
|
Mid
|
250
|
Copper (color)
|
3,857
|
124
|
Stub
|
Low
|
251
|
Animal coloration
|
3,830
|
123
|
GA
|
Mid
|
252
|
Von Luschan's chromatic scale
|
3,816
|
123
|
Start
|
Low
|
253
|
Hypercolor
|
3,810
|
122
|
C
|
Low
|
254
|
Silver (color)
|
3,775
|
121
|
Start
|
Mid
|
255
|
School colors
|
3,757
|
121
|
Start
|
Mid
|
256
|
Amaranth (color)
|
3,695
|
119
|
Start
|
Low
|
257
|
Cerise (color)
|
3,661
|
118
|
Stub
|
Low
|
258
|
Electric blue (color)
|
3,641
|
117
|
Start
|
Low
|
259
|
25-pair color code
|
3,615
|
116
|
Start
|
Low
|
260
|
Falu red
|
3,605
|
116
|
Start
|
Low
|
261
|
Color analysis
|
3,515
|
113
|
Start
|
Mid
|
262
|
Robin egg blue
|
3,480
|
112
|
Stub
|
Low
|
263
|
Shades of rose
|
3,439
|
110
|
List
|
Mid
|
264
|
Midnight blue
|
3,350
|
108
|
Start
|
Low
|
265
|
Autumn leaf color
|
3,341
|
107
|
C
|
Mid
|
266
|
Anti-flash white
|
3,316
|
106
|
Start
|
Mid
|
267
|
Color balance
|
3,304
|
106
|
Start
|
High
|
268
|
Dichromacy
|
3,274
|
105
|
Start
|
Mid
|
269
|
Chromotherapy
|
3,270
|
105
|
C
|
Low
|
270
|
Aquamarine (color)
|
3,243
|
104
|
Stub
|
Low
|
271
|
Earth tone
|
3,233
|
104
|
Stub
|
Low
|
272
|
Trichromacy
|
3,214
|
103
|
C
|
High
|
273
|
Metamerism (color)
|
3,205
|
103
|
Start
|
High
|
274
|
Phthalocyanine Green G
|
3,196
|
103
|
Start
|
Low
|
275
|
Thermochromism
|
3,195
|
103
|
Start
|
Low
|
276
|
Opponent process
|
3,185
|
102
|
Start
|
High
|
277
|
Sunset (color)
|
3,147
|
101
|
Start
|
Low
|
278
|
Peach (color)
|
3,143
|
101
|
Stub
|
Low
|
279
|
Additive color
|
3,126
|
100
|
Start
|
High
|
280
|
Aqua (color)
|
3,114
|
100
|
Stub
|
Mid
|
281
|
Monochromacy
|
3,106
|
100
|
C
|
Mid
|
282
|
Blue-gray
|
3,074
|
99
|
C
|
Low
|
283
|
Kumkuma
|
3,043
|
98
|
Start
|
Mid
|
284
|
Mustard (color)
|
3,019
|
97
|
Stub
|
Low
|
285
|
Wine (color)
|
2,993
|
96
|
Stub
|
Low
|
286
|
Red pigments
|
2,976
|
96
|
C
|
Low
|
287
|
Colour trade mark
|
2,957
|
95
|
Start
|
High
|
288
|
Color model
|
2,951
|
95
|
B
|
High
|
289
|
Demosaicing
|
2,938
|
94
|
Start
|
Low
|
290
|
Azure (heraldry)
|
2,893
|
93
|
Start
|
Low
|
291
|
Alice blue
|
2,892
|
93
|
Stub
|
Low
|
292
|
Diffuse sky radiation
|
2,783
|
89
|
C
|
Mid
|
293
|
Super black
|
2,766
|
89
|
Start
|
Mid
|
294
|
Light blue
|
2,750
|
88
|
Stub
|
Low
|
295
|
Gendered associations of pink and blue
|
2,748
|
88
|
C
|
Mid
|
296
|
Chromostereopsis
|
2,718
|
87
|
C
|
Mid
|
297
|
Linguistic relativity and the color naming debate
|
2,709
|
87
|
Start
|
Mid
|
298
|
Alvy Ray Smith
|
2,699
|
87
|
Start
|
Low
|
299
|
Bronze (color)
|
2,699
|
87
|
Start
|
Mid
|
300
|
ColorChecker
|
2,667
|
86
|
Start
|
Mid
|
301
|
Colors of the day in Thailand
|
2,666
|
86
|
Stub
|
Low
|
302
|
Color chart
|
2,650
|
85
|
Start
|
Mid
|
303
|
Salmon (color)
|
2,607
|
84
|
Start
|
Low
|
304
|
Natural Color System
|
2,596
|
83
|
Start
|
High
|
305
|
Rose madder
|
2,577
|
83
|
Start
|
Low
|
306
|
Color gradient
|
2,577
|
83
|
Start
|
Low
|
307
|
Shades of azure
|
2,574
|
83
|
NA
|
NA
|
308
|
Sable (heraldry)
|
2,573
|
83
|
Stub
|
Low
|
309
|
Newton disc
|
2,557
|
82
|
C
|
Mid
|
310
|
Champagne (color)
|
2,553
|
82
|
Stub
|
Low
|
311
|
List of inorganic pigments
|
2,515
|
81
|
List
|
Low
|
312
|
Colored pencil
|
2,508
|
80
|
C
|
High
|
313
|
Adobe RGB color space
|
2,466
|
79
|
Start
|
Mid
|
314
|
Sapphire (color)
|
2,459
|
79
|
Stub
|
Low
|
315
|
Green in Islam
|
2,458
|
79
|
Stub
|
Low
|
316
|
Xanthochromia
|
2,457
|
79
|
Start
|
Low
|
317
|
Lightness
|
2,451
|
79
|
Start
|
High
|
318
|
Sage (color)
|
2,446
|
78
|
Stub
|
Low
|
319
|
Rec. 2100
|
2,442
|
78
|
Start
|
Low
|
320
|
Persian blue
|
2,427
|
78
|
Stub
|
Low
|
321
|
Plum (color)
|
2,414
|
77
|
Start
|
Mid
|
322
|
History of Crayola crayons
|
2,413
|
77
|
C
|
Low
|
323
|
Photographic print toning
|
2,399
|
77
|
Start
|
Mid
|
