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===Warner Bros. Cartoons===
===Warner Bros. Cartoons===
Rod Scribner started as an assistant animator for [[Friz Freleng]] in 1935, then a main animator for [[Ben Hardaway]] and [[Cal Dalton]] in 1938, and also briefly animated for [[Chuck Jones]] the next year. In 1940, he joined [[Tex Avery]]'s unit and worked with [[Robert McKimson]], [[Charles McKimson]], [[Virgil Ross]], and [[Sid Sutherland]].<ref name="Moon">[https://cartoonresearch.com/index.php/irv-spence-and-rod-scribner-one-shot-moonlighters/ Irv Spence and Rod Scribner, One-Shot Moonlighters]</ref><ref name=Barrier /><ref>{{Cite web|last=Hartley|first=Steven|date=November 2, 2013|title=Likely Looney, Mostly Merrie: 309. Of Fox and Hounds (1940)|url=http://likelylooneymostlymerrie.blogspot.com/2013/11/309-of-fox-and-hounds-1940.html|access-date=September 18, 2020|website=Likely Looney, Mostly Merrie}}</ref>
Rod Scribner started as an assistant animator for [[Friz Freleng]] in 1935, then a main animator for [[Ben Hardaway]] and [[Cal Dalton]] in 1938, and also briefly animated for [[Chuck Jones]] the next year. In 1940, he joined [[Tex Avery]]'s unit and worked with [[Robert McKimson]], [[Charles McKimson]], [[Virgil Ross]], and [[Sid Sutherland]].<ref name="Moon">[https://cartoonresearch.com/index.php/irv-spence-and-rod-scribner-one-shot-moonlighters/ Irv Spence and Rod Scribner, One-Shot Moonlighters]</ref><ref name=Barrier /><ref>{{Cite web|last=Hartley|first=Steven|date=November 2, 2013|title=Likely Looney, Mostly Merrie: 309. Of Fox and Hounds (1940)|url=http://likelylooneymostlymerrie.blogspot.com/2013/11/309-of-fox-and-hounds-1940.html|access-date=September 18, 2020|website=Likely Looney, Mostly Merrie}}</ref>
[[File:Tokyo Woes 190611 LTGC.webm|thumb|210px|left|Toyko Woes, a World War II era cartoon released in 1945 for the US Navy. Directed by Clampett, it is animated by Scribner, along with [[Manny Gould]] and Robert McKimson, with the lose Lichty style that Scribner proposed. It also features some [[Stereotypes of East Asians in the United States|stereotypes of Japanese people]], which was common during the war.]]
[[File:Tokyo Woes 190611 LTGC.webm|thumb|210px|left|Tokyo Woes, a World War II era cartoon released in 1945 for the US Navy. Directed by Clampett, it is animated by Scribner, along with [[Manny Gould]] and Robert McKimson, with the lose Lichty style that Scribner proposed. It also features some [[Stereotypes of East Asians in the United States|stereotypes of Japanese people]], which was common during the war.]]
In late 1941, after Tex Avery left to direct ''Speaking of Animals'' series for [[Jerry Fairbanks|Jerry Fairbank]] Productions, he was replaced as the unit director by [[Bob Clampett]]. Scribner's animation matched Clampett's expansive and energetic cartoons. This was caused by Scribner animating in ink with a pen or a brush, and since Scribner's animation, in Bill Melendez's words, was "very bold and kind of dirty", it would cause crises in the Ink and Paint Department, and the women had to choose which lines to trace. Clampett classics such as ''[[A Tale of Two Kitties]]'' (1942), ''[[Coal Black and de Sebben Dwarfs]]'' (1943), and ''[[The Great Piggy Bank Robbery]]'' (1946) showcase some of his trademark "[[George Lichty|Lichty]] style" of animation, which he proposed to Clampett. Clampett left Warner Bros. in 1945 to pursue a career in [[puppetry]] and television.<ref name="Moon" /><ref name=Barrier>{{Cite book|title=Hollywood cartoons : American animation in its golden age|last=Barrier|first=Michael|publisher=Oxford University Press|year=1999|pages=436|isbn=978-0-19-503759-3|url=https://archive.org/details/hollywoodcartoon00barr}}</ref><ref>[https://cartoonresearch.com/index.php/in-his-own-words-bob-clampett-at-warners/ In His Own Words: Bob Clampett at Warners]</ref>
In late 1941, after Tex Avery left to direct ''Speaking of Animals'' series for [[Jerry Fairbanks|Jerry Fairbank]] Productions, he was replaced as the unit director by [[Bob Clampett]]. Scribner's animation matched Clampett's expansive and energetic cartoons. This was caused by Scribner animating in ink with a pen or a brush, and since Scribner's animation, in Bill Melendez's words, was "very bold and kind of dirty", it would cause crises in the Ink and Paint Department, and the women had to choose which lines to trace. Clampett classics such as ''[[A Tale of Two Kitties]]'' (1942), ''[[Coal Black and de Sebben Dwarfs]]'' (1943), and ''[[The Great Piggy Bank Robbery]]'' (1946) showcase some of his trademark "[[George Lichty|Lichty]] style" of animation, which he proposed to Clampett. Clampett left Warner Bros. in 1945 to pursue a career in [[puppetry]] and television.<ref name="Moon" /><ref name=Barrier>{{Cite book|title=Hollywood cartoons : American animation in its golden age|last=Barrier|first=Michael|publisher=Oxford University Press|year=1999|pages=436|isbn=978-0-19-503759-3|url=https://archive.org/details/hollywoodcartoon00barr}}</ref><ref>[https://cartoonresearch.com/index.php/in-his-own-words-bob-clampett-at-warners/ In His Own Words: Bob Clampett at Warners]</ref>


