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* ''Perspectives'', [[International Center of Photography]], New York City, 2012<ref>{{cite web|url=https://www.icp.org/exhibitions/perspectives-2012-anna-shteynshleyger-greg-girard-chien-chi-chang |title=Perspectives 2012: Anna Shteynshleyger, Greg Girard, Chien-Chi Chang &#124; International Center of Photography |website=Icp.org |date=23 February 2016 |access-date=2017-05-24}}</ref>
* ''Perspectives'', [[International Center of Photography]], New York City, 2012<ref>{{cite web|url=https://www.icp.org/exhibitions/perspectives-2012-anna-shteynshleyger-greg-girard-chien-chi-chang |title=Perspectives 2012: Anna Shteynshleyger, Greg Girard, Chien-Chi Chang &#124; International Center of Photography |website=Icp.org |date=23 February 2016 |access-date=2017-05-24}}</ref>
* ''One Percent: Privilege in Time of Global Inequality'', Pingyao Photography Festival, Pingyao, China, 2015<ref>{{cite web|url=http://www.onepercentshow.com/ |title=1% Privilege in a Time of Global Inequality – PHOTOGRAPHS |website=Onepercentshow.com |access-date=2017-05-24}}</ref>
* ''One Percent: Privilege in Time of Global Inequality'', Pingyao Photography Festival, Pingyao, China, 2015<ref>{{cite web|url=http://www.onepercentshow.com/ |title=1% Privilege in a Time of Global Inequality – PHOTOGRAPHS |website=Onepercentshow.com |access-date=2017-05-24}}</ref>
* ''Pictures From Here'', Vancouver Art Gallery, Vancouver, Canada; May 18 – September 4, 2017<ref>{{cite web|url=https://www.vanartgallery.bc.ca/the_exhibitions/exhibit_picturesfromhere.html |title=Vancouver Art Gallery |website=Vanartgallery.bc.ca |date=2012-01-17 |access-date=2017-05-24}}</ref><ref>{{cite web|url=http://nuvomagazine.com/culture/pictures-from-here-vancouver-art-gallery |title=Pictures From Here &#124; NUVO |website=Nuvomagazine.com |date=2017-05-19 |access-date=2017-05-24}}</ref>
* ''Pictures From Here'', Vancouver Art Gallery, Vancouver, Canada; May 18 – September 4, 2017<ref>{{cite web |url=https://www.vanartgallery.bc.ca/the_exhibitions/exhibit_picturesfromhere.html |title=Vancouver Art Gallery |website=Vanartgallery.bc.ca |date=2012-01-17 |access-date=2017-05-24 |archive-date=2019-01-21 |archive-url=https://web.archive.org/web/20190121074534/http://vanartgallery.bc.ca/the_exhibitions/exhibit_picturesfromhere.html |url-status=dead }}</ref><ref>{{cite web|url=http://nuvomagazine.com/culture/pictures-from-here-vancouver-art-gallery |title=Pictures From Here &#124; NUVO |website=Nuvomagazine.com |date=2017-05-19 |access-date=2017-05-24}}</ref>


==Books==
==Books==

Revision as of 17:54, 21 June 2024

Greg Girard
Born1955
Vancouver, British Columbia, Canada
Occupationphotographer
Known forCity of Darkness: Life in Kowloon Walled City
Phantom Shanghai
Hanoi Calling
Under Vancouver 1972–1982
Hotel Okinawa
Websitewww.greggirard.com

Greg Girard (born 1955) is a Canadian photographer whose work has examined the social and physical transformation in Asia's largest cities for more than three decades.[1]

His most recent book, Tokyo-Yokosuka 1976–1983, published 2019, completes a loose trilogy of photobooks (along with Under Vancouver 1972–1982 and HK: PM Hong Kong Night Life 1974–1989) that features early work made in the 1970s and 1980s,[2] largely before his professional career began in the late 1980s.