324
|
Colour banding
|
2,381
|
76
|
Stub
|
Low
|
325
|
Savoy blue
|
2,368
|
76
|
C
|
Low
|
326
|
Colorimetry
|
2,367
|
76
|
Start
|
High
|
327
|
Color code
|
2,347
|
75
|
Start
|
Mid
|
328
|
Color management
|
2,343
|
75
|
Start
|
Mid
|
329
|
Color vision test
|
2,340
|
75
|
B
|
High
|
330
|
Relative luminance
|
2,338
|
75
|
Start
|
Mid
|
331
|
Chestnut (color)
|
2,336
|
75
|
Stub
|
Low
|
332
|
Chromophobia
|
2,336
|
75
|
Start
|
Mid
|
333
|
Or (heraldry)
|
2,335
|
75
|
Stub
|
Low
|
334
|
Glaucous
|
2,319
|
74
|
Stub
|
Low
|
335
|
Blood red
|
2,269
|
73
|
Stub
|
Low
|
336
|
Air Force blue
|
2,262
|
72
|
Start
|
Low
|
337
|
Tawny (color)
|
2,258
|
72
|
Start
|
Low
|
338
|
Optical brightener
|
2,243
|
72
|
Start
|
Mid
|
339
|
Bleu de France (colour)
|
2,231
|
71
|
Start
|
Low
|
340
|
Solarized
|
2,224
|
71
|
Start
|
Low
|
341
|
Red-violet
|
2,206
|
71
|
Stub
|
Low
|
342
|
Color science
|
2,192
|
70
|
Stub
|
Top
|
343
|
Color constancy
|
2,188
|
70
|
Start
|
Mid
|
344
|
Ruby (color)
|
2,167
|
69
|
Start
|
Mid
|
345
|
Black-and-white dualism
|
2,167
|
69
|
Start
|
Low
|
346
|
Carolina blue
|
2,101
|
67
|
Start
|
Mid
|
347
|
Analogous colors
|
2,093
|
67
|
Stub
|
Mid
|
348
|
Fawn (colour)
|
2,081
|
67
|
Stub
|
Low
|
349
|
School bus yellow
|
2,078
|
67
|
Start
|
Low
|
350
|
Lightfastness
|
2,073
|
66
|
Start
|
Mid
|
351
|
Safety orange
|
2,071
|
66
|
Start
|
Low
|
352
|
Glare (vision)
|
2,052
|
66
|
Start
|
Low
|
353
|
Wine color
|
2,032
|
65
|
Start
|
Low
|
354
|
Slate gray
|
2,022
|
65
|
Stub
|
Low
|
355
|
Wilhelm Ostwald
|
2,016
|
65
|
C
|
Mid
|
356
|
Cream (colour)
|
1,998
|
64
|
Stub
|
Low
|
357
|
Complexion
|
1,984
|
64
|
Start
|
Low
|
358
|
Lemon (color)
|
1,970
|
63
|
Stub
|
Low
|
359
|
Russet (color)
|
1,952
|
62
|
Stub
|
Low
|
360
|
Palette (computing)
|
1,951
|
62
|
C
|
Mid
|
361
|
Cambridge Blue (colour)
|
1,944
|
62
|
Start
|
Low
|
362
|
Color printing
|
1,934
|
62
|
C
|
High
|
363
|
List of dyes
|
1,932
|
62
|
List
|
Mid
|
364
|
Han purple and Han blue
|
1,928
|
62
|
B
|
Mid
|
365
|
Basic Color Terms
|
1,924
|
62
|
Start
|
Mid
|
366
|
Hand-colouring of photographs
|
1,914
|
61
|
C
|
Mid
|
367
|
Spectral power distribution
|
1,906
|
61
|
Start
|
High
|
368
|
High color
|
1,901
|
61
|
Start
|
Low
|
369
|
Color appearance model
|
1,900
|
61
|
Start
|
Mid
|
370
|
Color-blocking
|
1,900
|
61
|
Start
|
Low
|
371
|
Gamboge
|
1,889
|
60
|
Start
|
Low
|
372
|
Blue in culture
|
1,880
|
60
|
B
|
High
|
373
|
Rosso corsa
|
1,858
|
59
|
Start
|
Low
|
374
|
Maya blue
|
1,842
|
59
|
C
|
Low
|
375
|
List of historical sources for pink and blue as gender signifiers
|
1,842
|
59
|
List
|
Low
|
376
|
Color blind glasses
|
1,819
|
58
|
B
|
Mid
|
377
|
St. Patrick's blue
|
1,805
|
58
|
Start
|
Low
|
378
|
LMS color space
|
1,802
|
58
|
Start
|
Mid
|
379
|
Planckian locus
|
1,799
|
58
|
C
|
Mid
|
380
|
Baby blue
|
1,798
|
58
|
Stub
|
Low
|
381
|
Inverted spectrum
|
1,777
|
57
|
B
|
Low
|
382
|
LED strip light
|
1,777
|
57
|
C
|
Low
|
383
|
Dracula (color scheme)
|
1,773
|
57
|
C
|
Low
|
384
|
Young–Helmholtz theory
|
1,759
|
56
|
Stub
|
High
|
385
|
New riddle of induction
|
1,749
|
56
|
Start
|
Low
|
386
|
Rust (color)
|
1,743
|
56
|
Stub
|
Low
|
387
|
International Commission on Illumination
|
1,720
|
55
|
Start
|
High
|
388
|
Coquelicot
|
1,712
|
55
|
Start
|
Low
|
389
|
Columbia blue
|
1,711
|
55
|
Stub
|
Low
|
390
|
Color correction
|
1,705
|
55
|
Start
|
Mid
|
391
|
Image gradient
|
1,705
|
55
|
Stub
|
Mid
|
392
|
Rufous
|
1,705
|
55
|
Start
|
Low
|
393
|
Color of the day (police)
|
1,702
|
54
|
Start
|
Low
|
394
|
Color filter array
|
1,689
|
54
|
C
|
Low
|
395
|
Mountbatten pink
|
1,674
|
54
|
GA
|
Low
|
396
|
Cadet grey
|
1,674
|
54
|
Start
|
Low
|
397
|
Heliotrope (color)
|
1,663
|
53
|
Stub
|
Low
|
398
|
