George Henry (painter)
![]() | This article includes a list of general references, but it lacks sufficient corresponding inline citations. (December 2013) |
George Henry | |
---|---|
Born | |
Died | 23 December 1943 | (aged 85)
Nationality | Scottish |
![](http://upload.wikimedia.org/wikipedia/commons/thumb/3/3b/Poppies_by_George_Henry%2C_1891.jpg/220px-Poppies_by_George_Henry%2C_1891.jpg)
![](http://upload.wikimedia.org/wikipedia/commons/thumb/d/d3/The-head-of-the-holy-loch.jpg/220px-The-head-of-the-holy-loch.jpg)
![](http://upload.wikimedia.org/wikipedia/commons/thumb/5/5f/The_Japanese_Baby_by_George_Henry_1893_%28watercolour%29.jpg/220px-The_Japanese_Baby_by_George_Henry_1893_%28watercolour%29.jpg)
George Henry RA (1858–1943) was a Scottish painter, one of the most prominent of the Glasgow School.[1][2]
Life
[edit]Henry was born in Irvine, North Ayrshire, and studied at the Glasgow School of Art, later in Macgregor's studio, but learned most from his nature studies at Kirkcudbright. His father's name was Hendry and George dropped the "d" from his surname as a young man.
He was influenced also by his collaboration with E. A. Hornel in such works as "The Druids" (1887), Grosvenor Gallery, London. His "Galloway Landscape" was epoch-making at Glasgow by reason of its higher key of colour and essentially decorative character. Following these tendencies, the two friends spent a year and a half in Japan.
Henry's importance consists in his influence in the Glasgow school in the direction of richer and more decorative color. In addition to genre and landscape, he also painted portraits, more distinguished by technical ability than by rendition of character. Henry's pictures in public collections include The Blue Gown, Museum of Cape Town, The Grey Hat, at the Royal Scottish Academy,[3] two portraits at Glasgow, and one at Montreal. He was elected a member of the Royal Scottish Academy (1902) and an associate of the Royal Academy.
The Black Hat, a portrait of an Edwardian woman, was included in Modern Britain, a 2007 exhibition at Melbourne's National Gallery of Victoria.[citation needed]
In 1893 he went to Japan with Edward Atkinson Hornel, another of the Glasgow Boys, for an 18-month study tour. His work thereafter had a strong flavour of Orientalism.
Publications
[edit]- Martin, The Glasgow School of Painting (London, 1897)
- Caw, Scottish Painting, Past and Present (Edinburgh, 1908)
References
[edit]- ^ The Dictionary of Scottish Painters. 1600 to the present. Paul Harris and Julian Halsby. Canongate Publishing. 1990.
- ^ Dictionary of Scottish Art and Architecture. Peter J. M. McEwan. Antique Collectors Club. 1994.
- ^ "George Henry RSA". Royal Scottish Academy. Retrieved 18 November 2023.
External links
[edit]![](http://upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png)
- 93 artworks by or after George Henry at the Art UK site
- Gazetteer for Scotland
- George Henry's biography & artwork from the Permanent Collection of the Gracefield Arts Centre in Dumfries, Scotland Archived 13 October 2013 at the Wayback Machine biography & virtual representation of George Henry's artwork of Gracefield Arts Centre at exploreart.co.uk
- Profile on Royal Academy of Arts Collections
This article incorporates text from a publication now in the public domain: Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). New International Encyclopedia (1st ed.). New York: Dodd, Mead. {{cite encyclopedia}}
: Missing or empty |title=
(help)
- 19th-century Scottish painters
- Scottish male painters
- 20th-century Scottish painters
- Royal Academicians
- 1858 births
- 1943 deaths
- People from Irvine, North Ayrshire
- Glasgow School
- Alumni of the Glasgow School of Art
- Royal Scottish Academicians
- 19th-century Scottish male artists
- 20th-century Scottish male artists
- Scottish painter stubs
- British painter, 19th-century birth stubs