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John Holte

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John Holte
Born(1943-12-10)December 10, 1943
Cambridge, Massachusetts, U.S.
Died(2003-01-08)January 8, 2003
Seattle, Washington, U.S.
NationalityAmerican
OccupationMusician

John Holte (December 10, 1943 – January 8, 2003) was a musician who led the West Coast Swing Band revival of the 70's by creating the New Deal Rhythm Band in Seattle in 1972. He played reeds and also wrote arrangements. He later created other Seattle Big Bands and was active in the Seattle music scene up to his death.

New Deal Rhythm Band

Holte created the New Deal Rhythm Band in Seattle in 1972. First playing at the Inside Passage tavern in Seattle.[1] The band's first singer was Phil Shallat. Also in the original line up were Ron Nations and Louie Healy (reeds), Craig Schroeder (trumpet), Mark Larson (drums), Lon Alsman (bass) and Bill Owens (guitar),[2] The filmmaker Larry Stair, in 1973, made a short film about Joe Venuti titled Thank You Joe that features Mr. Venuti appearing with the New Deal Rhythm Band at the District Tavern in Seattle. The band at that time featured Michael Trullinger on drums. After Phil Shallat left the band in 1974 he was replaced by the singer Cheryl Bentyne. October 20 to November 1 they played the Greenwood Inn in Beaverton, Oregon.[3] Shortly after that Jerry Ranger joined the band, taking the place of John Holte. In July 1976, The New Deal Rhythm Band, led by Jerry Ranger, were at the Center Four Lounge of the Ramada Inn in Portland, Oregon.[4] Under the leadership of Jerry Ranger the New Deal Rhythm Band went national, touring across America, and recording three LPs.[5] Cheryl Bentyne left the group to join the Manhattan Transfer in 1979.[6] After Bentyne left the group the singer Mary Cleere Haran sang with the band in 1979 playing casinos in Nevada and Texas.[7]

Swingland Express

After leaving the New Deal Rhythm Band, Holte formed a new big band, The Swingland Express.[8] In February, 1976, Swingland Express was featured in a fund raiser for the NW Film Center as part of a gala event of film and performance at the Portland Art Museum. The 1937 film Shall We Dance, starring Fred Astaire and Ginger Rogers, was screened. It was followed by Swingland Express playing for listening and dancing.[9] Swingland Express featured Jeff Hughes on cornet, Ronnie Pierce and John Draper on reeds, and Buck Evans on piano. In May 1976 Hughes, and Evans as "The Big Two," and also as part of the "Salmon City Seven," and finally as part of the Swingland Express, performed on KBOO radio.[10] The band got a Summer long booking at the Windjammer restaurant in Seattle in 1976. Swingland Express featured singers Odessa Swan and Howard Hays.[11] In March 1977 Jeff Hughes and the Swingland Express performed on KBOO radio on the "Mouldy Figge" show hosted by Val Golding.[12] In 1977 it gigged around the Pacific Northwest including stops at the Earth Tavern in Portland, Oregon.[13] Swingland Express disbanded in 1980 when Jeff Hughes moved back to Boston for grad school. Hughes later played in Ray Smith's Paramount Jazz Band, as well as The Canal Street Jazz Band in Madrid, Spain, and recorded with the Riverside Jazz Band, all the time working as a member of the research staff of the Marine Biological Laboratory in Woods Hole.[14]

The John Holte Swing Band

In 1980 Holte formed The John Holte Swing band. That year its singer was Dennis Nyback It played The Bite of Seattle in 1986.[15] The 1986 edition of the John Holte Swing Band featured the guitarist Michael Powers. It played Bumbershoot in 1986, 1987 and 1988.[16][17][18]

The Radio Rhythm Orchestra

In the late 80's Holte created his last big band, The Radio Rhythm Orchestra. In the Spring of 1992 it had an extended engagement at Night Mary's, a club on Capital Hill, in Seattle, featuring the singer Maureen Mershon.[19] He led the Radio Rhythm Orechestra up to his death. The band is still active and is currently being led by the bass player Pete Leinonen.[20] A CD of John Holte music, dating back to 1979, was released in 2005. It features Holte with his big bands and also in small combo settings.[21] The current edition of the Radio Rhythm Orchestra features many of Holtes original arrangements including "Deco Rhythm," "At the Mummy's Ball." "Emerald City Boogie," "Blue Flame Jump," and many others.[22]