HCL color space
|
1,660
|
53
|
Start
|
Mid
|
399
|
Tertiary color
|
1,659
|
53
|
NA
|
High
|
400
|
Chrominance
|
1,647
|
53
|
Start
|
Mid
|
401
|
Rich black
|
1,634
|
52
|
C
|
Mid
|
402
|
APHA color
|
1,629
|
52
|
Start
|
Low
|
403
|
Johannes Itten
|
1,628
|
52
|
Start
|
Mid
|
404
|
List of people with color blindness
|
1,627
|
52
|
List
|
Low
|
405
|
Dodger blue
|
1,613
|
52
|
Start
|
Low
|
406
|
Color quantization
|
1,606
|
51
|
C
|
High
|
407
|
List of 16-bit computer color palettes
|
1,598
|
51
|
List
|
Low
|
408
|
Photochromism
|
1,596
|
51
|
C
|
Low
|
409
|
Apricot (color)
|
1,591
|
51
|
Stub
|
Low
|
410
|
Domain coloring
|
1,568
|
50
|
C
|
Low
|
411
|
Payne's grey
|
1,567
|
50
|
Stub
|
Mid
|
412
|
Mahogany (color)
|
1,555
|
50
|
Stub
|
Low
|
413
|
Line of purples
|
1,553
|
50
|
Start
|
Mid
|
414
|
Soil color
|
1,542
|
49
|
Start
|
Low
|
415
|
Desert sand (color)
|
1,537
|
49
|
Start
|
Low
|
416
|
Byzantium (color)
|
1,532
|
49
|
Start
|
Low
|
417
|
Majorelle Blue
|
1,526
|
49
|
Stub
|
Low
|
418
|
Indexed color
|
1,524
|
49
|
C
|
High
|
419
|
Color picker
|
1,521
|
49
|
Start
|
Low
|
420
|
Cyanometer
|
1,519
|
49
|
Stub
|
Low
|
421
|
Oxblood
|
1,507
|
48
|
Start
|
Low
|
422
|
Forest green
|
1,497
|
48
|
Stub
|
Low
|
423
|
Hyaline
|
1,494
|
48
|
Stub
|
Low
|
424
|
Alizarin crimson (color)
|
1,480
|
47
|
Stub
|
Mid
|
425
|
Gray card
|
1,474
|
47
|
Start
|
Low
|
426
|
Contrast effect
|
1,454
|
46
|
C
|
Mid
|
427
|
White point
|
1,446
|
46
|
Start
|
High
|
428
|
Old gold
|
1,432
|
46
|
Start
|
Low
|
429
|
ISCC–NBS system
|
1,431
|
46
|
Start
|
High
|
430
|
Dinosaur coloration
|
1,430
|
46
|
C
|
Mid
|
431
|
ProPhoto RGB color space
|
1,429
|
46
|
Start
|
Low
|
432
|
Chrome yellow
|
1,412
|
45
|
Start
|
Mid
|
433
|
Channel (digital image)
|
1,411
|
45
|
C
|
Mid
|
434
|
YIQ
|
1,396
|
45
|
Start
|
Low
|
435
|
Eggplant (color)
|
1,392
|
44
|
Stub
|
Low
|
436
|
Lüscher color test
|
1,391
|
44
|
Start
|
Low
|
437
|
Metallic color
|
1,384
|
44
|
Start
|
Mid
|
438
|
Xanthochromism
|
1,382
|
44
|
Stub
|
Low
|
439
|
List of animals that can change color
|
1,381
|
44
|
List
|
Low
|
440
|
X-Rite
|
1,380
|
44
|
Start
|
Low
|
441
|
Colour fastness
|
1,374
|
44
|
Start
|
Low
|
442
|
Iron oxide red
|
1,364
|
44
|
Stub
|
Low
|
443
|
Steel blue
|
1,361
|
43
|
Stub
|
Low
|
444
|
Citrine (colour)
|
1,361
|
43
|
Stub
|
Low
|
445
|
Orchid (color)
|
1,356
|
43
|
Stub
|
Low
|
446
|
Platinum (color)
|
1,355
|
43
|
Stub
|
Low
|
447
|
Alcian blue stain
|
1,349
|
43
|
C
|
Low
|
448
|
Colour Index International
|
1,332
|
42
|
Start
|
Mid
|
449
|
Mars surface color
|
1,331
|
42
|
B
|
Low
|
450
|
Harmony (color)
|
1,325
|
42
|
C
|
High
|
451
|
Coyote brown
|
1,325
|
42
|
Stub
|
Mid
|
452
|
Non-photo blue
|
1,314
|
42
|
Start
|
Low
|
453
|
Sepia tone
|
1,293
|
41
|
NA
|
Mid
|
454
|
Gray
|
1,290
|
41
|
NA
|
NA
|
455
|
EnChroma
|
1,278
|
41
|
Start
|
Mid
|
456
|
Vair
|
1,258
|
40
|
Stub
|
Low
|
457
|
Color preferences
|
1,258
|
40
|
Stub
|
Mid
|
458
|
Correlated color temperature
|
1,253
|
40
|
C
|
Low
|
459
|
Eton blue
|
1,243
|
40
|
Stub
|
Low
|
460
|
Iris (color)
|
1,227
|
39
|
Stub
|
Low
|
461
|
Electrochromism
|
1,226
|
39
|
C
|
Low
|
462
|
Powder blue
|
1,224
|
39
|
Stub
|
Low
|
463
|
CIECAM02
|
1,222
|
39
|
B
|
High
|
464
|
PAL-M
|
1,218
|
39
|
Start
|
Low
|
465
|
Tricolour
|
1,206
|
38
|
NA
|
NA
|
466
|
Chocolate (color)
|
1,187
|
38
|
Start
|
Low
|
467
|
Federal Standard 595
|
1,187
|
38
|
Stub
|
Low
|
468
|
Cordovan (color)
|
1,186
|
38
|
Stub
|
Low
|
469
|
Gene therapy for color blindness
|
1,184
|
38
|
C
|
Low
|
470
|
Color histogram
|
1,179
|
38
|
Start
|
Mid
|
471
|
Tooth discoloration
|
1,179
|
38
|
C
|
Low
|
472
|
Visual processing
|
1,170
|
37
|
C
|
Low
|
473
|
Spot color
|
1,167
|
37
|
Start
|
High
|
474
|
Day-Glo Color Corp.
