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Originally recorded for the film ''[[Neptune's Daughter (1949 film)|Neptune's Daughter]]'', it has been recorded by many artists since its original release.
Originally recorded for the film ''[[Neptune's Daughter (1949 film)|Neptune's Daughter]]'', it has been recorded by many artists since its original release.

Although some critical analyses of the song have highlighted parts of the lyrics such as "What's in this drink?" and his unrelenting pressure to stay despite her repeated suggestions that she should go home,<ref name="WaPo">{{cite news|url=http://www.washingtonpost.com/posteverything/wp/2014/12/19/baby-its-cold-outside-was-once-an-anthem-for-progressive-women-what-happened/|title=‘Baby It’s Cold Outside’ was once an anthem for progressive women. What happened?|last=Marya Hannun|date=December 19, 2014|work=[[The Washington Post]]|accessdate=14 January 2015}}</ref> others noted that cultural expectations of the time period were such that women were not socially permitted to spend the night with a boyfriend or fiance, and that the female speaker states that she wants to stay, while "what's in this drink" was a common idiom of the period used to rebuke social expectations by blaming one's actions on the influence of alcohol.<ref>{{cite web|url=http://persephonemagazine.com/2010/12/listening-while-feminist-in-defense-of-baby-its-cold-outside/|title=Listening While Feminist: In Defense of “Baby, It’s Cold Outside”|date=December 6, 2010|publisher=}}</ref>


==Background==
==Background==

Revision as of 01:58, 31 December 2016

For other works with this title, see Baby, It's Cold Outside (disambiguation).

"Baby, It's Cold Outside" is a song written by Frank Loesser in 1944.[1] It is a call and response duet in which one of the singers (usually performed by a male voice) attempts to convince a guest (usually performed by a female voice) that they should stay together for a romantic evening because the weather is cold and the trip home would be difficult.

Originally recorded for the film Neptune's Daughter, it has been recorded by many artists since its original release.

Background

Loesser wrote the duet in 1944 and premiered the song with his wife, Lynn Garland, at their Navarro Hotel in New York housewarming party, and performed it toward the end of the evening, signifying to guests that it was nearly time to end the party. Frank would introduce himself as the "Evil of Two Loessers", a play on the theme of the song, trying to keep the girl from leaving, and on the phrase "lesser of two evils". This was a period when the Hollywood elite's chief entertainment was throwing parties and inviting guests who were expected to perform. Garland wrote that after the first performance, "We become instant parlor room stars. We got invited to all the best parties for years on the basis of 'Baby.' It was our ticket to caviar and truffles. Parties were built around our being the closing act." Garland considered it their song and was furious when Loesser told her he was selling the song. Garland wrote, "I felt as betrayed as if I'd caught him in bed with another woman." He sold it to MGM.[2]

Lyrics

The lyrics in this duet are designed to be heard as a conversation between two people, identified as "mouse" and "wolf" on the printed score; they have returned to the wolf's home after a date, and the mouse decides it is time to go home, but the wolf flirtatiously invites the mouse to stay as it is late and "it's cold outside." The mouse wants to stay and enjoy herself, but feels obligated to return home, worried what family and neighbors will think if she stays.[3] Every line in the song features a statement from the mouse followed by a response from the wolf, which is musically known as a call and response song.

Publication

In 1948, after years of informally performing the song at various parties, Loesser sold the rights to MGM, which inserted the song into its 1949 motion picture, Neptune's Daughter.[2] The film featured two performances of the song: one by Ricardo Montalbán and Esther Williams and the other by Red Skelton and Betty Garrett, the second of which has the roles of wolf and mouse reversed. These performances earned Loesser an Academy Award for Best Original Song.[1]

In at least one published version the tempo of the song is given as "Loesserando", a humorous reference to the composer's name.[4]

1949 recordings

The following versions were recorded in 1949:

  • The recording by Dinah Shore and Buddy Clark was recorded on March 17 and released by Columbia Records as catalog number 38463. It first reached the Billboard Best Seller chart on May 6, 1949, and lasted 19 weeks on the chart, peaking at No. 4.[5]
  • The recording by Margaret Whiting and Johnny Mercer was recorded on March 18 and released by Capitol Records as catalog number 567. It first reached the Billboard Best Seller chart on May 6, 1949, and lasted 19 weeks on the chart, peaking at No. 4.[5]
  • The recording by Don Cornell and Laura Leslie with the Sammy Kaye orchestra was recorded on April 12 and released by RCA Victor Records as catalog number 20-3448. It first reached the Billboard Best Seller chart on June 24, 1949, and lasted 10 weeks on the chart, peaking at No. 13.[5]
  • The recording by Ella Fitzgerald and Louis Jordan was recorded on April 28 and released by Decca Records as catalog number 24644. It first reached the Billboard Best Seller chart on June 17, 1949, and lasted seven weeks on the chart, peaking at No. 17.[5]
  • A parody recording was made by Homer and Jethro with June Carter; it went to No. 9 on the country charts and No. 22 on the pop charts.

Other notable recordings

"Baby, It's Cold Outside" has been recorded by numerous other artists over the years. At least five different versions of the song have made at least one singles chart in the United States.

See also

References

  1. ^ a b Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 134. ISBN 1-904994-10-5.
  2. ^ a b Loesser, Susan (1993). A Most Remarkable Fella: Frank Loesser and the Guys and Dolls in His Life; A Portrait by His Daughter. Hal Leonard. pp. 79–81. ISBN 1-55611-364-1.
  3. ^ Riis, Thomas Laurence (January 1, 2008). Frank Loesser. Yale University Press. pp. 71–73. ISBN 0300110510.
  4. ^ Michael Feinstein (June 29, 2010). "Comment made by Michael Feinstein during Fresh Air Celebrates Frank Loesser's 100th Birthday interview". Wbur.org. Retrieved February 20, 2014.
  5. ^ a b c d Whitburn, Joel (1973). Top Pop Records 1940–1955. Record Research.
  6. ^ "Hot 100: Week of December 25, 2010 (Biggest Jump)". Billboard. Prometheus Global Media. Archived from the original on July 9, 2014. Retrieved December 16, 2010. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  7. ^ Gunter, Barrie (July 24, 2014). "I Want to Change My Life: Can Reality TV Competition Shows Trigger Lasting Career Success?". Cambridge Scholars Publishing – via Google Books.
  8. ^ "Chart Search Virginia to Vegas". Billboard. Retrieved November 23, 2015.
  9. ^ "Adult Contemporary". Billboard. December 20, 2014. Retrieved December 11, 2014.
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