The Lion in Winter (1968 film): Difference between revisions
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===Filming=== |
===Filming=== |
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The film was shot at [[Ardmore Studios]] in [[Bray, County Wicklow]], Ireland, and on location in Ireland, [[Wales]] ([[Marloes Sands]]),<ref>[http://www.visitwales.com/holidays-breaks/days-out/tv-film-locations-uk/wales-on-film Wales hosts Hollywood blockbusters]</ref> and |
The film was shot at [[Ardmore Studios]] in [[Bray, County Wicklow]], Ireland, and on location in Ireland, [[Wales]] ([[Marloes Sands]]),<ref>[http://www.visitwales.com/holidays-breaks/days-out/tv-film-locations-uk/wales-on-film Wales hosts Hollywood blockbusters]</ref> and France at [[Montmajour Abbey|Abbaye de Montmajour]], [[Arles]]; [[Tarascon#Medieval castle|Château de Tarascon]], [[Carcassonne]]; and [[Saône-et-Loire]]. |
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The sculpted stone figures |
The sculpted stone figures which appear during the main title sequence were discovered by the director along a driveway near a shooting location in France. They are portrayed as appearing on interior walls of the castle in the film.<ref>Director Anthony Harvey, audio commentary in ''Lion in Winter'', 2000.</ref> |
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==Reception== |
==Reception== |
Revision as of 18:58, 23 December 2023
The Lion in Winter | |
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![]() Theatrical release poster | |
Directed by | Anthony Harvey |
Screenplay by | James Goldman |
Based on | The Lion in Winter 1966 play by James Goldman |
Produced by | Martin Poll |
Starring | |
Cinematography | Douglas Slocombe |
Edited by | John Bloom |
Music by | John Barry |
Color process | Color |
Production company | Haworth Productions |
Distributed by | AVCO Embassy Pictures |
Release date |
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Running time | 134 minutes |
Countries |
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Language | English |
Budget | $4 million[1] |
Box office | $22.3 million[2] |
The Lion in Winter is a 1968 historical drama centred on Henry II of England and his attempt to establish a line of succession during a family gathering at Christmas 1183. His efforts unleash both political and personal turmoil among his estranged wife Eleanor of Aquitaine, their three surviving sons, the French king, and the king's half-sister Alais, who is Henry's mistress. The film was directed by Anthony Harvey; written by James Goldman (based on his own play of the same name); produced by Joseph E. Levine, Jane C. Nusbaum, and Martin Poll; and starred Peter O'Toole, Katharine Hepburn, John Castle, Anthony Hopkins (in his first major film role), Jane Merrow, Timothy Dalton (in his film debut) and Nigel Terry.
The film was a commercial success and won three Academy Awards, including Hepburn's historic tie with Barbra Streisand for Best Actress, making Hepburn the first three-time winner in the category. A television remake of the film was released in 2003.
Plot
It is 1183 in the medieval Angevin Empire. Fifty year-old Henry II of England seeks to establish a line of succession while he is still powerful enough to do so. He summons his family for Christmas as his castle in Chinon, Touraine. Henry wants his youngest son, John, a weakling, to inherit his throne, while his estranged wife, Eleanor of Aquitaine, temporarily released from by Henry from imprisonment in England for the holidays, favours their eldest surviving son, Richard, a proven warrior.
King Philip II of France, the son and successor of Louis VII, Eleanor's first husband, is invited, as Henry has important outstanding business with him. His father had made a treaty with King Henry pledging Philip's half-sister Alais, who is currently Henry's mistress, to be married to Henry's future heir; he demands either a wedding or the return of her dowry, the strategically important county of Vexin near Paris.
![](http://upload.wikimedia.org/wikipedia/commons/thumb/3/3d/Hep-lion.jpg/220px-Hep-lion.jpg)
Henry agrees to give Alais to Richard to wed, and make him heir-apparent. He brokers a deal with Eleanor for her freedom in return for Duchy of Aquitaine, to be given to John. When the deal is revealed at the wedding, Richard, who wanted the Aquitaine for himself, refuses to go through with the ceremony - just as Henry had anticipated.
Having believed Henry's ploy, John is manipulated by his scheming middle brother, the "unloved" Geoffrey II, Duke of Brittany, to plot with Philip to make war on Henry, in return for becoming John's chancellor. Machinations then ensue between Philip and Richard, who is manipulated by Philip while John and Geoffrey hide behind a curtain. Henry and Philip then meet to discuss terms, with all three princes in hiding. He soon learns that Philip has been plotting with John and Geoffrey, as had Richard separately, and that Philip and Richard may once have been lovers. Philip portrays their "love" as always having been a scheme. Richard emerges and decries this, but Philip, saying he had always loathed Richard's sight and touch, just turns the knife deeper.
