Melodrama World Tour
Tour by Lorde | |
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Associated album | Melodrama |
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Start date | 26 September 2017 |
End date | 17 November 2018 |
Legs | 4 |
No. of shows |
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Lorde concert chronology |
The Melodrama World Tour was the second concert tour by New Zealand singer-songwriter Lorde, undertaken in support of her second studio album, Melodrama (2017). Lorde headlined several music festivals before commencing the tour, and went on to communicate frequently with stage designer Es Devlin to plan the show's design. European shows began in September 2017, followed by dates in Oceania and a solo trek through North America. Dates in other European cities soon followed along with various festival performances.
The show consisted of three segments and two costume changes. The first featured Lorde in a dark outfit, while during the second segment she wore a lighter costume. The set list consisted of songs from her debut and second studio albums. She also performed one of several cover versions of songs at each show and premiered an unreleased song titled "Precious Metals". An alternate set list with several video interludes was performed during the first European leg of her tour. The show received critical acclaim, with critics complimenting her stage design and her presence.
Background and development
[edit]Lorde announced dates for the Europe and Oceania legs of her tour via Twitter on 8 June 2017.[1] Her tweet was accompanied by the release of a new song titled "Sober" (2017) and the announcement of the opening act for her tour, Khalid.[2] The following week, a North American leg was announced.[3] Lorde revealed her opening acts would be Mitski, Tove Styrke, and Run the Jewels on 4 October 2017.[4] Shortly after the 60th Annual Grammy Awards, Lorde tweeted, "If you're debating whether or not I can murder a stage ... come see it for [yourself]" after it was reported that she was the only Album of the Year nominee not to be offered a solo performance at the ceremony.[5]
Prior to starting her tour, Lorde made several festival appearances as a headliner to promote her album Melodrama.[6] She appeared at Glastonbury in the United Kingdom, where her set was widely praised by critics.[7][8] A month later, she performed at Osheaga in Montreal, with Tove Lo serving as a special guest, performing a duet of "Homemade Dynamite" with Lorde.[9] She also headlined Lollapalooza in Chicago;[10] however, her set was cut short due to inclement weather.[11] Lorde made other appearances including at Roskilde in Denmark,[12] Fuji Rock in Japan,[13] Bumbershoot in Seattle, and Life is Beautiful in Nevada.[14][15]
Equipment
[edit]![](http://upload.wikimedia.org/wikipedia/en/thumb/6/68/Melodrama_World_Tour_-_Sober_II_%28Melodrama%29.jpg/220px-Melodrama_World_Tour_-_Sober_II_%28Melodrama%29.jpg)
After performing "Green Light" and "Liability" on the 11 March 2017 episode of Saturday Night Live, Lorde met with stage designer Es Devlin to outline a set design for her tour. The pair communicated frequently during the recording sessions for Melodrama.[17] For her Coachella set they collaborated with Tait Towers, a live event engineering firm, to create a 20 ft (6 m)-long "see-through container";[16] after a successful show, she opted to employ the container for her tour.
