Alicia (album)
Alicia | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | September 18, 2020 | |||
Recorded | c. 2015–2019[nb 1] | |||
Studio |
| |||
Genre | ||||
Length | 54:40 | |||
Label | RCA | |||
Producer |
| |||
Alicia Keys chronology | ||||
| ||||
Singles from Alicia | ||||
|
Alicia is the seventh studio album by American singer-songwriter and pianist Alicia Keys. It was primarily recorded at Oven Studios and Jungle City Studios, both in New York, after her 2016 album Here and her judgeship on the singing competition series The Voice, before being released by RCA Records on September 18, 2020. Written and produced largely by Keys, the album also features songwriting and production contributions from Swizz Beatz, Ryan Tedder, Johnny McDaid, Ed Sheeran, and The-Dream, among others. Keys collaborated with more artists on the recording than in her previous albums, enlisting vocalists such as Sampha, Tierra Whack, Diamond Platnumz, Snoh Aalegra, and Jill Scott for certain tracks.
Alicia's mostly low-tempo and melodically subtle music reconciles the experimental direction of Here with her earlier work's bass drum-driven R&B and piano-based balladry. Throughout, individual songs incorporate sounds from a wide range of other genres, including orchestral pop, progressive soul, funk, ambient, country, and Caribbean music. Thematically, they explore identity as a multifaceted concept, sociopolitical concerns, and forms of love within the framework of impressionistic lyrics, personal narratives, and self-knowledge. Keys has described the album as therapeutic and reflective of greater introspection in herself, expressing ideas and feelings of hope, frustration, despair, ambivalence, and equanimity shared in her memoir More Myself (2020), which was written during Alicia's recording.
The album was originally scheduled to be released on March 20, 2020, then May 15, before being delayed indefinitely in response to the COVID-19 pandemic. It was marketed with an extended traditional rollout campaign that featured various media appearances by Keys and the release of seven singles, including the Miguel duet "Show Me Love", "Time Machine", "Underdog", and "So Done" (with Khalid). After a surprise announcement of its impending release in September, Alicia debuted at number four on the Billboard 200 in its first week and became Keys' eighth top-10 record in the US, while charting in the top 10 in several other countries. However, it fell off the US chart a few weeks later.
A critical success, Alicia received praise for Keys' nuanced vocal performances and the music's broad appeal, while her thematic messages were considered balanced, healing, and timely against the backdrop of unfolding world events. The singles "Good Job" and "Perfect Way to Die" resonated especially with the importance of essential workers during the pandemic and with the 2020–2021 racial unrest over police brutality in the US, respectively. The album also won the Grammy Award for Best Immersive Audio Album at the 2022 Grammy Awards. In further support of the album, Keys performed in concert from June to November 2022 and in May 2023 on the Alicia + Keys World Tour, which had been postponed from 2020 and 2021 due to the pandemic.
Background
[edit]In 2016, singer-songwriter Alicia Keys released her sixth studio album Here, a raw departure from the more sophisticated and anthemic R&B music of her first five albums.[3] Sung with tougher vocals and against edgy sounds from hip hop, funk, and jazz, Keys' topical lyrics for the album explored themes beyond the uncertain romantic relationships that predominated her earlier music, such as sexuality, addiction, poverty, and environmental degradation.[4][3] In another departure from her perfectionist inclinations, the singer stopped wearing makeup that year.[3] After Here's release, she took a break from recording music and served as a coach on the singing competition series The Voice. She took a leave of absence from the show's 13th season in 2017 to focus on making Alicia.[5]
Recording and production
[edit]![A photo of the control room to Jungle City Studios, featuring recording equipment, desks, and other furnishings](http://upload.wikimedia.org/wikipedia/commons/thumb/f/f4/Jungle_City_Studios.jpeg/220px-Jungle_City_Studios.jpeg)
Keys reportedly returned to Oven Studios, her personal studio in New York City, to record Alicia.[6] However, several other studios were later credited for its recording, including NYC's Jungle City Studios, where recording for 14 of the album's 15 tracks took place.[7] The studio was founded by Ann Mincieli, Keys' longtime recording engineer and studio director[8] who also engineered much of Alicia.[7] The album was produced primarily by Keys, with alternating contributions from an assorted group of record producers and songwriters,[4] including her husband Swizz Beatz, Ludwig Göransson, Ed Sheeran, Tory Lanez, and The-Dream.[9]
For certain songs, Keys collaborated with guest vocalists such as Tierra Whack, Jill Scott, Miguel, Sampha, and Khalid.[10] A few songs had been originally recorded for Here, including the Sampha duet "3 Hour Drive" (recorded in 2015) and "Love Looks Better", which underwent various unsuccessful takes with different producers before Keys revisited the song on her own with contributions from Ryan Tedder. "It was Alicia, in the end", as Mincieli recounts, "pulling few pieces from Ryan and added [sic] some things on her own for you to hear her lyrics, vocals, and emotions without all the scratches, scribbles, stutters, and production that was overtaking the song".[1] By May 2017, the album had been almost "halfway" finished, according to Keys.[5]
During Alicia's recording, Keys wrote her memoir More Myself: A Journey (2020),[2] reflecting on her life and career up to that point.[11] In its final chapter, she explained how the album's creative process encouraged more collaborations than in her earlier recordings, when she had preferred to work alone from fear of being misunderstood, controlled, and vulnerable as an artist.[12] She continued writing the memoir into May 2019, by which time the album was being completed.[2] The singer said that working on both projects served as "the best therapy" ever for her,[13] lending her a greater sense of artistic freedom and desire to collaborate with others.[12]
Music
[edit]Alicia continues in the experimental manner of Here[3] while revisiting the distinctive piano-based balladry and bass drum-driven R&B of Keys' earlier music.[14] However, it avoids the emphatic hooks[14] and motifs typical of her past. Instead, the album's "subtly melodic soul" experiments are embellished with ambient, electro, and textured sounds from music sequencers, according to A. D. Amorosi of Variety, who adds that Alicia is "still a singer and pianist's album" but one that renders Keys' instrument in new forms.[3] The music throughout has largely subtle and downtempo dynamics,[15] except for "Love Looks Better", which is produced in a loftier pop-soul style.[16] According to The New York Times chief pop critic Jon Pareles, the music "often hollows itself out around her, opening deep bass chasms or surrounding sparse instrumentation with echoey voids".[4]
The album's direction, which Keys describes as "genreless", is oriented toward evoking a particular mood rather than conforming to a singular genre.[16] In the process, individual songs incorporate elements of particular styles, including progressive soul ("Truth Without Love"),[19] old-fashioned funk ("Time Machine"),[16] dance-pop ("Authors of Forever"),[18] Caribbean folk music ("Underdog"),[20] dub ("Wasted Energy"),[14] hip hop ("Me x 7"),[19] downtempo R&B ("Show Me Love"),[16] folk[19] and country ("Gramercy Park"),[20] and chamber music ("Perfect Way to Die").[4] Keys says that "Time Machine" is influenced specifically by the funk rock band Funkadelic.[21] "Me x 7" has upbeat, sparsely produced rhythms in the manner of its guest mumble rapper Tierra Whack's solo work.[10] A section of Alicia's middle tracks substitute Keys' piano for acoustic guitar within a more free-form style of neo soul.[14] On "Jill Scott" (titled after its guest vocalist), Keys sings in a high register vocal similar to the characteristic style of Scott, who provides a brief spoken word interlude.[10]
Altogether, Alicia is described by The Line of Best Fit writer Udit Mahalingam as a collection of "orchestral pop, acoustic soul, and jittery contemporary R&B",[22] while Nick Smith of musicOMH observes "sonics [that] are manifold", encompassing "reggae, R&B, funk and even country".[23] In comparison to Here, Clash magazine's Shakeena Johnson says it is "less pop and more R&B".[24] Although deeming it often a work of contemporary R&B, Helen Brown of The Independent believes the album conveys traditional soul melodies "through some stranger – and certainly more eclectic – sounds than [Keys has] tried before".[25]
Lyrics
[edit]The conversation turned toward all the varieties of people in the world. Givers and takers. Builders and breakers. Dreamers and bystanders. I tend to want every person to embody the best of humanity – for all of us to be givers and builders and dreamers. That's not reality. At different seasons in life, we each fall into various categories. Even still, every one of us also has a strong behavioral tendency, and that is okay. I'm coming to terms with the fact that so-called perfection – this idea that everything should be beautiful and in order at all times – is just not going to happen.