|
1,167
|
37
|
Start
|
Mid
|
475
|
Abnormal urine color
|
1,164
|
37
|
Start
|
Low
|
476
|
MacAdam ellipse
|
1,160
|
37
|
C
|
High
|
477
|
High Capacity Color Barcode
|
1,160
|
37
|
C
|
Low
|
478
|
Unique hues
|
1,160
|
37
|
C
|
Mid
|
479
|
Printing registration
|
1,158
|
37
|
C
|
Low
|
480
|
Mexican pink
|
1,156
|
37
|
Start
|
Low
|
481
|
Color war
|
1,145
|
36
|
Stub
|
Low
|
482
|
Calcein
|
1,133
|
36
|
Start
|
Low
|
483
|
Bistre
|
1,128
|
36
|
Start
|
Mid
|
484
|
Cardinal (color)
|
1,122
|
36
|
Stub
|
Low
|
485
|
Liver (color)
|
1,120
|
36
|
Stub
|
Low
|
486
|
Purpure
|
1,119
|
36
|
Start
|
Low
|
487
|
Bleu celeste
|
1,114
|
35
|
Start
|
Low
|
488
|
Caput mortuum (pigment)
|
1,110
|
35
|
Start
|
Low
|
489
|
Fire engine red
|
1,104
|
35
|
Stub
|
Low
|
490
|
Rifle green
|
1,103
|
35
|
NA
|
Low
|
491
|
Budgerigar colour genetics
|
1,098
|
35
|
Start
|
Low
|
492
|
Venetian red
|
1,093
|
35
|
Stub
|
Low
|
493
|
List of color film systems
|
1,091
|
35
|
List
|
Low
|
494
|
Duotone
|
1,090
|
35
|
Start
|
Low
|
495
|
List of chicken colours
|
1,090
|
35
|
List
|
Low
|
496
|
History of red
|
1,086
|
35
|
C
|
Mid
|
497
|
CMY color model
|
1,070
|
34
|
NA
|
High
|
498
|
Spectral sensitivity
|
1,058
|
34
|
Start
|
Mid
|
499
|
Standard-dynamic-range video
|
1,056
|
34
|
C
|
Mid
|
500
|
Illuminant D65
|
1,054
|
34
|
NA
|
Mid
|
501
|
Marian blue
|
1,049
|
33
|
Start
|
Low
|
502
|
Palatinate (colour)
|
1,036
|
33
|
Start
|
Low
|
503
|
Wide-gamut RGB color space
|
1,035
|
33
|
Start
|
Mid
|
504
|
Colorist
|
1,035
|
33
|
C
|
Low
|
505
|
Vert (heraldry)
|
1,031
|
33
|
Start
|
Low
|
506
|
Wheat (color)
|
1,027
|
33
|
Stub
|
Low
|
507
|
Farnsworth–Munsell 100 hue test
|
1,027
|
33
|
C
|
Low
|
508
|
Coffee (color)
|
1,022
|
32
|
Start
|
Low
|
509
|
Van Dyke brown
|
1,008
|
32
|
Stub
|
Low
|
510
|
Fulvous
|
1,006
|
32
|
Start
|
Low
|
511
|
RG color models
|
1,002
|
32
|
C
|
Mid
|
512
|
Jonquil (color)
|
986
|
31
|
Stub
|
Low
|
513
|
Orcein
|
977
|
31
|
Start
|
Mid
|
514
|
Marigold (color)
|
962
|
31
|
Stub
|
Low
|
515
|
Goldenrod (color)
|
958
|
30
|
Start
|
Low
|
516
|
Selective yellow
|
955
|
30
|
C
|
Low
|
517
|
Aureolin
|
955
|
30
|
Stub
|
Low
|
518
|
Flax (color)
|
954
|
30
|
Stub
|
Low
|
519
|
Raspberry (color)
|
949
|
30
|
Start
|
Low
|
520
|
Color gel
|
935
|
30
|
Start
|
Low
|
521
|
Yale Blue
|
933
|
30
|
Start
|
Low
|
522
|
Color solid
|
927
|
29
|
Start
|
High
|
523
|
Android green
|
921
|
29
|
Stub
|
Low
|
524
|
Drab (color)
|
905
|
29
|
Stub
|
Low
|
525
|
Color calibration
|
894
|
28
|
Start
|
Mid
|
526
|
Marengo (color)
|
890
|
28
|
Start
|
Low
|
527
|
Eggshell (color)
|
883
|
28
|
Stub
|
Low
|
528
|
Candy apple red
|
874
|
28
|
Start
|
Low
|
529
|
ICtCp
|
873
|
28
|
C
|
Mid
|
530
|
Chromatic adaptation
|
871
|
28
|
Start
|
Mid
|
531
|
Camel (color)
|
865
|
27
|
Start
|
Low
|
532
|
Cerebral achromatopsia
|
858
|
27
|
C
|
Low
|
533
|
Solvatochromism
|
856
|
27
|
Start
|
Low
|
534
|
History of spectroscopy
|
827
|
26
|
C
|
Mid
|
535
|
Magnolia (color)
|
817
|
26
|
Stub
|
Low
|
536
|
Tenné
|
814
|
26
|
B
|
Low
|
537
|
Colorburst
|
808
|
26
|
Start
|
Low
|
538
|
Mulberry (color)
|
804
|
25
|
Stub
|
Low
|
539
|
Citron (color)
|
802
|
25
|
Stub
|
Low
|
540
|
Vanilla (color)
|
797
|
25
|
Start
|
Mid
|
541
|
Abney effect
|
790
|
25
|
B
|
Mid
|
542
|
Dominant wavelength
|
785
|
25
|
Start
|
High
|
543
|
Colourant
|
778
|
25
|
Stub
|
High
|
544
|
Evolution of color vision
|
778
|
25
|
Start
|
Mid
|
545
|
Evolution of color vision in primates
|
777
|
25
|
C
|
Mid
|
546
|
Olive drab
|
776
|
25
|
NA
|
NA
|
547
|
ScRGB
|
764
|
24
|
Start
|
Mid
|
548
|
Vision science
|
