Rey muerto: Difference between revisions
from es-wiki for translation |
translated |
||
Line 1: | Line 1: | ||
{{Infobox film |
|||
{{Ficha de película |
|||
| |
|film name = {{Infobox name module|Spanish|Rey Muerto}} |
||
| |
|director = [[Lucrecia Martel]] |
||
⚫ | |||
|índice = |
|||
⚫ | |||
|imagen = |
|||
| |
|music = Laura Ruggiero |
||
| |
|released = 19 May 1995 |
||
| |
|runtime = 12 minutes |
||
|language = Spanish |
|||
|ayudantedirección = |
|||
|dirección artística = [[Lucrecia Martel]] |
|||
|producción = |
|||
|diseño producción = |
|||
⚫ | |||
|basada en = |
|||
|música = Laura Ruggiero |
|||
|sonido = Horacio Almada |
|||
|maquillaje = |
|||
⚫ | |||
|montaje = Fernanda Rossi |
|||
|escenografía = Alejandra Crespo |
|||
|vestuario = Alejandra Crespo |
|||
|efectos = |
|||
|narrador = |
|||
|protagonistas = |
|||
|país = Argentina |
|||
|estreno = 1995 |
|||
|estreno1 = |
|||
|género = cortometraje |
|||
|duración = 12 minutos |
|||
|clasificación = |
|||
|idioma = Español |
|||
|formato = |
|||
|productora = |
|||
|distribución = |
|||
|presupuesto = |
|||
|recaudación = |
|||
|estudio = |
|||
|precedida_por = |
|||
|sucedida_por = |
|||
|imdb = 0130221 |
|||
|filmaffinity = |
|||
|sincat = |
|||
}} |
}} |
||
'''Rey Muerto''' |
'''Rey Muerto''' is a 12-minute fictional live-action [[short film]] written and directed by [[Argentina|Argentina]] filmmaker [[Lucrecia Martel]] and released 19 May 1995. It was included in ''Historias breves I'' ("Short Stories I"), the first edition of the [[INCAA]] competition, which was fundamental to the rise and recognition of the generation of Argentine filmmakers known variously as ''Cine Independiente Argentino'' or ''Nuevo Cine Argentino'' ("new" or "independent" Argentine film).<ref>{{cite web|author=INCAA|title=Rey Muerto|url=http://www.incaatv.gov.ar/destacado04/|accessdate=28 September 2012|archiveurl=https://web.archive.org/web/20120310011552/http://www.incaatv.gov.ar/destacado04/|archivedate=10 March 2012}}</ref> |
||
This film and other winners of a 1994 Argentine [[National Institute of Cinema and Audiovisual Arts]] short film contest were brought together to form the feature-length ''Historias breves'', released 19 May 1995. |
|||
Junto con otros cortometrajes realizados por el grupo proveniente del Centro de Experimentación y Realización Cinematográfica (llamado Escuela Nacional de Experimentación y Realización Cinematográfica –ENERC- a partir del año 2011), de la [[Universidad de Buenos Aires]] y de la Escuela de Cine de Avellaneda, integraron el largometraje ''[[Historias breves]]'' que se estrenó el [[19 de mayo]] de [[1995]] por haber sido los ganadores de un concurso realizado por el [[Instituto Nacional de Cine y Artes Audiovisuales]] en 1994. |
|||
== |
== Synopsis == |
||
The story takes place in the fictional village of Rey Muerto ("Dead King") in northeastern Argentina. A woman tries to escape a husband who has been treating her badly, bringing her three children with her. |
|||
La historia transcurre en Rey Muerto, un pueblo del noroeste argentino, en el que una mujer busca escapar de su marido que la maltrata, llevándose a sus tres hijos. |
|||
== |
== Cast == |
||
* [[Roly Serrano]] |
* [[Roly Serrano]] |
||
* Sandra Ceballos |
* Sandra Ceballos |
||
Line 58: | Line 25: | ||
* [[Lía Crucet]] |
* [[Lía Crucet]] |
||
== |
== Technical team == |
||
* |
*Cinematography: Esteban Sapir |
||
* |
*Wardrobe: Alejandra Crespo |
||
* |
*Montage: Fernanda Rossi |
||
* |
*Music: Laura Ruggiero |
||
* |
*Sound: Horacio Almada |
||
* |
*Production assistant: Alejandro Arroz |
||
* |
*Set design: Alejandra Crespo |
||
* |
*Scenography: Alejandra Crespo |
||
* |
*Wardrobe design: Alejandra Crespo |
||
== |
== Reviews == |
||
Reviewers of ''Historias breves'' wrote: |
|||
Alejandro Ricagno |
Alejandro Ricagno in ''[[El Amante del Cine]]'' writew: {{quote|The technical aspects are, for the most part, impeccable and in service to the stories. Which is to say: they are not distracting excesses and do not undermine the structure. One might enjoy one [film] more than another…but you leave the theater…having seen a cinematic program composed of attractive short stories with diverse atmospheres and goals.<ref>''«Los rubros técnicos son, en su mayoría, impecables y están en función de la narración. Quiero decir: no son ''prolijitos'' para distraer o llevar huecos de estructura. Uno puede gustar más de alguno que de otro…pero se sale del cine…como quien ha visto un programa de cine compuesto por atractivas historias cortas con climas y búsquedas diversas.»'' {{Harvnb|Manrupe|Portela|1995| p=280-281}}</ref>}} |
||
[[Claudio España]] |
[[Claudio España]] in ''[[La Nación (Argentina)|La Nación]]'' gices the opinion that:{{quote|The work of these young people does not seek visual artifice, and its filmic language is based on the immediate image, simple and far from excesses.<ref>''«El trabajo de estos jóvenes no procura el artificio visual y su lenguaje fílmico se asienta en la imagen inmediata, sencilla y alejada de rebuscamientos.»'' {{Harvnb|Manrupe|Portela|1995| p=280-281}}</ref>}} |
