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Bette Bourne

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Bette Bourne
Bourne in 2010
Born
Peter Bourne

(1939-09-22) 22 September 1939 (age 84)
Hackney, East London, England
EducationCentral School of Speech and Drama
OccupationActor
Years active1943–present
Notable workThe Vortex, Donmar Warehouse, 2002
FamilyMike Berry (brother)
AwardsClarence Derwent Award 2003, OBIE Award for Performance (2001, 1991), Manchester Evening News Award

Bette Bourne (born Peter Bourne,[1] 22 September 1939) is a British actor, drag queen, campaigner, and activist. His theatrical career has spanned six decades. He came to prominence in the mid-1970s after joining the New York-based alternative gay cabaret troupe Hot Peaches. He went on to form his own alternative gay theatrical company, Bloolips.

Early life

Peter Bourne was born in Hackney, East London,[2] into a working-class family. He had two sisters and a brother. His mother was an amateur actress.[3] Bourne made his stage debut at the age of four as a member of Madame Behenna and her Dancing Children performing at Stoke Newington Town Hall where he sang "Don't Sit Under the Apple Tree". The first play he remembers seeing was a production of Thornton Wilder's Our Town in the early 1950s, although he had an interest in acting before that.[3] His father was indifferent to his son's acting aspirations. When Bourne was 16, he did a three-month apprenticeship as a printmaker. He then worked in journalism at the New Scientist. Bourne began his theatre career working backstage at London's Garrick Theatre. His brother is the actor and singer Mike Berry.

1960s performances

Bette Bourne (left) with other original GLF activists at a 40th anniversary celebration in the LSE.

Bourne studied drama at London's Central School of Speech and Drama in Swiss Cottage and acted on stage and on television throughout the 1960s. He appeared in such TV series as The Avengers and The Prisoner. In 1969, he appeared alongside Sir Ian McKellen in a touring double bill of Christopher Marlowe's Edward II and Shakespeare's Richard II.[2]

Activism and cabaret career

In the 1970s, feeling disillusioned with show business, Bourne put his acting career on hold to become an activist with the Gay Liberation Front.[4] He became a part of the infamous gay commune based in Colville Terrace in Notting Hill, London.[2] During this period, Bourne started wearing drag and changed his name to 'Bette'.

Bourne recalled her early participation in a public demonstration: "A lot of the queens were very afraid of us because we were disobeying the rules in some deep way and scaring them. People got very frightened. We weren’t frightening at all. But it was much stronger than anything they were doing. It was also about a sense of humour or not. Wearing the dresses was great fun as well. It certainly was for me."[5]

In 1976, Bourne joined the New York-based gay cabaret troupe Hot Peaches and performed with them across Europe, culminating in a show at the Institute of Contemporary Arts in London.[2] When the troupe returned to New York City, Bourne remained in London and founded his own gay musical comedy company, Bloolips, in which men performed all the roles.

Bloolips

Bette's inspiration for the company came from "a record he found on one of the junk stalls on Portobello Market of Jean Metcalfe reading (in her very best BBC voice) the story of The Ugly Duckling. It was the perfect Coming Out story, and thus Bloolips was born."[6] The company employed the scriptwriter John Taylor (Jon Jon), to write many of the company's productions. Ray Dobbins wrote some of the scripts later on in the troupe's career. Satirical political comedy was combined with tap dancing and singing, with the men in clown-like costumes rather than in female attire or as female impersonators. The shows drew heavily on the glamour of the 1920s and 1930s golden era of Hollywood and Broadway theatre and were staged, produced, and directed in the vaudeville tradition with Bette cast as the leading lady. The scenery and costumes were designed to look tawdry and down-at-heel, to imply the company was on its last legs. Everyone in the troupe made their own costumes on a limited budget "out of plastic laundry baskets, broken lampshades, and tat from second-hand shops, sometimes using mops as wigs."[7]

