Lizbeth Goodman: Difference between revisions
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{{Short description|Social scientist}} |
{{Short description|Social scientist}} |
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'''Lizbeth Goodman''' is |
'''Lizbeth Goodman [[FRSA]]''' is Professor of Inclusive Design for Education at [[University College Dublin]], and a professor in the university's School of Mechanical and Materials Engineering.<ref name=ucd>{{cite web|url=https://people.ucd.ie/lizbeth.goodman|title=Lizbeth Goodman Profile|publisher=University College Dublin|access-date=2024-01-20}}</ref> |
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==Education and career== |
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Goodman founded the SMARTlab in the 1990s and directed that lab as it expanded at five different UK institutions: the [[Open University]], the [[BBC]], the [[University of Surrey]], [[Central Saint Martins College of Art & Design]], and the University of East London.<ref>[http://www.jisc.ac.uk/events/2009/03/jiscconference09/programme/lizbethgoodman.aspx Professor Lizbeth Goodman], [[Jisc]] Conference, UK, 2009.</ref>{{failed verification|date=January 2024}} |
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Formerly a scholar of the theatre and a BBC television presenter,<ref name=smartlab>{{cite web | url=http://smartlab-ie.com/1about/director.htm | title=About the Director | publisher=SMARTlab, [[University College Dublin]], Ireland | date=10 February 2011 | accessdate=27 September 2011 | archive-url=https://web.archive.org/web/20110810074614/http://smartlab-ie.com/1about/director.htm | archive-date=10 August 2011 | url-status=usurped }}</ref> |
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Goodman has master's degrees from the [[University of Cambridge]] and [[Washington University in St. Louis]], and a doctorate from the [[Open University]].<ref name=ucd/> While at Cambridge she was a member of the [[Footlights]], being executive producer for ''Amazons!: The Official Version'' in 1990-1991 and ''Daughters of England'' in 1989-1990 and Women's Officer in 1989-1990.<ref>{{cite web |title=Archive 1960-2000 |url=https://www.cambridgefootlights.org/archive-1960-2000 |website=cambridge-footlights |access-date=21 January 2024 |language=en}}</ref> |
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After eight years teaching theatre at the Open University, leading the Institute for New Media Performance Research at the [[University of Surrey]], and directing the SMARTlab Centre at [[Central Saint Martins|Central Saint Martins College of Art & Design]], she became Chair of Creative Technology Innovation at the [[University of East London]] in 2005,<ref name=smartlab/> before moving to her present position at University College Dublin.<ref name=ucd/> She founded SMARTLab, now based at UCD, in 1992 and its ethos is "creative technology innovation for real social change".<ref>{{cite web |title=About - UCD SMARTlab |url=https://www.ucd.ie/smartlab/about/ |website=www.ucd.ie |access-date=21 January 2024}}</ref> |
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Goodman was previously at Central Saint Martins, part of the [[University of the Arts London|University of the Arts]] in [[London]]. She moved to the University of East London in 2005.{{fact|date=January 2022}} |
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Her research interests include inclusive design using technology including [[virtual reality]] to help people with [[autism]] or [[intellectual disability|intellectual disabilities]].<ref name="oconnell">{{cite news |last1=O’Connell |first1=Claire |title=Inclusive design to help people with autism and intellectual disabilities |url=https://www.siliconrepublic.com/innovation/inclusive-design-smartlab-ucd-autism |access-date=21 January 2024 |work=[[Silicon Republic]] |date=28 April 2017 |language=en}}</ref> |
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Goodman holds the [[Microsoft]] Community Affairs Senior Research Fellowship for her work on the ''Emergenc(i)es'' series of books on [[digital culture]] and people, published by [[MIT Press]].<ref>[http://smartlab.uel.ac.uk/1about/director.htm About the Director] {{webarchive|url=https://web.archive.org/web/20101109181854/http://smartlab.uel.ac.uk/1about/director.htm |date=2010-11-09 }}, [http://smartlab.uel.ac.uk/ SMARTlab] {{webarchive|url=https://web.archive.org/web/20100901084132/http://smartlab.uel.ac.uk/ |date=2010-09-01 }}, [[University of East London]], UK.</ref> |
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She is a member of the board of governors of [[Ravensbourne University London]].<ref name="ravensbourne">{{cite web |title=Lizbeth Goodman |url=https://www.ravensbourne.ac.uk/people-and-stories/meet-team/lizbeth-goodman |website=Ravensbourne University London |access-date=21 January 2024 |language=en}}</ref> |