Hotel Okinawa, published in 2017, looks at Okinawa's unique social and physical landscape, created by decades of living alongside the US military. Okinawa hosts more than half the 50,000 US troops stationed in Japan as well as their dependents and civilian contractors. Writer Marc Feustel in his introduction describes Hotel Okinawa as a "document of the end of the American Century".[3]

Under Vancouver 1972–1982, published in 2017, looks at the city where Girard was born, especially the waterfront and the other unglamorous parts of the port city, before making Asia his home for the next thirty years.[4] While living in Hong Kong he photographed Hong Kong's neon-drenched streets, bars and nightclubs, also published in 2017, in the book HK:PM Hong Kong 1974–1989.

City of Darkness Revisited, released in 2014, revives an early collaboration with co-author Ian Lambot, and updates their original book City of Darkness: Life in Kowloon Walled City (1993).[5][6]

Based in Shanghai between 1998 and 2011, his photographic monograph Phantom Shanghai (2007), looks at the rapid and at times violent transition of Shanghai as the city raced to make itself "modern again" at the beginning of the 21st century.[7]

Other recent titles include Hanoi Calling (2010), and In the Near Distance (2010), a book of early photographs made in Asia and North America between 1973 and 1986. He is currently working on a book that examines the social and physical landscape of US military bases in Asia and their host communities.[8][9]

Girard's work is in the collection of the National Gallery of Canada, The Art Gallery of Ontario, the Vancouver Art Gallery. His photographs have appeared in Time, Newsweek, Fortune, Forbes, Elle, Paris Match, Stern, The New York Times Magazine. His work has been exhibited in galleries in South Korea, London, Germany, Helsinki, and New York City.

In addition to book projects and gallery work he is a contributing photographer to National Geographic.[10]

Biography

Girard's first photographs were made in the city he grew up, Vancouver, British Columbia, Canada, in the early 1970s. Between 1972 and 1982, Girard had an early interest in the effects of artificial light on colour film at night, and subject matter dealing with the social and physical underside of the city. During this period he also made his first trips to Asia, to Hong Kong and South-East Asia, later living in Tokyo in the late 1970s.[11] This early interest in Asia resulted in relocating to Hong Kong in 1982, where he lived until 1998. A move to Shanghai followed, where he lived for more than a decade, before returning in 2011 to Vancouver, where he lives today.

Notable work

Under Vancouver 1972–1982

Under Vancouver 1972–1982 is a collection of photographs of Girard's hometown, Vancouver (and published as a book of the same title),[4] a series that began while he was still in high school. In this early work the city's origins as a west coast Canadian port at the end of the rail line are still much in evidence. Soon after this work was made, Vancouver began to be noticed by the wider world (after Expo 86),[citation needed] and the city began refashioning itself as an urban resort close to nature, also attracting attention as a destination for real estate investment. The photographs in Under Vancouver 1972–1982 reveal an early interest in the hidden and the overlooked, the use of color transparency film at night, and the extended photographic inquiry of a specific place, all of which became signature features of later books such as City of Darkness and City of Darkness Revisited (about the Kowloon Walled City), Phantom Shanghai and Hanoi Calling.[12][13]

Kowloon Walled City

Photographed between 1986 and 1992, Girard's Kowloon Walled City photographs form the basis for the books City of Darkness: Life in Kowloon Walled City and City of Darkness Revisited, a record of the final years of the infamous Kowloon Walled City in Hong Kong: a largely self-governing enclave of more than 35,000 people living in 300 interconnected high-rise buildings, constructed without architectural, engineering or health and safety oversight.[14] While it stood (until 1992) Kowloon Walled City was the most densely populated place on Earth. Girard's photographs, along with co-author Ian Lambot's, provide the most thorough record of what life was like for Walled City residents, and have served as a visual reference for film production designers (e.g. Batman Begins directed by Christopher Nolan),[15] writers (e.g. The Bridge Trilogy by William Gibson),[16] video game designers (e.g. Call of Duty: Black Ops) and others in creating an imagined dystopian urban environment.[17]