All the shows featured original songs or adaptations of well-known numbers. One of their most memorable adaptations was of "We're in The Money" (from the movie Gold Diggers of 1933). Some of their more notable original songs included "Let's Scream Our Tits Off", "I'm Mad About Leisure", "B.A.N.A.N.A.S.", "I Want to Be Bad", and "I'd Love to Dance the Tango but My Suit Says No". Many of the show's themes and titles were adapted from famous movies, including Lust in Space, Gland Hotel, Get Hur, The Ugly Duckling. The sense of humour and comedy was in the Mel Brooks and Gene Wilder style. With Bloolips, Bourne's traditional theatrical training came into its own; his onstage delivery and timing were impeccable. "The first Bloolips rehearsals were done in my flat in Notting Hill, seven of us tap dancing in a line. One afternoon we went downstairs for a coffee, and the ceiling had fallen in," recalled Bette in an interview in The Guardian.[2] Bloolips premiered their first show "at The Tabernacle, Notting Hill in Powis Square in August 1978 and were a sensation."[6] It became a regular practice for the troupe to premiere their productions at The Tabernacle, Notting Hill to benefit the local community.

"Two years later we went to New York and opened in the off-off Broadway Theatre of the New City. We became the darlings of the East Village, moved to the off-Broadway Orpheum Theatre with a run which extended to June 1981 and won the off-Broadway OBIE Award," remembers Bette.[6] Bette vividly recollects his first visit to New York with Bloolips in a ‘Letter from Bette Bourne’ written to the artist Francie Lyshak, in which he recounts the excitement and vibrancy of the city in the early ‘80s and how hospitable the local gay community, and New Yorkers as a whole, were towards them. Lavinia Co-op also gives an account of the same period in an interview with Lyshak.[8] The New York Times critic Mel Gussow lavished praise on Lust in Space and the six Englishmen that performed it. "Bloolips are bizarrely funny. It's not what you do, but how you do it. They tap-dance with clattering precision, harmonize on old sounding tunes and never forget the parodistic nature of their endeavour, imitating everyone from dim-witted ingenues to flamboyant femmes fatales."[9] The Bloolips company toured the UK and Europe throughout the 1980s and 1990s. They enjoyed tremendous success in America, where on several occasions they starred off-Broadway in New York and won two OBIE Awards, including one for their New York production of Lust in Space, where it ran for nine months. A two-month season in San Francisco followed. "We continued touring Europe the USA and Canada until the last show in 1998."[citation needed]

One reviewer wrote: "If Busby Berkeley had concocted a musical about Ancient Rome and cast it with English music-hall comics who love to dress up like chorines, it might look like Get Hur."[10]

The original core members of Bloolips were Bette Bourne, Lavinia Co-op, Precious Pearl, Diva Dan, and Gretel Feather. During Bloolips’ existence, there were around 25 different members in the troupe. "We were the original Priscillas, Queens of the Desert, zooming up and down the country in a broken VW van," Lavinia Co-op remembers of his time touring with the troupe.[7]

A documentary movie of Bloolips was shot in New York City in 1993. The film titled Bloolips contains footage of the troupe performing Get Hur, as well as backstage footage and interviews with the cast.[11]

Bloolips shows

Bloolips performed 13 shows and disbanded in 1998. These included:

  • The Ugly Duckling (1978–79)
  • Cheek! (1978)
  • Vamp and Camp (1979)
  • Lust in Space (1980–82)
  • Yum Yum (1983)
  • Odds 'n Sods (1983–84)
  • Sticky Buns (1983–84)
  • Living Leg-ends (1985)
  • Slung Back and Strapless (1986–87)
  • Teenage Trash (1987–88)
  • Gland Hotel (1988–90)
  • Get Hur (1993)
  • The Island of Lost Shoes (1995)

In 1988, Bloolips toured Canada visiting Halifax, Nova Scotia and Ottawa in a Best of Bloolips production.

In 1990, Bourne and Precious Pearl (Paul Shaw) took a break from Bloolips and appeared with Lois Weaver and Peggy Shaw in Belle Reprieve,[12] in which Bourne and Shaw had a hand in writing. The play was produced by Split Britches and performed in London, New York City, San Francisco, Boston, and Seattle. In 1991, the company won a Village Voice OBIE Award for Ensemble Production.

