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Though she is often simply described as a writer of "experimental prose," Gladman's work spans fiction and prose, personal essays, and books of poetry and visual art.<ref>{{Cite news|url=https://pinupmagazine.org/articles/pinup-renee-gladman-interview|title=CITY WRITER: INTERVIEW WITH VISUAL POET RENEE GLADMAN|access-date=2018-03-09}}</ref> She is very interested breaking down boundaries between genres. In an interview with Lucy Ives describing the differences between prose and fiction, Gladman described her desire to blur the two forms: "Fiction is interested in a certain kind of unfolding or sequence of events. Time is more intact in fiction. Prose, I think, introduces the element of the awareness of yourself in language as you are unfolding things in time and allowing yourself to be distracted or interrupted, allowing yourself to question the difficulty of what you’re doing and be stalled, not to move. I want more fiction to do this, because it changes the way we read and understand story. With fiction that repairs all doubt and interruption and experiment by being fluid, coherent; what we expect doesn’t leave much room for me as a reader. But I think the more you talk about these categories, their distinctions, the quicker they break down. Ultimately, what I want is for there to be a blur over everything."<ref>{{Cite news|url=https://www.canopycanopycanopy.com/contents/the-company-that-never-comes|title=Triple Canopy – The Company That Never Comes by Renee Gladman with Lucy Ives|work=Triple Canopy|access-date=2018-03-09}}</ref>
Though she is often simply described as a writer of "experimental prose," Gladman's work spans fiction and prose, personal essays, and books of poetry and visual art.<ref>{{Cite news|url=https://pinupmagazine.org/articles/pinup-renee-gladman-interview|title=CITY WRITER: INTERVIEW WITH VISUAL POET RENEE GLADMAN|access-date=2018-03-09}}</ref> She is very interested breaking down boundaries between genres. In an interview with Lucy Ives describing the differences between prose and fiction, Gladman described her desire to blur the two forms: "Fiction is interested in a certain kind of unfolding or sequence of events. Time is more intact in fiction. Prose, I think, introduces the element of the awareness of yourself in language as you are unfolding things in time and allowing yourself to be distracted or interrupted, allowing yourself to question the difficulty of what you’re doing and be stalled, not to move. I want more fiction to do this, because it changes the way we read and understand story. With fiction that repairs all doubt and interruption and experiment by being fluid, coherent; what we expect doesn’t leave much room for me as a reader. But I think the more you talk about these categories, their distinctions, the quicker they break down. Ultimately, what I want is for there to be a blur over everything."<ref>{{Cite news|url=https://www.canopycanopycanopy.com/contents/the-company-that-never-comes|title=Triple Canopy – The Company That Never Comes by Renee Gladman with Lucy Ives|work=Triple Canopy|access-date=2018-03-09}}</ref>


Gladman's Ravicka series, four interrelated fictional books taking place in the author's invented country of Ravicka, has been compared to the fiction of Samuel Beckett, Anne Carson, and Julio Cortáza<ref>{{Cite web|url=http://www.thewhitereview.org/reviews/renee-gladmans-houses-ravicka/|title=Renee Gladman’s ‘Houses of Ravicka’ - The White ReviewThe White Review|website=www.thewhitereview.org|access-date=2018-03-09}}</ref>. Zack Friedman of ''BOMB'' has characterized the Ravicka series as “[[List of social science fiction writers and stories|social science fiction]],” a label that Gladman herself prefers: “I definitely would prefer social science fiction to science fiction, as I really didn’t intend these books to ask deep questions about technology or bioengineering or inter-galaxy relations. Instead, they wonder about city living, architecture, language and communication, desire, and community—the same things I wonder about in my own life. For me, it needs to stay on this side of reality... and it needs to be pushing for physical space in this world.”<ref>{{Cite news|url=https://www.villagevoice.com/2017/11/16/exploring-the-disorienting-strangeness-of-city-life-in-renee-gladmans-ravicka/|title=Exploring the Disorienting Strangeness of City Life in Renee Gladman’s Ravicka|access-date=2018-03-09}}</ref><ref>{{Cite web|url=https://bombmagazine.org/articles/language-and-landscape-renee-gladman/|title=Language and Landscape: Renee Gladman by Zack Friedman|last=Friedman|first=Zack|date=2018-03-08|website=BOMB Magazine|archive-url=https://bombmagazine.org/articles/language-and-landscape-renee-gladman/|archive-date=2011-12-24|dead-url=|access-date=}}</ref>
Gladman's Ravicka series, four interrelated fictional books taking place in the author's invented country of Ravicka, has been compared to the fiction of Samuel Beckett, Anne Carson, and Julio Cortázar<ref>{{Cite web|url=http://www.thewhitereview.org/reviews/renee-gladmans-houses-ravicka/|title=Renee Gladman’s ‘Houses of Ravicka’ - The White ReviewThe White Review|website=www.thewhitereview.org|access-date=2018-03-09}}</ref>. Zack Friedman of ''BOMB'' has characterized the Ravicka series as “[[List of social science fiction writers and stories|social science fiction]],” a label that Gladman herself prefers: “I definitely would prefer social science fiction to science fiction, as I really didn’t intend these books to ask deep questions about technology or bioengineering or inter-galaxy relations. Instead, they wonder about city living, architecture, language and communication, desire, and community—the same things I wonder about in my own life. For me, it needs to stay on this side of reality... and it needs to be pushing for physical space in this world.”<ref>{{Cite news|url=https://www.villagevoice.com/2017/11/16/exploring-the-disorienting-strangeness-of-city-life-in-renee-gladmans-ravicka/|title=Exploring the Disorienting Strangeness of City Life in Renee Gladman’s Ravicka|access-date=2018-03-09}}</ref><ref>{{Cite web|url=https://bombmagazine.org/articles/language-and-landscape-renee-gladman/|title=Language and Landscape: Renee Gladman by Zack Friedman|last=Friedman|first=Zack|date=2018-03-08|website=BOMB Magazine|archive-url=https://bombmagazine.org/articles/language-and-landscape-renee-gladman/|archive-date=2011-12-24|dead-url=|access-date=}}</ref>