Recognizing their limitations, and their various and multiple plotting against him, Henry dismisses all three sons as unsuitable heirs to his throne and imprisons them. He readies a train to to travel to Rome to demand an annulment by the Pope of his marriage to Eleanor, intending then to wed and have new sons with Alais. She protests he will never be able to release his with Eleanor from prison as they will slay any new legitimate offspring. Elanor confirms this, stabbing a verbal dagger into her husband by telling him not to worry, they will wait till he is dead to do so.
Henry recognizes the peril to his plan and confronts all three sons at once, holding them at bay three knives to one. Condemning them to death, he raises his sword over Richard first, but brings the blade down harmlessly on the flat upon his armored shoulder. He cannot kill his own children; weepingly, he lets them escape.
Realizing all his hopes are lost, and that he has been successfully checked by Eleanor, he is resigned, and falls into her arms.
In the morning she leaves on her barge, waving affectionately, and he bellowing vociferous friendly nonsenses, each realizing their love for one-another and their mutual plight, each being under the other's spell.
Cast
- Peter O'Toole as Henry II, King of England, Lord of Ireland, Duke of Normandy and of Aquitaine, Count of Anjou
- Katharine Hepburn as Eleanor of Aquitaine, his estranged queen
- Anthony Hopkins as Richard the Lionheart, their eldest surviving son
- John Castle as Geoffrey, their middle son
- Nigel Terry as John, their youngest son
- Timothy Dalton as Philip II, King of France
- Jane Merrow as Alais, Philip's half-sister and Henry's mistress, betrothed to Henry's heir by treaty
- Nigel Stock as Captain William Marshall
- Kenneth Ives as Queen Eleanor's personal guard
- O. Z. Whitehead as Hugh de Puiset, the Bishop of Durham
Production
Writing
The original stage production had not been a success, getting a bad review in The New York Times and losing $150,000. Producer Martin Poll optioned Goldman's novel Waldorf for the movies. They discussed Lion in Winter, which Poll had read and loved. He hired Goldman to write a screenplay.
Casting
Poll was meant to make a film with Joseph Levine and Peter O'Toole, The Ski Bum (which would be written by James Goldman's brother William). That project fell through and Poll suggested they do Lion in Winter instead.[3] O'Toole, who was 36, and had portrayed Henry II in 1964's Becket, plays him at age 50.
In October 1967, the actors rehearsed at Haymarket Theatre in London.[4] Production started in November 1967[5] and continued until May 1968.[6]
Filming
The film was shot at Ardmore Studios in Bray, County Wicklow, Ireland, and on location in Ireland, Wales (Marloes Sands),[7] and France at Abbaye de Montmajour, Arles; Château de Tarascon, Carcassonne; and Saône-et-Loire.
The sculpted stone figures which appear during the main title sequence were discovered by the director along a driveway near a shooting location in France. They are portrayed as appearing on interior walls of the castle in the film.[8]
Reception
The film premiered on 30 October 1968 (29 December 1968 London premiere).
