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A Chairy Tale

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A Chairy Tale
Directed byClaude Jutra
Norman McLaren
Animation:
Evelyn Lambart
Produced byNorman McLaren
StarringClaude Jutra
Music byRavi Shankar
Chatur Lal
Maurice Blackburn
Distributed byNational Film Board of Canada (NFB)
Release date
  • 1957 (1957)
Running time
10 minutes
CountryCanada

A Chairy Tale (French: Il était une chaise) is a 1957 Canadian stop-motion pixilation short film co-directed by Norman McLaren and Claude Jutra, starring Jutra with an uncooperative chair. The film humorously portrays Jutra's attempts to sit on the chair with the music set of Ravi Shankar and Chatur Lal.[1]

Synopsis

The film begins with a seemingly normal chair onscreen. Jutra enters, carrying a book, and attempts to sit on the chair so he can read his book. The chair unexpectedly moves out from under him. The man's persistent become increasingly frenetic and violent to himself. Finally, the man realises that perhaps the chair will let him sit on it if he allows the chair to sit on him first. This gambit succeeds, resulting the man sits on the chair at the end.[2][3]

Filming

The film took place on one indoor scene such as an empty stage and dark curtains in the background. The animated chair method involved using the traditional string-puppet technique with the exception of attaching the string horizontally off-screen on the right side and on the left side with the help of two animators.[4] The strings were invisible to the camera because they were fine black nylon fishing string.[4]

The film had variables speed of frames per second (fps) whether it was 16, 12, 8, 4 or 1 fps. In order to control the chair movement and the man action at a normal speed, the camera should capture the chair at half speed, 12 frames per second, and the man at 1/2 speed.[4] However, if the chair action was difficult to control, the camera would have to capture it at 6 fps which end up the chair moving at 1/4 speed. If the camera had to capture the chair movement at a high speed and the man at a normal speed, it would have to record the chair at 8 fps and the man at 1/3 speed. In order to maintain a balance between the camera and the man or the chair action, the result was to slow them down at the same amount of speed.[4]

Music

The background music of the film was accompanied with Indian music by Ravi Shankar, the sitar player, and Chatur Lau, the tabla player. The two musicians were invited to view the film after they had arrived in Montreal for a television recital.[4] They were intrigued, and decided to compose music for the film.[4] Since the film was already edited, McLaren split the film into two about ten loops and recorded the music into each of these loops.[4] He added 20 seconds of silence in the loop for synchronizing the music and the performance.[4]

Analysis

One interpretation of the film is that cooperation is a better option to resolve disputes rather than force. If one side of the party is willing to use violence and aggression in order to achieve their path, the result will end poorly.[5] The lesson is to listen and to see the other party's point of view in order to solve the situation.[5]

Another interpretation of the film is that it is a coded queer narrative regarding the tension between 'topping' and 'bottoming,' where the chair refuses to bottom for the top (the man) until it has an opportunity to top. Once this is realised, and assented to, the chair willingly returns to its expectations. The romantic body language shared between the chair and the man support this view.[6]

Accolades

Year Award Category Recipient(s) and Nominee(s) Result
1958 Academy Awards[7] Live Action Film Norman McLaren Nominated
1958 British Academy of Film and Television Arts

(BAFTA)[8]

Special Award: Work Lying Outside The Feature and Documentary Fields A Chairy tale Won
1957 National Film Board Of Canada

(NFB)[9]

Non-Theatrical Arts and Experimental Norman McLaren and Claude Jutra Won

Title

The title is a pun on the term "fairy tale" (using a portmanteau of "chair" and "fairy"), which is further emphasized by the use of the cliché fairy tale opening phrase "Once upon a time..." at the start of the film. It may also play on the word chary, a British adjective seldom encountered in American English. The Oxford English Dictionary (OED) defines the word as "cautiously or suspiciously reluctant to do something."[10]

References

  1. ^ Weldon, Carolyne (2 August 2012). "Hot Shots: Norman McLaren, Claude Jutra and Ravi Shankar on Set in 1957" (Includes production photos). NFB blog. National Film Board of Canada. Retrieved 2 August 2012.
  2. ^ Fulford, Robert. "Our very own genius". National Post. Archived from the original on 29 January 2013. Retrieved 17 March 2011.
  3. ^ "Current Non-Fiction And Short Films". Monthly Film Bulletin. 25: 132. 1 January 1958 – via ProQuest.
  4. ^ a b c d e f g h "Technical Notes on A Chairy Tale" (PDF). 2007-04-02. Archived from the original (PDF) on 2007-04-02. Retrieved 2018-04-01.
  5. ^ a b "A Chairy Tale: fable about importance of communication, respect and equality – Under Southern Eyes". undersoutherneyes.edpinsent.com. Retrieved 2018-04-01.
  6. ^ Marti, Emilio. "McLaren's Closet: expressing and hiding homosexual desire in Norman McLaren's filmography through the reinvention of the body and space". Academia.edu. Retrieved 19 August 2019.
  7. ^ "The 30th Academy Awards | 1958". Oscars.org | Academy of Motion Picture Arts and Sciences. Retrieved 2018-03-31.
  8. ^ "BAFTA Awards". awards.bafta.org. Retrieved 2018-03-31.
  9. ^ Creative Canada: A Biographical Dictionary of Twentieth-century Creative and Performing Artists. University of Toronto Press. 1971-12-15. ISBN 9781442637832.
  10. ^ "chary | Definition of chary in English by Oxford Dictionaries". Oxford Dictionaries | English. Archived from the original on April 2, 2018. Retrieved 2018-04-01.
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