— Keys in More Myself (2020) discussing Alicia's themes[12][nb 2]
Alicia is described by Keys in More Myself as "a musical exploration of identity – both my own and ours collectively".[12] Continuing in the socially-conscious thematic vein of Here,[16] her impressionistic lyrics and personal narratives throughout the album make sociopolitical connections between the singer's view of herself and the world around her.[3][14] The album's pervading theme of self-knowledge departs from the thematic focus that had made Keys popular in the past, specifically her meditations on romantic relationships, strong families, and female empowerment.[26] Alicia explores and conceptualizes identity similarly to More Myself,[27] mirroring different dimensions of her relationship to people as a whole;[28] as Keys explains, "what makes us up to be who we are, and the expectations that are put upon us mostly from outside sources – societally or from your family, or from those people that you love, or yourself".[27]
For Keys, writing Alicia encouraged greater introspection and acceptance of her dichotomous identity, the calm and rational side of which she had largely shown up to that point.[12][nb 3] "I never realized how much I relied on only one side", she explains. "How much I had hidden away the parts that expressed anger, rage, sensuality, or vulnerability."[28] Reflecting on this theme in More Myself, she calls herself "strong and fierce and brave, no doubt", before qualifying that, "I'm also someone who has found myself on the bathroom floor, boo-hooing and feeling vulnerable. I'm also the woman who doesn't always know how to rise to my feet and take the next step."[12] In Pareles' observations, the singer advocates equanimity throughout the album, "but it's often tinged with ambivalence", reflecting "misgivings, recriminations and regrets" shared in her memoir.[4] Similarly, musicOMH journalist Nick Smith observes feelings of "hope, despair, frustration and even ambivalence" in her narratives.[20]
![Alicia Keys photographed at the 2017 Women's March, dressed in winter clothing and raising her fist in the air alongside another woman on an outdoor stage with onlookers in the background](http://upload.wikimedia.org/wikipedia/commons/thumb/7/74/Alicia_Keys_Woman%27s_March_VOA_FFB021D6-63E1-47D7-9683-D1E80409DCBE_w610_r1_s.jpg/220px-Alicia_Keys_Woman%27s_March_VOA_FFB021D6-63E1-47D7-9683-D1E80409DCBE_w610_r1_s.jpg)
Alicia opens with "Truth Without Love", which puts forth the idea that truth in society has become "elusive". The next song, "Time Machine", addresses fears of introspection and advocates the pursuit of free thought, rather than longing for the past, as a means to achieve peace of mind.[14] "Underdog" is an ode to "young teachers", "student doctors", and "single mothers waiting on a check to come".[16] Subsequent tracks advocate more positive pleas for hope and change in the world, such as "Authors of Forever".[14] The lyrics to that song promote unity[29] and an understanding of the multifaceted nature in individuals,[30] with Keys reasoning in the lyrics that, "We're here to make meanin' for as long we're breathin' / And it's alright / Whoever you are / It's alright".[31] She regards the track as representative of the album's themes,[30] citing the refrain in particular.[12]
We are lost and lonely people and we're looking for a reason and it's all right
So let's celebrate the dreamers, we embrace the space between us, and it's all right
We're all in this boat together and we're sailing toward the future and it's all right
We can make the whole thing better, we're the authors of forever – and it's all right— Keys, "Authors of Forever", Alicia[12]
A more desperate sense of hope features in the album's closing series of unadorned piano-and-vocal performances, "Perfect Way to Die" and "Good Job", which thematize police brutality and essential work, respectively.[14] The former is written from the perspective of a mother in grief over her son, who was shot to death by the police, while the latter is written in tribute to "the mothers, the fathers, the teachers that reach us", and other people simply trying to get through an ordinary day.[16] The bonus-track ballad "A Beautiful Noise", featuring Brandi Carlile, advocates voter turnout in the context of a social movement.[26]
Among Alicia's love songs, "3 Hour Drive" has Keys and Sampha each lamenting a lover's separation over a descending chord progression. "Show Me Love" and "Love Looks Better" express more confident relations between lovers. Both the waltz-like "Gramercy Park" and the Khalid duet "So Done" feature Keys trying to make peace with having struggled to appease the expectations of other people, with the latter expressing a departure from "fighting myself, going to hell" in favor of "living the way that I want".[4]
Marketing
[edit]![A photo of Miguel, lightly bearded and with thinly braided hair, wearing a blazer over a high-neck sweater](http://upload.wikimedia.org/wikipedia/commons/thumb/f/fb/Miguel_2019_by_Glenn_Francis.jpg/170px-Miguel_2019_by_Glenn_Francis.jpg)
On September 17, 2019, Keys debuted the album's lead single, "Show Me Love", and its accompanying music video at Dolby Soho in New York City.[32] The first live performance of the track took place that weekend as part of her set at the 2019 iHeartRadio Music Festival.[33] In November, Keys was joined by Miguel, Pedro Capó, and Farruko at the 20th Annual Latin Grammy Awards for a medley of a Spanish version of the song and "Calma" (2018).[34] On November 20, "Time Machine" was released as the next single.[35] Keys revealed the album's title in a December interview with Billboard[13] and formally announced Alicia the following month by posting a release date of March 20, 2020, and the cover art to her Instagram account.[36] In January, Keys also returned as host for the 62nd Annual Grammy Awards, where she was joined by Brittany Howard in a performance of "Underdog"[37] (released as Alicia's third single on January 9).[38] The single was featured in a TV ad for Amazon Music[39] and performed by Keys on The Ellen DeGeneres Show.[40]
Keys also made promotional appearances in Europe, including a guest spot on the radio station NRJ in Paris on February 4, 2020,[41] and a concert at Bush Hall in London on February 7. The latter was an atypically small venue for the singer (with an approximately 400-person crowd that day). At Bush Hall, she was joined by a four-person backing band and two vocalists while playing an upright piano (rather than her customary grand piano) and a Moog synthesizer, used specifically for a psychedelic funk rendition of "Time Machine" and "Try Sleeping with a Broken Heart" (2009). Other songs played were "Unbreakable" (2005), a piano-based cover of Billie Eilish's "Everything I Wanted" (2019), "Show Me Love", the acoustic "Underdog", and the more vocally virtuosic "Girl on Fire" (2012) and "Empire State of Mind Part II" (2010), which closed the show in rousing fashion. For much of the concert, however, "she stood at the upright [piano], bashing out melodies and singing with versatility", as reported by Financial Times critic Ludovic Hunter-Tilney.[21]