The film earned an estimated $6.4 million in distributor rentals in the domestic North American market during its initial year of release.[9] It was the 14th most popular movie at the U.S. box office in 1969.[10]
Renata Adler of The New York Times wrote that the film was "for the most part, outdoorsy and fun, full of the kind of plotting and action people used to go to just plain movies for."[11]
Variety called it "an intense, fierce, personal drama put across by outstanding performance of Peter O'Toole and Katharine Hepburn. Anthony Harvey, a relatively new director, has done excellent work with a generally strong cast, literate adaptation by the author, and superb production values assembled by Martin H. Poll, who produced for Joseph E. Levine presentation under the Embassy banner."[12]
Roger Ebert gave the film 4 stars out of 4, writing, "One of the joys which movies provide too rarely is the opportunity to see a literate script handled intelligently. 'The Lion in Winter' triumphs at that difficult task; not since 'A Man for All Seasons' have we had such capable handling of a story about ideas. But 'The Lion in Winter' also functions at an emotional level, and is the better film, I think."[13]
Charles Champlin of the Los Angeles Times declared, "Top honors for the most literate movie of the year, and for the finest and most imaginative and fascinating evocation of an historical time and place, can be awarded this very day to 'The Lion in Winter.'"[14]
Pauline Kael of The New Yorker was less positive, writing that the film miscalculated in attempting to elevate the melodramatic plot "with serious emotions, more or less authentic costumes and settings, pseudo-Stravinsky music, and historical pomp. And it just won't do to have actors carrying on as if this were a genuine, 'deep' historical play on the order of 'A Man for All Seasons' ... They're playing a camp historical play as if it were the real thing—delivering commercial near-poetry as if it were Shakespeare."[15]
In a mixed review for The Monthly Film Bulletin, David Wilson called Katharine Hepburn's performance "perhaps the crowning achievement of an extraordinary career" but described the film as a whole as being "essentially a piece of highly polished theatricality, and not much else if one looks beyond its insistently sophisticated surface gloss."[16]
Rotten Tomatoes collected 43 reviews giving the film 91% approval and an average rating of 8.2/10. The critical consensus reads, "Sharper and wittier than your average period piece, The Lion in Winter is a tale of palace intrigue bolstered by fantastic performances from Peter O'Toole, Katharine Hepburn, and Anthony Hopkins in his big-screen debut."[17]
After the seeing the film, Albert R. Broccoli and Harry Saltzman offered Dalton the role of James Bond for the first time, as a replacement for Sean Connery in On Her Majesty's Secret Service (1969). Dalton declined because he felt he was too young, although he would later be cast in the role in The Living Daylights (1987) and Licence to Kill (1989).[18]
Accolades
Preservation
The Academy Film Archive preserved The Lion in Winter in 2000.[30]
Historical accuracy
![](http://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Map_France_1180-fr.svg/400px-Map_France_1180-fr.svg.png)
Though the background and the eventual destinies of the characters are generally accurate, The Lion in Winter is fictional: while there was a Christmas court at Caen in 1182, there was none at Chinon in 1183. In reality, Henry had many mistresses and many illegitimate children; the "Rosamund" mentioned in the film was his mistress until she died. The Revolt of 1173–1174 provides the historical background leading to the play's events. There was also a second rebellion, when Young Henry and Geoffrey revolted in 1183, resulting in Young Henry's death. While some historians have theorized that Richard was homosexual, it is not certain.
Geoffrey died in 1186 in a jousting tournament held in Paris (with some speculation that Geoffrey was involved in plotting against Henry with Philip at the time). A third rebellion against Henry by Richard and Philip in 1189 was finally successful, and a decisively defeated Henry retreated to Chinon in Anjou, where he died. Richard the Lionheart succeeded Henry II, but spent very little time in England (perhaps 6 months), after which he became a central Christian commander during the Third Crusade, leading the campaign after the departure of Philip. Richard won some considerable victories, but he did not succeed in retaking Jerusalem. John finally succeeded Richard in 1199 after Richard's death. During his unsuccessful reign he lost most of his father's holdings in Northern France and angered the English barons, who revolted and forced him to accept and add his seal to Magna Carta. John is also known for being the villain in the Robin Hood legends. Lastly, William Marshal, who during the film is harried about by Henry II, outlived the English main characters and eventually ruled England as regent for the young Henry III.[31]
See also
Notes
Citations
- ^ "Joseph, Robert. "Films Come to the Emerald Isle: Emerald Isle Welcomes Films"". Los Angeles Times. 17 March 1968. p. q26.
- ^ "The Lion in Winter (1968)". The Numbers. Retrieved February 13, 2016.
- ^ Smith, C. (Dec 1, 1968). "'Lion in winter'--play that refused to die". Los Angeles Times. ProQuest 156111474.
- ^ Bergan 1996, p. 155.
- ^ Callan 2004, pp. 90, 100, 105.
- ^ Wapshott 1984, p. 145.
- ^ Wales hosts Hollywood blockbusters
- ^ Director Anthony Harvey, audio commentary in Lion in Winter, 2000.
- ^ "Big Rental Films of 1969", Variety, 7 January 1970 p 15
- ^ "The World's Top Twenty Films", Sunday Times, [London, England], 27 September 1970: 27. The Sunday Times Digital Archive. accessed 5 April 2014
- ^ Adler, Renata (October 31, 1968). "Screen: James Goldman's 'Lion in Winter' Arrives". The New York Times: 54.
- ^ "The Lion In Winter". Variety: 6. October 23, 1968.
- ^ Ebert, Roger (November 4, 1968). "The Lion In Winter". RogerEbert.com. Retrieved November 19, 2018.