Several modifications were made to the container to suit the size of each dancer who would occupy the vessel. Four hoists, four hatch doors and a rope ladder were added although its size was not altered. The container could support seven performers and tilt at a 10 degree angle when occupied; unoccupied, it could tilt at a 30 degree angle.[16] Richard Young, the tour's production director, said the purpose of the container was to mirror the album's storyline, saying:
We reveal the tank a third of the way in; it goes up and down and dancers get into it. At the end, the dancers ride the tank into the grid, and the party floats away. [Lorde] walks away, leaving the party going on behind her.[18]
Shannon Nickerson, Tait Towers' project manager, considered two factors for the container's design: its ability to be disassembled and shipped with "minimal square footage" and to provide movement around the stage. The container measured 21 ft (6 m) wide, 7 ft (2 m) deep, and 8 ft (2 m) high with a maximum trim height of 48 ft (15 m).[18] It was sealed underneath a slip stage, allowing the container to ascend from downstage when the slip opens. Lorde collaborated with lighting designer Martin Phillips on stage lighting. They created an outline of the container with 16 Martin by Harman VDO Sceptrons.[18] The interior featured eight Solaris Flare Q+ units while its exterior was illuminated with four Robe Robin BMFL Blades. Philips and Lorde also worked on the tour's color palette. Due to her synesthesia, she provided him with "broad color palettes" for each song to mirror her feelings associated with them.[18]
Sound technology
[edit]In 2017, Lorde's production team collaborated with Firehouse Productions and L-Acoustics on a technical partnership. According to Scott Sugden, head of applications for L-Acoustics, Lorde utilized the "frontal" system, where the public address system is located on the stage forefront.[19] Her set also used "five arrays directly above the stage", four extension arrays, nine speakers as well as 16 KS-28 subwoofers.[19] Upstaging, Inc. distributed lighting and video supplies and operated as a rigging vendor for the tour. Chris Russo, director of touring for Firehouse, commented that rigging the stage was a challenge, saying:
The Lorde tour was more of everything. Usually, you hang a left/right P.A. plus the sides, you get your angles and lasers sighted-in on four hangs, and you're done. With 360, you add two more. With this show, those guys are sighting-in 11 hangs, and that's not even including the (flown) subs — and that's at least two-and-a-half times as many motors as in a typical rock show.[19]
Philip Harvey, a mixing engineer, utilized the Solid State Logic L500 Plus keypad that detects each instrument and displays it as small circle on the "L-ISA Controller screen" with a map locating each speaker. Harvey operated at a range of 102-107db. The L-ISA Processor stabilized sound variances; Sugden compared its sound to watching a jazz performer in a cabaret show.[19] For Lorde's vocal layering and texture, Harvey used two reverberation systems, a MultiRack: the Waves Abbey Road Reverb Plates and IR-Live Convolution Reverb, with the latter using the "Sydney Opera House impulse response" to create a deeper and augmented effect.[20]
Concert synopsis
[edit]![](http://upload.wikimedia.org/wikipedia/en/thumb/1/19/Melodrama_World_Tour_-_The_Louvre.jpg/220px-Melodrama_World_Tour_-_The_Louvre.jpg)
The show was divided into three segments and an encore. The main show began with a dark stage for "Sober". Six dancers were onstage in different poses as lights faded in and out; they moved downstage as Lorde began to sing. She was concealed from the audience until the second verse when a pair of lights revealed her. After concluding "Homemade Dynamite", she greeted the crowd with, "Hello and welcome to the Melodrama World Tour!".[22] During "Tennis Court", one dancer stood on top of a transparent container box, facing the audience with a spotlight shining on her. The next song, "Magnets", was performed with three dancers behind Lorde; three spotlights illuminated the stage in pink and purple colours. A video played in the background showing four women in a car sharing a flask and smoking a joint as they apply their makeup. The song ended with Lorde performing a synchronized dance routine with her dancers.
Two female dancers mimed each other's actions during "Buzzcut Season". Lorde opened the left door of the container and walked inside as the lights shifted from yellow to pink and left momentarily. She introduced "400 Lux" saying, "This is for the kids from the suburbs."[21] A video played in the background showing a woman resting her head near a car window as it drives through city streets at night. During "Ribs", all six dancers returned to perform while a blue and green video played. Lorde stepped inside the container as an interlude played towards the end of the song. A dim blue spotlight shone on her and then faded as she changed into a bright-coloured outfit. During "The Louvre", two dancers performed an interpretative dance to the song. A video played showing monarch butterflies pollinating flowers, a woman graciously falling into a pool and two lovers kissing. During the song's outro, all six dancers lifted Lorde horizontally as she concluded the song. Each dancer mimed one another's movements during "Hard Feelings". One dancer remained inside the container as it ascended.