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== Selected books == |
== Selected books == |
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Goodman is the author or co-author of: |
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* ''Contemporary Feminist Theatres: To Each Her Own'' (Gender & Performance) by Lizbeth Goodman ([[Routledge]], 1993). {{ISBN|978-0-415-07306-6}}. |
* ''Contemporary Feminist Theatres: To Each Her Own'' (Gender & Performance) by Lizbeth Goodman ([[Routledge]], 1993). {{ISBN|978-0-415-07306-6}}.{{efn|Reviews of ''Contemporary Feminist Theatres'': |
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*Jill Dolan, ''TDR'', {{doi|10.2307/1146431}}, {{jstor|1146431}} |
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*Lesley Ferris, ''Modern Drama'', {{doi|10.1353/mdr.1995.0020}} |
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*E. D. Huntley, ''NWSA Journal'', {{jstor|4316365}} |
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*Bettina L. Knapp, ''World Literature Today'', {{doi|10.2307/40150238}}, {{jstor|40150238}} |
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*Ann Marie McEntee, ''Theatre Survey'', {{doi|10.1017/S0040557400002684}} |
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*Erika Munk, "Tragedy Tomorrow, Theory Tonight?", ''The Women's Review of Books'', {{doi|10.2307/4021773}}, {{jstor|4021773}} |
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*Janelle Reinelt, ''Theatre Research International'', {{doi|10.1017/S0307883300007264}} |
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*Sue Smith, ''Feminist Review'', {{doi|10.2307/1395269}}, {{jstor|1395269}} |
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*Esther Beth Sullivan, ''Theatre Journal'', {{doi|10.2307/3208473}}, {{jstor|3208473}} |
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* ''Literature and Gender: An Introductory Textbook'' (Approaching Literature) by Lizbeth Goodman (Routledge, 1996). {{ISBN|978-0-415-13574-0}}. |
* ''Literature and Gender: An Introductory Textbook'' (Approaching Literature) by Lizbeth Goodman (Routledge, 1996). {{ISBN|978-0-415-13574-0}}. |
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* ''Shakespeare, Aphra Behn and the Canon: An Introductory Textbook'' (Approaching Literature) by Lizbeth Goodman and W.R. Owens (Routledge, 1996). {{ISBN|978-0-415-13576-4}}. |
* ''Shakespeare, Aphra Behn and the Canon: An Introductory Textbook'' (Approaching Literature) by Lizbeth Goodman and W.R. Owens (Routledge, 1996). {{ISBN|978-0-415-13576-4}}.{{efn|Reviews of ''Shakespeare, Aphra Behn and the Canon'': |
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*Verna A. Foster, ''Restoration and 18th Century Theatre Research'', {{ProQuest|1037990261}} |
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*Kathy Howlett, ''The Scriblerian and the Kit-Kats'', {{ProQuest|1220459307}} |
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*Deborah Kaplan, ''Theatre Survey'', {{doi|10.1017/S0040557400002234}} |
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*Elizabeth Kraft, ''Medieval & Renaissance Drama in England'', {{jstor|24322202}} |
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*Andrew McCann, ''Australasian Drama Studies'', {{ProQuest|1300402117}} |
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*Helen Nicholson, ''Research in Drama Education'', {{ProQuest|217923120}} |
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*Laurie J. Wolf, ''Theatre Research International'', {{doi|10.1017/S0307883300018368}} |
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}} |
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Her [[edited volume]]s include: |
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*''Imagining Women: Cultural Representations and Gender'', Frances Bonner, Lizbeth Goodman, Richard Allen, Linda Janes, and Catherine King, editors (Polity Press, 1992){{efn|1=Reviews of ''Imagining Women'': |
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*Rosemary Betterton, ''Women's Art Magazine'', [https://link.gale.com/apps/doc/A262786431/AONE?u=anon~514232c1&sid=googleScholar&xid=96fc5f17] |
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*K. Gibson, K. Hewitt, and P. Saunders, ''Environment and Planning D: Society and Space'', {{doi|10.1068/d1102}} |
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*Cathy Lubelska, ''European Journal of Women's Studies'', {{doi|10.1177/1350506894001001}} |
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*Elizabeth C. Ramírez, ''Theatre Journal'', {{doi|10.2307/3208472}}, {{jstor|3208472}} |
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}} |