Revision as of 11:15, 17 April 2022

Rod Scribner
Scribner, January 1945
Born
Roderick H. Scribner

(1910-10-10)October 10, 1910
Joseph, Oregon, U.S.
DiedDecember 21, 1976(1976-12-21) (aged 66)
Buena Park, California, U.S.
Other namesRoderick Scribner
Harry Scribner
OccupationAnimator
Years active1935–1976
Employers
Spouse
Jane Bannister Kiesner
​
​
(m. 1938)​
[3]
Children3[4]

Roderick H. Scribner (October 10, 1910 – December 21, 1976) was an American animator best known for his work on the Looney Tunes and Merrie Melodies series of cartoons from Warner Bros. Cartoons. He worked during the Golden age of American animation.

Early life

Scribner had an interest in drawing in high school. Drawing was one of his subjects (along with English and political science) when he attended Denison University for three years. Later, after an interlude spent as a manager of a "hunting marsh", he studied art in Toledo, Ohio, and at the Chouinard Art Institute before he joined the Schlesinger animation staff.[5]

Career

Warner Bros. Cartoons

Rod Scribner started as an assistant animator for Friz Freleng in 1935, then a main animator for Ben Hardaway and Cal Dalton in 1938, and also briefly animated for Chuck Jones the next year. In 1940, he joined Tex Avery's unit and worked with Robert McKimson, Charles McKimson, Virgil Ross, and Sid Sutherland.[6][7][8]

Tokyo Woes, a World War II era cartoon released in 1945 for the US Navy. Directed by Clampett, it is animated by Scribner, along with Manny Gould and Robert McKimson, with the lose Lichty style that Scribner proposed. It also features some stereotypes of Japanese people, which was common during the war.

In late 1941, after Tex Avery left to direct Speaking of Animals series for Jerry Fairbank Productions, he was replaced as the unit director by Bob Clampett. Scribner's animation matched Clampett's expansive and energetic cartoons. This was caused by Scribner animating in ink with a pen or a brush, and since Scribner's animation, in Bill Melendez's words, was "very bold and kind of dirty", it would cause crises in the Ink and Paint Department, and the women had to choose which lines to trace. Clampett classics such as A Tale of Two Kitties (1942), Coal Black and de Sebben Dwarfs (1943), and The Great Piggy Bank Robbery (1946) showcase some of his trademark "Lichty style" of animation, which he proposed to Clampett. Clampett left Warner Bros. in 1945 to pursue a career in puppetry and television.[6][7][9]

He briefly was a cartoonist on Happy Comic's Rowdy Runner and a January 1945 issue of a military magazine called "Service Ribbin".[6] There is some claims from Scribner's family that Chuck Jones stole the Road Runner from Scribner including a claim from Scribner's son Ty, who claims that he saw a Coyote chasing a Road Runner and that Scribner "pitched" it to Jones, although this claim is very unlikely and dubious since Scribner was at McKimson's unit.[10]

After being in the hospital for 3 years, Scribner returned to Warner Bros. in 1948 under Robert McKimson's unit. His animation was tamed down to McKimson's standards, but he still got away with energetic scenes, like in Hillbilly Hare (1950), Hoppy Go Lucky (1952) and Of Rice and Hen (1953).[1][11][12]

According to Warner Brothers animator Lloyd Turner in an interview, Scribner was irresponsible at McKimson's unit and was thoroughly crazy. Turner says Scribner did a lot of weird things including burning his house down, and that he had a disdain towards his colleague Arthur Davis, although it is unknown why but it is presumably because Davis replaced Clampett after his departure. Scribner played a lot of pranks on Davis at McKimson's unit, and one time while Davis was in John W. Burton's and on a telephone line in a phone booth, Scribner elbowed Turner and said to him, "Watch me fix Davis". Scribner went on the other side of the booth and tipped the telephone into a 45 degree angle and it boomed like a bomb. Davis was scared, Scribner tipped the phone back, and Scribner ran and, according to Turner "laughed like he was possessed". When Davis saw him running out, he got mad.[13]

