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The Other Side of Aspen

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The Other Side of Aspen
Film title card
Directed byMatt Sterling[a]
Screenplay byMatt Sterling[a]
Produced byChuck Holmes
Starring
Production
company
Distributed byFalcon Studios
Release date
November 1978
Running time
39 minutes
CountryUnited States
LanguageEnglish

The Other Side of Aspen is a 1978 American gay pornographic film. It is produced by Falcon Studios, directed by Matt Sterling, and stars Casey Donovan, Al Parker, and Dick Fisk. The film was Falcon's first feature-length release, and is noted as one of the first adult films to be published on videocassette. A critical and commercial success upon its release, The Other Side of Aspen regarded as a turning point for the development of gay pornography as a genre and industry: its elevated production values, largely unprecedented at the time, led to feature film-style releases becoming the norm across the gay pornography industry. It is also credited with popularizing the macho gay porn star aesthetic that would remain broadly popular in the decades subsequent to the film's release.

Plot

In San Francisco, a skiing instructor (Jeff Turk) recounts to his friend (Mike Flynn) a particular incident that occurred during his recent visit to Aspen, Colorado. While traveling to instruct two clients (Al Parker and Casey Donovan), he witnessed two men (Chad Benson and Dick Fisk) having sex in a cabin. Upon arriving at his destination, he found his clients also having sex; they are subsequently joined by the men from the cabin and the instructor in an orgy. Having recounted the story, the instructor comments that he is aroused; he exposes his penis to his friend, who reaches for it.

Cast

Production

Development

Chuck Holmes founded Falcon Studios in 1972, launching the company by purchasing three short gay pornography films by director Matt Sterling and an adult mailing list for USD$4,200.[3] The founding of Falcon as a pornography company that conducted business primarily through mail order was a reflection of the emerging of the home video market, which provided the conditions for the commercialization and professionalization of the gay pornography industry through the establishment of a studio system that would come to dominate the production and distribution of gay pornography from the mid-1970s onward.[4] Falcon's first release, the 1972 short film Johnny Harden and the Champs, defined the studio's aesthetic of "down-to-earth men" with "naturally athletic bodies" that would recur in their subsequent films, including The Other Side of Aspen.[5]

In fall 1977, Falcon cameraman Colin Meyer suggested to Holmes that the studio produce a film with "all the biggest porn icons at that time":[6] Casey Donovan, the star of Boys in the Sand (1971) and the first ever gay porn star; Al Parker, a popular model at Falcon rival Colt Studios who had appeared in several Falcon films; and the up-and-coming Dick Fisk.[6][7] The film was marketed as the first release in the Falcon Video Pac line,[4] with the title The Other Side of Aspen chosen after a staffer at Falcon suggested making "a movie in the snow."[8]

Filming

The Other Side of Aspen's skiing and sex scenes were shot in Lake Tahoe, California.[9] Holmes regularly took skiing trips, and filmed scenes for the studio on one such trip so he could claim the vacation as a write-off.[7] The film's setting of Aspen, Colorado references the city's popularity as a destination for LGBT tourists; in 1979, the city was the first municipality in Colorado to pass a non-discrimination ordinance, and has hosted Aspen Gay Ski Week annually since that same year.[7][10]

At the time, gay pornographic films were typically eight- to 10-minute single-scene film loops that were shot and released individually on 8 mm film;[5] The Other Side of Aspen was similarly shot as four individual scenes. After filming concluded in Lake Tahoe, Holmes, director Matt Sterling, and Falcon co-founder Vaughn Kincey elected to shoot additional scenes of dialogue in San Francisco.[7] The dialogue scenes were edited between the sex scenes, an industry practice now referred to as "webbing",[4] giving the film a narrative with plot and continuity, and making The Other Side of Aspen the first feature film to be released by Falcon.[11]

