User talk:James Arboghast

: .: .. .: A R B O  S P E A K S  :. :: .. . Hello from Melbourne, Australia :^) .: . ..
I am working on TYPOGRAPHY and font-related articles. Please feel free to leave a message about anything.

• Archive 1 (November 2005 to December 2005):

Emphasis (Typography) rewrite

In typography, emphasis is the exaggeration of words in a text with a font in a different style from the rest of the text—to emphasize them.

Methods & use of emphasis

Fig. 1: Emphasis in a roman text type

The human eye is sensitive to variations in letter orientation and weight (blackness) within a body of typeset text. This makes possible three ways of emphasizing words, by changing the regular font to a matching bold or italic style, or a combined bold-italic font.

Bold emphasis

Boldface makes text darker than the surrounding text. With this technique, the emphasized text strongly stands out from the rest; it should therefore be used to highlight certain keywords that are important to the subject of the text, for easy visual scanning of text. For example, printed dictionaries often use boldface for their keywords; Wikipedia follows this convention when the name of each article is marked at the top in bold.

Italic emphasis

Italics is a form of emphasis based on calligraphic and script letterforms, where the vertical aspect of letters is slanted to the left. Italics do not effect blackness. A a related but much rarer form of italics is or oblique.

Using bold or italic formatting—or both—words can be highlighted without making them "stick out" much from the rest of the text (inconspicuous stressing). Traditionally, this is used for marking passages that have a different context, such as words from foreign languages, book titles, etc.

If the text body is typeset in a serif typeface, it is also possible to highlight words by setting them in a sans serif face. This is somewhat of an archaic practice.

Fig. 2: Example of blackletter emphasis acheived by changing fonts

Emphasis in design

With both italics and boldface, the emphasis is correctly achieved by temporarily replacing the current typeface. Professional typographic systems (which include most modern computers) would therefore not simply tilt letters to the right to achieve italics (that is instead referred to as slanting) or print them darker for boldface, but instead use entirely different typefaces that achieve the effect. As can be seen in Fig. 1, the "w" letter, for example, looks quite different in italics compared to the regular typeface.

As a result, typefaces therefore have to be supplied at least fourfold (with computer systems, usually as four font files): as regular, italics, bold, and both bold and italics to provide for all combinations. Professional typefaces sometimes offer even more variations for popular fonts, with varying degrees of blackness. Only if such fonts are not available should the effect of italics or boldface be imitated by tilting or blacking the original font.

Alternative methods for emphasis

Capitalization

The house styles of many publishers in the United States use capitalization or all-uppercase letters, in order to emphasise

• publication titles
• warning messages
• newspaper headlines
• chapter and section headings

Capitalization is used much less commonly today by British publishers, and usually only for book titles. It is rarely used in other languages.

All-uppercase letters are a common form of emphasis where the medium lacks support for boldface, such as old typewriters, plain-text email, SMS and other text-messaging systems.

Japanese text can be emphasised in a similar way by writing the emphasised text entirely in katakana phonetic characters.

Letterspacing

In Germany, a different means of emphasis was previously used. To achieve a variance in blackness, instead of making the letters darker, one would increase the spacing between them. This resulted in an effect reverse to boldface: the emphasized text becomes lighter than its environment. This was referred to as sperren in German ("letterspacing" in English), which could here be translated as "spacing out". While sperren normally means "to lock (out)", this particular meaning was figurative: with the older method of typesetting with letters of lead, the spacing would be achieved by inserting additional non-printing slices of metal between the types.

The reason for this particular German typographic convention can be seen in the traditional use of blackletter typefaces, for which boldface was not feasible, since the letters were very dark in their standard format. The blackletter typefaces were officially abolished in 1942 by Nazi Germany, and after that, its use quickly diminished. As a result, the use of spacing as a means of emphasis in printed materials quickly became obsolete. However, spacing is sometimes still used as a means of emphasis in typographic media where only one typeset is available, e.g. in typewritten communication or on text-only computer terminals.

Special punctuation marks

In Chinese, emphasis in body text is supposed to be indicated by using an "emphasis mark" (着重號), which is a dot placed under each character to be emphasized. This is still taught in schools, but in practice it is not usually done, probably due to the difficulty of doing this in most computer software. Methods used for emphasis in western texts but inappropriate for Chinese, for example underlining and setting text in artificially slanted type (frequently incorrectly called "italics"), are often used instead.

Typography

Wikipedia is not a repository of images. Wikipedia articles are not collections of photographs, and articles should not have photographs with no encyclopedic content to go with them. Please remove these images from the article, as they have nothing to do with typography, other than in how they have words in them. You seem to be an expert on this subject, so please add encyclopedic content to the article instead of irrelevant, unhelpful images. --Bryan Nguyen | Talk 20:34, 1 April 2006 (UTC)

The pictures I am adding are samples of typography. Typography is a special case within the encyclopedia. These samples are not "irrelevant, unhelpful images". Relax. I will be adding written content to go with the samples. In the meantime pease be patient, the pictures of type in use are a practical way of illustrating what typography is. Arbo 20:40, 1 April 2006 (UTC)

"...they have nothing to do with typography..." That is plainly untrue, these are pictures of typography. Please relax. Arbo 20:42, 1 April 2006 (UTC)