Jump to content

Kanak Rele: Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous editNext edit →
Content deleted Content added
VisualWikitext
Changing short description from "Indian dancer and choreographer" to "Indian dancer (1937–2022)"
m Fix per MOS:CREDENTIAL.
Line 27: Line 27:


== Early life and education ==
== Early life and education ==
Born in [[Gujarat]],<ref name="narthaki">{{cite news|title=Dr. Kanak Rele gets Kalidas Samman|url=http://www.narthaki.com/info/reviews/rev346.html|access-date=27 January 2013|newspaper=Narthaki|date=7 May 2006}}</ref> Dr. Rele spent a part of her childhood in [[Santiniketan]] and in [[Kolkata]] with her uncle. At Santiniketan she had the opportunity to watch [[Kathakali]] and [[Mohiniattam]] performances which she claims helped shape her artistic sensibilities.<ref name="articles.timesofindia.indiatimes">{{cite news|title=Dance has its own language: Dr. Kanak Rele|url=http://articles.timesofindia.indiatimes.com/2011-04-09/news-and-interviews/29400193_1_kathak-mohiniattam-dance-form|archive-url=https://archive.today/20130216083315/http://articles.timesofindia.indiatimes.com/2011-04-09/news-and-interviews/29400193_1_kathak-mohiniattam-dance-form|url-status=dead|archive-date=16 February 2013|access-date=27 January 2013|newspaper=[[The Times of India]]|date=9 April 2011}}</ref><ref name="thehindu">{{cite news|title=Dance has to serve more social causes|url=http://www.thehindu.com/arts/dance/dance-has-to-serve-more-social-causes/article855038.ece|access-date=27 January 2013|newspaper=The Hindu|date=28 October 2010}}</ref> She is qualified [[lawyer]] with an [[L.L.B.|LLB]] from the [[Government Law College, Mumbai]] and a diploma in [[international law]] from the [[University of Manchester]].<ref name="thehindu" /> She also holds a PhD in dance from the University of Mumbai.<ref>{{cite web|title=Dancing Queen&nbsp;— Dr.Kanak Rele|url=http://sitagita.com/working-women/women-achievers/dancing-queen-dr-kanak-rele.html|access-date=27 January 2013|archive-url=https://web.archive.org/web/20130106045017/http://sitagita.com/working-women/women-achievers/dancing-queen-dr-kanak-rele.html|archive-date=6 January 2013|url-status=dead}}</ref>
Born in [[Gujarat]],<ref name="narthaki">{{cite news|title=Dr. Kanak Rele gets Kalidas Samman|url=http://www.narthaki.com/info/reviews/rev346.html|access-date=27 January 2013|newspaper=Narthaki|date=7 May 2006}}</ref> Rele spent a part of her childhood in [[Santiniketan]] and in [[Kolkata]] with her uncle. At Santiniketan she had the opportunity to watch [[Kathakali]] and [[Mohiniattam]] performances which she claims helped shape her artistic sensibilities.<ref name="articles.timesofindia.indiatimes">{{cite news|title=Dance has its own language: Dr. Kanak Rele|url=http://articles.timesofindia.indiatimes.com/2011-04-09/news-and-interviews/29400193_1_kathak-mohiniattam-dance-form|archive-url=https://archive.today/20130216083315/http://articles.timesofindia.indiatimes.com/2011-04-09/news-and-interviews/29400193_1_kathak-mohiniattam-dance-form|url-status=dead|archive-date=16 February 2013|access-date=27 January 2013|newspaper=[[The Times of India]]|date=9 April 2011}}</ref><ref name="thehindu">{{cite news|title=Dance has to serve more social causes|url=http://www.thehindu.com/arts/dance/dance-has-to-serve-more-social-causes/article855038.ece|access-date=27 January 2013|newspaper=The Hindu|date=28 October 2010}}</ref> She is qualified [[lawyer]] with an [[L.L.B.|LLB]] from the [[Government Law College, Mumbai]] and a diploma in [[international law]] from the [[University of Manchester]].<ref name="thehindu" /> She also holds a PhD in dance from the University of Mumbai.<ref>{{cite web|title=Dancing Queen&nbsp;— Dr.Kanak Rele|url=http://sitagita.com/working-women/women-achievers/dancing-queen-dr-kanak-rele.html|access-date=27 January 2013|archive-url=https://web.archive.org/web/20130106045017/http://sitagita.com/working-women/women-achievers/dancing-queen-dr-kanak-rele.html|archive-date=6 January 2013|url-status=dead}}</ref>