Further promotional efforts in the UK included Keys' performance of "Underdog" in February 2020 on both The Graham Norton Show[42] and the Live Lounge segment on BBC Radio 1, where she also performed "Time Machine".[43]
Pandemic delays
[edit]In March 2020, online retailers were listing Alicia for pre-order with a new release date of May 15.[44] In response to the COVID-19 pandemic (declared later in March), Keys became among the many high-profile recording acts and adherents of traditional rollout campaigns to delay their albums, joining Lady Gaga, Willie Nelson, and Sam Smith.[45] The pandemic's closure of physical retailers and distribution systems impacted veteran recording artists especially, as their fans tended to be older and more likely to still purchase CDs and vinyl records.[46] On March 29, Keys performed an acoustic rendition of "Underdog" at the iHeart Living Room Concert for America (staged in response to the COVID-19 pandemic).[47] Prior to the pandemic's declaration, the song had ascended on the record charts and become Keys' most successful single since "Girl on Fire".[16] In April, the singer appeared on The Late Show with Stephen Colbert via video call, where she discussed the album's extended delay and her memoir,[48] which had been published the previous month.[4] She also performed a cover of the Flo Rida song "My House" (2015), with lyrics altered to reflect the collective feelings of listeners living under the COVID-19 lockdowns.[48]
![A photo of a boarded-up business in New York during the COVID-19 pandemic, featuring a masked bald man in jeans and a coat passing by; graffiti text on the boarding reads "We're ALL in this together"](http://upload.wikimedia.org/wikipedia/commons/thumb/e/e5/Restaurant_Displays_Sign_%27We%27re_All_In_This_Together%22_New_York_City_COVID19.jpg/220px-Restaurant_Displays_Sign_%27We%27re_All_In_This_Together%22_New_York_City_COVID19.jpg)
Alicia's next single was "Good Job", released on April 23, 2020.[49] It was accompanied with a press release written by Keys, dedicating the song to essential workers and other ordinary people dealing with the pandemic. "Whether you're on the front lines at the hospitals, balancing work, family, and homeschool teaching, delivering mail, packages, or food, or facing other personal difficulties because of COVID-19 ... You are seen, loved, and deeply appreciated", she wrote. Rolling Stone magazine's Jon Blistein found the song's message especially resonant against the backdrop of the pandemic.[50] "Perfect Way to Die" was released as the next single[51] on June 19, coinciding with Juneteenth and amid weeks of civil unrest across the US in response to police brutality against African Americans. While posting the single on her Twitter account, Keys commented on its relevancy and condemned "the destructive culture of police violence" as senseless as the song's titular phrase. "Sometimes I don't have the words and music is the only thing that can speak", she went on to say. "I hope this speaks to you."[52] She performed "Good Job" and "Perfect Way to Die" on CNN's global town hall broadcast[53] and at the 2020 BET Awards, respectively.[54] The former song was also used as the musical theme to a social media campaign produced by CNN Heroes in recognition of individuals' humanitarian efforts during the pandemic, which Keys said had given the song new meaning: "It's almost like the song was written for this and I didn't know it."[53]
In June 2020, Keys premiered "Gramercy Park" during her first-ever appearance on NPR's Tiny Desk Concerts, alongside performances of "Underdog", "Show Me Love", and her 2001 song "Fallin'".[55] On August 11, "Show Me Love" and "Underdog" were both certified Gold by the Recording Industry Association of America (RIAA), denoting sales of at least 500,000 units for each single.[56] Two more singles were then released: "So Done" on August 14[57] and "Love Looks Better" on September 10.[58] The latter was debuted by Keys that same day at the NFL Network 2020 Kickoff concert,[59] where she also performed a cover of "Lift Every Voice and Sing", often referred to as the "Black national anthem".[60]
Release and sales
[edit]On September 14, 2020, Keys announced on Twitter that Alicia would be released in four days;[61] Nick Smith of musicOMH later compared the manner of its release to that of a surprise album.[20] During its first week of release, she made appearances on Good Morning America[62] and at the iHeartRadio Music Festival.[63] She also headlined the virtual concert Unstaged in partnership with American Express to coincide with the album's worldwide release on September 18.[64] The London-based marketing firm Diabolical was also hired by Sony Music (the owner of Keys' record label RCA) to design and put up posters promoting the release at various points in the city's eight boroughs. Echoing Alicia's front cover, the design posed a seemingly nude and barefaced Keys against a pale red backdrop with the album title rendered in simple font.[65] Further promotional appearances by the singer included a week-long engagement on The Late Late Show with James Corden from September 21 to 24,[66] an appearance on The One Show on September 24,[67] and a performance at the 2020 Billboard Music Awards on October 14.[68]
In the week of September 27, 2020, Alicia entered the US Billboard 200 chart at the number-four position on the basis of 62,000 album-equivalent units. The recorded units included 51,000 traditional album sales, 10,000 streaming-equivalent units (or 13.6 million in on-demand streams of album tracks), and 1,000 track-equivalent units (sales of individual tracks). It was Keys' eighth album to reach the top 10 of the chart and, according to Billboard, received a sales boost from "a concert ticket/album sale redemption offer with her upcoming US tour".[69] In the UK, Alicia became her eighth album to chart within the top 40, debuting at number 12 on the Official Albums Chart,[70] while in Canada, it debuted at number two and was her highest-charting release since As I Am reached the same position in 2007.[71] In its second week on the Billboard 200, Alicia registered a drop of one-hundred-and-four places, falling to number 108.[72] Altogether, the album spent three weeks on the chart.[73]
Subsequently, Keys performed the televised concert special Alicia Keys Rocks New Year's Eve, pre-recorded in Los Angeles and broadcast by BBC One on December 31, 2020.[74] She had been scheduled to embark on Alicia – The World Tour, with the tour itinerary beginning in June in the UK and continuing through Europe into mid July, followed by a US leg through late September. However, it was delayed into 2021 due to the pandemic,[75] and on May 17, 2021, Keys announced on Twitter that the tour was postponed again for 2022.[76] While the tour was scheduled to end with a September 25, 2022, date in Nashville, an earlier San Diego concert was postponed for November 5 due to concerns about weather conditions.[77] A Latin American leg was added to the tour the following year, running though May with shows in Brazil, Argentina, and Mexico.[78]
On July 30, 2021, RCA released ALICIA: The Selects for streaming. It featured in the following order: "Time Machine", "3 Hour Drive", "Show Me Love", "Authors of Forever", "So Done", "You Save Me", and "Love Looks Better".[79]
Critical reception