Donovan and Parker met for the first time while flying Lake Tahoe to shoot the film,[12] while Fisk and Benson pursued a romantic relationship after filming concluded.[5] The film's first sex scene between Donovan and Parker was improvised; initiated as a still photography session, the encounter was filmed after the actors began to have sex of their own accord.[11] During the encounter, Donovan was fisted by Parker; this was cut from the film's original 1978 release, but was included in its 2002 re-release.[13]

Release

The Other Side of Aspen was heavily marketed in the lead-up to its release, an atypical approach for gay adult films at the time.[7] As the majority of Falcon's business was conducted through mail order, reservation cards and a brochure promoting the film were sent to the top customers on Falcon's mailing list.[11]

The film would be released in all extant media formats of the time: standard 8 mm, Super 8, Sound 8, VHS, and Betamax,[2] making The Other Side of Aspen one of the first adult films to be released on videocassette.[7] The film was re-released on DVD in 2001, making it the first film the studio released on DVD; John Holmes notes that Falcon was a late adopter of the DVD format, as the studio was "especially cautious about the commercial viability of DVD."[14] A remastered version of the film was released in 2014.[15]

Reception and legacy

Critical and commercial

The Other Side of Aspen was a major critical and commercial success upon its release, and has been called one of the greatest gay adult films ever made.[13] By 1993, 45,000 copies of The Other Side of Aspen had been sold, making it the best-selling gay pornography film at that time[16] and producing the highest revenues in Falcon's corporate history up to that point.[11] Its success prompted Falcon to release their back catalog of over 200 film loops on home video in the years subsequent to the film's release, as well as produce new material exclusively on home video.[4] Falcon was thus uniquely positioned to exploit the home video market in a way its competitors were not, with John R. Burger noting that "film-to-videotape transfer and the subsequent packaging, marketing, and distribution of video is a costly procedure. Unable to compete in this new marketplace, many companies went out of business."[17] Alternative pornography director Black Spark has commented positively on The Other Side of Aspen, describing the nostalgic qualities of film favorably in comparison to "boring" contemporary mainstream pornography.[18]

In 2002, the film's re-release won Best Classic Gay DVD at the GayVN Awards,[19] and Best Classic Video at the Grabby Awards.[20]

Impact

The Other Side of Aspen is regarded as a turning point for the development of gay pornography as a genre and industry: its elevated production values were largely unprecedented at the time, and feature film-style releases would become the norm across the gay pornography industry in the wake of The Other Side of Aspen's success.[7][4] The film cemented the legacy of Donovan and Parker, with writer Jeffrey Escoffier noting that the film "put Donovan back into the spotlight and confirmed Parker's celestial status."[12]

The film is credited with popularizing the macho gay porn star aesthetic that would remain broadly popular in the decades subsequent to the film's release, which Holmes described as his response to the "scummy" look of stag films of the 1960s.[5] Escoffier writes that The Other Side of Aspen "crystallized Chuck Holmes' vision of the erotic movie [...] it signaled the culmination of the gay macho sexual ethos, the confirmation of the ideal gay male body–young, a swimmer's build, no tattoos, and little hair–and the codification of gay porn movies as a genre."[21] Mercer concurs that "Holmes' creative ambition, famously, was little more than to produce porn featuring performers with clean feet. This apparent modesty belies the extent to which his personal vision would inform the commercial and aesthetic direction that Falcon Studios would take and much of his competitors would subsequently follow: towards an increasing emphasis on a vision of 'cleanliness', professional production values, a polished, generic, aesthetic, and homogeneity in output."[4] The aesthetics of The Other Side of Aspen are further examined by Lynda Johnston, who notes that the setting of an exclusive ski resort "laden with signifiers of wealth" furthers emphasizes this polished aesthetic.[10]

Whitney Strub argues in regards to this aesthetic, The Other Side of Aspen was "a harbinger of gay hardcore's emerging dominant modality," as the genre moved away from the fetishistic material of the 1960s towards "soft stylization" and "a more standardized masculinity."[22]