![](http://upload.wikimedia.org/wikipedia/en/thumb/d/d2/Melodrama_World_Tour_-_Loveless-Precious_Metals.jpeg/220px-Melodrama_World_Tour_-_Loveless-Precious_Metals.jpeg)
The dancer from the previous song remained in the container during "Yellow Flicker Beat". A video of Lorde spray-painting a car in an abandoned parking lot played in the background; the container tilted sideways several times during the performance. After completing the song, she spoke to the crowd about the previous year of her life; her dancers placed fluorescent light tubes around the stage before she sang "Writer in the Dark". She sang a cover of Frank Ocean's 2016 song "Solo" in an identical setting. Lorde introduced "Liability" saying, "This is another song about being alone".[23] During "Sober II (Melodrama)", the container ascended and tilted sideways to show all the dancers reenacting a fight in slow motion lit with red and violet hues. As the outro played, Lorde left the stage to change her outfit. Quotes from American journalist Joan Didion's 1968 essay collection book Slouching Towards Bethlehem were shown on a screen during an interlude.[24]
Lorde was shown in silhouette form inside the container with a male dancer as the song "Supercut" played. The container was illuminated in purple and pink hues. She laid down in the opposite direction of the dancer during the outro. During "Royals", the box pulsated white flashing lights. Lorde performed "Perfect Places" by herself as a video of a burning house played in the background. During "Green Light", two green and blue spotlights shone on her during the start of the performance while green lights strobed before the chorus. Rope ladders descended from the container for each dancer to use. The song slowed before the final chorus began as Lorde told the crowd, "I need you to dance. I need you to sing. I need you to give me everything. Can you do that?".[22] Star-shaped confetti shot out into the audience. For the encore, Lorde used a drum pad (MPD24 MIDI controller) for "Loveless";[25] she also performed an unreleased song titled "Precious Metals".[26] During the last song "Team", Lorde stepped outside the stage to sing an extended verse of the song while greeting fans. She concluded her performance by taking a bow and leaving the stage.
Reception
[edit]Critical response
[edit]The Melodrama World Tour received critical acclaim. Jon Caramanica of The New York Times praised her stage presence, saying: "She smiles and sighs as easily as she loses herself in reverie when the song demands it". Caramanica also noted how the "most striking moments were the most bare".[27] Echoing similar thoughts, Jim Harrington of The Mercury News lauded Lorde for her personality, saying she "dominated our attention and fascination during each and every moment of the concert".[28] Los Angeles Times' writer Mikael Wood complimented Lorde for being able to create a "sense of intimacy" in such an "expansive space".[29] The Independent's Daniel Wright gave the London show a four out of five star rating, complimenting her self-aware attitude but felt her cover of Phil Collins' 1981 song "In the Air Tonight" was "out of place".[30]
Greg Kot of the Chicago Tribune called her show "stark, personal, a little weird — and more engaging and relatable because of it".[31] Uproxx writer Philip Cosores praised Lorde's versatility as a performer on stage and called her music and spirit "vital",[32] while Preston Jones of the Dallas Observer praised her for delivering a "polished, confident and emotionally charged set".[33] Exclaim! writer Anna Elger awarded the Vancouver show an eight out of ten, calling it an "ambitious and confidently executed production that showed the New Zealand pop star embracing performing on the biggest stages of her career thus far".[34] Ed Masley of The Arizona Republic described the Glendale show as an "artful blend of modern dance, performance art and classical ballet".[35] The Seattle Times writer Michael Rietmulder said that while the start of the show was "lukewarm", it progressed as the set continued.[36] Stereogum's Chris DeVille was critical of her "basic arena banter" but said that "she's her own kind of pop star, one with a different skill set and point of view than we’ve come to expect from people with this job".[37]
Accolades[edit]
Awards[edit]
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Commercial performance
[edit]Several sources reported below-average tour sales.[47] The Guardian reported that an estimated 6,000 concertgoers attended the Milwaukee tour date. Ticketmaster offered a discount code, reducing the price of premium seats from $99 (NZ$137) to $39 (NZ$53).[48] However, it was reported that New Zealand tour dates sold out in minutes, with half of those tickets sold during pre-sales.[49] Anschutz Entertainment Group, a promoter for the tour, also offered free upgrades to lower seats and closed off venue's upper tiers.[50] Pollstar placed Lorde at number 21 on their Global Concert Pulse list with an average gross of $477,931 and 7,191 average ticket sales based on data taken from 11 cities.[51] The average ticket price was $66.45.[52] At the end of 2018, Lorde ranked number 122 on the site's Top 200 North American Tours with an average gross of $509,357, 7,803 in average ticket sales and an average ticket price of $65.28.[53] It was reported that tour dates in the United Kingdom,[54] Australia (Perth and Sydney)[55][56] as well as US locations in Washington, D.C.,[57] and Brooklyn were sold out.[21]
Opening acts
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Set list
[edit]This set list is from the show on March 1, 2018, in Milwaukee.[64] It does not represent all concerts for the duration of the tour. Lorde changed the covers as the tour progressed.