[edit]Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.2/10[80] |
Metacritic | 77/100[81] |
Review scores | |
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Clash | 7/10[24] |
Evening Standard | ![]() ![]() ![]() ![]() ![]() |
The Independent | ![]() ![]() ![]() ![]() ![]() |
Mojo | ![]() ![]() ![]() ![]() ![]() |
NME | ![]() ![]() ![]() ![]() ![]() |
The Observer | ![]() ![]() ![]() ![]() ![]() |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
Slant Magazine | ![]() ![]() ![]() ![]() ![]() |
The Times | ![]() ![]() ![]() ![]() ![]() |
Alicia was met with generally positive reviews. At Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, the album received an average score of 77, based on 12 reviews.[81] AnyDecentMusic? assigned it a score of 7.2 out of 10, based on the site's assessment of the critical consensus.[80]
Reviewing for The Times, chief music critic Will Hodgkinson hailed Alicia as "songs in the key of modern life from R&B royalty" and welcomed Keys' return to the sophisticated sounds of her first album, Songs in A Minor (2001).[85] Nick Levine, writing for NME, was impressed by the cohesive musical feel throughout and the skill behind Keys' ballads, which he said emanate well-intentioned positive energy and empathic political engagement. He also believed that the album's postponed release amid the pandemic made the subject matter more timely and therapeutic for listeners.[16] Slant Magazine's Sal Cinquemani also applauded the content and compared it to "the most effective political pop", saying Keys "strikes a careful balance between hope and despair". While highlighting the more radically styled collaborations in "Wasted Energy" and "Me x 7", he concluded that Alicia is "at once her most accessible and forward-minded album in years".[14] In Rolling Stone, Jon Dolan regarded it as among Keys' "most musically engaging" records and cited her strong suit to be coping ballads such as "Perfect Way to Die" and "Good Job". "Generosity tempered with humility is a rare and welcome look", he wrote of the singer. "It takes knowledge of self, care for others, truth through a lens of love, to get it right."[84] Expanding on Levine and Dolan's points, Atwood Magazine's Josh Weiner said that the repeated delays had not dated the record's musical qualities while recent events in the world had "rendered it an especially powerful and timely release", particularly in the case of the last two songs. "Great art sure does have a way of gaining even more meaning and impact as time goes on", he concluded.[86]
Several reviewers highlighted Keys' singing on Alicia. In The Sunday Times, Dan Cairns said the compositions are on-par with the "classic" songwriting of her earliest albums and that they accentuate her vocals, which he described as "soaring, swooping, scatting, richly nuanced, deploying full-throated passion and pin-drop restraint".[87] The Arts Desk journalist Joe Muggs singled out Keys' performances on "Perfect Way to Die", "Wasted Energy", and "Time Machine", where her "multi-octave range is put to fantastic use harmonizing with herself". While observing a few instances of flashy singing techniques elsewhere, he speculated whether the album as a whole hints at "a Keys album where she drops the showbiz and kicks out the jams the whole way through".[15] AllMusic reviewer Andy Kellman found Alicia to be performed "with some of her most nuanced vocals", but was less impressed by the material, the best of which he felt had already been released as singles. Ultimately, he deemed it "Keys' most moderate work, seemingly hedged with an objective to appeal to as many listeners as possible".[82] Mojo magazine's James McNair griped about Keys' altruistic politics being "at times a tad cloyingly expressed" on an album otherwise impressive for her "exquisitely malleable voice, slickly inventine production tics, and winning vocal support" from artists such as Sampha and Diamond Platnumz.[19]
Accolades
[edit]For the 2021 NAACP Image Awards, Alicia was nominated in the category of Outstanding Album, while earning Keys a nomination for Outstanding Female Artist. "Jill Scott" and "So Done" received nominations for Outstanding Duo, Group or Collaboration in its subcategories of traditional and contemporary song, respectively.[88] Keys also received Grammy Award nominations in the categories of Best Immersive Audio Album (dedicated to recordings released in surround sound formats) and Song of the Year (for "A Beautiful Noise", which appeared on Alicia's digital edition);[89] these were presented on April 3, 2022, at the 64th Annual Grammy Awards, where she won for Best Immersive Audio Album.[90]
Track listing
[edit]No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Truth Without Love" |
|
| 2:34 |
2. | "Time Machine" |
| 4:26 | |
3. | "Authors of Forever" |
| 3:37 | |
4. | "Wasted Energy" (featuring Diamond Platnumz) |
| P2J | 4:19 |
5. | "Underdog" |
|
| 3:24 |
6. | "3 Hour Drive" (featuring Sampha) |
| 4:01 | |
7. | "Me x 7" (featuring Tierra Whack) |
|
| 3:32 |
8. | "Show Me Love" (featuring Miguel) |
|
| 3:08 |
9. | "So Done" (featuring Khalid) | Göransson | 3:54 | |
10. | "Gramercy Park" |
|
| 3:12 |
11. | "Love Looks Better" |
|
| 3:23 |
12. | "You Save Me" (featuring Snoh Aalegra) |
| Keys | 3:41 |
13. | "Jill Scott" (featuring Jill Scott) |
| Sean C | 4:05 |
14. | "Perfect Way to Die" |
|
| 3:31 |
15. | "Good Job" |
| Keys | 3:53 |
Total length: | 54:40 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
16. | "Three Hour Drive – A Colors Show" (featuring Sir) | Keys | [nb 4] | 4:04 |
17. | "A Beautiful Noise" (with Brandi Carlile) |
| 3:19 | |
18. | "Wasted Energy" (featuring Diamond Platnumz and Kaash Paige) |
| P2J | 4:37 |
Notes
- ^[a] denotes co-producer
Personnel and credits
[edit]Information is taken from the album credits.[7]
Recording locations
[edit]- Conway Recording; Los Angeles, California (recording: track 9, 11)
- ELBO Studios; Los Angeles (recording: track 9)
- Fieldwork Studios; London, UK (recording: track 3, 5)
- Fieldwork Studios; Los Angeles, California (recording: track 5)
- Fieldwork Studios; Nashville, Tennessee (recording: track 5)
- Jungle City; New York (recording: track 1–2, 4–15; mixing: track 12, 15)
- Larrabee Sound; North Hollywood, California (mixing: track 1–2, 4–5, 7–9)
- Mixstar Studios; Virginia Beach Virginia (mixing: track 3, 11)
- Oven Studios; New York (recording: track 1–4, 8, 10–11; mixing: track 12)
- RAK Studios, New York (recording: track 6)
- Record Plant; Los Angeles, California (recording: track 4, 7, 12, 14)
- Triangle Sound; Atlanta, Georgia (recording: track 7)
Musicians
[edit]- Alicia Keys – lead vocals, Moog bass (track 2, 11–12), piano (track 3, 5–6, 10, 12, 14–15), keyboards (track 3, 5–6, 10–11), background vocals (track 5), drum programming (track 6), vocal arrangement (track 8)
- Diamond Platnumz – featured artist (track 4)
- Sampha – featured artist (track 6), keyboards (track 6), piano (track 6)
- Tierra Whack – featured artist (track 7)
- Miguel – featured artist (track 8)
- Khalid – featured artist (track 9)
- Snoh Aalegra – featured artist (track 12)
- Jill Scott – featured artist (track 13)
- John Benthal – electric sitar (track 2)
- Jonny Coffer – programming (track 3, 5)
- Alexandria Dopson – background vocals (track 1)
