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Names of the writer, producer and actors are added to the page. “External Links” section is created and the film’s pages on BFI and IMDB websites are added. United Kingdom also coproduced the film along with South Africa, which is added now.
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| caption =
| caption =
| director = [[Les Blair]]
| director = [[Les Blair]]
| producer =
| producer = Indra de Lanerolle
| writer =
| writer = [[Les Blair]]
| starring =
| starring = Baby Cele <br/> Lionel Newton <br/> Michele Burgers <br/> Thulani Nyembe
| music = [[Joe Nina]]
| music = [[Joe Nina]]
| cinematography =
| cinematography =
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| released = 1997
| released = 1997
| runtime =
| runtime =
| country = South Africa
| country = [[South Africa]] / [[United Kingdom]]
| awards =
| awards =
| language =
| language =
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==References==
==References==
{{reflist}}
{{reflist}}

== Eternal Links ==
* [https://www.bfi.org.uk/films-tv-people/4ce2b7f08ab80 ''Jump the Gun''] at the [[BFI]]
* {{IMDb title|id=tt0119430}}


[[Category:1997 films]]
[[Category:1997 films]]

Revision as of 20:11, 28 March 2019

Jump the Gun
Directed byLes Blair
Written byLes Blair
Produced byIndra de Lanerolle
StarringBaby Cele
Lionel Newton
Michele Burgers
Thulani Nyembe
Music byJoe Nina
Production
company
Release date
1997
CountrySouth Africa / United Kingdom

Jump the Gun is a 1997 South African film directed by Les Blair for Channel Four Films.[1][2]

References

  1. ^ Variety Review: ‘Jump The Gun’ Derek Elley MARCH 1, 1997 "Jump the Gun" is an ironic look at contempo South African society, seen through the eyes of a group hanging out in Johannesburg's underbelly.
  2. ^ Blandine Stefanson, Sheila Petty Directory of World Cinema Africa 2015 1783203919 "... cinematographer: Seamus McGarvey Production designer: David Barkham music: Joe Nina editor: Oral Norrie Ottey ... Critique :Jump the Gun is often overlooked in surveys of post-apartheid film, but in its easy-going way it is a significant film in the cultural landscape of South Africa's fledgling democracy. It might lack the gloss and high-profile cast of Darrell Roodt's Cry, the Beloved Country (1995), but it is a far more authentic representation of South African identities in transition.."