References

  1. ^ Armbruster, Kurt, Seattle Before it Rocked, pages 296-97, University of Washington Press, Seattle and London
  2. ^ http://pnwbands.com/newdeal.html retrieved January 4, 2017
  3. ^ Oregonian, Portland,page 51, October 31, 1975, display ad "Carter Hotels Presents"
  4. ^ Oregonian, Portland, "New Deal Band Makes '40s Style Live Again"by John Wendeborn
  5. ^ http://www.jerryaranger.com/buy.html retrieved January 4, 2017
  6. ^ http://manhattantransfer.net/cheryl-bentyne/ retrieved January 4, 2017
  7. ^ For Mary Cleere Haran, It's Now a Helluva Town San Francisco Chronicle (CA) (Published as THE SAN FRANCISCO CHRONICLE) - July 3, 1988 Author/Byline: Gerald NachmanEdition: SUNDAYSection: SUNDAY DATEBOOKPage: 17Column: SHOWBIZ
  8. ^ http://www.heritagemusicreview.com/articles/May1982C.txt retrieved January 4, 2017
  9. ^ Oregonian (Published as The Oregonian) - February 20, 1976 Page: 29 "Flashback to 30's via Music and Film Sets Party Mood at Art Museum" by Barbara Jordan : Portland, Oregon
  10. ^ Oregonian (Published as The Sunday Oregonian) - May 9, 1976 Page: 102, Radio Highlights: Portland, Oregon
  11. ^ http://community.seattletimes.nwsource.com/archive/?date=19940204&slug=1893407 retrieved January 4, 2017
  12. ^ Oregonian (Published as The Sunday Oregonian) - March 20, 1977 Page: 190, Radio Highlights: Portland, Oregon
  13. ^ Oregonian, Portland - February 14, 1977, "Dixieland Jazz Folks to Romp" by John Wendeborn
  14. ^ Group revives traditional jazz Republican, The (Springfield, MA) (Published as Sunday Republican (Springfield, MA)) - February 20, 2000 Author/Byline: CLIFTON J. NOBLE JR.; STAFF, Sunday Republican (Springfield)Edition: ALLSection: LEISUREPage: F01
  15. ^ CENTER IS BRACING FOR ITS FIRST BITE OF SEATTLE - BUT WITHOUT GREEN LAKE'S AMBIANCE, THE ANNUAL CULINARY EXTRAVAGANZA JUST WON'T BE THE SAME Seattle Times, The (WA) (Published as THE SEATTLE TIMES) - July 13, 1986 Author/Byline: JOHN HINTERBERGEREdition: SUNDAYSection: ARTS, ENTERTAINMENTPage: L1Column: JOHN HINTERBERGER
  16. ^ BUMBERSHOOT Seattle Times, The (WA) (Published as THE SEATTLE TIMES) - August 29, 1986 Edition: THIRDSection: TEMPOPage: 18
  17. ^ STARTING LINEUP FOR BUMBERSHOOTHide Seattle Times, The (WA) (Published as THE SEATTLE TIMES) - September 2, 1987 Edition: THIRDSection: SCENEPage: E4
  18. ^ BUMBERSHOOT - CRITICS PICK FAVORITES FROM 500 PERFORMANCE EVENTS Seattle Times, The (WA) (Published as THE SEATTLE TIMES) - September 2, 1988 Edition: THIRDSection: TEMPOPage: 19
  19. ^ NIGHT MARY'S OFFERS SOME DREAMY MUSIC Seattle Times, The (WA) (Published as THE SEATTLE TIMES) - May 22, 1992 Author/Byline: TOM PHALENEdition: FINALSection: TEMPOPage: 9Column: ACE OF CLUBS
  20. ^ http://www.originalcast.com/radiorhythm.htm retrieved January 4, 2017
  21. ^ http://www.heritagemusicreview.com/articles/July2005.txt retrieved January 4, 2017
  22. ^ http://www.originalcast.com/recordings.htm retrieved January 4, 2017
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