Later career

He was laid off from Warner's in 1953 and worked for UPA, Jay Ward, and Storyboard Inc. from the 50's to the mid 60's.[14] When Scribner went to work at Bakshi Studios, he sat down with Bakshi and said to him, "Ralph, I can't do this anymore. I love what you're doing, and this is going to be the greatest studio in the world, but I just can't do it anymore." He cried while he was speaking and handed his scene in. Bakshi recalled the scene looking "absolutely hideous" and looking like something was wrong with him, which ironically, there was. Although Scribner was credited, most of his animation were thrown out or overhauled.[15][16] In his later years, Scribner worked with former colleague Bill Melendez on various Charlie Brown movies and television specials that worked in Snoopy Come Home (1972), There's No Time for Love, Charlie Brown (1973) and It's the Easter Beagle, Charlie Brown (1974), eventually starting at a studio called Playhouse Pictures, which produced commercials for over 45 years.[17][18] The only things he didn't do for UPA or his former colleague Melendez is a 1968 training video for IBM called A Computer Glossary and two credits on the first two episodes of Yogi's Gang.[19][20][21]

Death and legacy

After Scribner's death, many people in the animation industry praised his work. (examples shown)

After being arrested and put on suicide watch in a mental hospital, Scribner died there on December 21, 1976, from tuberculosis, which he had contracted during World War II in 1945 during the production of One Meat Brawl and due to an outbreak of the virus during the war, in which he didn't return to Warners until March 1948. His last project was Race For Your Life, Charlie Brown, released posthumously in Summer 1977.[22][17][1] Bill Plympton says his work on Coal Black "is a masterpiece of animation and distortion" and that the animation in the Clampett cartoons blew his mind.[23][24] Cartoon Brew puts him on Number 18 on the list of "25 Great Cartoonists You Should Know"[25] John Kricfalusi is a "Scribner fanatic" and is the reason why he has a despise for Disney animation.[26][27][28]

Partial filmography

Warner Bros.

Commercials

John Hubley

Bakshi Productions

Peanuts

References

  1. ^ a b c Barrier, Michael (1999). Hollywood cartoons : American animation in its golden age. Oxford University Press. p. 468. ISBN 978-0-19-503759-3.
  2. ^ The Shutdown
  3. ^ https://ancestors.familysearch.org/en/L8QK-7HG/roderick-h.-scribner-1911-1976
  4. ^ Rod's Family Tree
  5. ^ "Rod Scribner at Work". MichaelBarrier.com. December 20, 2007. Retrieved September 13, 2020.
  6. ^ a b c Irv Spence and Rod Scribner, One-Shot Moonlighters
  7. ^ a b Barrier, Michael (1999). Hollywood cartoons : American animation in its golden age. Oxford University Press. p. 436. ISBN 978-0-19-503759-3.
  8. ^ Hartley, Steven (November 2, 2013). "Likely Looney, Mostly Merrie: 309. Of Fox and Hounds (1940)". Likely Looney, Mostly Merrie. Retrieved September 18, 2020.
  9. ^ In His Own Words: Bob Clampett at Warners
  10. ^ Chuck Jones STOLE the Roadrunner From Rod Scribner? | Riding the Shield | Looney Tunes Critic
  11. ^ Robert McKimson's "Of Rice and Hen" (1953)
  12. ^ Robert McKimson's "Hillbilly Hare" (1950)
  13. ^ "Lloyd Turner: An Interview by Michael Barrier". MichaelBarrier.com. Retrieved September 13, 2020.
  14. ^ a b c d e Commercials Animated By Rod Scribner
  15. ^ Anders, Jason (November 2009). "A Conversation with Ralph Bakshi". Fulle Circle Magazine. Retrieved September 16, 2020.
  16. ^ Thad Komorowski
  17. ^ a b "David Germain's blog: Rod Scribner". March 21, 2006.
  18. ^ Playhouse Potpurri
  19. ^ "A Computer Glossary".
  20. ^ A Computer Glossary
  21. ^ Under Water, Over Acting
  22. ^ "Question about Rod Scribner".
  23. ^ On Animation: The Directors Perspective pg. 351
  24. ^ Making Toons That Sell Without Selling pg. 111
  25. ^ 25 Great Cartoonists You Should Know
  26. ^ An Exchange with John K.
  27. ^ Goodman, Martin (September 1, 2004). ""When Cartoons Were Cartoony:" John Kricfalusi Presents". Animation World Network. Retrieved September 14, 2020.
  28. ^ A Story of Rod Scribner
  29. ^ Chuck Jones' "The Night Watchman" (1938)
  30. ^ "Rod Scribner animation Nutty News part 1 – GIF on Imgur". Retrieved January 21, 2021.
  31. ^ "1965 Bugs Bunny commercial by Tex Avery & Rod Scribner". December 29, 2010. Retrieved August 19, 2020.
  32. ^ Bugs Bunny Kool-Aid Commercial

Notes

  1. ^ Scribner took a 3 year hiatus in a hospital due to him contracting tuberculosis, in which he didn't come back to the studio until March 1948.[1]
  2. ^ The studio laid off employees, including Scribner, in '53, due to the 3D movie fad at the time[2]
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