- Larrance Dopson – keyboards (track 1)
- Dammo Farmer – bass (track 1)
- Ludwig Göransson – keyboards (track 9), bass (track 9), programming (track 9)
- Emile Haynie – additional programming (track 2), programming (track 5), drum programming (track 6)
- Jukebox – programming (track 5), drum programming (track 11)
- Rob Knox – keyboards (track 2), programming (track 2)
- Tory Lanez – vocal arrangement (track 8)
- Morgan Matthews – guitars (track 8)
- Johnny McDaid – bass (track 3, 5), vocoder vocals (track 3), programming (track 3, 5), background vocals (track 5)
- Pierre Medor – keyboards (track 7)
- Ann Mincieli – bass guitar (track 11)
- Jimmy Napes – piano (track 10), drums (track 10)
- P2J – keyboards (track 4), programming (track 4)
- Patrick Postlewait – bass (track 7)
- The Picard Brothers – programming (track 3)
- Will Reynolds – electric guitar (track 5)
- Sam Roman – guitar (track 10)
- Mark Ronson – bass (track 3), guitar (track 3), programming (track 3)
- Davide Rossi – strings arrangement (track 14), strings (track 14)
- Raphael Saadiq – guitars (track 8)
- Ed Sheeran – acoustic guitar (track 5), background vocals (track 5)
- Ash Soan – drums (track 5)
- Tricky Stewart – keyboards (track 7)
- Ryan Tedder – drum programming (track 11), keyboards (track 11)
- Sam Thomas – keyboards (track 7)
- Khirye Tyler – keyboards (track 1)
- Justus West – guitar (track 1)
- Steven Wolf – drums (track 5), programming (track 5)
Technical
[edit]- Alicia Keys – executive production, production (track 2–3, 5–6, 8, 10–12, 14–15)
- Graham Archer – engineering (track 3, 5)
- Jim Caruana – vocals mixing (track 12)
- Jonny Coffer – production (track 3)
- Riccardo Damian – engineering (track 3)
- Scott Desmarais – assistant mixing (track 1–2, 5, 7–9)
- Larrance Dopson – production (track 1), co-production (track 11)
- Chris Galland – mix engineering (track 1–2, 5, 7–9)
- Serban Ghenea – mixing (track 3, 11)
- Ludwig Göransson – production (track 9), engineering (track 9)
- John Hanes – engineering for mix (track 3, 11)
- Emile Haynie – co-production (track 2)
- Jeremie Inhaber – assistant mixing (track 1–2, 5, 7–9)
- Andrew Keller – assistant engineering (track 7–8)
- Kez Khou – assistant
- Rob Knox – production (track 2)
- Sebastian Kole – production (track 14)
- Denis Kosiak – engineering (track 9)
- Dave Kutch – mastering
- Manny Marroquin – mixing (track 1–2, 5, 7–9)
- Tony Maserati – mixing (track 6)
- Morgan Matthews – production (track 8)
- Johnny McDaid – production (track 3, 5), engineering (track 5)
- Pierre Medor – co-production (track 7)
- Ann Mincieli – engineering, recording (track 2, 8), mixing (track 4, 10, 12–15)
- Brendan Morawski – engineering (track 1, 7, 11), assistant engineering (track 2, 8, 10, 12, 14–15), assistant mixing engineering (track 4), additional engineering (track 5), assistant recording (track 5, 9), mixing (track 12–13)
- Jimmy Napes – production (track 10)
- P2J – production (track 4)
- Kevin Peterson – assistant mastering
- Patrick Postlewait – co-production (track 7)
- Will Reynolds – assistant engineering (track 3), assistant recording (track 5)
- Ramon Rivas – assistant
- Mark Ronson – co-production (track 3)
- Sampha – production (track 6)
- Sean C – production (track 13)
- Tricky Stewart – production (track 7)
- Ryan Tedder – production (track 11)
- Sam Thomas – co-production (track 7), engineering (track 7)
- Khirye Tyler – production (track 1)
- Noel Zancanella – production (track 11)
Art and design
[edit]- Alicia Keys – concept
- James Bailey – creative direction
- Jason Bolden – styling
- FISK – design
- Naivasha Johnson – hair
- Ramon Rivas – videography
- Romy Soleimani – skin
- Milan Zrnic – photography
Charts
[edit]Chart (2020) | Peak position |
---|---|
Australian Albums (ARIA)[92] | 13 |
Austrian Albums (Ö3 Austria)[93] | 10 |
Belgian Albums (Ultratop Flanders)[94] | 5 |
Belgian Albums (Ultratop Wallonia)[95] | 18 |
Canadian Albums (Billboard)[96] | 2 |
Czech Albums (ČNS IFPI)[97] | 73 |
Dutch Albums (Album Top 100)[98] | 10 |
French Albums (SNEP)[99] | 28 |
German Albums (Offizielle Top 100)[100] | 14 |
Irish Albums (OCC)[101] | 72 |
Italian Albums (FIMI)[102] | 40 |
Japan Hot Albums (Billboard Japan)[103] | 40 |
Japanese Albums (Oricon)[104] | 43 |
New Zealand Albums (RMNZ)[105] | 38 |
Polish Albums (ZPAV)[106] | 19 |
Portuguese Albums (AFP)[107] | 9 |
Scottish Albums (OCC)[108] | 12 |
Spanish Albums (PROMUSICAE)[109] | 18 |
Swiss Albums (Schweizer Hitparade)[110] | 4 |
UK Albums (OCC)[111] | 12 |
UK R&B Albums (OCC)[112] | 3 |
US Billboard 200[73] | 4 |
US Top R&B/Hip-Hop Albums (Billboard)[113] | 3 |
Release history
[edit]Region | Date | Edition(s) | Format(s) | Label(s) | Ref. |
---|---|---|---|---|---|
Various | September 18, 2020 | Standard | RCA | [114] | |
Digital |
|
[115] | |||
Japan | October 7, 2020 | Standard | CD | Sony Music | [116] |
Various | October 9, 2020 | Live |
|
RCA | [117] |
United States | December 18, 2020 | Standard | Vinyl | [118] | |
Various | July 30, 2021 | ALICIA: The Selects |
|
[79] |
Notes
[edit]- ^ According to Keys' sound engineer and creative partner Ann Mincieli, the singer originally recorded the songs "Love Looks Better" and "3 Hour Drive" for her 2016 album Here; while the latter song was completed in 2015, the former underwent various re-recordings for Alicia.[1] The album itself was reportedly being completed in May 2019.[2]
- ^ The quote is recollected from a conversation between Keys and songwriter-producer Johnny McDaid out on the terrace of Oven Studios about their respective experiences as New Yorkers.[12]
- ^ In More Myself, Keys writes that she titled the album after herself to reflect the newfound freedom and comprehension of identity she had developed over the course of the creative process.[12]
- ^ No producer is credited for the track.[91]
References
[edit]- ^ a b Nelson Jr., Keith (February 25, 2021). "Studio Sessions – Ann Mincieli Met Alicia Keys on an Elevator and Later Became Her Creative Partner". Revolt.tv. Archived from the original on October 24, 2021. Retrieved September 8, 2021.
- ^ a b c "Alicia Keys Reveals the Inspiration Behind Her New Album in 'Essence' Cover Story". ABC News Radio. May 22, 2019. Archived from the original on January 23, 2021. Retrieved October 16, 2020.
- ^ a b c d e f Amorosi, A. D. (September 18, 2020). "Alicia Keys Pushes the Limits of Her Voice and Imagination on 'Alicia': Album Review". Variety. Archived from the original on October 30, 2020. Retrieved February 8, 2021.
- ^ a b c d e f g Pareles, Jon (September 17, 2020). "Alicia Keys Has Passion, Advice and Aplomb on 'Alicia'". The New York Times. Archived from the original on September 18, 2020. Retrieved September 18, 2020.
- ^ a b Schillaci, Sophie (May 2, 2017). "Exclusive: Alicia Keys Reveals Why She's Stepping Away from 'The Voice'". ET. Archived from the original on June 21, 2021. Retrieved June 6, 2021.
- ^ Gracie, Bianca (September 18, 2020). "We've Got a File on You: Alicia Keys". Stereogum. Archived from the original on October 18, 2020. Retrieved October 16, 2020.
- ^ a b c d Alicia (booklet). Alicia Keys. RCA Records. 2020.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - ^ Anon. (n.d.). "Jungle City Studios – Ann Mincieli". WSDG. Archived from the original on June 21, 2021. Retrieved June 9, 2021.