- "Sober"
- "Homemade Dynamite"
- "Tennis Court"
- "Magnets"
- "Buzzcut Season”
- "400 Lux"
- "Ribs"
- "The Louvre"
- "Hard Feelings"
- "Yellow Flicker Beat"
- "Writer in the Dark"
- "Solo" (Frank Ocean cover)
- "Liability"
- "Sober II (Melodrama)"
- "Supercut"
- "Royals"
- "Perfect Places"
- "Green Light"
- Encore
Notes
[edit]- Lorde performed a cover of The 1975's "Somebody Else" during the European leg.[65]
- During the Australian leg and select shows in the United States, Lorde performed a cover of Powderfinger's "My Happiness".[66]
- Lorde performed a cover of Bruce Springsteen's "I'm on Fire" on the Australian leg and select United States dates.[66]
- During the show in Sydney, Lorde sang a chorus from Whitney Houston's "I Wanna Dance with Somebody (Who Loves Me)" and a cover of "Throw Your Arms Around Me" by Hunters & Collectors.[67]
- Lorde performed a cover of "In the Air Tonight" by Phil Collins at the Manchester show.[68]
- During the show in Chicago, Lorde performed a cover of Kanye West's "Love Lockdown" and interpolated the chorus from "Runaway" during "Liability".[69]
- Lorde performed a cover of Drake's song "Shot for Me" at the Toronto show.[70]
- During the show in Minneapolis, Lorde performed a cover of Prince's "I Would Die 4 U".[71]
Special guests
[edit]- March 23, 2018 – Saint Paul: "Hang with Me" (Robyn cover) with Tove Styrke[72]
- April 4, 2018 – Brooklyn: "New York" (St. Vincent cover) with Jack Antonoff[73]
Controversies
[edit]Israel controversy
[edit]In December 2017, Lorde cancelled her scheduled June concert in Israel following an online campaign by Palestinian solidarity activists supporting the Boycott, Divestment and Sanctions campaign.[74] The online campaign included an open letter published on The Spinoff New Zealand online magazine by a Jewish New Zealander activist and a Palestinian New Zealander activist. It urged Lorde to cancel her Israel tour, saying that the "Israeli government's policies of oppression, ethnic cleansing, human rights violations, occupation and apartheid".[75] Lorde issued a statement on Twitter thanking her fans for educating her about the Israeli–Palestinian conflict[76] saying, "I'm not too proud to admit I didn't make the right call [by booking this tour]".[77]
Boycott activists and supporters including the Palestinian Campaign for the Academic and Cultural Boycott of Israel welcomed Lorde's cancellation of her Israeli tour.[78] In contrast, pro-Israel groups and supporters including the actress Roseanne Barr criticised Lorde's action.[79] Israeli Culture and Sports Minister Miri Regev and the Israeli Ambassador to New Zealand Itzhak Gerbeg also issued statements urging Lorde to reconsider her cancellation; Gerbeg invited Lorde to meet with him.[80]
American Orthodox Rabbi and author Shmuley Boteach's organization "The World Values Network" placed a full-page advertisement in the Washington Post, with the headline "Lorde and New Zealand ignore Syria to attack Israel", and called her a "bigot", saying that there was what they called a double standard in that she would at the same time be touring Russia, despite Putin's support for the Syrian regime and its killings in Syria.[81] The criticism was one of several angry denunciations from well-known Israelis and Jewish leaders of her cancellation, and the Zionist Federation of New Zealand and the Jewish Council of New Zealand were also critical of her, though the ad itself was met with a distancing by the Jewish Council.[82][83][84][85] In response to Boteach's poster, one hundred actors, writers, directors, and musicians including Roger Waters, John Cusack, Angela Davis, Mark Ruffalo, and Viggo Mortensen published a joint letter in The Guardian defending Lorde's stand.