- ^ Champlin, Charles (December 17, 1968). "'The Lion in Winter' Opens Run". Los Angeles Times. Part IV, p. 1.
- ^ Kael, Pauline (November 9, 1968). "The Current Cinema". The New Yorker. p. 189.
- ^ Wilson, David (March 1969). "The Lion In Winter". The Monthly Film Bulletin. 36 (422): 50.
- ^ "The Lion in Winter (1968)". Rotten Tomatoes. Fandango. Retrieved 6 October 2021.
- ^ Field, Matthew (2015). Some kind of hero : 007 : the remarkable story of the James Bond films. Ajay Chowdhury. Stroud, Gloucestershire. ISBN 978-0-7509-6421-0. OCLC 930556527.
{{cite book}}
: CS1 maint: location missing publisher (link) - ^ "The 41st Academy Awards | 1969". Oscars.org. Academy of Motion Picture Arts and Sciences. Retrieved October 23, 2014.
- ^ "BAFTA Awards: Film in 1969". BAFTA. 1969. Retrieved June 3, 2021.
- ^ "Best Cinematography in a Theatrical Feature Film" (PDF). Retrieved June 3, 2021.
- ^ "David di Donatello Awards 1968". Mubi. Retrieved June 3, 2021.
- ^ "21st DGA Awards". Directors Guild of America Awards. Retrieved June 3, 2021.
- ^ "The Lion in Winter – Golden Globes". HFPA. Retrieved June 3, 2021.
- ^ "The Lion in Winter – Awards". IMDb. Retrieved June 3, 2021.
- ^ "National Board of Review of Motion Pictures :: Awards". Nbrmp.org. Archived from the original on December 18, 2011. Retrieved 8 August 2011.
- ^ "1968 New York Film Critics Circle Awards". New York Film Critics Circle. Retrieved June 3, 2021.
- ^ "Awards Winners". wga.org. Writers Guild of America. Archived from the original on 2012-12-05. Retrieved 2010-06-06.
- ^ "Writers' Guild Awards 1969". Writers' Guild of Great Britain. Retrieved June 3, 2021.
- ^ "Preserved Projects". Academy Film Archive.
- ^ Painter, S., William Marshal, Knight-Errant, Baron & Regent of England, p.268
- ^ Tied with Barbra Streisand for Funny Girl.
Bibliography
- Paden, William (2004). Utz, Richard; Swan, Jesse G (eds.). I Learned It at the Movies: Teaching Medieval Film in: Postmodern Medievalisms. Cambridge: Brewer. pp. 79–98.
- Bergan, Ronald (1996). Katharine Hepburn: An Independent Woman. Arcade Publishing. p. 155. ISBN 9781559703512.
- Callan, Michael Feeney (2004). Anthony Hopkins: A Three Act Life. London: Robson Books. pp. 98, 100, 105. ISBN 186105761X.
- Wapshott, Nicholas (1984). Peter O'Toole: A Biography. Beaufort Books. p. 145. ISBN 9780825301964.
External links
![](http://upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/34px-Wikiquote-logo.svg.png)
- The Lion in Winter at the AFI Catalog of Feature Films
- The Lion in Winter at IMDb
- The Lion in Winter at the TCM Movie Database
- The Lion in Winter at AllMovie
- The Lion in Winter at Rotten Tomatoes
- 1968 films
- 1960s Christmas films
- 1960s historical drama films
- Biographical films about English royalty
- British Christmas drama films
- British historical drama films
- British LGBT-related films
- British epic films
- Henry II of England
- Cultural depictions of Richard I of England
- Cultural depictions of Eleanor of Aquitaine
- Cultural depictions of John, King of England
- Films about dysfunctional families
- Films featuring a Best Actress Academy Award-winning performance
- Films featuring a Best Drama Actor Golden Globe winning performance
- Films whose writer won the Best Adapted Screenplay Academy Award
- Films that won the Best Original Score Academy Award
- British films based on plays
- Films shot in Wales
- Best Drama Picture Golden Globe winners
- Films directed by Anthony Harvey
- Films scored by John Barry (composer)
- Films set in country houses
- Films set in medieval France
- Films set in the 12th century
- Films shot in the Republic of Ireland
- Films with screenplays by James Goldman
- Embassy Pictures films
- 1960s Christmas drama films
- 1968 LGBT-related films
- 1968 drama films
- Films set in castles
- 1960s English-language films
- 1960s British films