Antoine Plamondon: Difference between revisions
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== Life == |
== Life == |
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Plamondon was born in 1804 (or 1802) at [[L'Ancienne-Lorette, Quebec]], the son of the village grocer and his wife. He went to school in [[Saint-Roch, Quebec City|Saint-Roch]], a suburb of [[Quebec City]], after which he was apprenticed to [[Joseph Légaré]] (1795–1855), a picture restorer and amateur painter.<ref name="Hubbard"> |
Plamondon was born in 1804 (or 1802) at [[L'Ancienne-Lorette, Quebec]], the son of the village grocer and his wife. He went to school in [[Saint-Roch, Quebec City|Saint-Roch]], a suburb of [[Quebec City]], after which he was apprenticed to [[Joseph Légaré]] (1795–1855), a picture restorer and amateur painter.<ref name="Hubbard"/> |
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In 1826 at the age of 22, Plamondon travelled to Paris, where he studied with classical portraitists such as [[Paulin Guérin]] (1783–1855). Works from this period are scarce.<ref name="Hubbard">R. H. Hubbard, ''Antoine Plamondon / 1802-1895, Théophile Hamel / 1817-170. Two Painters of Quebec / Deux Peintres de Québec'' (Ottawa: National Gallery of Canada, 1970), pp. 14-15.</ref> |
In 1826 at the age of 22, Plamondon travelled to Paris, where he studied with classical portraitists such as [[Paulin Guérin]] (1783–1855). Works from this period are scarce.<ref name="Hubbard">R. H. Hubbard, ''Antoine Plamondon / 1802-1895, Théophile Hamel / 1817-170. Two Painters of Quebec / Deux Peintres de Québec'' (Ottawa: National Gallery of Canada, 1970), pp. 14-15.</ref> |
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In 1830, after the [[Louis-Philippe of France|Louis-Philippe]] uprisings, Plamondon returned to Quebec. |
In 1830, after the [[Louis-Philippe of France|Louis-Philippe]] uprisings, Plamondon returned from France to Quebec. He specialized in portraits of living subjects. He also did religious paintings (commissioned by various churches and religious orders around [[Quebec City]]), generally based on engravings of [[Old Masters]] of Europe, a common practice among artists of his time. His portrait work was notable for his full-face, close-up, and tightly composed style, as well as a representation of the latest style of clothing. His later portraits showed more roundness in the modelling and far more space in the composition.<ref>Hubbard, pp. 25-29.</ref> |
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By 1850 Plamondon had moved to the country at [[Neuville, Quebec|Neuville]], with his mother, a brother, and a sister. He lived there until the 1890s. Much of his work during this period were religious paintings, copies of Old Masters, commissioned by local churches.<ref>Hubbard, p. 32.</ref> Plamondon's self-portrait of 1882 was probably his last work.<ref>Hubbard, p. 33</ref> |
By 1850 Plamondon had moved to the country at [[Neuville, Quebec|Neuville]], with his mother, a brother, and a sister. He lived there until the 1890s. Much of his work during this period were religious paintings, copies of Old Masters, commissioned by local churches.<ref>Hubbard, p. 32.</ref> Plamondon's self-portrait of 1882 was probably his last work.<ref>Hubbard, p. 33</ref> |
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Revision as of 18:49, 19 October 2012
Antoine-Sébastien Plamondon (ca. 1804–1895) was a Canadian artist who painted mainly portraits and religious images in 19th-century Quebec.
Life
Plamondon was born in 1804 (or 1802) at L'Ancienne-Lorette, Quebec, the son of the village grocer and his wife. He went to school in Saint-Roch, a suburb of Quebec City, after which he was apprenticed to Joseph Légaré (1795–1855), a picture restorer and amateur painter.[1]
In 1826 at the age of 22, Plamondon travelled to Paris, where he studied with classical portraitists such as Paulin Guérin (1783–1855). Works from this period are scarce.[1]
In 1830, after the Louis-Philippe uprisings, Plamondon returned from France to Quebec. He specialized in portraits of living subjects. He also did religious paintings (commissioned by various churches and religious orders around Quebec City), generally based on engravings of Old Masters of Europe, a common practice among artists of his time. His portrait work was notable for his full-face, close-up, and tightly composed style, as well as a representation of the latest style of clothing. His later portraits showed more roundness in the modelling and far more space in the composition.[2]
By 1850 Plamondon had moved to the country at Neuville, with his mother, a brother, and a sister. He lived there until the 1890s. Much of his work during this period were religious paintings, copies of Old Masters, commissioned by local churches.[3] Plamondon's self-portrait of 1882 was probably his last work.[4]
Personal life
Plamondon never married. He was a lifelong monarchist and supporter of the Conservative Party, a friend of Sir George-Étienne Cartier and Sir Étienne Taché. He broke with the Conservatives over the execution of Louis Riel, a Métis who fought for the rights of his people in Canada, a group now recognized as a First Nation by the national government. He died in Neuville in 1895.[5]
Gallery
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Mgr Joseph Signay, 1836 -
John Redpath, 1836 -
Mme Joseph Laurin, 1839 -
Soeur Saint-Alphonse, 1841, National Gallery of Canada -
Marguerite Bourgeoys, 1895 -
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References
External links