[86] On 31 January 2018, three Israeli teenagers sued the activists who wrote the open letter for "emotional damage" resulting from the concert's cancellation.[87] An Israeli court ruled the two activists had to pay $18,000 in damages, however the judgement was not automatically enforceable under New Zealand law. The activists responded to the ruling by saying they had no intention to pay the fine, instead opening a crowdfunding campaign to support the Gaza Mental Health Foundation.[88]
Lorde was scheduled to perform in Miami and Tampa Bay in April 2018.[4] Based on anti-Boycott, Divestment and Sanctions legislation in Florida which bars companies that receive state funds from doing business over $1 million with organizations associated with the campaign, Member of the Florida House of Representatives Randy Fine called for the cancellation of Lorde's April 2018 concerts in Florida saying that Lorde's cancellation in Israel made her subject to the law and as such she shouldn't be able to perform.[89] Lorde performed as scheduled.[90]
Stage design controversy
[edit]On 12 November 2018, Lorde uploaded several Instagram Stories comparing the stage design used on her tour to Kanye West and Kid Cudi's Kids See Ghosts show at the Camp Flog Gnaw festival. On the last upload, she wrote: "I'm proud of the work I do and it's flattering when other artists are inspired by it, to the extent that they choose to try it on for themselves. But don't steal — not from women or anyone else — not in 2018 or ever".[91] John McGuire, owner of Trask House, the company that designed West's stage, sent an email to The New York Times stating that Lorde was not the first artist to implement the idea, saying, "Cubes and floating aren't new to Kanye West, stage design or architecture. A quick google of floating glass box brings up many instances of suspended glass cubes".[91] Devlin, Lorde's stage designer said that the container's design was "not in any way new and the geometry precedes all of us". She later posted an image of a similar design she made for the English National Opera’s rendition of Carmen in 2007.[92]
Shows
[edit]Cancelled shows
[edit]Date | City | Country | Venue | Reason |
---|---|---|---|---|
5 June 2018 | Tel Aviv | Israel | Tel Aviv Convention Center | Standing with Palestinian cause[111] |
Revenue
[edit]Venue | City | Tickets sold / available | Gross revenue |
---|---|---|---|
O2 Apollo Manchester | Manchester | 3,500 / 3,500 (100%) | $152,741[112] |
Alexandra Palace | London | 10,250 / 10,250 (100%) | $446,522[112] |
Brighton Centre | Brighton | 4,450 / 4,450 (100%) | $196,768[113] |
O2 Academy Birmingham | Birmingham | 3,009 / 3,009 (100%) | $133,051[113] |
Zénith Paris | Paris | 6,293 / 6,293 (100%) | $375,527[113] |
Lotto Arena | Antwerp | 8,032 / 8,050 (99%) | $402,990[113] |
Tempodrom | Berlin | 3,549 / 3,549 (100%) | $136,711[114] |
O2 Academy Glasgow | Glasgow | 2,550 / 2,550 (100%) | $107,850[114] |
Sydney Opera House Forecourt | Sydney | 11,624 / 11,624 (100%) | $938,726[115] |
Riverstage | Brisbane | 8,871 / 9,500 (93%) | $513,608[115] |
Bridgestone Arena | Nashville | 9,540 / 9,960 (96%) | $534,253[52] |
KeyArena | Seattle | 7,898 / 12,623 (63%) | $538,607[52] |
Oracle Arena | Oakland | 7,478 / 12,211 (61%) | $501,037[116] |
Barclays Center | Brooklyn | 13,270 / 13,270 (100%) | $1,000,000[q] |
The Anthem | Washington, D.C. | 6,000 / 6,000 (100%) | $624,700[52] |
Total | 106,314 / 116,839 (91%) | $6,603,091 |
References
[edit]Notes
[edit]- ^ The Chaifenz Arena tour date was listed as an honorable mention.