== Mohiniyattam artiste ==
== Mohiniyattam artiste ==
Dr. Rele is also a [[Kathakali]] artiste having been trained under Guru "Panchali" Karunakara Panicker since the age of seven.<ref name="thehindu" /><ref name="hindu">{{cite news|title=Tryst with Mohiniyattam|url=http://www.hindu.com/mag/2006/01/29/stories/2006012900240500.htm|archive-url=https://web.archive.org/web/20070314050700/http://www.hindu.com/mag/2006/01/29/stories/2006012900240500.htm|url-status=dead|archive-date=14 March 2007|access-date=27 January 2013|newspaper=[[The Hindu]]|date=29 January 2006}}</ref> Her initiation into Mohiniattam came much later under Kalamandalam Rajalakshmi. A grant from the [[Sangeet Natak Akademi]] and later the [[Ford Foundation]] helped her delve deeper into her interest in Mohinattam and during 1970–71 she traveled to [[Kerala]] filming exponents of the dance form such as Kunjukutty Amma, Chinnammu Amma and Kalyanikutty Amma. The project helped acquaint her with the nuances of Mohiniattam and record its traditional and technical styles while also enabling her to evolve a teaching methodology for it.<ref name="thehindu" /><ref name="hindu" /> Her study of these artistes and their technique against the backdrop of classical texts like [[Natyasastra]], [[Hastalakshanadeepika]] and [[Balaramabharatam]] led her to develop her own style of Mohiniattam dubbed the 'Kanaka Rele School' of Mohinattam.<ref name="hindu" />
Rele was also a [[Kathakali]] artiste having been trained under Guru "Panchali" Karunakara Panicker since the age of seven.<ref name="thehindu" /><ref name="hindu">{{cite news|title=Tryst with Mohiniyattam|url=http://www.hindu.com/mag/2006/01/29/stories/2006012900240500.htm|archive-url=https://web.archive.org/web/20070314050700/http://www.hindu.com/mag/2006/01/29/stories/2006012900240500.htm|url-status=dead|archive-date=14 March 2007|access-date=27 January 2013|newspaper=[[The Hindu]]|date=29 January 2006}}</ref> Her initiation into Mohiniattam came much later under Kalamandalam Rajalakshmi. A grant from the [[Sangeet Natak Akademi]] and later the [[Ford Foundation]] helped her delve deeper into her interest in Mohinattam and during 1970–71 she traveled to [[Kerala]] filming exponents of the dance form such as Kunjukutty Amma, Chinnammu Amma and Kalyanikutty Amma. The project helped acquaint her with the nuances of Mohiniattam and record its traditional and technical styles while also enabling her to evolve a teaching methodology for it.<ref name="thehindu" /><ref name="hindu" /> Her study of these artistes and their technique against the backdrop of classical texts like [[Natyasastra]], [[Hastalakshanadeepika]] and [[Balaramabharatam]] led her to develop her own style of Mohiniattam dubbed the 'Kanaka Rele School' of Mohinattam.<ref name="hindu" />