752
|
24
|
Start
|
Mid
|
549
|
Murrey
|
744
|
24
|
Stub
|
Low
|
550
|
ColorADD
|
732
|
23
|
Start
|
Low
|
551
|
Sinopia
|
729
|
23
|
Start
|
Low
|
552
|
Pearl (color)
|
729
|
23
|
Stub
|
Low
|
553
|
Albert Henry Munsell
|
722
|
23
|
Start
|
Mid
|
554
|
Straw (colour)
|
708
|
22
|
Stub
|
Low
|
555
|
Standard Reference Method
|
707
|
22
|
C
|
Low
|
556
|
Utility location
|
706
|
22
|
Start
|
Mid
|
557
|
Mysore Paints and Varnish
|
704
|
22
|
Start
|
Low
|
558
|
Color triangle
|
698
|
22
|
Start
|
High
|
559
|
Arylide yellow
|
684
|
22
|
Stub
|
Low
|
560
|
Maize (color)
|
680
|
21
|
Stub
|
Low
|
561
|
Jungle green
|
680
|
21
|
C
|
Low
|
562
|
Composite artifact colors
|
680
|
21
|
C
|
Low
|
563
|
On Vision and Colours
|
679
|
21
|
Start
|
Low
|
564
|
Sakura Color Products Corporation
|
675
|
21
|
Stub
|
Low
|
565
|
Capri (color)
|
672
|
21
|
Stub
|
Low
|
566
|
Cinereous
|
671
|
21
|
Stub
|
Low
|
567
|
HSV color space
|
670
|
21
|
NA
|
High
|
568
|
Colored smoke
|
657
|
21
|
Stub
|
Mid
|
569
|
Oren–Nayar reflectance model
|
657
|
21
|
C
|
Low
|
570
|
Lion (color)
|
653
|
21
|
Stub
|
Low
|
571
|
Zinc white
|
647
|
20
|
C
|
Mid
|
572
|
Zaffre
|
635
|
20
|
Stub
|
Mid
|
573
|
Floral color change
|
634
|
20
|
C
|
Low
|
574
|
Index of color-related articles
|
633
|
20
|
Start
|
Mid
|
575
|
Philosophy of color
|
628
|
20
|
Start
|
High
|
576
|
Hexachrome
|
621
|
20
|
Start
|
Low
|
577
|
Tangerine (color)
|
619
|
19
|
Stub
|
Low
|
578
|
Image color transfer
|
618
|
19
|
Start
|
Low
|
579
|
Erin (color)
|
613
|
19
|
Stub
|
Low
|
580
|
Kruithof curve
|
612
|
19
|
C
|
Mid
|
581
|
Eyeborg
|
601
|
19
|
Start
|
Low
|
582
|
Mars Black (pigment)
|
591
|
19
|
Stub
|
Low
|
583
|
PALplus
|
586
|
18
|
C
|
Low
|
584
|
Red in culture
|
586
|
18
|
C
|
High
|
585
|
Acid green
|
580
|
18
|
Stub
|
Low
|
586
|
Fechner color
|
570
|
18
|
Start
|
Low
|
587
|
Blush (color)
|
567
|
18
|
Stub
|
Low
|
588
|
Color organ
|
562
|
18
|
C
|
Low
|
589
|
Dichroic filter
|
559
|
18
|
NA
|
NA
|
590
|
Color print film
|
559
|
18
|
Start
|
Low
|
591
|
Mired
|
559
|
18
|
Start
|
Mid
|
592
|
XvYCC
|
555
|
17
|
Start
|
Low
|
593
|
Map coloring
|
550
|
17
|
Start
|
Low
|
594
|
CcMmYK color model
|
550
|
17
|
Stub
|
Low
|
595
|
Duke blue
|
547
|
17
|
Stub
|
Low
|
596
|
Tristimulus colorimeter
|
546
|
17
|
Stub
|
Low
|
597
|
MERDC camouflage
|
545
|
17
|
Stub
|
Low
|
598
|
Carnelian (color)
|
542
|
17
|
Stub
|
Low
|
599
|
Jasmine (color)
|
542
|
17
|
Stub
|
Low
|
600
|
Field-sequential color system
|
526
|
16
|
C
|
Low
|
601
|
Gardner color scale
|
526
|
16
|
Stub
|
Mid
|
602
|
Synthetic colorant
|
516
|
16
|
C
|
Low
|
603
|
Lava (color)
|
511
|
16
|
Stub
|
Low
|
604
|
Grassmann's laws (color science)
|
506
|
16
|
Start
|
Mid
|
605
|
Bezold–Brücke shift
|
505
|
16
|
Stub
|
Low
|
606
|
Blue Wool Scale
|
484
|
15
|
Stub
|
Low
|
607
|
Tuscan red
|
484
|
15
|
Start
|
Low
|
608
|
Persian red
|
479
|
15
|
Stub
|
Low
|
609
|
Ostwald color system
|
470
|
15
|
C
|
High
|
610
|
Navajo white
|
468
|
15
|
Stub
|
Low
|
611
|
Azurite (pigment)
|
458
|
14
|
Stub
|
Low
|
612
|
CIE 1960 color space
|
446
|
14
|
Start
|
Low
|
613
|
Reseda green
|
441
|
14
|
Stub
|
Low
|
614
|
Beta movement
|
437
|
14
|
C
|
Low
|
615
|
Chromism
|
433
|
13
|
C
|
Low
|
616
|
Bastard color
|
433
|
13
|
Stub
|
Low
|
617
|
HWB color model
|
430
|
13
|
Stub
|
Low
|
618
|
The Secret Lives of Colour
|
427
|
13
|
C
|
Low
|
619
|
Colour recovery
|
422
|
13
|
C
|
Low
|
620
|
Color of clothing
|
419
|
13
|
Start
|
Mid
|
621
|
Color cycling
|
417
|
13
|
Start
|
Low
|
622
|
Bice
|
416
|
13
|
Stub
|
Low
|
623
|
Double cone (biology)
|
412
|
13
|
Start