- ^ The concert of 18 October 2017 at the Høyskoledalen in Trondheim was part of the UKA.[94]
- ^ The concert of 21 October 2017 at the Hollywood Bowl in Hollywood was part of the We Can Survive Festival.[95]
- ^ The concert of 25 November 2017 at the Commonwealth Park in Canberra was part of the Spilt Milk Festival.[97]
- ^ The concert of 26 May 2018 in London was part of the All Points East Festival.[99]
- ^ The concert of 2 June 2018 in Barcelona was part of Primavera Sound.[101]
- ^ The concert of 7 May 2018 in Porto was part of NOS Primavera Sound.[102]
- ^ The concert of 9 June 2018 in Manchester was part of Parklife.[103]
- ^ The concert of 13 July 2018 in Quebec City was part of the Quebec City Summer Festival.
- ^ The concert of 20 July 2018 in Byron Bay was part of Splendour in the Grass.[104]
- ^ The concert of 21 July 2018 at the JIExpo Kemayoran in Jakarta was part of the We the Fest.[105]
- ^ The concert of 22 July 2018 in Kuala Lumpur was part of Good Vibes Festival.[106]
- ^ The concert of 10 November 2018 in Santiago was part of Festival Fauna Primavera.[107]
- ^ The concert of 11 November 2018 in Buenos Aires was part of Personal Fest.[108]
- ^ The concert of 15 November 2018 at the Latin America Memorial in São Paulo was part of the Popload Festival.[109]
- ^ The concert of 17 November 2018 in Mexico City was part of Corona Capital.[110]
- ^ Pollstar reported gross sales of over $1,000,000 for the Barclays Center show.[117]
Citations
[edit]- ^ Barr, Natalia (8 June 2017). "Lorde Announces Melodrama World Tour, New Song Due Out At Midnight". Paste. Retrieved 26 December 2018.
- ^ a b Yoo, Noah (8 June 2017). "Lorde Announces Tour". Pitchfork. Retrieved 26 December 2018.
- ^ Yoo, Noah; Monroe, Jazz (16 June 2017). "Lorde Announces North American Tour". Pitchfork. Retrieved 26 December 2018.
- ^ a b c d e Stubblebine, Allison (4 October 2017). "Lorde Reveals Run the Jewels, Mitski & Tove Styrke as Support for Melodrama Tour in North America". Billboard. Retrieved 26 December 2018.
- ^ Jasmine Montgomery, Sarah (29 January 2018). "Sorry, Grammys: Lorde Tells Fans to Watch Her 'Murder' a Stage on Tour". Complex. Retrieved 26 December 2018.
- ^ Kelley, Seth (25 April 2017). "Lorde, Flume, Odesza to Headline Bumbershoot Music Festival". Variety. Retrieved 29 December 2018.
- ^ Richards, Will (24 June 2017). "Lorde shines in sunset Glastonbury 2017 slot". DIY. Retrieved 29 December 2018.
- ^ Vincent, Alice (23 June 2017). "Lorde makes a bold and brilliant Glastonbury debut - review". The Daily Telegraph. Retrieved 29 December 2018.
- ^ Bowman, Lisa (8 August 2017). "Watch Lorde invite Tove Lo on stage for a duet of 'Homemade Dynamite'". NME. Retrieved 29 December 2018.
- ^ Cook-Wilson, Winston (22 March 2017). "Lollapalooza 2017 Lineup: Lorde, Chance the Rapper, Arcade Fire, Blink-182, and More". Spin. Retrieved 29 December 2018.
- ^ Reed, Ryan (4 August 2017). "Lorde 'Gutted' After Lollapalooza Cancels Headliner Sets". Rolling Stone. Retrieved 29 December 2018.