Later career

In 1995, Bourne performed in New York City in a production of Ray Dobbins' one-man show East of Eadie.[13] That same year Bourne won a Manchester Evening News award for his performance as Lady Bracknell in the English Touring Theatre production of Oscar Wilde's The Importance of Being Earnest.[14]

In 1991, he appeared as the 250-year-old Zambinella in Neil Bartlett and Nick Bloomfield's production of Sarrasine at Dance Theater Workshop in New York. Stephen Holden called it a "bravura performance" and described Bourne as "a phantasmal apotheosis of a renegade erotic spirit, at once a ruined (though regal) grand dame and a sad clown".[15] He reprised that role at the Lyric Hammersmith in 1996.[16]

In 1998, Bourne and Paul Shaw visited America with a best of Bloolips production tilted Bloo Revue.[17]

In 1999, Bourne played his friend Quentin Crisp in Tim Fountain's play, Resident Alien, at London's Bush Theatre.[18] The production toured widely and played in New York City and Sydney.

At Edinburgh Festival Fringe in 2001, Bourne won a Herald Award for his portrayal of Crisp.[19] Fountain wrote two more plays for Bourne: H-O-T-B-O-I, which was produced at the Soho Theatre in 2004,[20] and Rock in 2008.[21]

Bourne was part of the Donmar Warehouse production of The Vortex in 2002, for which he won the Clarence Derwent Award.[22] In 2005, he appeared in Read My Hips at London's Drill Hall, playing the gay 20th-century Greek poet Constantine P. Cavafy.[23]

He worked with Bartlett again at the Lyric Hammersmith in 2003, performing in a production of Shakespeare's Pericles, Prince of Tyre co-starring Will Keen.[24]

In 2005 at the Royal National Theatre Bourne was in Improbable Theatre's stage adaptation of the film Theatre of Blood.[25] For the Royal Shakespeare Company, Bourne played Dogberry in Shakespeare's Much Ado About Nothing at London's Novello Theatre in 2007. That same year Bourne worked with the playwright Mark Ravenhill on a short play, Ripper, staged at the Union Theatre in London. Bourne played the role of Queen Victoria.[26]

In 2009, Bourne talked about his life in A Life in Three Acts at the Traverse Theatre, Edinburgh, a staged reading of transcripts of conversations with playwright Mark Ravenhill.[27][28]

In 2013, Bette and Paul Shaw gave a special retrospective performance titled A Right Pair, charting their journey through show business with monologues and turns from selected productions over the past 40 years.[29]

Acting credits

Theatre

Film

  • Caught Looking (1991) – Narrator
  • A Little Bit of Lippy (1992) – Venus Lamour
  • My Summer Vacation (1996) - English interviewee
  • Chéri (2009) - Baronne
  • Macbeth (2013) - as Porter
  • It Goes with the Shoes (2014) - as himself

Television

Legacy and tributes

  • In Pictures: Bloolips and the Empowering Joy of Dressing Up - Exhibition at Platform Southwark, London, celebrates the legacy of the radical drag theatre company.[31]
  • Bloolips and Radical Drag: Making an Exhibition of Ourselves, July 2019. Platform Southwark, London.[6]
  • In 2014 Bourne featured in a documentary film about his life and work, It Goes with the Shoes, written and directed by Mark Ravenhill.[32]

