Jeronimo Suñol: Difference between revisions
Appearance
Content deleted Content added
No edit summary |
m fix defaultsort |
||
Line 15: | Line 15: | ||
*[http://www.jeronimosunol.net/ Jeronimo Suñol y Pujol] |
*[http://www.jeronimosunol.net/ Jeronimo Suñol y Pujol] |
||
{{DEFAULTSORT: |
{{DEFAULTSORT:Sunol, Jeronimo}} |
||
[[Category:Spanish sculptors]] |
[[Category:Spanish sculptors]] |
||
[[Category:1840 births]] |
[[Category:1840 births]] |
Revision as of 03:34, 5 October 2008
Jeronimo Suñol y Pujol (Barcelona 1840 - Madrid 16 October 1902) was a Spanish sculptor whose early training was in the atelier of Agapit and Venanci Vallmitjana, perfecting his art at Rome where he maintained a studio for many years. Never prolific, he was among the front rank of Spanish sculptors of his generation, moving sculpture by his example away from neoclassical abstractions towards realistic depictions.
Major works
- Dante 1864 The major work that established his reputation shows the poet seated, lost in thought. The full-sized plaster model received a second-class medal at the exposition of 1864 in Madrid. Suñol showed it in in Paris, 1869 and kept a marble in his studio in Rome, where he repeated it for several collectors. It was cast in bronze for Barcelona, 1901.
- Himeneo (1866) A nude of Hymenaeus, the god of weddings.
- Petrarca
- O'Donnell Monument in the Salesas Reales de Madrid. The funeral monument of General Leopoldo O'Donnell y Joris, Count of Lucena and Duque of Tetuan.
- Alvarez de Castro Monument (1880). The funeral monument of General Mariano Alvarez de Castro.
- Columbus monument, 1886. A replica of 1894 is in Central Park, New York.
- Saint Peter and Saint Paul Basilica of San Francisco el Grande, Madrid.
- Marqués de Salamanca An informal portrait of uncompromising realism, for a public monument. Suñol's last work, it is in Salamanca Square, Madrid.