- ^ Zatat, Narjas (4 July 2017). "Roskilde Festival: Solange, Nas, Lorde and Young M.A sets pulses racing". The Independent. Archived from the original on 12 May 2022. Retrieved 29 December 2018.
- ^ Steen, Katie (1 August 2017). "Fuji Rock 2017 Festival Review: Top 10 Sets". Consequence of Sound. Retrieved 29 December 2018.
- ^ Richmond, Easton (5 September 2017). "The Sights and Scenes From Bumbershoot". Seattle Magazine. Retrieved 29 December 2018.
- ^ Havens, Lyndsey (23 September 2017). "Lorde Brings the Melodrama, Chance Takes Sin City to Church and More At Life Is Beautiful Day One". Billboard. Retrieved 29 December 2018.
- ^ a b c "When Lorde Collaborates With TAIT, She Can't Be Contained". Tait Towers. 2018. Retrieved 26 December 2018.
- ^ Weiner, Jonah (12 April 2017). "The Return of Lorde". The New York Times. Retrieved 26 December 2018.
- ^ a b c d Stancavage, Sharon (May 2018). "Melodrama, Without Drama" (PDF). Lighting and Sound America. Retrieved 26 December 2018.
- ^ a b c d Petersen, George (12 April 2018). "Lorde's 'Melodrama' World Tour". Front of House Magazine. Retrieved 26 December 2018.
- ^ AMI Staff (19 July 2018). "Waves plugins add 'new dimension' to Lorde's live sound on Melodrama tour". Audio Media International. Retrieved 26 December 2018.
- ^ a b c Duboff, Josh (5 April 2018). "Lorde Keeps It "Dinner Table Loud" at Intimate Barclays Center Show". Vanity Fair. Retrieved 27 December 2018.
- ^ a b Harrington, Jim (14 March 2018). "Review: Lorde is better than ever during Oakland concert". East Bay Times. Retrieved 27 December 2018.
- ^ Almeida, Celia (13 April 2018). "See more photos from Lorde's show here.Photo by George Martinez Review: Lorde Brought Minimalist Melodrama to the AAA Last Night". Miami New Times. Retrieved 27 December 2018.
- ^ Graves, Shahlin (2 May 2018). "We don't know what Lorde is up to..." Coup de Main. Retrieved 19 April 2019.
- ^ Rasilla, Azucena (14 March 2018). "Review: At the Oracle Arena Last Night, Lorde Gave Fans What They've Been Waiting For". East Bay Express. Retrieved 29 December 2018.
- ^ Davies, Sararosa (10 March 2018). "Review: Lorde makes Portland's Moda Center as intimate as her dinner table". The Daily Emerald. Retrieved 27 December 2018.
- ^ Caramanica, Jon (5 April 2018). "Review: In a Big Room, Lorde Protects the Small Moments". The New York Times. Retrieved 27 December 2018.
- ^ Harrington, Jim (14 March 2018). "Review: Lorde is better than ever during Oakland concert". The Mercury News. Retrieved 27 December 2018.
- ^ Wood, Mikael (15 March 2018). "Lorde brings 'Melodrama' — and perhaps some vindication — to a packed Staples Center". Los Angeles Times. Retrieved 27 December 2018.
- ^ Wright, Daniel (28 September 2017). "Lorde at Alexandra Palace, London, review: Artist performs her clever, danceable pop at a perfect live show". The Independent. Archived from the original on 12 May 2022. Retrieved 27 December 2018.
- ^ Kot, Greg (28 March 2018). "Lorde injects pop songs with anxiety at Allstate Arena". The Chicago Tribune. Retrieved 27 December 2018.
- ^ Cosores, Philip (16 March 2018). "Lorde's 'Melodrama' Tour Is Vital And Inspiring". Uproxx. Retrieved 27 December 2018.
- ^ Jones, Preston (19 March 2018). "Lorde Restarts Her Show After "Weird Shit With The Lights," Delivers Emotionally Charged Set". Dallas Observer. Retrieved 27 December 2018.
- ^ Elger, Anna (9 March 2018). "Lorde / Run the Jewels Rogers Arena, Vancouver BC, March 8". Exclaim!. Retrieved 27 December 2018.