Phantom Shanghai

Photographed between 2000 and 2006, Phantom Shanghai defines a key historic moment as China's largest city was racing to make up for "lost time" (following China's isolation after Mao Zedong’s victory in 1949 and the tumult of the Cultural Revolution, 1966–1976). The destruction of architecturally and historically significant buildings and neighborhoods is a significant feature of this series by Girard.[18] Phantom Shanghai is featured in Martin Parr and WasinkLundgren’s The Chinese Photobook.[19]

Hanoi Calling

Photographed by Girard in 2009 and 2010, Hanoi Calling was published in 2010 to commemorate the millennium anniversary of the founding of the Vietnamese capital. Looking at the often ignored and overlooked features of the everyday city, Hanoi Calling is a record of the public and private spaces that form the foreground and background to daily life as the millennium anniversary approached.[20][21]

In the Near Distance

In the Near Distance, published in 2010, looks at Girard's early work between 1972 and 1986, in his home town Vancouver and on travels to the US, Japan, and other parts of Asia. The early use of colour transparency film and long exposures at night, which became a signature feature of his later work, especially in Phantom Shanghai, are first in evidence here.[22][23]

Hotel Okinawa

Japan's southernmost prefecture, Okinawa, hosts a concentration of US military bases unlike anywhere outside the continental United States. More than half the 50,000 US troops stationed in Japan are based here. On the main island of Okinawa nearly 20% of the land is occupied by these bases. This large US military footprint, and the legacy of Okinawa's history as a US-administered territory until 1972, means that the social and physical landscape of Okinawa is shaped by this relationship with the US military like few other places. In Hotel Okinawa (2017), Girard looks at this unique world "on base" and off, separate and yet conjoined, the result of decades of living in close proximity with the US military. Additionally, archival photographs, periodicals and other artefacts, some dating back to the US occupation, appear throughout the book, registering historical strands that are part of the complex fabric of Okinawa today.[3]

Selected exhibitions

Solo

  • Phantom Shanghai, Monte Clark Gallery, Vancouver/Toronto, Canada, 2008. With a foreword by William Gibson.[24]
  • Half the Surface of the World, Monte Clark Gallery, Vancouver/Toronto, Canada, 2010[24]
  • Hanoi Calling, Monte Clark Gallery, Vancouver/Toronto, Canada, 2011[24]
  • A Better Tomorrow, Monte Clark Gallery, Vancouver, Canada, 2013[25]
  • Selects, Monte Clark Gallery, Vancouver, Canada, 2015[26]
  • Under Vancouver 1972–1982, Monte Clark Gallery, Vancouver, Canada, April 22 – May 27, 2017[27][12][28][29][13]

Group

  • Cities on the Move, Hayward Gallery, London, 1999[30]
  • Cities of the 21st Century, Bauhaus Dessau, Germany, 2000
  • Unfinished Business, Presentation House Gallery, North Vancouver, Canada, 2004[31]
  • Shanghai Kaleidoscope, Royal Ontario Museum, Toronto, Canada, 2008[32]
  • People Meet in Architecture, Hong Kong Pavilion, Venice Biennale of Architecture, Italy, 2010[33]
  • Towards a Social Landscape, Lianzhou Photography Festival, China, 2011[34]
  • The Near and the Elsewhere, PM House, London, 2012[35]
  • Perspectives, International Center of Photography, New York City, 2012[36]
  • One Percent: Privilege in Time of Global Inequality, Pingyao Photography Festival, Pingyao, China, 2015[37]
  • Pictures From Here, Vancouver Art Gallery, Vancouver, Canada; May 18 – September 4, 2017[38][39]

Books

Books by Girard

  • Phantom Shanghai. Toronto: Magenta, 2007. ISBN 978-0973973914.[40]
  • In the Near Distance. Berlin: Kominek, 2010.[41]
  • Hanoi Calling. Toronto: Magenta, 2010. ISBN 978-1926856018.
  • Hotel Okinawa. The Velvet Cell, 2017. ISBN 978-1-908889-41-6. Edition of 500 copies.[3]
  • Under Vancouver 1972–1982. Toronto: Magenta, 2017. ISBN 978-1-926856-10-0.[4]
  • HK:PM Hong Kong Night Life 1974–1989. Asia One Books, 2017. ISBN 978-9887712176.[2]
  • Tokyo-Yokosuka 1976–1983. Magenta, 2019. ISBN 978-1926856148.[42]