References

  1. ^ Megson, Chris (24 May 2012). Modern British Playwriting: The 1970s: Voices, Documents, New Interpretations. A&C Black. pp. 81–. ISBN 9781408129395. Retrieved 5 August 2012.
  2. ^ a b c d e Smith, Rupert (5 December 2005). "Straight theatre is all fake". The Guardian. Archived from the original on 27 April 2014.
  3. ^ a b Bette Bourne (interview), The Skin of our Teeth, Young Vic, February 26, 2004, Howard Loxton article
  4. ^ "Bette Bourne". Unfinished Histories. Retrieved 25 August 2024.
  5. ^ "Gay veterans from 1970s will lead 2020 Pride march". QX Magazine. 18 June 2020. Retrieved 19 June 2021.
  6. ^ a b c d Hudson, David (19 July 2019). "What is 'radical drag' and who were Bloolips?". Gay Star News. Archived from the original on 20 July 2019.
  7. ^ a b "Lavinia Co-op on how the Bloolips brought radical drag to the mainstream - and the Hackney Empire". Hackney Gazette (Interview). 14 March 2018. Retrieved 9 November 2022.
  8. ^ "Bar-02_Lavinia Coop | Francie Lyshak". francielyshak.com. Retrieved 9 November 2022.
  9. ^ Gussow, Mel (14 May 1981). "Is the Theater All a Juggling Act?". The New York Times. ISSN 0362-4331. Retrieved 9 November 2022.
  10. ^ Berson, Misha (15 January 1993). "Camping It Up with Bloolips". The Seattle Times.
  11. ^ Bloolips (documentary film) 1993, New York City: Bloolips
  12. ^ "Belle Reprieve". Split Britches. Retrieved 9 November 2022.
  13. ^ Gates, Anita (19 May 1997). "Madness, With Slides". The New York Times. ISSN 0362-4331. Retrieved 9 November 2022.
  14. ^ Loki, Reynard. "Bette Bourne Returns to the London Stage in Fountain's RESIDENT ALIENT". Broadway World. Retrieved 9 November 2022.
  15. ^ Holden, Stephen (9 September 1991). "'Sarrasine': Sexuality and Illusion". New York Times. Retrieved 25 August 2024.
  16. ^ a b Taylor, Paul (19 September 1996). "Theatre Sarrasine Lyric, Hammersmith". The Independent. Retrieved 9 November 2022.
  17. ^ Hughes, David-Edward (25 February 1998). "Seattle's on The Board Imports Bloo Revue from U.K." Playbill.
  18. ^ "Resident Alien, reviews, etc" (PDF). Tim Fountain.[dead link]
  19. ^ "Thumbs up for the Bourne supremacy". The Herald. 31 August 2009.
  20. ^ Hutera, Donald (22 November 2004). "H O T B O I/Us". The Times. ISSN 0140-0460.
  21. ^ Burston, Paul (26 May 2008). "Bette Bourne is between a Rock and hard place". The Times. ISSN 0140-0460. Retrieved 28 June 2021.
  22. ^ "The Vortex". Archived from the original on 20 July 2008. Retrieved 30 August 2009.[dead link]
  23. ^ Hutera, Donald (16 December 2005). "Theatre: Read my hips". The Times. Retrieved 9 November 2022.
  24. ^ Taylor, Paul (2 February 2014). "Pericles, National Theatre, Olivier, London". The Independent. London. Retrieved 24 February 2021.
  25. ^ "Theatre of Blood". Improbable. Archived from the original on 10 April 2008.
  26. ^ Ravenhill, Mark (14 October 2007). "Sometimes nothing's scarier than a bit of sponge and rubber tubing soaked in stage blood". The Guardian. London.
  27. ^ Ravenhill, Mark (23 August 2009). "The fabulous life of Bette Bourne". The Guardian. London.
  28. ^ Jacques, Adam (11 December 2011). "How We Met: Mark Ravenhill & Bette Bourne". The Independent. Retrieved 9 November 2022.
  29. ^ "Review: A Right Pair". Vada Magazine. 8 February 2013.
  30. ^ Taylor, Paul (31 May 1996). "Theatre: Funeral Games, Drill Hall, London". The Independent. Retrieved 25 August 2024.
  31. ^ Burns, Sean (15 July 2019). "In Pictures: Bloolips and the Empowering Joy of Dressing Up". Frieze. Retrieved 9 November 2022.
  32. ^ Felperin, Leslie (13 February 2014). "Bette Bourne: It Goes With the Shoes – review". The Guardian. Retrieved 25 August 2024.
Additional sources
  1. ^ "Bette Bourne". Unfinished Histories.
  2. ^ "Bloolips". Unfinished Histories.
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