|
Low
|
624
|
International Colour Day
|
411
|
13
|
Start
|
Mid
|
625
|
Colorpuncture
|
410
|
13
|
C
|
Low
|
626
|
On Colors
|
399
|
12
|
Start
|
Low
|
627
|
International Color Consortium
|
397
|
12
|
Start
|
Mid
|
628
|
Coventry blue
|
397
|
12
|
Stub
|
Low
|
629
|
Rose pink
|
393
|
12
|
Stub
|
Low
|
630
|
Harvest gold
|
385
|
12
|
Stub
|
Low
|
631
|
Ewald Hering
|
384
|
12
|
Start
|
Mid
|
632
|
Cyclamen (color)
|
379
|
12
|
NA
|
Low
|
633
|
Colour cast
|
378
|
12
|
Start
|
Mid
|
634
|
Color coding in data visualization
|
376
|
12
|
NA
|
High
|
635
|
Margaret Hayden Rorke
|
372
|
12
|
C
|
Low
|
636
|
Cream (color)
|
371
|
11
|
NA
|
Low
|
637
|
Color reproduction
|
371
|
11
|
Stub
|
High
|
638
|
Rg chromaticity
|
368
|
11
|
Stub
|
Low
|
639
|
Carnation (heraldry)
|
361
|
11
|
Stub
|
Low
|
640
|
Cynthia Brewer
|
360
|
11
|
Start
|
Low
|
641
|
Sanguine (heraldry)
|
356
|
11
|
Stub
|
Low
|
642
|
National colours of Portugal
|
345
|
11
|
Start
|
Low
|
643
|
Brunswick green
|
341
|
11
|
NA
|
Low
|
644
|
Marrs green
|
341
|
11
|
Stub
|
Low
|
645
|
PAL-S
|
339
|
10
|
Start
|
Low
|
646
|
CIE 1964 color space
|
336
|
10
|
Stub
|
Low
|
647
|
IT8
|
335
|
10
|
Start
|
Low
|
648
|
Fallow (color)
|
331
|
10
|
Stub
|
Low
|
649
|
Bole (color)
|
331
|
10
|
Start
|
Low
|
650
|
French gray
|
331
|
10
|
Stub
|
Low
|
651
|
American Association of Textile Chemists and Colorists
|
324
|
10
|
Stub
|
Mid
|
652
|
Werner's Nomenclature of Colours
|
321
|
10
|
Stub
|
Low
|
653
|
Color rendering
|
318
|
10
|
Start
|
Mid
|
654
|
Dandelion (crayon color)
|
316
|
10
|
Start
|
Low
|
655
|
Seashell (color)
|
315
|
10
|
Stub
|
Low
|
656
|
Local color (visual art)
|
313
|
10
|
Stub
|
Low
|
657
|
ASC CDL
|
312
|
10
|
Start
|
Low
|
658
|
Cerulean blue
|
309
|
9
|
NA
|
NA
|
659
|
Hunter Lab
|
309
|
9
|
Start
|
Low
|
660
|
TSL color space
|
304
|
9
|
Stub
|
Low
|
661
|
Spring bud
|
300
|
9
|
C
|
Low
|
662
|
Spring green (color)
|
292
|
9
|
NA
|
NA
|
663
|
Seal brown
|
290
|
9
|
Stub
|
Low
|
664
|
Cendrée
|
290
|
9
|
Stub
|
Low
|
665
|
HKS (colour system)
|
288
|
9
|
Stub
|
Low
|
666
|
Burnt sienna
|
285
|
9
|
NA
|
Mid
|
667
|
Pterobilin
|
285
|
9
|
Start
|
Low
|
668
|
Color Association of the United States
|
284
|
9
|
Start
|
Mid
|
669
|
Pompeian red
|
284
|
9
|
B
|
Low
|
670
|
Continuous tone
|
281
|
9
|
Start
|
Low
|
671
|
Specifications for Web Offset Publications
|
276
|
8
|
Start
|
Low
|
672
|
Titanium yellow
|
272
|
8
|
Stub
|
Low
|
673
|
Windows Color System
|
252
|
8
|
Start
|
Mid
|
674
|
Jacob Christoph Le Blon
|
251
|
8
|
Start
|
Low
|
675
|
Memory color effect
|
249
|
8
|
C
|
Mid
|
676
|
Dark blue (color)
|
248
|
8
|
NA
|
Low
|
677
|
Icterine
|
248
|
8
|
Stub
|
Low
|
678
|
Color phi phenomenon
|
247
|
7
|
Start
|
Low
|
679
|
Ao (color)
|
245
|
7
|
NA
|
Low
|
680
|
Colors (Ken Nordine album)
|
244
|
7
|
Start
|
Low
|
681
|
Color task
|
243
|
7
|
B
|
Mid
|
682
|
Color Naming System
|
241
|
7
|
Start
|
Low
|
683
|
Halochromism
|
235
|
7
|
Start
|
Low
|
684
|
Polka-dot paint
|
231
|
7
|
Start
|
Low
|
685
|
Burnt umber
|
230
|
7
|
NA
|
Mid
|
686
|
Mikado yellow
|
228
|
7
|
Stub
|
Low
|
687
|
Bipack color
|
225
|
7
|
C
|
Low
|
688
|
ColorCode 3-D
|
224
|
7
|
Start
|
Low
|
689
|
Rose (heraldic tincture)
|
223
|
7
|
Start
|
Low
|
690
|
Amethyst (color)
|
218
|
7
|
NA
|
NA
|
691
|
Color normalization
|
216
|
6
|
Start
|
Mid
|
692
|
Grey component replacement
|
214
|
6
|
Stub
|
Low
|
693
|
Standard Color Reference of America
|
214
|
6
|
Start
|
Low
|
694
|
Hunt effect (color)
|
211
|
6
|
Stub
|
Low
|
695
|
YDbDr
|
210
|
6
|
Start
|
Low
|
696
|
Ruddy
|
208
|
6
|
NA
|
NA
|
697
|
