Impressionism (literature): Difference between revisions
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Influenced by the European [[Impressionism|Impressionist]] art movement, many writers adopted a style that relied on associations. The [[Netherlands|Dutch]] [[Tachtigers]] explicitly tried to incorporate impressionism into their prose, poems, and other literary works. Much of what has been called "impressionist" literature is subsumed into several other categories, especially [[Symbolism (arts)|Symbolism]], its chief exponents being [[Charles Baudelaire|Baudelaire]], [[Stéphane Mallarmé|Mallarmé]], [[Arthur Rimbaud|Rimbaud]], [[Paul Verlaine|Verlaine]] and [[Jules Laforgue|Laforgue]]. It focuses on a particular character's perception of events. The edges of reality are blurred by choosing points of view that lie outside the norm. |
Influenced by the European [[Impressionism|Impressionist]] art movement, many writers adopted a style that relied on associations. The [[Netherlands|Dutch]] [[Tachtigers]] explicitly tried to incorporate impressionism into their prose, poems, and other literary works. Much of what has been called "impressionist" literature is subsumed into several other categories, especially [[Symbolism (arts)|Symbolism]], its chief exponents being [[Charles Baudelaire|Baudelaire]], [[Stéphane Mallarmé|Mallarmé]], [[Arthur Rimbaud|Rimbaud]], [[Paul Verlaine|Verlaine]] and [[Jules Laforgue|Laforgue]]. It focuses on a particular character's perception of events. The edges of reality are blurred by choosing points of view that lie outside the norm.<ref>[https://www.hup.harvard.edu/catalog.php?isbn=9780674980792 Michael Fried, ''What was Literary Impressionism?, Harvard University Press]</ref> |
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Revision as of 13:51, 1 July 2020
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 | This article possibly contains original research. (October 2011) |
Influenced by the European Impressionist art movement, many writers adopted a style that relied on associations. The Dutch Tachtigers explicitly tried to incorporate impressionism into their prose, poems, and other literary works. Much of what has been called "impressionist" literature is subsumed into several other categories, especially Symbolism, its chief exponents being Baudelaire, Mallarmé, Rimbaud, Verlaine and Laforgue. It focuses on a particular character's perception of events. The edges of reality are blurred by choosing points of view that lie outside the norm.[1]
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