Interrupted Melody
Interrupted Melody | |
---|---|
Directed by | Curtis Bernhardt |
Screenplay by | Sonya Levien William Ludwig |
Based on | Interrupted Melody 1949 book by Marjorie Lawrence[1] |
Produced by | Jack Cummings |
Starring | Eleanor Parker Glenn Ford Roger Moore Cecil Kellaway |
Cinematography | Joseph Ruttenberg, Paul C. Vogel |
Edited by | John D. Dunning |
Music by | Alexander Courage Adolph Deutsch |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 106 minutes |
Country | United States |
Language | English |
Budget | $2,367,000[2] |
Box office | $4,028,000[2][3] |
Interrupted Melody is a 1955 American musical biopic film starring Eleanor Parker, Glenn Ford, Roger Moore, and Cecil Kellaway. Directed by Curtis Bernhardt, it was filmed in CinemaScope and Eastman Color, and produced for Metro-Goldwyn-Mayer by Jack Cummings. With a screenplay by Lawrence, Sonya Levien, and William Ludwig, the operatic sequences were staged by Vladimir Rosing, and Eileen Farrell provided the singing voice for Parker. It tells the story of Australian soprano Marjorie Lawrence's rise to fame as an opera singer and her subsequent triumph over polio with her husband's help
Plot
This article needs an improved plot summary. (December 2013) |
The story traces Marjorie's long, hard road to the top, her success on two continents, and her turbulent marriage to American doctor Thomas King. While touring South America in 1941, Lawrence is stricken with polio, which not only abruptly stops her career but briefly robs her of the will to live. With her husband's help, she makes a triumphant return to opera and the concert stage, beginning by singing for hospitalized soldiers and troops overseas. She returns to the Metropolitan Opera, appearing in a full production of Wagner's Tristan und Isolde.
Cast
- Glenn Ford as Dr. Thomas King
- Eleanor Parker as Marjorie Lawrence
- Roger Moore as Cyril Lawrence
- Cecil Kellaway as Bill Lawrence
- Peter Leeds as Dr. Ed Ryson
- Evelyn Ellis as Clara
- Walter Baldwin as Jim Owens
- Ann Codee as Mme. Cécile Gilly
- Leopold Sachse as himself
- Stephen Bekassy as Comte Claude des Vignaux
Production
Development
In 1947, it was reported that Marjorie Lawrence was writing her memoirs, titled Interrupted Melody, and that she wanted Greer Garson to play her in a film.[4] The book was published in 1950. The Chicago Tribune called it "engrossing".[5]
In June 1951, MGM, which had just had a huge success with The Great Caruso, another biopic of an opera star, announced that it had bought the screen rights to the book. Jack Cummings was going to produce, and Kathryn Grayson was a possible star.[6] Other possible leads were Greer Garson and Deborah Kerr, who would use Lawrence's voice.[7] Lawrence flew to Hollywood in July to have discussions with Cummings and Sonya Levien, who was to do the script.[8] In December, MGM announced Lana Turner would play the lead with filming to begin in February.[9] However, filming did not proceed. In July 1952, MGM said Garson would be playing the lead and William Ludwig was working on the script.[10] By February 1953, the studio had postponed production again.[11] In December 1953, the film was put back on MGM's schedule with Garson still attached.[12]
On April 7, 1954, The New York Times announced that Eleanor Parker would play the part because all the other candidates, with the exception of Lana Turner, had left MGM. The article reported that Lawrence had recorded the songs for the film.[13] Filming started in September 1954. According to Parker, the filmmakers could not use Marjorie Lawrence's voice, because she had lost her upper register. Parker could read music and had a firm soprano voice with perfect pitch. She prepared for the singing aspect of her role by listening to the numbers for weeks, and she sang them during the filming in full voice instead of lip-synching.[14] The singing was dubbed by Eileen Farrell, who appears on screen early in the film, as a student struggling to hit a high note in a scene with the singing teacher Mme. Gilly (Ann Codee) .[15]
Glenn Ford would only appear in the film if he got top billing. Parker says: "I wanted to do what was right for the picture, so I said: 'Let him have the top billing.' Glenn was a kind of a difficult man, but he was right for the picture and a very fine actor."[15]
A key supporting role was given to Roger Moore, who had just made The Last Time I Saw Paris for MGM and had been put under contract to the studio.[16]
Filming had finished by November 1954.[17] The film was previewed in January 1955.[18]
In February 1955, The New York Times published a photo spread showing scenes from the film.[19]
Reception
According to MGM records, the film cost $2,367,000 to produce, and made $1,801,000 in the US and Canada and $2,227,000 overseas.[2]
In a contemporary review of the film in The New York Times, critic Bosley Crowther described it as "tender and moving," "a stirring drama, plus a handsome and melodious one," and "a tale of personal triumph and recovery that is rendered the more eloquent and taut by the ample production of gorgeous music."[20] Film critic Derek Winnert wrote in 2013 that the film "is still an extremely enjoyable old-style heart-lifter and spirit-raiser. It is Parker’s show all the way but Glenn Ford is on top form too as the husband," and noted that "Eileen Farrell performs Parker’s vocals in eight beautiful arias – from Verdi, Puccini, Richard Wagner and Bizet’s Carmen. Amusingly, Farrell [also] plays a singing student of Mme Gilly (Ann Codee) who cannot seem to hit the right notes."[21]
Awards and nominations
Award | Category | Nominee(s) | Result | Ref. |
---|---|---|---|---|
Academy Awards | Best Actress | Eleanor Parker | Nominated | [22] |
Best Story and Screenplay | William Ludwig and Sonya Levien | Won | ||
Best Costume Design – Color | Helen Rose | Nominated | ||
Venice International Film Festival | Golden Lion | Curtis Bernhardt | Nominated |
Musical tracks
Walter Ducloux conducted the MGM Studio Symphony Orchestra. MGM published a selection of eleven numbers on an original motion picture soundtrack album.