Absolute color space
|
207
|
6
|
NA
|
Mid
|
698
|
Orange (heraldry)
|
206
|
6
|
Stub
|
Low
|
699
|
Coloroid
|
201
|
6
|
Stub
|
Low
|
700
|
Carnation pink
|
197
|
6
|
NA
|
Low
|
701
|
Moses Harris
|
193
|
6
|
Start
|
Mid
|
702
|
Color suite
|
193
|
6
|
Start
|
Low
|
703
|
Teal (color)
|
193
|
6
|
NA
|
NA
|
704
|
OSA-UCS
|
189
|
6
|
Stub
|
Low
|
705
|
Alumina effect pigment
|
187
|
6
|
Start
|
Low
|
706
|
Coloured Book protocols
|
173
|
5
|
C
|
Low
|
707
|
Bondi blue
|
170
|
5
|
NA
|
NA
|
708
|
Postage stamp color
|
170
|
5
|
C
|
Low
|
709
|
Oil droplet
|
170
|
5
|
Start
|
Low
|
710
|
Multi-primary color display
|
170
|
5
|
Stub
|
Low
|
711
|
Moss green
|
157
|
5
|
NA
|
Low
|
712
|
Color Marketing Group
|
152
|
4
|
Stub
|
Low
|
713
|
Color reaction
|
152
|
4
|
Stub
|
Mid
|
714
|
Jade (color)
|
151
|
4
|
NA
|
Low
|
715
|
Harlequin (color)
|
151
|
4
|
NA
|
NA
|
716
|
Rail Blue
|
150
|
4
|
NA
|
NA
|
717
|
International Colour Association
|
149
|
4
|
C
|
Mid
|
718
|
Whiteness (colorimetry)
|
148
|
4
|
Start
|
Low
|
719
|
Golden ochre
|
148
|
4
|
C
|
Low
|
720
|
David MacAdam
|
146
|
4
|
Start
|
Mid
|
721
|
True Blue (color)
|
146
|
4
|
NA
|
Low
|
722
|
Practical Color Coordinate System
|
145
|
4
|
Stub
|
Low
|
723
|
Leaf Color Chart
|
140
|
4
|
Stub
|
Low
|
724
|
ColorZilla
|
138
|
4
|
Stub
|
Low
|
725
|
Coloured hat
|
133
|
4
|
Start
|
Low
|
726
|
International Colour Authority
|
130
|
4
|
Stub
|
Low
|
727
|
Von Kries coefficient law
|
130
|
4
|
C
|
Low
|
728
|
Attic ochre
|
130
|
4
|
C
|
Low
|
729
|
British Colour Council
|
129
|
4
|
Start
|
Mid
|
730
|
Historic paint analysis
|
120
|
3
|
C
|
Low
|
731
|
Splash of color
|
120
|
3
|
Stub
|
Low
|
732
|
Raisin black
|
120
|
3
|
Stub
|
Low
|
733
|
Lemon chiffon
|
119
|
3
|
NA
|
Low
|
734
|
Hansa yellow
|
116
|
3
|
NA
|
Low
|
735
|
Burned (image)
|
115
|
3
|
Start
|
Mid
|
736
|
Society of Dyers and Colourists
|
114
|
3
|
Stub
|
Mid
|
737
|
Zinzolin
|
111
|
3
|
B
|
Low
|
738
|
Emerald (color)
|
110
|
3
|
NA
|
Low
|
739
|
Principle of univariance
|
109
|
3
|
Stub
|
Low
|
740
|
Color quality scale
|
108
|
3
|
Stub
|
Mid
|
741
|
Sinople
|
107
|
3
|
NA
|
NA
|
742
|
Bernice Kentner
|
104
|
3
|
Start
|
Low
|
743
|
Colorimeter
|
98
|
3
|
NA
|
High
|
744
|
Peach black
|
97
|
3
|
Stub
|
Low
|
745
|
Adams chromatic valence color space
|
95
|
3
|
Start
|
Mid
|
746
|
UCLA Blue
|
93
|
3
|
NA
|
Low
|
747
|
Tekhelet in Judaism
|
91
|
2
|
NA
|
Low
|
748
|
Army green
|
91
|
2
|
NA
|
NA
|
749
|
Munsell Color Company
|
90
|
2
|
Stub
|
Mid
|
750
|
Color wheel (optics)
|
88
|
2
|
Stub
|
Low
|
751
|
Colorway
|
85
|
2
|
NA
|
Low
|
752
|
Monochromatic colors
|
84
|
2
|
NA
|
Mid
|
753
|
ICAM (color appearance model)
|
84
|
2
|
Start
|
Low
|
754
|
Neugebauer equations
|
83
|
2
|
Stub
|
Mid
|
755
|
Liquid color
|
82
|
2
|
C
|
Low
|
756
|
Differential phase
|
81
|
2
|
Start
|
Low
|
757
|
Colour look-up table
|
79
|
2
|
NA
|
Low
|
758
|
Charcoal (color)
|
77
|
2
|
NA
|
NA
|
759
|
Battleship grey
|
77
|
2
|
NA
|
NA
|
760
|
Color Light Output
|
77
|
2
|
Start
|
Low
|
761
|
Registration black
|
76
|
2
|
NA
|
Mid
|
762
|
Tristimulus value
|
75
|
2
|
NA
|
Mid
|
763
|
Cycolor
|
74
|
2
|
Stub
|
Low
|
764
|
Sea green
|
72
|
2
|
NA
|
Low
|
765
|
EciRGB
|
71
|
2
|
Stub
|
Low
|
766
|
The Color Association of the United States
|
71
|
2
|
NA
|
Mid
|
767
|
Brandeis blue
|
68
|
2
|
NA
|
NA
|
768
|
Inter-Society Color Council
|
67
|
2
|
Start
|
Low
|
769
|
Deane B. Judd
|
65
|
2
|
Start
|
Low
|
770
|
Vantage theory
|
65
|
2
|
Start
|
Low
|
771
|
Pinchin Johnson & Associates
|
64
|
2
|
Start
|
Low
|
772
|
Lusty gallant
|
61
|
1
|
Stub
|
Low
|
773
|
Hooker's green
