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==Cinema Feature==
==Cinema Feature==


In 2008, Bemister embarked on the production of a 120-minute 'cross genre' factual [[feature film]] entitled ''Admissible Evidence'', which incorporates cinematographic and photographic evidence, satellite mapping of crime loci, ground penetrating radar, electronic and human intelligence, and other forensic evidence to identify [[World War II]] ([[Great Patriotic War]]) German war criminals and their collaborators, including members of the Romanian Army and Police.
In 2008, Bemister embarked on the production of a 120-minute 'cross genre' factual [[feature film]] entitled ''Admissible Evidence'', which planned to incorporate cinematographic and photographic evidence, satellite mapping of crime loci, ground penetrating radar, electronic and human intelligence, and other forensic evidence to identify [[World War II]] ([[Great Patriotic War]]) German war criminals and their collaborators, including members of the Romanian Army and Police.


Some of the world's leading scientists in face, gait, and voice recognition from academic centers of excellence in the United States, Sweden and Germany, and award-winning investigators 'cold case' Nazi war crimes committed between 1938 and 1945, including new evidence of the most gruesome cases of the sadistic murders of Jewish babies and burning of live victims in [[quicklime]]; such crimes will be exposed for the first time, together with admissible evidence concerning each case.
The project planned to incorporate evidence of some of the world's leading scientists in face, gait, and voice recognition from academic centers of excellence in the United States, Sweden and Germany, and award-winning investigators 'cold case' Nazi war crimes committed between 1938 and 1945, including new evidence of the most gruesome cases of the sadistic murders of Jewish babies and burning of live victims in [[quicklime]]; such crimes were to be exposed for the first time, together with admissible evidence concerning each case.


The technologies, where possible, will also identify Nazi victims: principally [[Jews]], but also [[Slavs]], [[Roma people|Roma]], [[homosexual]]s, psychiatric patients, pacifists including [[Quakers]], Red Army [[prisoners-of-war]], and unarmed civilians.
The technologies, where possible, would have also identified Nazi victims: principally [[Jews]], but also [[Slavs]], [[Roma people|Roma]], [[homosexual]]s, psychiatric patients, pacifists including [[Quakers]], Red Army [[prisoners-of-war]], and unarmed civilians.


To redress cases where many thousands of alleged war criminals were not prosecuted, the film presents forensic 'nano-evidence', the results of the most advanced new technologies. The film, a German, Russian, and UK co-production with the participation of other European organisations, is scheduled for production in 2009, and is the recipient of UK [[National Lottery]] Funding, through a grant from the British Government’s Department of the Media, the [[UK Film Council]], and Screen South.
To redress cases where many thousands of alleged war criminals were not prosecuted, the film was to present forensic 'nano-evidence', the results of the most advanced new technologies. The film, a German, Russian, and UK co-production with the participation of other European organisations, was scheduled for production in 2009, and was the recipient of UK [[National Lottery]] Funding, through a grant from the British Government’s Department of the Media, the [[UK Film Council]], and Screen South.


The term [[documentary]] is a complete misnomer as the picture abandons the conventional British [[documentary]] format in favor of $4 million production values and the style of a forensic/detective procedural drama with four-camera cinematography, innovative [[mis-en-scene]] and lighting, the most advanced visual effects - commonly used in big budget adventure features - and rapid editing.
The term [[documentary]] is a complete misnomer as the picture was to abandon the conventional British [[documentary]] format in favor of $4 million production values and the style of a forensic/detective procedural drama with four-camera cinematography, innovative [[mis-en-scene]] and lighting, the most advanced visual effects - commonly used in big budget adventure features - and rapid editing.


The film will not address armed [[partisan]] actions, but will side-bar Soviet NKVD war crimes, the very few war crimes committed by the Allies, and as a postscript, review the cases of organizations, scientific academics, and reactionary historians who attempted to 'red flag' the production.
It was not planned that the film would address armed [[partisan]] actions, but was to side-bar Soviet NKVD war crimes, the very few war crimes committed by the Allies, and as a postscript, review the cases of organizations, scientific academics, and reactionary historians who attempted to 'red flag' the production.

The future of the project is uncertain since Bemister's death.


==Other Biography==
==Other Biography==

Revision as of 12:49, 20 February 2009

William Bemister (Born 28 June 1948. Died 13 November 2008) was a multi-award winning documentary film maker and journalist.

