Jean-Pierre Melville: Difference between revisions
Sus scrofa (talk | contribs) m →Actor |
removed nn person reference |
||
| Line 7: | Line 7: | ||
His independence and his "reporting" style of film-making (he was one of the first French directors to use real locations) were a major influence on the [[French New Wave]] film movement, and he appears as a minor character in [[Jean-Luc Godard]]'s seminal New Wave film ''[[Breathless|À bout de souffle]]''. |
His independence and his "reporting" style of film-making (he was one of the first French directors to use real locations) were a major influence on the [[French New Wave]] film movement, and he appears as a minor character in [[Jean-Luc Godard]]'s seminal New Wave film ''[[Breathless|À bout de souffle]]''. |
||
Melville died from a [[heart attack]] at the age of 56. To this day he remains an important influence for directors like [[John Woo]], [[Ringo Lam]], [[Quentin Tarantino |
Melville died from a [[heart attack]] at the age of 56. To this day he remains an important influence for directors like [[John Woo]], [[Ringo Lam]], [[Quentin Tarantino]]. |
||
== Filmography == |
== Filmography == |
||
Revision as of 21:33, 2 March 2007
Jean-Pierre Melville (born Jean-Pierre Grumbach) (October 20, 1917 – August 2, 1973) was a noted French director. He later adopted the pseudonym 'Melville' as a tribute to his favorite American author Herman Melville.
Born in Paris, France, Melville, who was Jewish, served in World War II and fought in Operation Dragoon. When he returned from the war he applied for a license to become an assistant director, but was refused. Without this support, he decided to direct his movies by his own means.
Becoming an independent film-maker, owning his own studios, he became famous for his tragic, minimalist films noirs, such as Le Samouraï and Le Cercle rouge, starring major, charismatic actors like Alain Delon (probably the definitive 'melvillian' actor), Jean-Paul Belmondo and Lino Ventura. His directorial style was influenced by American cinema and fetishized accessories like weapons, clothes and especially hats.
His independence and his "reporting" style of film-making (he was one of the first French directors to use real locations) were a major influence on the French New Wave film movement, and he appears as a minor character in Jean-Luc Godard's seminal New Wave film À bout de souffle.
Melville died from a heart attack at the age of 56. To this day he remains an important influence for directors like John Woo, Ringo Lam, Quentin Tarantino.
Filmography
Director
- 1945 - Vingt-quatre heures de la vie d'un clown
- 1949 - Le Silence de la Mer
- 1950 - Les Enfants terribles
- 1953 - Quand tu liras cette lettre
- 1955 - Bob le flambeur
- 1959 - Deux hommes dans Manhattan
- 1961 - Léon Morin, prêtre
- 1963 - Le Doulos
- 1963 - L’Aîné des Ferchaux
- 1966 - Le Deuxième souffle
- 1967 - Le Samouraï
- 1969 - L'Armée des ombres
- 1970 - Le Cercle rouge
- 1972 - Un flic
Actor
- 1949 - Orphée Gérant de l'hôtel
- 1959 - Deux hommes dans Manhattan Moreau
- 1960 - À bout de souffle Parvulesco
- 1963 - Landru Georges Mandel
Further reading
- Jean-Pierre Melville - An American in Paris (2003) by Ginette Vincendeau (ISBN 0-85170-949-4)
External links
 | This biographical article related to film is a stub. You can help Wikipedia by expanding it. |