|
58
|
1
|
NA
|
NA
|
774
|
Pine green
|
57
|
1
|
NA
|
Low
|
775
|
Forensic colorimetry
|
56
|
1
|
Start
|
Low
|
776
|
Ada Aline Urban
|
56
|
1
|
C
|
Low
|
777
|
Two-color system
|
52
|
1
|
Stub
|
Low
|
778
|
Corn (color)
|
50
|
1
|
NA
|
Low
|
779
|
Charles Albert Keeley
|
50
|
1
|
Start
|
Low
|
780
|
Tufts Blue
|
50
|
1
|
NA
|
Low
|
781
|
Rendering intent
|
49
|
1
|
NA
|
Mid
|
782
|
Ghost white
|
49
|
1
|
NA
|
NA
|
783
|
Under color addition
|
48
|
1
|
Stub
|
Low
|
784
|
Green-yellow
|
48
|
1
|
NA
|
Mid
|
785
|
European Color Initiative
|
48
|
1
|
Start
|
Low
|
786
|
Salmon pink
|
47
|
1
|
NA
|
Low
|
787
|
Pumpkin (color)
|
46
|
1
|
NA
|
NA
|
788
|
Flame (color)
|
45
|
1
|
NA
|
NA
|
789
|
Descriptive Color Names Dictionary
|
44
|
1
|
Stub
|
Low
|
790
|
Dark purple
|
44
|
1
|
NA
|
Low
|
791
|
Robert Birmelin
|
42
|
1
|
C
|
Low
|
792
|
Peach-yellow
|
41
|
1
|
NA
|
Low
|
793
|
Myrtle (color)
|
41
|
1
|
NA
|
Low
|
794
|
Upsdell red
|
41
|
1
|
Stub
|
Low
|
795
|
Augusto Garau
|
40
|
1
|
Start
|
Low
|
796
|
Klaer Lightende Spiegel der Verfkonst
|
37
|
1
|
Stub
|
Low
|
797
|
Hermann Alfred Tanner
|
37
|
1
|
GA
|
Low
|
798
|
The Colour Group
|
35
|
1
|
Stub
|
Low
|
799
|
Nardo gray
|
35
|
1
|
NA
|
Low
|
800
|
Papaya whip
|
34
|
1
|
NA
|
Low
|
801
|
Sap green
|
33
|
1
|
NA
|
Low
|
802
|
George Palmer (colour theorist)
|
33
|
1
|
C
|
Low
|
803
|
Autotype (printing)
|
33
|
1
|
NA
|
NA
|
804
|
Jorrit Tornquist
|
32
|
1
|
Stub
|
Low
|
805
|
Color engraving
|
31
|
1
|
Stub
|
Low
|
806
|
Davy's grey
|
29
|
0
|
NA
|
Low
|
807
|
Wenge (colour)
|
29
|
0
|
NA
|
Low
|
808
|
Hal Glicksman
|
29
|
0
|
Start
|
Low
|
809
|
Variations of gray
|
28
|
0
|
NA
|
NA
|
810
|
Spray booth
|
27
|
0
|
NA
|
NA
|
811
|
Fern green
|
26
|
0
|
NA
|
Low
|
812
|
Bright green
|
25
|
0
|
NA
|
NA
|
813
|
Ash grey
|
23
|
0
|
NA
|
Low
|
814
|
Redwood (color)
|
23
|
0
|
NA
|
NA
|
815
|
Color volume
|
23
|
0
|
NA
|
NA
|
816
|
Magic Pink
|
22
|
0
|
NA
|
Low
|
817
|
Old lace (color)
|
22
|
0
|
NA
|
Low
|
818
|
Alexis Spectral Data
|
22
|
0
|
Stub
|
Low
|
819
|
Fluorescence intensity decay shape microscopy
|
19
|
0
|
Start
|
Low
|
820
|
Amber shift
|
18
|
0
|
Stub
|
Low
|
821
|
Lavender blush
|
17
|
0
|
NA
|
NA
|
822
|
Geru
|
17
|
0
|
NA
|
Low
|
823
|
Camouflage green
|
17
|
0
|
NA
|
NA
|
824
|
Value (colorimetry)
|
17
|
0
|
NA
|
Mid
|
825
|
Cool grey
|
17
|
0
|
NA
|
NA
|
826
|
Saffron in Hinduism
|
17
|
0
|
NA
|
Low
|
827
|
Tea green
|
16
|
0
|
NA
|
Low
|
828
|
Dark-on-light color scheme
|
15
|
0
|
NA
|
Low
|
829
|
Henry Hemmendinger
|
15
|
0
|
Start
|
Mid
|
830
|
Persian orange
|
13
|
0
|
NA
|
NA
|
831
|
Asparagus (color)
|
12
|
0
|
NA
|
NA
|
832
|
Truecolor
|
11
|
0
|
NA
|
Mid
|
833
|
Pastel green
|
11
|
0
|
NA
|
Low
|
834
|
Pear (color)
|
11
|
0
|
NA
|
Low
|
835
|
Gray-asparagus
|
10
|
0
|
NA
|
Low
|
836
|
(255, 0, 0)
|
10
|
0
|
NA
|
NA
|
837
|
Color in Informatics and Media Technology
|
9
|
0
|
Start
|
Low
|
838
|
Deep sky blue
|
9
|
0
|
NA
|
Low
|
839
|
Mint cream
|
9
|
0
|
NA
|
NA
|
840
|
Process blue
|
9
|
0
|
NA
|
NA
|
841
|
Sandy brown
|
8
|
0
|
NA
|
NA
|
842
|
Pale brown
|
8
|
0
|
NA
|
Low
|
843
|
Ford Blue
|
8
|
0
|
NA
|
NA
|
844
|
Boysenberry (color)
|
6
|
0
|
NA
|
NA
|
845
|
Visible frequency
|
5
|
0
|
NA
|
NA
|
846
|
Raw umber (color)
|
4
|
0
|
NA
|
Low
|
847
|
LED ribbon
|
3
|
0
|
NA
|
Low
|
848
|
Wisteria (colour)
|
3
|
0
|
NA
|
NA
|
849
|
Peach-orange
|
2
|
0
|
NA
|
Low
|
850
|
Color Matching Method
|
2
|
0
|
NA
|
Low
|
851
|
Blaze Orange
|
1
|
0
|
NA
|
Mid
|
852
|
CG Red
|
1
|
0
|
NA
|
NA
|
853
|
Non-spectral color
|
1
|
0
|
NA
|
NA
|
854
|
Alice-Blue (color)
|
0
|
0
|
NA
|
Low
|