Rhodesia

After brief service in the ranks with the regular British Army's Intelligence Corps, then the Corps' Territorial Army airborne unit, and the civil staff of the Metropolitan Police Commissioner's Office at New Scotland Yard in the 1960s, Bemister started his journalism career with the politically liberal Rhodesia Herald and Sunday Mail newspaper group in pre-independence Rhodesia before joining the Rhodesian Broadcasting Corporation and its television subsidiary, RTV in Salisbury as a news sub-editor. He also contributed to the later banned African nationalist newspaper Moto.

New Zealand & Australia

In 1974, he moved to New Zealand and worked as a general reporter for the legendary NZ Truth, famed in the early 1970s for its exposé journalism and investigative reporting. He then immigrated to Australia where he joined Rupert Murdoch's News Limited newspaper titles: The Truth (formerly Melbourne's famed investigative tabloid, allegedly generating substantial profits, which contributed to Murdoch's acquisition of the British News of the World), the Sydney Sunday Telegraph, and the national daily, The Australian.

He returned to the broadcast media with the Australian Broadcasting Commission in both Melbourne and Sydney and the Australian Ten Television Network as Special Investigative Producer in Sydney.

Television

As an independent television journalist, Bemister's first film was The Confessions of Ronald Biggs, a documentary about the fugitive British train robber Ronald Biggs, who was then living in Brazil.

Bemister's co-produced 90-minute film The Hunter and the Hunted, about Nazi war criminals, their whereabouts, and the Nazi hunters who sought their arrest and prosecution, was commissioned by the Australian Seven Network and filmed on location in South America, France, Germany, Israel and the UK. Included in the film were scenes identifying the then home in La Paz, Bolivia, of Klaus Barbie, former head of the Gestapo in Lyon, France, and the first confirmation by a Bolivian law officer of Barbie’s true identity.

Barbie had been living under the alias Klaus Altmann, and while the Paris Nazi hunters Serge and Beate Klarsfeld had identified him in Bolivia in 1971, the government there had always refused requests to extradite him to France. In a filmed interview with Bemister, La Paz District Attorney Gaston Ladesma admitted that Altmann had confessed to him that he was Klaus Barbie.

It was only on January 19, 1983, 14 months after The Hunter and the Hunted was telecast on network television in the United States that a new moderate government in Bolivia deported Barbie to France to stand trial.

The film also contained the only filmed interview of SS-Standartenführer Walter Rauff, arguably the most wanted Nazi fugitive then alive. Rauff had been a friend and pre-war naval comrade of SS-Obergruppenführer Reinhard Heydrich, chief of the SS-Reich Security Main Office (including the Gestapo, Sicherheitsdienst, and Kripo police agencies) and Reich Governor of Bohemia and Moravia. Heydrich was one of the chief architects of the Holocaust, chairing the 1942 Wannsee conference, which finalized plans for the extermination of all European Jews.

Heydrich had recruited Rauff to the Criminal Technical Institute of the Reich Security Main Office, where Rauff designed gas vans used to poison Jews and the disabled. The trucks could carry between 25 and 60 people at a time. By 1942, Rauff’s "technical work" had accounted for at least 97,000 deaths. Rauff was later involved in the persecution of Jews in North Africa. As part of their long-term aim to export the Holocaust to the Middle East (including the British Mandate of Palestine and historical Israel’’) and North Africa, and to capture the region's oil fields, the Nazis courted Arab nationalists who were determined to drive the Jews from the area.

A month after German Field Marshal Erwin Rommel’s defeat of the British at Tobruk in June 1942, the SS set up a special extermination unit to follow in the wake of Rommel’s Afrika Korps. The unit was commanded by Rauff who was empowered to carry out "executive measures on the civilian population", the Nazi euphemism for mass murder and enslavement. Rauff’s mission to exterminate the Jewish population in North Africa and the Middle East was brought to an abrupt halt by the British 8th Army's defeat of Rommel at El Alamein in October 1942. Rommel was forced to withdraw the remnants of his army to Tunisia, where it sustained a bridgehead until May 1943.

A British Security Service (MI5) file records that Rauff was posted to Tunis in 1942 as head of the Sicherheitsdienst, where he led an Einsatzkommando (an SS task force) which conducted a well-organised persecution campaign against the country's Jews and Partisans. Rauff's men also stole jewels, silver, gold, and religious artefacts from the Tunisian Jews. In 1943 Rauff was evacuated from Tunis to Italy where he took charge of all Gestapo and Sicherheitsdienst operations throughout the northwest of the country.

The MI5 file states: "In both these postings Rauff rapidly gained reputation for utter ruthlessness. In Tunis he was responsible for the indiscriminate execution of both Jews and local Partisans. His work in Italy involved imposing total German control on Milan, Turin. and Genoa. His success in this task earned him the congratulations of his SS superior, who described it as "a superb achievement"". Rauff remained in Italy until the end of the war.

