Sigh No More (musical): Difference between revisions
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| ⚫ | '''Sigh No More''' is a musical [[revue]] of twenty-two scenes and numbers composed, written and produced by [[Noël Coward]] with additional items by Joyce Grenfell, Richard Addinsell, and Norman Hackforth.<ref name=mg>“A Noel Coward Revue”, The Manchester Guardian 12 July 1945; pg. 3</ref> The show was Coward's first post-[[World War II]] musical and starred [[Cyril Ritchard]], his wife [[Madge Elliott]], and [[Joyce Grenfell]]. It also featured [[Graham Payn]], Coward's longtime partner, who sang the best-known song in the show, the wistful "Matelot". |
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{{Refimprove|date=March 2009}} |
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'''Sigh No More''' is a musical [[revue]] composed, written and produced by [[Noël Coward]]. |
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| ⚫ | It opened at the Manchester Opera House on 11 July 1945, before transferring to the [[West End theatre|West End]], where it opened at the [[Piccadilly Theatre]] on 22 August 1945, running for 213 performances, closing on 23 February 1946.<ref name=mg/><ref name=o>Ivor Brown, The Observer, 26 August 1945, p. 2</ref></ref>The Times, 23 February 1946, p. 8</ref> Despite its indifferent success, it contained songs that endured in Coward's later cabaret act and elsewhere.<ref>Morley, Sheridan. ''Coward'', pp. 91–93, London: Haus, 2004. ISBN 1904341942</ref> |
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==Musical numbers== |
==Musical numbers== |
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*Japanese spies – Elliott and Ritchard (cut from the show in tryouts; was not performed in London) |
*Japanese spies – Elliott and Ritchard (cut from the show in tryouts; was not performed in London) |
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*Finale, Sigh No More – Entire Company |
*Finale, Sigh No More – Entire Company |
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==Reception== |
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[[The Times]] singled out for praise the songs Nina, about a South American beauty who hated Latin American dancing, I Wonder What Happened to Him? – army officers reminiscing about colleagues in India, The Burchells of Battersea Rise, about suburban life, and That is the End of the News. In the last, Grenfell was “the insanely cheerful schoolgirl greeting each fresh family misfortune with an ecstatic grin”.<ref>The Times, 23 August 1945, p. 6</ref> The Manchester Guardian also praised Coward’s song “Matelot”, sung by Graham Payn, the title song, Sigh No More, sung by Richard and Old Soldiers Never Die sung by Cliff Gordon, and Willy, in which troupes of good and bad angels strive vigorously for the direction of a small boy’s future life, and a Blithe Spirit ballet<ref name=mg/>Ivor Brown in The Observer thought that the ballet could have been dropped, but praised the rest of the show. The musical director was [[Mantovani]], of whom [[The Manchester Guardian]] said that he and his orchestra “might be presented as the biggest and most successful “star turn” of the whole production”.<ref name=mg/> |
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==Notes== |
==Notes== |
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Revision as of 10:51, 9 March 2009
Sigh No More is a musical revue of twenty-two scenes and numbers composed, written and produced by Noël Coward with additional items by Joyce Grenfell, Richard Addinsell, and Norman Hackforth.[1] The show was Coward's first post-World War II musical and starred Cyril Ritchard, his wife Madge Elliott, and Joyce Grenfell. It also featured Graham Payn, Coward's longtime partner, who sang the best-known song in the show, the wistful "Matelot".
It opened at the Manchester Opera House on 11 July 1945, before transferring to the West End, where it opened at the Piccadilly Theatre on 22 August 1945, running for 213 performances, closing on 23 February 1946.[1][2]</ref>The Times, 23 February 1946, p. 8</ref> Despite its indifferent success, it contained songs that endured in Coward's later cabaret act and elsewhere.[3]
Musical numbers
- Part 1
- Sigh No More – Harlequin and Singing Silphides (Payne and ladies)
- DuMaurier – Society Lady (Grenfell; music by Richard Addinsell; lyrics by Grenfell)
- The Parting of the Ways – Lenora and Michael (Elliott and Ritchard)
- Mother and Daughter – The Mother and the Daughter(Gwen Bateman and Joy O'Neill)
- I Wonder What Happened to Him? – Indian Army Officer (Ritchard)
- Music Hath Charms – Miss Lawson and others (Elliott and others; music & lyrics by Norman Hackforth)
- Never Again – The Singer and Extras (Payn and ensemble)
- This Is the End of the News – Joyce (Grenfell)
- Loch Lomond – (Gail Kendal; arrangement by Hackforth)
- Pageant – Company
- Part 2
- Willy – Willy, Good Angel and Bad Angel (Tom Linden, Elliott and Ritchard)
- Wait a Bit, Joe – Payn
- Travelling Broadens the Mind – Grenfell (written by her)
- Nina (from Argentina) (parodying "Begin the Beguine") – Gigolo, Nina and Singer (Linden, Kendal and Ritchard)
- The Merry Wives of Windsor – Mrs. Macadoo, Ladies and Private Niven (Elliott, Ladies and Ritchard)
- Matelot – Payn
- Blithe Spirit Ballet – Linden and others
- The Burchells of Battersea Rise – Ritchard, Elliott, Grenfell and Payn
- Japanese spies – Elliott and Ritchard (cut from the show in tryouts; was not performed in London)
- Finale, Sigh No More – Entire Company
Reception
The Times singled out for praise the songs Nina, about a South American beauty who hated Latin American dancing, I Wonder What Happened to Him? – army officers reminiscing about colleagues in India, The Burchells of Battersea Rise, about suburban life, and That is the End of the News. In the last, Grenfell was “the insanely cheerful schoolgirl greeting each fresh family misfortune with an ecstatic grin”.[4] The Manchester Guardian also praised Coward’s song “Matelot”, sung by Graham Payn, the title song, Sigh No More, sung by Richard and Old Soldiers Never Die sung by Cliff Gordon, and Willy, in which troupes of good and bad angels strive vigorously for the direction of a small boy’s future life, and a Blithe Spirit ballet[1]Ivor Brown in The Observer thought that the ballet could have been dropped, but praised the rest of the show. The musical director was Mantovani, of whom The Manchester Guardian said that he and his orchestra “might be presented as the biggest and most successful “star turn” of the whole production”.[1]
Notes
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