Dr. Rele's concept of body kinetics in dance is a pioneering innovation that disaggregates body movements in Mohiniattam using a notation system.<ref name="articles.timesofindia.indiatimes" /> Dr. Rele is credited with having played a key role in the revival and popularisation of Mohiniattam and for having brought a scientific temper and academic rigour to it.<ref>{{cite news|title=Lasya unlimited|url=http://www.thehindu.com/arts/dance/lasya-unlimited/article434214.ece|access-date=27 January 2013|newspaper=The Hindu|date=20 May 2010}}</ref>
Rele's concept of body kinetics in dance is a pioneering innovation that disaggregates body movements in Mohiniattam using a notation system.<ref name="articles.timesofindia.indiatimes" /> She was credited with having played a key role in the revival and popularisation of Mohiniattam and for having brought a scientific temper and academic rigour to it.<ref>{{cite news|title=Lasya unlimited|url=http://www.thehindu.com/arts/dance/lasya-unlimited/article434214.ece|access-date=27 January 2013|newspaper=The Hindu|date=20 May 2010}}</ref>


== Notable choreographies ==
== Notable choreographies ==
Rele is noted for the contemporisation of mythological tales in her performances and her portrayal of strong women characters in them which is a marked departure from the traditional Mohinyattam theme of the [[nayika]] pining for love.<ref name="narthaki" /> Some of her notable subjects and choreographies include ''[[Kubja Vishnuvardhana|Kubja]]'', ''Kalyani'', ''[[Silappadikaram]]'' and ''[[Swapnavasavadattam]]''. Rele's association with the [[Malayalam poetry|Malayalam poet]] and scholar [[Kavalam Narayana Panicker]] led to her introduction to [[Sopana Sangeetham]] and creation of choreographic pieces set to Sopana Sangeetam's [[Tala (music)|talas]]. Rele has credited Kavalam's compositions as being inspirational for several of her choreographies that "highlight the trauma of women in society based on women characters in mythology".<ref name="thehindu" /><ref>{{cite news|title=Art of evolution|url=http://www.thehindu.com/arts/dance/art-of-evolution/article790731.ece|access-date=27 January 2013|newspaper=The Hindu|date=23 September 2010}}</ref>
Rele was noted for the contemporisation of mythological tales in her performances and her portrayal of strong women characters in them which is a marked departure from the traditional Mohinyattam theme of the [[nayika]] pining for love.<ref name="narthaki" /> Some of her notable subjects and choreographies include ''[[Kubja Vishnuvardhana|Kubja]]'', ''Kalyani'', ''[[Silappadikaram]]'' and ''[[Swapnavasavadattam]]''. Rele's association with the [[Malayalam poetry|Malayalam poet]] and scholar [[Kavalam Narayana Panicker]] led to her introduction to [[Sopana Sangeetham]] and creation of choreographic pieces set to Sopana Sangeetam's [[Tala (music)|talas]]. Rele has credited Kavalam's compositions as being inspirational for several of her choreographies that "highlight the trauma of women in society based on women characters in mythology".<ref name="thehindu" /><ref>{{cite news|title=Art of evolution|url=http://www.thehindu.com/arts/dance/art-of-evolution/article790731.ece|access-date=27 January 2013|newspaper=The Hindu|date=23 September 2010}}</ref>
"Nritya Bharati", a documentary on [[Indian classical dance|India's classical dances]] produced by her Nalanda school has been acquired by the [[Ministry of External Affairs (India)|Ministry of External Affairs]] as the official capsule for all [[List of diplomatic missions of India|Indian missions abroad]].<ref name="hindu" /> ''The Enlightened One&nbsp;— Gautama Buddha'' which premiered in 2011 was a choreographic piece created against the backdrop of the [[Mumbai Terror Attacks|26/11 attacks]] on Mumbai.<ref>{{cite news|title=Dance of peace|url=http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/article2666492.ece|access-date=27 January 2013|newspaper=The Hindu|date=28 November 2011}}</ref>
"Nritya Bharati", a documentary on [[Indian classical dance|India's classical dances]] produced by her Nalanda school has been acquired by the [[Ministry of External Affairs (India)|Ministry of External Affairs]] as the official capsule for all [[List of diplomatic missions of India|Indian missions abroad]].<ref name="hindu" /> ''The Enlightened One&nbsp;— Gautama Buddha'' which premiered in 2011 was a choreographic piece created against the backdrop of the [[Mumbai Terror Attacks|26/11 attacks]] on Mumbai.<ref>{{cite news|title=Dance of peace|url=http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/article2666492.ece|access-date=27 January 2013|newspaper=The Hindu|date=28 November 2011}}</ref>