Books paired with others

  • City of Darkness. With Ian Lambot. London: Watermark, 1993.
  • City of Darkness Revisited. With Ian Lambot. London: Watermark, 2014. ISBN 978-1873200889.[5]

Collections

Film

  • Snapshot, video documentary featuring Girard. 24-minute program in a series of 8 by the Bravo (Canada) network, featuring the working lives of photographers.[47][48]

References

  1. ^ "Interview: Greg Girard". Fototazo.com. 2012-01-25. Retrieved 2017-01-21.
  2. ^ a b "Greg Girard's nocturnal photographs of Hong Kong's Night Life in the 1970s and '80s". 25 September 2017.
  3. ^ a b c "Hotel Okinawa – Greg Girard – the Velvet Cell". Archived from the original on 2017-09-05. Retrieved 2021-09-17.
  4. ^ a b c "Under Vancouver 1972–1982 – The Magenta Foundation". Magentafoundation.org. 2017-04-22. Retrieved 2017-05-24.
  5. ^ a b "Revisited". City of Darkness. Retrieved 2017-01-21.
  6. ^ "walled city of darkness revisited in hong kong by greg girard + ian lambot". Designboom.com. 2014-03-31. Retrieved 2017-01-21.
  7. ^ "Photographs Capture What Remains of 'Old Shanghai'". Feature Shoot. 2014-08-23. Retrieved 2017-01-21.
  8. ^ "Uncovering a Home Away from Home". The New York Times. Retrieved 2017-01-21.
  9. ^ "When Outsiders Feel More Familiar than the Mainstream". Hyperallergic.com. 19 March 2012. Retrieved 2017-01-21.
  10. ^ "Photographer Greg Girard Biography". National Geographic. Archived from the original on February 1, 2017. Retrieved 2017-01-21.
  11. ^ "Greg Girard's Photos of the Lifestyle on U.S. Military Bases - NYTimes.com". Archived from the original on 2013-12-04. Retrieved 2017-01-19.
  12. ^ a b "Monte Clark Gallery". Monte Clark Gallery. Retrieved 2017-05-24.
  13. ^ a b "A bygone era of pre-Expo 86 Vancouver – CBC.ca | North by Northwest". CBC.ca. Retrieved 2017-05-24.
  14. ^ Chris Weller (2015-08-12). "The mania of China's Kowloon Walled City". Business Insider. Retrieved 2017-05-24.
  15. ^ "Kowloon Walled City Revisited". ArtAsiaPacific. 2015-03-12. Retrieved 2017-05-24.
  16. ^ "A New Look at Kowloon Walled City, the Internet's Favorite Cyberpunk Slum – Motherboard". Motherboard.vice.com. Retrieved 2017-05-24.
  17. ^ speakzeasy (2015-01-06). "Kowloon walled city | SPEAKZEASY". Speakzeasy.wordpress.com. Retrieved 2017-05-24.
  18. ^ Shinkle, Eugenie (2015-12-14). "An Interview with Greg Girard: Vancouver to Kowloon – Watching Globalisation Unfold | #ASX". Americansuburbx.com. Retrieved 2017-05-24.
  19. ^ "The Chinese Photobook – Aperture Foundation". Aperture.org. 2015-05-04. Retrieved 2017-05-24.
  20. ^ "LS_13.007 Greg Girard". Landscape Stories. Retrieved 2017-05-24.
  21. ^ "Greg Girard "Hanoi Calling: One Thousand Years Now" on Vimeo". Vimeo.com. 2013-09-09. Retrieved 2017-05-24.
  22. ^ Greg GirardApr 13, 2010 (2010-04-13). "Conscientious Extended | Greg Girard: In the Near Distance 1973–86". Jmcolberg.com. Retrieved 2017-05-24.{{cite web}}: CS1 maint: numeric names: authors list (link)