- ^ Masley, Ed (17 March 2018). "Lorde may be in a sophomore slump with 'Melodrama' but the tour suggest a prosperous career". The Arizona Republic. Retrieved 27 December 2018.
- ^ Rietmulder, Michael (10 March 2018). "Lorde's pop-music coup hits Seattle's KeyArena with exuberant 'Melodrama' tour stop". The Seattle Times. Retrieved 27 December 2018.
- ^ DeVille, Chris (3 April 2018). "A Different Kind Of Buzz: Beholding Lorde's Unconventional Pop Stardom On The Melodrama Tour". Stereogum. Retrieved 27 December 2018.
- ^ Mazurek, Brooke (14 December 2018). "The Best Live Shows Of 2018". Billboard. Retrieved 12 January 2019.
- ^ Kot, Greg (21 December 2018). "Top 10 concerts of 2018: Janelle Monae, Margo Price, Paul Simon". The Chicago Tribune. Retrieved 12 January 2019.
- ^ Downing, Andy; Thompson, Erica; Oliphint, Joel (19 December 2018). "Year in Review: Best concerts of 2018". Columbus Alive. Retrieved 12 January 2019.
- ^ Harrington, Jim (12 December 2018). "Taylor Swift? Beyonce? U2? Lorde? What was best concert of 2018?". The Mercury News. Retrieved 12 January 2019.
- ^ "The 10 best Milwaukee concerts of 2018 — and the worst show of the year". Milwaukee Journal Sentinel. Retrieved 12 January 2019.
- ^ C. Johnson, Kevin (28 December 2018). "Best of 2018 concerts include Foo Fighters, Thom Yorke, Drake, Anita Baker and of course U2". St. Louis Post-Dispatch. Retrieved 12 January 2019.
- ^ Cridlin, Jay (28 December 2018). "Tampa Bay's best concerts of 2018: David Byrne, Janelle Monae, Lorde and more". Tampa Bay Times. Retrieved 12 January 2019.
- ^ Daly, Rhian (14 February 2018). "Here's all the winners from the VO5 NME Awards 2018". NME. Retrieved 14 February 2018.
- ^ "All the Winners from the 2017 Q Awards". Q Magazine. 19 October 2017. Archived from the original on 21 October 2017. Retrieved 21 October 2017.
- ^ Kheraj, Alim (31 August 2018). "Cancellations, freebies and flops: have pop concerts reached their peak?". i-D. Vice. Retrieved 27 December 2018.
- ^ Snapes, Laura (19 March 2018). "Lorde's US tour has flopped – but it might be the making of her". The Guardian. Retrieved 27 December 2018.
- ^ McConnell, Glenn (19 June 2017). "Lorde tickets sell out in minutes". stuff.co.nz. Retrieved 27 December 2018.
- ^ "Seats covered in thick black tarp during early part of Lorde's 'flop' US tour". stuff.co.nz. 21 March 2018. Retrieved 27 December 2018.
- ^ Associated Press (10 May 2018). "Top 20 Global Concert Tours from Pollstar". The Washington Post. Retrieved 27 December 2018.
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- ^ Myers, Owen. "Nine years into her pop career, Tove Styrke is more confident than ever". The Fader. Retrieved 28 December 2018.
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- 2017 concert tours
- 2018 concert tours
- Boycott, Divestment and Sanctions
- Concert tours of Argentina
- Concert tours of Australia
- Concert tours of Belgium
- Concert tours of Brazil
- Concert tours of Canada
- Concert tours of Chile
- Concert tours of France
- Concert tours of Germany
- Concert tours of Indonesia
- Concert tours of Italy
- Concert tours of Malaysia
- Concert tours of Mexico
- Concert tours of the Netherlands
- Concert tours of New Zealand
- Concert tours of Norway
- Concert tours of Portugal
- Concert tours of Russia
- Concert tours of Spain
- Concert tours of Sweden
- Concert tours of the United Kingdom
- Concert tours of the United States
- Lorde concert tours
- Music controversies