Andrew Plain: Difference between revisions
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Huzzah’s work has been recognised with numerous awards including 9 Australian Film Institute (AFI) nominations and 3 AFI Awards for Best Sound,<ref>[http://www.afi.org.au/AM/ContentManagerNet/HTMLDisplay.aspx?Section=2009_Awards_PDFs&ContentID=5758 AFI Award Winners Feature Categories 1958-2009]</ref> an Inside Film (IF) Award for Best Sound Design and a Golden Reel (Motion Pictures Sound Editors - America) nomination. |
Huzzah’s work has been recognised with numerous awards including 9 Australian Film Institute (AFI) nominations and 3 AFI Awards for Best Sound,<ref>[http://www.afi.org.au/AM/ContentManagerNet/HTMLDisplay.aspx?Section=2009_Awards_PDFs&ContentID=5758 AFI Award Winners Feature Categories 1958-2009]</ref> an Inside Film (IF) Award for Best Sound Design and a Golden Reel (Motion Pictures Sound Editors - America) nomination. |
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==References== |
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==External links== |
==External links== |
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Revision as of 13:54, 3 October 2010
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Andrew Plain is an Australian sound designer and supervising sound editor. Through his company Huzzah Sound, he has created the soundtracks for many Australian and international films and television series including Alex Proyas's Knowing, Phillip Noyce’s Catch A Fire, Jane Campion’s In The Cut, Gillian Armstrong’s Death Defying Acts, Charlotte Gray and Oscar And Lucinda, Ray Lawrence’s Lantana and Jindabyne, Neil Armfield’s Candy, Peter Duncan’s Unfinished Sky and Children of the Revolution, Sarah Watt’s Look Both Ways, Richard James Allen's Thursday's Fictions, and Rolf De Heer’s Alexandra’s Project, John Curran's Praise, and Dein Perry's Bootman.
Huzzah’s work has been recognised with numerous awards including 9 Australian Film Institute (AFI) nominations and 3 AFI Awards for Best Sound,[1] an Inside Film (IF) Award for Best Sound Design and a Golden Reel (Motion Pictures Sound Editors - America) nomination.