- ^ Keith, Papa (September 11, 2020). "Alicia Keys Is Back!". 1035 The Beat. Archived from the original on October 17, 2020. Retrieved October 16, 2020.
- ^ a b c Miller, Allie (September 22, 2020). "Philly's Tierra Whack and Jill Scott featured on 'Alicia'". PhillyVoice. Archived from the original on October 24, 2020. Retrieved February 8, 2021.
- ^ Fekadu, Mesfin (March 30, 2020). "For New Book, Alicia Keys Looks to the Past to Find Herself". ABC News. Archived from the original on February 14, 2021. Retrieved February 8, 2021.
- ^ a b c d e f g h i j Keys, Alicia (2020). "Last Word". More Myself: A Journey. Flatiron Books. pp. 251–254. ISBN 978-1250153302.
- ^ a b Cirisano, Tatiana (December 5, 2019). "Alicia Keys On Hosting 2020 Grammys: How She Plans to Make the Show a 'Lovefest'". Billboard. Archived from the original on June 21, 2021. Retrieved June 6, 2021.
- ^ a b c d e f g h i j Cinquemani, Sal (September 15, 2020). "Review: Alicia Keys's Alicia Strikes a Careful Balance Between Hope and Despair". Slant Magazine. Archived from the original on September 19, 2020. Retrieved September 17, 2020.
- ^ a b Muggs, Joe (September 18, 2020). "Album: Alicia Keys – Alicia". The Arts Desk. Archived from the original on September 20, 2020. Retrieved September 20, 2020.
- ^ a b c d e f g h i j Levine, Nick (September 18, 2020). "Alicia Keys – 'Alicia' Review: An Enriching Blend of Empathy, Positivity and Self-Knowledge". NME. Archived from the original on October 11, 2020. Retrieved September 18, 2020.
- ^ Shepherd, Fiona (October 22, 2020). "Album Reviews". The Scotsman. Archived from the original on November 6, 2020. Retrieved February 4, 2021.
- ^ a b c Smyth, David (September 18, 2020). "Alicia Keys – Alicia review: A Rich, Multifaceted Portrait". Evening Standard. Archived from the original on February 16, 2021. Retrieved February 4, 2021.
- ^ a b c d e McNair, James (November 2020). "Alicia Keys – Alicia". Mojo. p. 80.
- ^ a b c d Smith, Nick (September 18, 2020). "Alicia Keys – Alicia". musicOMH. Archived from the original on January 14, 2021. Retrieved February 8, 2021.
- ^ a b Hunter-Tilney, Ludovic (February 10, 2020). "Alicia Keys in London – Intimate Glimpses of Her New Album". Financial Times. Archived from the original on February 11, 2020. Retrieved February 4, 2021.
- ^ Mahalingam, Udit (September 24, 2020). "Alicia Keys – Alicia". The Line of Best Fit. Archived from the original on October 4, 2020. Retrieved September 30, 2020.
- ^ Smith, Nick (September 21, 2020). "Alicia Keys - Alicia | Album Reviews". musicOMH. Retrieved March 17, 2023.
- ^ a b Johnson, Shakeena (September 18, 2020). "Alicia Keys – Alicia". Clash. Archived from the original on September 19, 2020. Retrieved September 19, 2020.
- ^ a b Brown, Helen (September 18, 2020). "Alicia Keys Review, Alicia: Self-Titled Album Shows Singer Rattling Between a Range of Identities". The Independent. Archived from the original on October 6, 2020. Retrieved September 18, 2020.
- ^ a b Lawson, Shayla (May 26, 2021). "Alicia Keys Comes Home". Bustle. Archived from the original on June 21, 2021. Retrieved May 30, 2021.
- ^ a b Keys, Alicia (March 27, 2020). "Alicia Keys Reflects On How Life Experiences Gave Her Permission To Be 'More Myself'". Morning Edition (Interview). Interviewed by Noel King. NPR. Archived from the original on March 28, 2020. Retrieved February 4, 2021.
- ^ a b Pappis, Konstantinos (September 18, 2020). "Albums Out Today: Alicia Keys, A.G. Cook, Fenne Lily, Cults Read more: Albums Out Today: Alicia Keys, A.G. Cook, Fenne Lily, Cults". Our Culture Mag. Archived from the original on June 6, 2021. Retrieved June 6, 2021.
- ^ Dinges, Gary (September 18, 2020). "'Alicia': In Self-Titled Album, Alicia Keys Offers Messages of Hope in Times of Despair". USA Today. Archived from the original on November 9, 2020. Retrieved February 9, 2021.
- ^ a b Keys, Alicia (September 18, 2020). "Alicia Keys Wants You to Know You're Doing Great". All Things Considered (Interview). Interviewed by Audie Cornish. NPR. Archived from the original on February 1, 2021. Retrieved February 4, 2021.
- ^ Marcelline, Marco (September 24, 2020). "Album Review: Alicia". The Independent. Archived from the original on October 21, 2020. Retrieved February 4, 2021.
- ^ Anon. (September 18, 2019). "Alicia Keys Creates a Refreshing Experience with 'Show Me Love' Visuals". Essence. Archived from the original on March 30, 2020. Retrieved September 16, 2020.
- ^ Atkinson, Katie (September 22, 2019). "What You Missed Day 2 at iHeartRadio Festival, From Def Leppard's Miley Tribute to Zac Brown Band's Rage Cover". Billboard. Archived from the original on June 3, 2020. Retrieved January 22, 2021.
- ^ Leight, Elias (November 15, 2019). "Alicia Keys, Pedro Capó, Farruko Perform Breezy 'Calma' at Latin Grammys". Rolling Stone. Archived from the original on July 23, 2020. Retrieved September 16, 2020.
- ^ Shaffer, Claire (September 14, 2020). "Alicia Keys Announces 'Alicia' Album Release Date". Rolling Stone. Archived from the original on September 15, 2020. Retrieved September 20, 2020.
- ^ Rowley, Glenn (January 21, 2020). "Alicia Keys' New Album Is Coming: Here's the Cover Art and Release Date". Billboard. Archived from the original on January 25, 2020. Retrieved January 26, 2020.
- ^ Yoo, Noah (January 27, 2020). "Alicia Keys and Brittany Howard Perform 'Underdog' at Grammys 2020: Watch". Pitchfork. Archived from the original on August 20, 2020. Retrieved September 16, 2020.
- ^ Tilchen, Jordyn (January 10, 2020). "Alicia Keys Proves There's Power to Being an 'Underdog' in New Video". MTV News. Archived from the original on November 27, 2020. Retrieved January 22, 2021.
- ^ Anon. "Amazon Music TV Commercial, 'A Voice Is All You Need: Alicia Keys'". iSpot.tv. Archived from the original on April 4, 2020. Retrieved September 16, 2020.
- ^ Zemler, Emily (January 29, 2020). "Watch Alicia Keys Perform 'Underdog,' Discuss Kobe Bryant on 'Ellen'". Rolling Stone. Archived from the original on April 8, 2020. Retrieved September 16, 2020.
- ^ Anon. (February 5, 2020). "Cauet agacé par le staff d'Alicia Keys, en direct sur NRJ : 'C'est une question de politesse !' (Video)". Yahoo! Actualités (in French). Archived from the original on June 21, 2021. Retrieved June 11, 2021.
- ^ Anon. (February 11, 2020). "Episode 17". The Graham Norton Show. Series 26. Event occurs at 00:39. BBC One. Archived from the original on June 21, 2021. Retrieved June 13, 2021.
