Seventh Regiment Memorial: Difference between revisions
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'''''Seventh Regiment Memorial''''' is an outdoor [[bronze sculpture]] honoring |
'''''Seventh Regiment Memorial''''' is an outdoor [[bronze sculpture]] atop a granite base honoring those members of the regiment whose lives were lost during the [[American Civil War|Civil War]]. The sculptor [[John Quincy Adams Ward]] created the statue and the architect [[Richard Morris Hunt]] designed the base. Although the statue is dated 1869 the monument was not unveiled until June 22, 1874. |
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==Description and history== |
==Description and history== |
Revision as of 06:31, 21 November 2022
Seventh Regiment Memorial | |
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Artist | John Quincy Adams Ward |
Year | 1869 |
Type | Sculpture |
Medium | Bronze |
Location | New York City, New York, United States |
40°46′26″N 73°58′35″W / 40.77377°N 73.97640°W |
Seventh Regiment Memorial is an outdoor bronze sculpture atop a granite base honoring those members of the regiment whose lives were lost during the Civil War. The sculptor John Quincy Adams Ward created the statue and the architect Richard Morris Hunt designed the base. Although the statue is dated 1869 the monument was not unveiled until June 22, 1874.
Description and history
Ward likely received the commission in 1867, with funds to be provided by the Seventh Regiment Monument Association. He finished a model by the spring of 1868. Initially Hunt had envisioned and designed a much larger monument, one with at least five figures, seen as being a part of a "Warrior Gate" to Central Park. However the park's architects, Olmsted and Vaux, had already clashed with Hunt over matters of aesthetics[1] with the result that Hunt's grand scheme of a series of showy Beaux-Arts entrances to the park was reduced to the Seventh Regiment Memorial.[2]
The art historian E. Wayne Craven considers the work "a failure", even thought it is a work of art, stating,"neither the 'Shakespeare' nor the 'Seventh Regiment Soldier' were portrait statues in the usual sense, and therein lies the explanation for their failures. Ward often lacked the vision to create a successful imaginary portrait, and his images of men who could actually stand before him were, as a rule, much stronger as works of art."[3] The soldier in the monument was modeled by actor, and veteran of the Regiment Steele MacKaye, who wore his own uniform to pose in.[4]
References
- ^ Hall, Lee, Olmsted's America: An "Unpractical Man and His Vision of Civilization, A Bulfinch Press Book, Little Brown and Company, Boston, 1995 p. 94.
- ^ Stein, Susan R., editor, The Architecture of Richard Morris Hunt, Lewis I. Sharp, Richard Morris Hunt and His Influence on American Beaux-Arts Sculpture, The University of Chicago Press, Chicago, 1986, pp. 126–128.
- ^ Craven, Wayne, Sculpture in America, Thomas Y. Crowell Co., New York 1968 p. 250.
- ^ Sharp, Lewis I., John Quincy Adams Ward: Dean of American Sculpture, with Catalogue Raisonné, University of Delaware Press, Newark, 1985 p. 177.
- 1869 establishments in New York (state)
- 1869 sculptures
- 1874 sculptures
- Beaux-Arts architecture in New York City
- Bronze sculptures in Central Park
- Monuments and memorials in Manhattan
- Outdoor sculptures in Manhattan
- Sculptures in Central Park
- Sculptures of men in New York City
- Statues in New York City
- Union (American Civil War) monuments and memorials in New York (state)