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*Glen Johnson, ''Lambda Book Report'', {{EBSCOhost|1838775|dbcode=lkh}} |
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*Nicola Shaughnessy, ''New Theatre Quarterly'', {{doi|10.1017/S0266464X00013191}} |
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}} |
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*Anna Birch, ''Critical Survey'', {{jstor|41557095}} |
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*Nadine George-Graves, ''Modern Drama'', {{doi|10.1353/mdr.2003.0047}} |
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*Estella Lauter, "Feminist Activist Art: Losing the Edge?", ''NWSA Journal'', {{jstor|4317236}} |
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}} |
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*''Languages of Theatre Shaped by Women'' by Jane de Gay and Lizbeth Goodman, editors (Intellect, 2003){{efn|Reviews of ''Languages of Theatre Shaped by Women'': |
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*Elaine Aston, ''New Theatre Quarterly'', {{doi|10.1017/S0266464X04290273}} |
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*Rebecca D'Monté, ''Theatre Research International'', {{doi|10.1017/S0307883304240603}} |
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*Theresa Smalec , ''TDR'', {{doi|10.1162/1054204042442062}}, {{jstor|4488603}} |
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}} |
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== Reviews == |
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{{notelist}} |
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== References == |
== References == |
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[[Category:British literary critics]] |
[[Category:British literary critics]] |
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[[Category:British women literary critics]] |
[[Category:British women literary critics]] |
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[[Category:British social scientists]] |
[[Category:21st-century British social scientists]] |
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[[Category:Gender studies academics]] |
[[Category:Gender studies academics]] |
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[[Category:Cultural academics]] |
[[Category:Cultural academics]] |
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[[Category:British expatriates in Ireland]] |
[[Category:British expatriates in Ireland]] |
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[[Category:British mass media scholars]] |
[[Category:British mass media scholars]] |
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[[Category:Alumni of the University of Cambridge]] |
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[[Category:Washington University in St. Louis alumni]] |
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[[Category:Alumni of the Open University]] |
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{{UK-academic-stub}} |
Latest revision as of 11:33, 5 July 2024
Lizbeth Goodman FRSA is Professor of Inclusive Design for Education at University College Dublin, and a professor in the university's School of Mechanical and Materials Engineering.[1]
Education and career
[edit]Formerly a scholar of the theatre and a BBC television presenter,[2] Goodman has master's degrees from the University of Cambridge and Washington University in St. Louis, and a doctorate from the Open University.[1] While at Cambridge she was a member of the Footlights, being executive producer for Amazons!: The Official Version in 1990-1991 and Daughters of England in 1989-1990 and Women's Officer in 1989-1990.[3]
After eight years teaching theatre at the Open University, leading the Institute for New Media Performance Research at the University of Surrey, and directing the SMARTlab Centre at Central Saint Martins College of Art & Design, she became Chair of Creative Technology Innovation at the University of East London in 2005,[2] before moving to her present position at University College Dublin.[1] She founded SMARTLab, now based at UCD, in 1992 and its ethos is "creative technology innovation for real social change".[4]
Her research interests include inclusive design using technology including virtual reality to help people with autism or intellectual disabilities.[5]
She is a member of the board of governors of Ravensbourne University London.[6]
Selected books
[edit]Goodman is the author or co-author of:
- Contemporary Feminist Theatres: To Each Her Own (Gender & Performance) by Lizbeth Goodman (Routledge, 1993). ISBN 978-0-415-07306-6.[a]
- Literature and Gender: An Introductory Textbook (Approaching Literature) by Lizbeth Goodman (Routledge, 1996). ISBN 978-0-415-13574-0.