- ^ Anon. (February 6, 2020). "Alicia Keys (2020)". BBC Radio 1's Big Weekend, Live Lounge. BBC Radio 1. Archived from the original on September 16, 2020. Retrieved September 16, 2020.
- ^ D'Amelio, John (March 22, 2020). "Alicia Keys on her struggle to know herself". CBS News. Archived from the original on June 21, 2021. Retrieved June 13, 2021.
- ^ Leight, Elias (March 30, 2020). "They Were Going to Be Spring's Biggest Albums – Until COVID-19 Hit". Rolling Stone. Archived from the original on April 12, 2020. Retrieved February 8, 2021.
- ^ Christensen, Thor (March 23, 2020). "Willie Nelson Pushes New Album Release Back to July Because of Pandemic". The Dallas Morning News. Archived from the original on February 14, 2021. Retrieved February 8, 2021.
- ^ Anon. "Alicia Keys Dedicates 'Underdog' to First Responders in Living Room Concert". iHeartRadio. Archived from the original on April 16, 2020. Retrieved September 16, 2020.
- ^ a b Anon. (April 3, 2020). "Alicia Keys Performs Flo Rida's 'My House' with a Self-Isolation Spin on 'Colbert': Watch". Billboard. Archived from the original on April 9, 2020. Retrieved February 7, 2021.
- ^ Rowley, Glenn (April 23, 2020). "Alicia Keys Thanks Parents, Teachers & Other Heroes in Optimistic New Single 'Good Job'". Billboard. Archived from the original on September 17, 2020. Retrieved February 9, 2021.
- ^ Blistein, Jon (April 23, 2020). "Alicia Keys Honors Unsung Heroes on 'Good Job'". Rolling Stone. Archived from the original on November 26, 2020. Retrieved February 9, 2021.
- ^ Murphy, Chris (June 19, 2020). "Alicia Keys Drops Emotional Ballad 'Perfect Way to Die' Inspired by Police Brutality". Vulture. Archived from the original on November 24, 2020. Retrieved January 22, 2021.
- ^ Romano, Nick (June 19, 2020). "Alicia Keys Releases Powerful Ballad 'Perfect Way to Die' in Response to Police Brutality". Entertainment Weekly. Archived from the original on January 12, 2021. Retrieved February 9, 2021.
- ^ a b France, Lisa Respers (April 28, 2020). "Alicia Keys Debuts Powerful Anthem in Partnership with CNN". CNN. Archived from the original on July 9, 2020. Retrieved September 16, 2020.
- ^ Anon. (June 28, 2020). "BET Awards 2020: Alicia Keys' 'Perfect Way to Die' Performance Left Us in Tears". BET. Archived from the original on September 16, 2020. Retrieved September 16, 2020.
- ^ O'Neill, Abby (June 15, 2020). "Alicia Keys: Tiny Desk Concert". NPR. Archived from the original on September 13, 2020. Retrieved September 16, 2020.
- ^ "Gold & Platinum: Alicia Keys". Recording Industry Association of America. Archived from the original on February 6, 2021. Retrieved February 5, 2021.
- ^ Rose, Anna (August 14, 2020). "Alicia Keys and Khalid drop new collaboration, 'So Done'". NME. Archived from the original on November 18, 2020. Retrieved January 22, 2021.
- ^ Viral MVP (September 10, 2020). "Alicia Keys – Love Looks Better". onSMASH. Archived from the original on September 30, 2020. Retrieved January 22, 2021.
- ^ Legaspi, Althea (September 11, 2020). "Watch Alicia Keys Perform New Song 'Love Looks Better' at 2020 NFL Kickoff Event". Rolling Stone. Archived from the original on September 11, 2020. Retrieved September 16, 2020.
- ^ Anon. (September 13, 2020). "Patriots Stand Together for 'Lift Every Voice And Sing' Prior to Week 1 Kickoff". CBS Boston. Foxboro. Archived from the original on September 13, 2020. Retrieved September 16, 2020.
- ^ Torres, Eric (September 14, 2020). "Alicia Keys Releasing New Album This Week". Pitchfork. Archived from the original on September 15, 2020. Retrieved September 17, 2020.
- ^ Blackwelder, Carson; George, Rachel (September 17, 2020). "Watch Alicia Keys Perform 'Good Job' and 'Empire State of Mind' in Support of Essential Workers". ABC News Radio. Archived from the original on September 23, 2020. Retrieved October 16, 2020.
- ^ Fields, Taylor (September 14, 2020). "Alicia Keys & Swae Lee Added to 2020 iHeartRadio Music Festival Lineup". iHeartRadio. Archived from the original on September 16, 2020. Retrieved September 16, 2020.
- ^ Anon. (September 14, 2020). "American Express Unstaged Presents a Special Performance from Global Icon Alicia Keys in Celebration of Her New Album Alicia to Music Fans Around the World". Markets Insider (Press release). Businesswire. Archived from the original on February 14, 2021. Retrieved February 8, 2021.
- ^ Anon. "Alicia Keys". Diabolical. Archived from the original on February 15, 2021. Retrieved February 8, 2021.
- ^ Anon. (September 18, 2020). "Alicia Keys Returns to the Late Late Show for Week-Long Residency Sep. 21–24". CBS. Archived from the original on October 21, 2020. Retrieved September 29, 2020.
- ^ @BBCTheOneShow (September 24, 2020). "New York Legend Alicia Keys on Her Newly Released Seventh Album, 'ALICIA'" (Tweet). Retrieved August 1, 2021 – via Twitter.
- ^ Anon. (September 29, 2020). "Billboard Awards: Alicia Keys, Bad Bunny, Malone to Perform". Associated Press. Archived from the original on September 29, 2020. Retrieved September 29, 2020.
- ^ Caulfield, Keith (September 27, 2020). "Taylor Swift Surpasses Whitney Houston for Most Weeks at No. 1 Among Women in Billboard 200s History". Billboard. Archived from the original on September 30, 2020. Retrieved September 30, 2020.
- ^ Copsey, Rob (September 25, 2020). "Pop Smoke's Shoot for the Stars, Aim for the Moon claims 'bittersweet' Number 1 on Official UK Albums Chart". Official Charts Company. Archived from the original on October 17, 2020. Retrieved October 16, 2020.
- ^ Anon. (September 27, 2020). "Alicia Keys' Alicia Debuts at No. 2, Right Behind Pop Smoke". FYIMusicNews. Archived from the original on October 29, 2020. Retrieved November 11, 2020.
- ^ Anon. "Billboard 200 – The week of October 10, 2020". Billboard. Archived from the original on October 7, 2020. Retrieved October 7, 2020.
- ^ a b "Alicia Keys Chart History (Billboard 200)". Billboard. Retrieved January 22, 2021.
- ^ Anon. (December 31, 2020). "Alicia Keys Rocks New Year's Eve, Part 1". BBC's New Year's Eve. BBC One. Archived from the original on January 1, 2021. Retrieved February 4, 2021.
- ^ Mezydlo, Jeff (January 12, 2021). "The 25 Tours We're Most Looking Forward To in 2021". Yardbarker. Archived from the original on January 2, 2021. Retrieved January 22, 2021.
- ^ Keys, Alicia [@aliciakeys] (May 17, 2021). "Alicia the world tour moving to 2022!! I can't wait to be together again ✨✨✨" (Tweet) – via Twitter.
- ^ Varga, George (September 19, 2022). "Alicia Keys' San Diego Concert Has Been Rescheduled for November". Pacific San Diego. Retrieved December 17, 2022.