Sequels

A total of five sequels to The Other Side of Aspen have been produced by Falcon, and often star the most popular performers of the film's given era.[21] The film's sequels have received a largely lukewarm critical reaction, with Michael Joseph Gross arguing that the franchise has gone "mostly downhill" since the release of the original film.[5]

  • The Other Side of Aspen II (1985), directed by Matt Sterling[5][a]
  • The Other Side of Aspen III: Snowbound (1995), directed by John Rutherford[23][24]
  • The Other Side of Aspen IV: The Rescue (1995), directed by John Rutherford[25][26]
  • The Other Side of Aspen V (2001), directed by John Rutherford[27]
  • The Other Side of Aspen VI (2011), directed by Chris Ward[28]

Notes

  1. ^ a b c Credited as Bill Clayton, a pseudonym used by multiple directors at Falcon.[1]

References

  1. ^ Escoffier 2009, pp. 321.
  2. ^ a b "The Other Side of Aspen 1". Gay Erotic Video Index. Retrieved 18 November 2019.
  3. ^ Mercer 2017, pp. 52.
  4. ^ a b c d e f Mercer 2017, pp. 53.
  5. ^ a b c d e f Gross, Michael Joseph (March 2002). "Falcon's Crest". Out. pp. 64–70. Retrieved 18 November 2019.
  6. ^ a b Escoffier 2009, pp. 172.
  7. ^ a b c d e f g Stabile, Michael (dir.) (10 April 2015). Seed Money: The Chuck Holmes Story (Film). Breaking Glass Pictures.
  8. ^ Escoffier 2009, pp. 173.
  9. ^ Escoffier 2009, pp. 140.
  10. ^ a b Johnston, Lynda (2013). Caudwell, Jayne; Browne, Kath (eds.). "Queering Skiing and camping up nature in Queenstown". Sexualities, Spaces and Leisure Studies. Routledge: 53.
  11. ^ a b c d Escoffier 2009, pp. 143.
  12. ^ a b Escoffier 2009, pp. 142.
  13. ^ a b "The Other Side of Aspen". TLA Entertainment Group. Archived from the original on 30 June 2010. Retrieved 18 November 2019.
  14. ^ Mercer 2017, pp. 57.
  15. ^ "The Other Side of Aspen » de Falcon restauré !". Pink TV (in French). 11 March 2014. Archived from the original on 10 April 2014. Retrieved 18 November 2019.
  16. ^ Escoffier 2009, pp. 178.
  17. ^ Burger, John R. (1994). One-Handed Histories: The Eroto-Politics of Gay Male Video Pornography. Routledge. p. 15. ISBN 978-1560238522.
  18. ^ McGlotten, Shaka (2 July 2014). Virtual Intimacies: Media, Affect, and Queer Sociality. State University of New York Press. p. 117. ISBN 978-1438448787.
  19. ^ "2002 GayVN Awards". IMDb. Retrieved 18 November 2019.
  20. ^ "2002 Grabby Awards". IMDb. Retrieved 18 November 2019.
  21. ^ a b Escoffier 2009, pp. 144.
  22. ^ Strub 2019, pp. 35.
  23. ^ "The Other Side of Aspen III: Snowbound". Falcon Studios. Retrieved 8 May 2020.
  24. ^ "The Other Side of Aspen III: Snowbound". Male-Erotika Movie Review. Retrieved 3 December 2020.
  25. ^ "The Other Side of Aspen IV: The Rescue". Falcon Studios. Retrieved 8 May 2020.
  26. ^ "The Other Side of Aspen IV: The Rescue". Male-Erotika Movie Review. Retrieved 3 December 2020.
  27. ^ Escoffier 2009, pp. 281.
  28. ^ Parsley, Jason (31 January 2012). "And the Winners Are…2012 XBIZ Awards". South Florida Gay News. Retrieved 18 November 2019.
Bibliography
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