  23. ^ "Greg Girard – In The Near Distance on Vimeo". Vimeo.com. 2012-03-14. Retrieved 2017-05-24.
  24. ^ a b c "Home".
  25. ^ "Greg Girard a Better Tomorrow".
  26. ^ "Greg Girard Selects".
  27. ^ "Greg Girard Under Vancouver 1972–1982".
  28. ^ "Photographer Greg Girard returns to Vancouver's vanished streetscapes | Georgia Straight Vancouver's News & Entertainment Weekly". Straight.com. 2017-05-10. Retrieved 2017-05-24.
  29. ^ "'They are pictures of a different time': Exhibit showcases pre-Expo Vancouver – British Columbia – CBC News". Cbc.ca. 2017-05-14. Retrieved 2017-05-24.
  30. ^ "Cities On The Move". Oma.eu. Retrieved 2017-05-24.
  31. ^ "Unfinished Business: Photographing Vancouver Streets 1955 – 1985 (expanded)". Presentation House Gallery. 2003-03-02. Retrieved 2017-05-24.
  32. ^ "Shanghai Kaleidoscope | Royal Ontario Museum". Rom.on.ca. 2008-04-04. Retrieved 2017-01-21.
  33. ^ "anna fang public relations – Our Clients". Annafangpr.com. Retrieved 2017-05-24.
  34. ^ "Exhibition Lianzhou Foto 2011 – Toward the Social Landscape – artist, news & exhibitions". Photography-now.com. 2011-12-08. Retrieved 2017-05-24.
  35. ^ "The near and the elsewhere – a-n The Artists Information Company". A-n.co.uk. Retrieved 2017-05-24.
  36. ^ "Perspectives 2012: Anna Shteynshleyger, Greg Girard, Chien-Chi Chang | International Center of Photography". Icp.org. 23 February 2016. Retrieved 2017-05-24.
  37. ^ "1% Privilege in a Time of Global Inequality – PHOTOGRAPHS". Onepercentshow.com. Retrieved 2017-05-24.
  38. ^ "Vancouver Art Gallery". Vanartgallery.bc.ca. 2012-01-17. Archived from the original on 2019-01-21. Retrieved 2017-05-24.
  39. ^ "Pictures From Here | NUVO". Nuvomagazine.com. 2017-05-19. Retrieved 2017-05-24.
  40. ^ Quaintance, John. "Phantom Shanghai". The New Yorker. Retrieved 2017-01-21.
  41. ^ "Greg Girard | In the Near Distance | Actual Colors May Vary {ACMV} — Online Magazine for Photography". Actualcolorsmayvary.com. 2011-09-15. Retrieved 2017-01-21.
  42. ^ Foundation, The Magenta. "Tokyo-Yokosuka 1976–1983". The Magenta Foundation. Retrieved Sep 17, 2021.
  43. ^ "Archived – Art Bank to acquire 79 new works by Canadian artists – Canada News Centre". Nouvelles.gc.ca. 2006-06-05. Retrieved 2017-01-21.
  44. ^ "AGO acquires three new works at Toronto International Art Fair | AGO Art Gallery of Ontario". Ago.net. 2009-06-02. Retrieved 2017-01-21.
  45. ^ "Greg Girard – National Gallery of Canada | National Gallery of Canada". Gallery.ca. Retrieved 2017-01-21.
  46. ^ "Vancouver Art Gallery". Vanartgallery.bc.ca. Archived from the original on 2019-04-19. Retrieved 2017-01-21.
  47. ^ "Snapshot Nov 13 on Bravo!". Discuss.channelcanada.com. 2008-10-28. Retrieved 2017-01-21.
  48. ^ "Snapshot: Greg Girard on Vimeo". Vimeo.com. 2011-10-19. Retrieved 2017-01-21.
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