- ^ Staff (March 24, 2023). "En Breve: Alicia Keys in Mexico, Kite Festival and the Mexico Open". Mexico News Daily. Retrieved August 19, 2023.
- ^ a b "ALICIA: The Selects, Alicia Keys". Qobuz. Archived from the original on February 15, 2022. Retrieved February 15, 2022.
- ^ a b "Alicia by Alicia Keys reviews". AnyDecentMusic?. Archived from the original on November 1, 2020. Retrieved September 21, 2020.
- ^ a b "Alicia by Alicia Keys Reviews and Tracks". Metacritic. Archived from the original on September 20, 2020. Retrieved September 19, 2020.
- ^ a b Kellman, Andy (September 2020). "Alicia – Alicia Keys". AllMusic. Archived from the original on October 4, 2020. Retrieved September 19, 2020.
- ^ Joshi, Tara (September 20, 2020). "Alicia Keys: Alicia review – Classic and Contemporary". The Observer. Archived from the original on September 20, 2020. Retrieved September 21, 2020.
- ^ a b Dolan, Jon (September 21, 2020). "Alicia Keys Gives Us All a Helping Hand on 'Alicia'". Rolling Stone. Archived from the original on September 22, 2020. Retrieved September 21, 2020.
- ^ a b Hodgkinson, Will (September 18, 2020). "Alicia Keys: Alicia Review – Songs in the Key of Modern Life from R&B Royalty". The Times. Archived from the original on September 18, 2020. Retrieved September 18, 2020.
- ^ Weiner, Josh (September 29, 2020). "Our Take: Alicia Keys Keeps Her 20-Year Streak of Greatness Alive & Well on 'Alicia'". Atwood Magazine. Archived from the original on January 18, 2021. Retrieved February 9, 2021.
- ^ Cairns, Dan; Edwards, Mark; Verrico, Lisa; Davis, Clive (September 20, 2020). "On Record: Pop, Rock and Jazz — September 20". The Sunday Times. Archived from the original on September 28, 2020. Retrieved September 20, 2020.
- ^ Bosselman, Haley (May 27, 2021). "NAACP Image Awards 2021: The Complete Televised Winners List". Variety. Archived from the original on May 4, 2021. Retrieved June 16, 2021.
- ^ Ruggieri, Melissa (November 23, 2021). "Grammy snubs 2022: Miley Cyrus shutout; Drake, BTS miss out on major nominations". USA Today. Archived from the original on January 6, 2022. Retrieved November 29, 2021.
- ^ Gonzalez, Shivani (April 3, 2022). "Grammys Winners 2022: Tyler, the Creator, Olivia Rodrigo and More". The New York Times. Archived from the original on April 4, 2022. Retrieved April 4, 2022.
- ^ a b "Alicia by Alicia Keys". TIDAL. Archived from the original on June 14, 2021. Retrieved June 14, 2021.
- ^ "Australiancharts.com – Alicia Keys – Alicia". Hung Medien. Retrieved February 25, 2024.
- ^ "Austriancharts.at – Alicia Keys – Alicia" (in German). Hung Medien. Retrieved September 30, 2020.
- ^ "Ultratop.be – Alicia Keys – Alicia" (in Dutch). Hung Medien. Retrieved September 25, 2020.
- ^ "Ultratop.be – Alicia Keys – Alicia" (in French). Hung Medien. Retrieved September 25, 2020.
- ^ "Alicia Keys Chart History (Canadian Albums)". Billboard. Retrieved September 29, 2020.
- ^ "Czech Albums – Top 100". ČNS IFPI. Note: On the chart page, select 39.Týden 2020 on the field besides the words "CZ – ALBUMS – TOP 100" to retrieve the correct chart. Retrieved September 29, 2020.
- ^ "Dutchcharts.nl – Alicia Keys – Alicia" (in Dutch). Hung Medien. Retrieved September 25, 2020.
- ^ "Lescharts.com – Alicia Keys – Alicia". Hung Medien. Retrieved February 25, 2024.
- ^ "Offiziellecharts.de – Alicia Keys – Alicia" (in German). GfK Entertainment Charts. Retrieved September 25, 2020.
- ^ "Official Irish Albums Chart Top 50". Official Charts Company. Retrieved September 25, 2020.
- ^ "Italiancharts.com – Alicia Keys – Alicia". Hung Medien. Retrieved February 25, 2024.
- ^ "Alicia on Billboard Japan Hot Albums". Billboard Japan (in Japanese). Archived from the original on September 24, 2020. Retrieved September 25, 2020.
- ^ "Alicia Keys". Oricon. Retrieved October 17, 2020.
- ^ "Charts.nz – Alicia Keys – Alicia". Hung Medien. Retrieved February 25, 2024.
- ^ "Oficjalna lista sprzedaży :: OLiS - Official Retail Sales Chart". OLiS. Polish Society of the Phonographic Industry. Retrieved October 1, 2020.
- ^ "Portuguesecharts.com – Alicia Keys – Alicia". Hung Medien. Retrieved October 18, 2020.
- ^ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved September 25, 2020.
- ^ "Top 100 Albums Weekly" (in Spanish). Productores de Música de España. Archived from the original on October 6, 2020. Retrieved September 29, 2020.
- ^ "Swisscharts.com – Alicia Keys – Alicia". Hung Medien. Retrieved September 30, 2020.
- ^ "Official Albums Chart Top 100". Official Charts Company. Retrieved September 25, 2020.
- ^ "Official R&B Albums Chart Top 40". Official Charts Company. Retrieved November 11, 2020.
- ^ "Alicia Keys Chart History (Top R&B/Hip-Hop Albums)". Billboard. Retrieved September 29, 2020.
- ^ Standard release information for Alicia:
- "'Alicia' [Explicit] by Alicia Keys on Amazon Music". Amazon. Archived from the original on February 16, 2021. Retrieved February 16, 2021.
- "Alicia Keys Alicia CD Album". Alicia Keys Official Store. Archived from the original on October 18, 2020. Retrieved October 17, 2020.
- ^ Digital release information for Alicia:
- "'Alicia' (Bonus Tracks Edition) by Alicia Keys on Apple Music". Apple Music. Archived from the original on June 7, 2021. Retrieved June 6, 2021.
- "Alicia – Album by Alicia Keys". Apple Music. Archived from the original on February 16, 2021. Retrieved December 27, 2020.
- ^ "CDJapan : Alicia Alicia Keys CD Album" (in Japanese). CDJapan. Archived from the original on October 18, 2020. Retrieved September 18, 2020.
- ^ "Alicia : Live Bonus Edition by Alicia Keys on Apple Music". Apple Music. Archived from the original on October 18, 2020. Retrieved October 17, 2020.
- ^ "Alicia Keys – Alicia (Explicit Version) (EXPLICIT LYRICS) (Vinyl)". Target Corporation. December 18, 2020. Archived from the original on September 13, 2021. Retrieved September 13, 2021.
External links
[edit]
- 2020 albums
- Alicia Keys albums
- RCA Records albums
- Albums impacted by the COVID-19 pandemic
- Albums postponed due to the COVID-19 pandemic
- Albums produced by 1500 or Nothin'
- Albums produced by Alicia Keys
- Albums produced by Jimmy Napes
- Albums produced by Mark Ronson
- Albums produced by Tricky Stewart
- Albums produced by Swizz Beatz
- Albums produced by Ryan Tedder
- Orchestral pop albums
- Albums produced by Emile Haynie