Gladman has described the very short essays that comprise ''Calamities'' as "ditties" because "they feel less like they’re trying to travel; there is just one point that gets made in a quick circle. It’s funny to call them essays anyway, because they fail as essays. They don’t sustain an argument, they don’t go anywhere, they don’t conclude anything, and the half-paragraph ones seem even more so, kind of absurd."<ref>{{Cite news|url=https://www.canopycanopycanopy.com/contents/the-company-that-never-comes|title=Triple Canopy – The Company That Never Comes by Renee Gladman with Lucy Ives|work=Triple Canopy|access-date=2018-03-09}}</ref>
Gladman has described the very short essays that comprise ''Calamities'' as "ditties" because "they feel less like they’re trying to travel; there is just one point that gets made in a quick circle. It’s funny to call them essays anyway, because they fail as essays. They don’t sustain an argument, they don’t go anywhere, they don’t conclude anything, and the half-paragraph ones seem even more so, kind of absurd."<ref>{{Cite news|url=https://www.canopycanopycanopy.com/contents/the-company-that-never-comes|title=Triple Canopy – The Company That Never Comes by Renee Gladman with Lucy Ives|work=Triple Canopy|access-date=2018-03-09}}</ref>

Revision as of 00:06, 1 November 2018

Renee Gladman (born 1971) is a poet, novelist, essayist, and artist. She has published prose works including the Ravicka series of novels and the crime novel, Morella; the poetry collection, Calamities; and a monograph of drawings, Prose Architectures.

Career

Gladman is a graduate of Vassar College (BA, 1993), and studied poetics at the New College of California (MA, 2006). She taught creative writing for many years at Brown University, served as a fellow at the Radcliffe Institute for Advanced Study at Harvard, and was a 2016 Image Text fellow at Ithaca College[1]. Her writing is associated with the New Narrative[2] movement, characterized by writing that "tests the potential of the sentence with map-making precision and curiosity."[3] In 2016 she was awarded a Foundation for Contemporary Arts Grant to Artists, which supported the publication of Prose Architectures.

As a publisher, Gladman has been responsible for the zine Clamour (1996-1999), the Leroy Chapbook series (1999-2003), and the Leon Works press, a perfect bound series of books for experimental prose (2005-present).[4][5]

Prizes

Gladman has been the recipient of numerous literary prizes, fellowships, and awards, including a 2016 Foundation for Contemporary Arts Grant[6] and a 2017 Lannan Foundation Writing Residency in Marfa, TX[7].