Revision as of 11:46, 22 February 2023

Kanak Rele
Born(1937-06-11)11 June 1937
India
Died22 February 2023(2023-02-22) (aged 85)
Mumbai
Occupation(s)Classical dancer
Choreographer
Academic
Known forMohiniyattom
AwardsPadma Bhushan
Padma Shri
Sangeet Natak Akademi Award
Kalidas Samman
Gaurav Puraskar
Kala Vipanchee
M. S. Subbulakshmi Award
WebsiteWebsite of Nalanda Dance Research Centre

Kanak Rele (11 June 1937 – 22 February 2023)[1] was an Indian dancer, choreographer and academic best known as an exponent of Mohiniyattom. She was the founder-director of the Nalanda Dance Research Centre and the founder-principal of the Nalanda Nritya Kala Mahavidyalaya in Mumbai.[2][3]

Early life and education

Born in Gujarat,[4] Rele spent a part of her childhood in Santiniketan and in Kolkata with her uncle. At Santiniketan she had the opportunity to watch Kathakali and Mohiniattam performances which she claims helped shape her artistic sensibilities.[5][6] She is qualified lawyer with an LLB from the Government Law College, Mumbai and a diploma in international law from the University of Manchester.[6] She also holds a PhD in dance from the University of Mumbai.[7]

Mohiniyattam artiste

Rele was also a Kathakali artiste having been trained under Guru "Panchali" Karunakara Panicker since the age of seven.[6][8] Her initiation into Mohiniattam came much later under Kalamandalam Rajalakshmi. A grant from the Sangeet Natak Akademi and later the Ford Foundation helped her delve deeper into her interest in Mohinattam and during 1970–71 she traveled to Kerala filming exponents of the dance form such as Kunjukutty Amma, Chinnammu Amma and Kalyanikutty Amma. The project helped acquaint her with the nuances of Mohiniattam and record its traditional and technical styles while also enabling her to evolve a teaching methodology for it.[6][8] Her study of these artistes and their technique against the backdrop of classical texts like Natyasastra, Hastalakshanadeepika and Balaramabharatam led her to develop her own style of Mohiniattam dubbed the 'Kanaka Rele School' of Mohinattam.[8]

Rele's concept of body kinetics in dance is a pioneering innovation that disaggregates body movements in Mohiniattam using a notation system.[5] She was credited with having played a key role in the revival and popularisation of Mohiniattam and for having brought a scientific temper and academic rigour to it.[9]

Notable choreographies

Rele was noted for the contemporisation of mythological tales in her performances and her portrayal of strong women characters in them which is a marked departure from the traditional Mohinyattam theme of the nayika pining for love.[4] Some of her notable subjects and choreographies include Kubja, Kalyani, Silappadikaram and Swapnavasavadattam. Rele's association with the Malayalam poet and scholar Kavalam Narayana Panicker led to her introduction to Sopana Sangeetham and creation of choreographic pieces set to Sopana Sangeetam's talas. Rele has credited Kavalam's compositions as being inspirational for several of her choreographies that "highlight the trauma of women in society based on women characters in mythology".[6][10] "Nritya Bharati", a documentary on India's classical dances produced by her Nalanda school has been acquired by the Ministry of External Affairs as the official capsule for all Indian missions abroad.[8] The Enlightened One — Gautama Buddha which premiered in 2011 was a choreographic piece created against the backdrop of the 26/11 attacks on Mumbai.[11]