- "O don fatale" from Verdi's Don Carlos
- Act 1 finale from Verdi's Il trovatore
- "Un bel dì" from Puccini's Madama Butterfly
- "Habanera" from Bizet's Carmen
- "Seguidilla" from Carmen
- "Mon cœur s'ouvre à ta voix" from Saint-Saëns' Samson and Delilah
- Brünnhilde's Immolation Scene from Wagner's Götterdämmerung
- Excerpts from Wagner's Tristan und Isolde
- "Annie Laurie" by Alicia Scott
- "Over the Rainbow" by Harold Arlen
- "Voi che sapete" from Mozart's The Marriage of Figaro
- Medley: "Anchors Aweigh" by Charles A. Zimmermann; "Marines' Hymn", based on works by Jacques Offenbach; "Don't Sit Under the Apple Tree" by Sam H. Stept
- "Quando me'n vo'" (Musetta's Waltz) from Puccini's La bohème
- "Waltzing Matilda", traditional
See also
References
- ^ Griffin, Helga M. "Marjorie Florence Lawrence (1907–1979)". Australian Dictionary of Biography. National Centre of Biography, Australian National University. Retrieved 19 January 2017.
- ^ a b c The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
- ^ Domestic take see also "The Top Box-Office Hits of 1955", Variety Weekly, January 25, 1956.
- ^ Cassidy, Claudia (Dec 17, 1947). "ON THE AISLE: Lawrence Calls Her Story 'Interrupted Melody' And Garson Wants To Do It On The Screen". Chicago Daily Tribune. p. 39.
- ^ Barry, Edward (Jan 29, 1950). "Diva's Story of Fight for Fame and Life". Chicago Daily Tribune. p. I11.
- ^ THOMAS F. BRADY (6 June 1951). "FILM GUILD MOVES AGAINST FOX CUTS: Screen Writers Are Urged Not to Comply With Proposal for Salary Reductions". New York Times. p. 37.
- ^ Schallert, Edwin (June 19, 1951). "Drama: Garson Likely to Act Lawrence Role; Bettger, Lockhart Villainous". Los Angeles Times. p. B7.
- ^ "Barrie Play at Paramount". New York Times. 20 July 1951. p. 13.
- ^ THOMAS M. PRYOR (Dec 24, 1951). "LANA TURNER GETS OPERA SINGER ROLE: Star Will Portray Marjorie Lawrence, Victor Over Polio, in 'Interrupted Melody' Bob Hope Film to Start Of Local Origin". New York Times. p. 9.
- ^ Schallert, Edwin (July 11, 1952). "Drama: Garson in 'Interrupted Melody;' Bacon-Bergman and Bjork Deals on Fire". Los Angeles Times. p. B9.
- ^ THOMAS M. PRYOR (Feb 16, 1953). "KNOPF TO PRODUCE STORY BY ERSKINE: Unpublished 'Diane de Poitiers' Will Be Filmed Independently -- Garson Eyed for Lead". New York Times. p. 16.
- ^ Schallert, Edwin (Dec 26, 1953). "Drama: Ursula Thiess New Star of 'Americano;' Disney Sets Verne Launching". Los Angeles Times. p. A7.
- ^ "METRO FILLS LEAD IN FILM OF SINGER; Eleanor Parker Will Portray Marjorie Lawrence in 'Interrupted Melody'". timesmachine.nytimes.com. Retrieved 2020-05-27.
- ^ "Eleanor Parker: More Than Just the Sound of Music Baroness" by Richard Corliss, Time, December 20, 2013
- ^ a b "Eleanor Parker: Incognito, but Invincible" (PDF). Noir City Sentinel. Summer 2010. Archived from the original (PDF) on 2016-10-19.
- ^ Schallert, Edwin (June 19, 1954). "La Jolla Film Festival Plans Expand; Brynner Cited as 'Matador' Star". Los Angeles Times. p. 13.
- ^ Hopper, Hedda (Nov 16, 1954). "Eleanor Parker Will Be Wed". Los Angeles Times. p. A2.
- ^ Scott, John L. (Feb 13, 1955). "Eleanor Parker Plays Convincing Diva Role: Lawrence Life Story Applauded". Los Angeles Times. p. D3.
- ^ "Interrupted Melody'". timesmachine.nytimes.com. Retrieved 2020-05-27.
- ^ Crowther, Bosley (1955-05-06). "Screen: The Defeat of Polio as Personal Drama; ' Interrupted Melody' Tells Singer's Story". The New York Times. ISSN 0362-4331. Retrieved 2023-12-11.
- ^ Winnert, Derek (10 December 2013). "Interrupted Melody (1955)". Derek Winnert. Retrieved 2023-12-11.
- ^ "The 28th Academy Awards (1956) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Archived from the original on July 6, 2011. Retrieved August 20, 2011.
External links
- 1955 films
- American biographical drama films
- Films about classical music and musicians
- Films directed by Curtis Bernhardt
- Films whose writer won the Best Original Screenplay Academy Award
- Metro-Goldwyn-Mayer films
- Films about opera
- 1955 drama films
- Biographical films about musicians
- Films scored by Adolph Deutsch
- Films with screenplays by William Ludwig
- Films with screenplays by Sonya Levien
- Cultural depictions of Australian people
- Cultural depictions of classical musicians
- CinemaScope films
- 1950s English-language films
- 1950s American films
- 1950s biographical drama films
- English-language biographical drama films