Genre and style

Though she is often simply described as a writer of "experimental prose," Gladman's work spans fiction and prose, personal essays, and books of poetry and visual art.[8] She is very interested breaking down boundaries between genres. In an interview with Lucy Ives describing the differences between prose and fiction, Gladman described her desire to blur the two forms: "Fiction is interested in a certain kind of unfolding or sequence of events. Time is more intact in fiction. Prose, I think, introduces the element of the awareness of yourself in language as you are unfolding things in time and allowing yourself to be distracted or interrupted, allowing yourself to question the difficulty of what you’re doing and be stalled, not to move. I want more fiction to do this, because it changes the way we read and understand story. With fiction that repairs all doubt and interruption and experiment by being fluid, coherent; what we expect doesn’t leave much room for me as a reader. But I think the more you talk about these categories, their distinctions, the quicker they break down. Ultimately, what I want is for there to be a blur over everything."[9]

Gladman's Ravicka series, four interrelated fictional books taking place in the author's invented country of Ravicka, has been compared to the fiction of Samuel Beckett, Anne Carson, and Julio Cortázar[10]. Zack Friedman of BOMB has characterized the Ravicka series as “social science fiction,” a label that Gladman herself prefers: “I definitely would prefer social science fiction to science fiction, as I really didn’t intend these books to ask deep questions about technology or bioengineering or inter-galaxy relations. Instead, they wonder about city living, architecture, language and communication, desire, and community—the same things I wonder about in my own life. For me, it needs to stay on this side of reality... and it needs to be pushing for physical space in this world.”[11][12]

Gladman has described the very short essays that comprise Calamities as "ditties" because "they feel less like they’re trying to travel; there is just one point that gets made in a quick circle. It’s funny to call them essays anyway, because they fail as essays. They don’t sustain an argument, they don’t go anywhere, they don’t conclude anything, and the half-paragraph ones seem even more so, kind of absurd."[13]

Gladman's 2017 book Prose Architectures develops Gladman's long-term interest in architecture and in the relationship between language and image in a set of drawings created through illegible script that are as visual as they are linguistic. Gladman has cited Youmna Chlala, who also both draws and writes poetry, as an inspiration.[14]

Personal Life

Gladman was born in Atlanta and lives in Providence, RI, with Danielle Vogel, a poet and ceramicist.[15]

Publications

Poetry

  • A Picture-Feeling (2005)

Prose

  • Arlem (1994)
  • Juice (Kelsey Street Press, 2000)
  • The Activist (KRUPSKAYA, 2003)
  • Newcomer Can't Swim (Kelsey Street Press, 2007)
  • To After That (Toaf) (Atelos, 2008)

Ravicka novels

  • Event Factory (Dorothy, a publishing project, 2010)
  • The Ravickians (Dorothy, a publishing project, 2011)
  • Ana Patova Crosses a Bridge (Dorothy, a publishing project, 2013)
  • Houses of Ravicka (Dorothy, a publishing project, 2017)

Art

  • Prose Architectures (Wave Books, 2017)

Essays

  • Calamities (Wave Books, 2016)

References

  1. ^ "Renee Gladman, 2016 Faculty - Faculty, Fellows and Visiting Artists - Image Text - Ithaca College". www.ithaca.edu. Retrieved 2018-03-09.
  2. ^ "Renee Gladman and the New Narrative | Jacket2". jacket2.org. Retrieved 2018-03-09.
  3. ^ "Renee Gladman". Poetry Foundation. Retrieved 7 November 2017.
  4. ^ "Renee Gladman". Foundation for Contemporary Arts. Retrieved 7 November 2017.
  5. ^ "Renee Gladman | Literary Arts Program". www.brown.edu. Retrieved 2018-03-09.
  6. ^ "Grant Recipients :: Foundation for Contemporary Arts". www.foundationforcontemporaryarts.org. Retrieved 2018-03-09.
  7. ^ "Lannan Foundation". Lannan Foundation. Retrieved 2018-03-09.
  8. ^ "CITY WRITER: INTERVIEW WITH VISUAL POET RENEE GLADMAN". Retrieved 2018-03-09.
  9. ^ "Triple Canopy – The Company That Never Comes by Renee Gladman with Lucy Ives". Triple Canopy. Retrieved 2018-03-09.
  10. ^ "Renee Gladman's 'Houses of Ravicka' - The White ReviewThe White Review". www.thewhitereview.org. Retrieved 2018-03-09.
  11. ^ "Exploring the Disorienting Strangeness of City Life in Renee Gladman's Ravicka". Retrieved 2018-03-09.
  12. ^ Friedman, Zack (2018-03-08). "Language and Landscape: Renee Gladman by Zack Friedman". BOMB Magazine. {{cite web}}: Check |archive-url= value (help); Cite has empty unknown parameter: |dead-url= (help)
  13. ^ "Triple Canopy – The Company That Never Comes by Renee Gladman with Lucy Ives". Triple Canopy. Retrieved 2018-03-09.
  14. ^ "Five Things Right Now: Renee Gladman". Granta Magazine. 2016-10-03. Retrieved 2018-03-09.
  15. ^ "Faculty, Fellows and Visiting Artists". Ithaca College.