In 1979, Bemister traced Rauff to a small bungalow in a suburb of the Chilean capital, Santiago, near a house occupied by his son and grandchildren. A few hours later, in a droll piece of outdoor theater, Bemister found himself on the wrong side of a jammed garden gate to the son's house as the former SS Standartenführer Walter Rauff, the world’s last major Nazi war criminal, sought entry from the street, while a nearby surveillance camera team filmed the whole encounter. Unaware of Bemister's hidden microphone, Rauff gave his only filmed interview, joking about Nazi hunter Simon Wiesenthal: "We are all old ‘‘(presumably referring to other Nazis) and failing him in clients", Rauff laughed.

Adolf Eichmann's son Horst also controversially discusses the case against his father in the film. A 58-minute version of the film was later telecast on PBS in the United States for which Bemister won the 1981 Emmy for Outstanding Investigative Journalism on U.S. Network Television and the 1982 CINE Golden Eagle Award.

Bemister's other international producer credits include Philby on Thames Television in Britain, Moscow's Man for Sveriges Television, WDR-Fernsehen in Germany, and the Discovery Channel worldwide; and the Home Box Office documentary special America Undercover: The Search for Dr Josef Mengele for which he worked as Producer-Correspondent. He was also Investigative Reporter for Fremantle Media's The Seven Million Dollar Fugitive.

His productions for Australian television networks include a two-hour feature documentary, Spy Trap, telecast by the Australian Broadcasting Commission; the one-hour documentary special Psychic Visions Of The Future, a sincal look an the world's alleged psychics for the Australian Ten Television Network, and Warriors Of The Deep, a docudrama about the audacious Japanese midget submarine attack into the heart of Sydney Harbor in 1942, then the base for American and Australian warships. This film was telecast by the Australian Seven Network.

Cinema Feature

In 2008, Bemister embarked on the production of a 120-minute 'cross genre' factual feature film entitled Admissible Evidence, which planned to incorporate cinematographic and photographic evidence, satellite mapping of crime loci, ground penetrating radar, electronic and human intelligence, and other forensic evidence to identify World War II (Great Patriotic War) German war criminals and their collaborators, including members of the Romanian Army and Police.

The project planned to incorporate evidence of some of the world's leading scientists in face, gait, and voice recognition from academic centers of excellence in the United States, Sweden and Germany, and award-winning investigators 'cold case' Nazi war crimes committed between 1938 and 1945, including new evidence of the most gruesome cases of the sadistic murders of Jewish babies and burning of live victims in quicklime; such crimes were to be exposed for the first time, together with admissible evidence concerning each case.

The technologies, where possible, would have also identified Nazi victims: principally Jews, but also Slavs, Roma, homosexuals, psychiatric patients, pacifists including Quakers, Red Army prisoners-of-war, and unarmed civilians.

To redress cases where many thousands of alleged war criminals were not prosecuted, the film was to present forensic 'nano-evidence', the results of the most advanced new technologies. The film, a German, Russian, and UK co-production with the participation of other European organisations, was scheduled for production in 2009, and was the recipient of UK National Lottery Funding, through a grant from the British Government’s Department of the Media, the UK Film Council, and Screen South.

The term documentary is a complete misnomer as the picture was to abandon the conventional British documentary format in favor of $4 million production values and the style of a forensic/detective procedural drama with four-camera cinematography, innovative mis-en-scene and lighting, the most advanced visual effects - commonly used in big budget adventure features - and rapid editing.

It was not planned that the film would address armed partisan actions, but was to side-bar Soviet NKVD war crimes, the very few war crimes committed by the Allies, and as a postscript, review the cases of organizations, scientific academics, and reactionary historians who attempted to 'red flag' the production.

The future of the project is uncertain since Bemister's death.

Other Biography

In 1992, Bemister’s investigative work in the case of Auschwitz Dr. Josef Mengele was acknowledged in a published report from the Office of Special Investigations, United States Department of Justice to the Federal Attorney General of the United States. In 2007, his work featured in Richard Trank’s documentary I Have Never Forgotten You: The Life & Legacy of Simon Wiesenthal, narrated by Nicole Kidman, which premiered at the Berlin International Film Festival. More recently, with American, German, and Swedish colleagues, he carried out studies into experimental forensic technologies for Admissible Evidence. Bemister was a life member of the Oxford University Film Foundation, and a member of the National Academy of Television Arts and Sciences, New York, and the Frontline Club, London. He was also an Associate Member of the Oxford University Society. He was educated at St George’s College, Weybridge, England, and received the Undergraduate Diploma in Film Studies at the University of Oxford.

See also