||
Rafael Granado |
Rafael Granado in ''[[Clarín (periódico)|Clarín]]'' said:{{quote|very good…rare quality in all aspects…creativity in a small format.»<ref>''«Muy buena...infrecuente calidad en todos los rubros...la creatividad en formato chico.»''</ref>}} |
||
Manrupe |
Manrupe and Portela add:{{quote|«…of surprising quality. One of the few innovative premieres (aesthetically and conceptually). some (''Ojos de fuego''; Dónde y cómo…'', ''Rey muerto'' stand out, but the general level is excellent. Much more than formal excercises.»<ref>''«…de sorprendente calidad. Uno de los pocos estrenos innovadores (en lo estético y lo conceptual). Algunos (''Ojos de fuego''; Dónde y cómo…'', ''Rey muerto'' se destacan, pero el nivel general es excelente. Mucho más que ejercicios formales»'' {{Harvnb|Manrupe|Portela|1995| p=280-281}}</ref>}} |
||
== |
== Notes == |
||
{{ |
{{reflist}} |
||
== |
== References == |
||
* {{cita libro |
* {{cita libro |
||
| apellido= Manrupe |
| apellido= Manrupe |
||
Line 93: | Line 60: | ||
}} |
}} |
||
== |
== External links == |
||
* {{IMDb title|0130221}} |
|||
* [http://www.imdb.com/title/tt0130221 Información sobre ''Rey muerto'' en Internet Movie Data Base] |
|||
[[Categoría:Cortometrajes de Argentina]] |
Revision as of 23:17, 10 September 2018
Rey muerto | |
---|---|
Directed by | Lucrecia Martel |
Screenplay by | Lucrecia Martel |
Cinematography | Esteban Sapir |
Music by | Laura Ruggiero |
Release date | 19 May 1995 |
Running time | 12 minutes |
Language | Spanish |
Rey Muerto is a 12-minute fictional live-action short film written and directed by Argentina filmmaker Lucrecia Martel and released 19 May 1995. It was included in Historias breves I ("Short Stories I"), the first edition of the INCAA competition, which was fundamental to the rise and recognition of the generation of Argentine filmmakers known variously as Cine Independiente Argentino or Nuevo Cine Argentino ("new" or "independent" Argentine film).[1]
This film and other winners of a 1994 Argentine National Institute of Cinema and Audiovisual Arts short film contest were brought together to form the feature-length Historias breves, released 19 May 1995.
Synopsis
The story takes place in the fictional village of Rey Muerto ("Dead King") in northeastern Argentina. A woman tries to escape a husband who has been treating her badly, bringing her three children with her.
Cast
- Roly Serrano
- Sandra Ceballos
- Marcelo Machuca
- Carlos Aldana
- Lía Crucet
Technical team
- Cinematography: Esteban Sapir
- Wardrobe: Alejandra Crespo
- Montage: Fernanda Rossi
- Music: Laura Ruggiero
- Sound: Horacio Almada
- Production assistant: Alejandro Arroz
- Set design: Alejandra Crespo
- Scenography: Alejandra Crespo
- Wardrobe design: Alejandra Crespo
Reviews
Reviewers of Historias breves wrote:
Alejandro Ricagno in El Amante del Cine writew:
The technical aspects are, for the most part, impeccable and in service to the stories. Which is to say: they are not distracting excesses and do not undermine the structure. One might enjoy one [film] more than another…but you leave the theater…having seen a cinematic program composed of attractive short stories with diverse atmospheres and goals.[2]
Claudio España in La Nación gices the opinion that:
The work of these young people does not seek visual artifice, and its filmic language is based on the immediate image, simple and far from excesses.[3]
Rafael Granado in Clarín said:
very good…rare quality in all aspects…creativity in a small format.»[4]
Manrupe and Portela add:
«…of surprising quality. One of the few innovative premieres (aesthetically and conceptually). some (Ojos de fuego; Dónde y cómo…, Rey muerto stand out, but the general level is excellent. Much more than formal excercises.»[5]
Notes
- ^ INCAA. "Rey Muerto". Archived from the original on 10 March 2012. Retrieved 28 September 2012.
- ^ «Los rubros técnicos son, en su mayoría, impecables y están en función de la narración. Quiero decir: no son prolijitos para distraer o llevar huecos de estructura. Uno puede gustar más de alguno que de otro…pero se sale del cine…como quien ha visto un programa de cine compuesto por atractivas historias cortas con climas y búsquedas diversas.» Manrupe & Portela 1995, p. 280-281
- ^ «El trabajo de estos jóvenes no procura el artificio visual y su lenguaje fílmico se asienta en la imagen inmediata, sencilla y alejada de rebuscamientos.» Manrupe & Portela 1995, p. 280-281
- ^ «Muy buena...infrecuente calidad en todos los rubros...la creatividad en formato chico.»
- ^ «…de sorprendente calidad. Uno de los pocos estrenos innovadores (en lo estético y lo conceptual). Algunos (Ojos de fuego; Dónde y cómo…, Rey muerto se destacan, pero el nivel general es excelente. Mucho más que ejercicios formales» Manrupe & Portela 1995, p. 280-281
References
- Manrupe, Raúl; Portela, María Alejandra (2001). Un diccionario de films argentinos (1930-1995). Buenos Aires, Editorial Corregidor. p. 280-281 y 741.
External links
- Rey muerto at IMDb