Academic career

Rele was instrumental in beginning the Department of Fine Arts at the University of Mumbai and also served as its dean. Rele established the Nalanda Dance Research Centre in 1966 and the Nalanda Nritya Kala Mahavidyalay in 1972.[8] The Nalanda Dance Research Centre, Mumbai which trains students for a university degree in Mohiniyattam is recognised as a research institute by the Ministry of Science and Technology.[6] Rele has also served as an expert and advisor on dance to the Department of Culture of the Government of India and the Planning Commission and has been part of the University Grants Commission's curriculum development team and a consultant to Indian and foreign universities in developing academic dance courses.[2]

Awards and honours

Rele was conferred the Gaurav Puraskar by the Government of Gujarat in 1989 and the Padma Shri, the fourth highest civilian award in the Republic of India, in 1990.[12] Kanak Rele was honoured with the title 'Kala Vipanchee' by Vipanchee, a pioneering institution for Indian music and dance, in 2005.[13] In 2006, the Government of Madhya Pradesh conferred the Kalidas Samman on her for her contributions to and excellence in the field of classical dance.[4] She is also a recipient of the Sangeet Natak Akademi Award and the M S Subbulakshmi Award.[14] In 2013, she was conferred the Padma Bhushan by the Government of India.[15]

Books

  • Mohinattam, The Lyrical Dance,Bhavaniroopana,and "A Handbook of Indian Dance Terminology".[2][16]

See also

References

  1. ^ Renowned Mohiniyattam exponent Dr. Kanak Rele passes away at 85
  2. ^ a b c "ARTISTE'S PROFILE — Kanak Y. Rele". Centre for Cultural Resources and Training. Archived from the original on 18 February 2013. Retrieved 27 January 2013.
  3. ^ "Imagination unlimited". The Hindu. 27 October 2006. Archived from the original on 13 November 2007. Retrieved 27 January 2013.
  4. ^ a b c "Dr. Kanak Rele gets Kalidas Samman". Narthaki. 7 May 2006. Retrieved 27 January 2013.
  5. ^ a b "Dance has its own language: Dr. Kanak Rele". The Times of India. 9 April 2011. Archived from the original on 16 February 2013. Retrieved 27 January 2013.
  6. ^ a b c d e f "Dance has to serve more social causes". The Hindu. 28 October 2010. Retrieved 27 January 2013.
  7. ^ "Dancing Queen — Dr.Kanak Rele". Archived from the original on 6 January 2013. Retrieved 27 January 2013.
  8. ^ a b c d e "Tryst with Mohiniyattam". The Hindu. 29 January 2006. Archived from the original on 14 March 2007. Retrieved 27 January 2013.
  9. ^ "Lasya unlimited". The Hindu. 20 May 2010. Retrieved 27 January 2013.
  10. ^ "Art of evolution". The Hindu. 23 September 2010. Retrieved 27 January 2013.
  11. ^ "Dance of peace". The Hindu. 28 November 2011. Retrieved 27 January 2013.
  12. ^ VENKATACHALAM, JYOTHI (August 2007). "DR. KANAK RELE IS A DISTINGUISHED DANCER-SCHOLAR". {{cite journal}}: Cite journal requires |journal= (help)
  13. ^ "Kanak Rele honoured". The Hindu. 7 January 2005. Archived from the original on 14 April 2005. Retrieved 27 January 2013.
  14. ^ "Dance-Drama by Dr Kanak Rele at Lionel Wendt". Daily News. 6 August 2012. Archived from the original on 9 August 2012. Retrieved 27 January 2013.
  15. ^ "Padma Awards". pib. 29 January 2013. Retrieved 29 January 2013.
  16. ^ Rele, Kanak (1992). Mohinī āṭṭam, the lyrical dance. Retrieved 27 January 2013.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Kanak_Rele&oldid=1140914507"