- Shakespeare, Aphra Behn and the Canon: An Introductory Textbook (Approaching Literature) by Lizbeth Goodman and W.R. Owens (Routledge, 1996). ISBN 978-0-415-13576-4.[b]
- Feminist Stages: Interviews with Women in Contemporary British Theatre (Contemporary Theatre Studies) by Lizbeth Goodman and Jane de Gay (Routledge, 1997). ISBN 978-3-7186-5882-4.[c]
Her edited volumes include:
- Imagining Women: Cultural Representations and Gender, Frances Bonner, Lizbeth Goodman, Richard Allen, Linda Janes, and Catherine King, editors (Polity Press, 1992)[d]
- The Routledge Reader in Gender and Performance by Lizbeth Goodman, and Jane de Gay, editors (Routledge, 1998). ISBN 978-0-415-16582-2.[e]
- The Routledge Reader in Politics and Performance by Jane de Gay and Lizbeth Goodman, editors (Routledge, 2000). ISBN 978-0-415-17473-2.[f]
- Languages of Theatre Shaped by Women by Jane de Gay and Lizbeth Goodman, editors (Intellect, 2003)[g]
Reviews
[edit]- ^ Reviews of Contemporary Feminist Theatres:
- Jill Dolan, TDR, doi:10.2307/1146431, JSTOR 1146431
- Lesley Ferris, Modern Drama, doi:10.1353/mdr.1995.0020
- E. D. Huntley, NWSA Journal, JSTOR 4316365
- Bettina L. Knapp, World Literature Today, doi:10.2307/40150238, JSTOR 40150238
- Ann Marie McEntee, Theatre Survey, doi:10.1017/S0040557400002684
- Erika Munk, "Tragedy Tomorrow, Theory Tonight?", The Women's Review of Books, doi:10.2307/4021773, JSTOR 4021773
- Janelle Reinelt, Theatre Research International, doi:10.1017/S0307883300007264
- Sue Smith, Feminist Review, doi:10.2307/1395269, JSTOR 1395269
- Esther Beth Sullivan, Theatre Journal, doi:10.2307/3208473, JSTOR 3208473
- ^ Reviews of Shakespeare, Aphra Behn and the Canon:
- Verna A. Foster, Restoration and 18th Century Theatre Research, ProQuest 1037990261
- Kathy Howlett, The Scriblerian and the Kit-Kats, ProQuest 1220459307
- Deborah Kaplan, Theatre Survey, doi:10.1017/S0040557400002234
- Elizabeth Kraft, Medieval & Renaissance Drama in England, JSTOR 24322202
- Andrew McCann, Australasian Drama Studies, ProQuest 1300402117
- ^ Reviews of Feminist Stages:
- Helen Nicholson, Research in Drama Education, ProQuest 217923120
- Laurie J. Wolf, Theatre Research International, doi:10.1017/S0307883300018368
- ^ Reviews of Imagining Women:
- Rosemary Betterton, Women's Art Magazine, [1]
- K. Gibson, K. Hewitt, and P. Saunders, Environment and Planning D: Society and Space, doi:10.1068/d1102
- Cathy Lubelska, European Journal of Women's Studies, doi:10.1177/1350506894001001
- Elizabeth C. Ramírez, Theatre Journal, doi:10.2307/3208472, JSTOR 3208472
- ^ Reviews of The Routledge Reader in Gender and Performance:
- Glen Johnson, Lambda Book Report, EBSCOhost 1838775
- Nicola Shaughnessy, New Theatre Quarterly, doi:10.1017/S0266464X00013191
- ^ Reviews of The Routledge Reader in Politics and Performance:
- ^ Reviews of Languages of Theatre Shaped by Women:
- Elaine Aston, New Theatre Quarterly, doi:10.1017/S0266464X04290273
- Rebecca D'Monté, Theatre Research International, doi:10.1017/S0307883304240603
- Theresa Smalec , TDR, doi:10.1162/1054204042442062, JSTOR 4488603
References
[edit]- ^ a b c "Lizbeth Goodman Profile". University College Dublin. Retrieved 20 January 2024.
- ^ a b "About the Director". SMARTlab, University College Dublin, Ireland. 10 February 2011. Archived from the original on 10 August 2011. Retrieved 27 September 2011.
- ^ "Archive 1960-2000". cambridge-footlights. Retrieved 21 January 2024.
- ^ "About - UCD SMARTlab". www.ucd.ie. Retrieved 21 January 2024.
- ^ O’Connell, Claire (28 April 2017). "Inclusive design to help people with autism and intellectual disabilities". Silicon Republic. Retrieved 21 January 2024.
- ^ "Lizbeth Goodman". Ravensbourne University London. Retrieved 21 January 2024.
External links
[edit]- Lizbeth Goodman web page at the University of East London
- Lizbeth Goodman, SmartLab and FutureLab, UK, at opening of DIU seminarium on Future learning, London, January 2010 video on Vimeo
- Living people
- BBC people
- Academics of the Open University
- Academics of the University of Surrey
- Academics of Central Saint Martins
- Academics of the University of East London
- Academics of University College Dublin
- British literary critics
- British women literary critics
- 21st-century British social scientists
- Gender studies academics
- Cultural academics
- British expatriates in Ireland
- British mass media scholars
- Alumni of the University of Cambridge
- Washington University in St. Louis alumni
- Alumni of the Open University