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In November 1851, Davioud was asked to execute drawings of the façades of 80 of the 250 buildings that were to be demolished under Haussmann’s plans to extend the [[rue de Rivoli]] in central Paris. The demolitions were to begin in early 1852. This left only 60 days for Davioud to complete his drawings, which were to be colorized using his notes. He completed the task, but many of these drawings were destroyed when the [[Hôtel de Ville, Paris|Hôtel de Ville]] (the town hall) was burned down in 1871 during the [[Paris Commune]]. The surviving drawings now form part of the archive of documentation of what Paris looked like before the Haussmannian transformation during the [[Second French Empire|Second Empire]].<ref>{{Cite journal |last=Jarassé |first=Dominique |date=1989 |title=A la barbe d'Haussmann |url=https://www.persee.fr/doc/rvart_0035-1326_1989_num_84_1_347778 |journal=Revue de l'Art |volume=84 |issue=1 |pages=81–82 |doi=10.3406/rvart.1989.347778}}</ref>
In November 1851, Davioud was asked to execute drawings of the façades of 80 of the 250 buildings that were to be demolished under Haussmann’s plans to extend the [[rue de Rivoli]] in central Paris. The demolitions were to begin in early 1852. This left only 60 days for Davioud to complete his drawings, which were to be colorized using his notes. He completed the task, but many of these drawings were destroyed when the [[Hôtel de Ville, Paris|Hôtel de Ville]] (the town hall) was burned down in 1871 during the [[Paris Commune]]. The surviving drawings now form part of the archive of documentation of what Paris looked like before the Haussmannian transformation during the [[Second French Empire|Second Empire]].<ref>{{Cite journal |last=Jarassé |first=Dominique |date=1989 |title=A la barbe d'Haussmann |url=https://www.persee.fr/doc/rvart_0035-1326_1989_num_84_1_347778 |journal=Revue de l'Art |volume=84 |issue=1 |pages=81–82 |doi=10.3406/rvart.1989.347778}}</ref>
[[File:The Trocadero, Exposition Universal, 1900, Paris, France.jpg|thumb|The town hall of the nineteenth arrondissement of Paris]]
[[File:The Trocadero, Exposition Universal, 1900, Paris, France.jpg|thumb|The Palais du Trocadero, built for the World Fair of 1878]]
Davioud spent his entire career in the planning department of Paris. He was a key member of the team that radically altered the layout and look of Paris. As a close associate of the urban planner [[Baron Haussmann]], he designed much of the characteristic Parisian street furniture: benches, pavilions, bandstands, fountains, lampposts, signposts, fences and balustrades, jetties, monuments, as well as a number of landmark buildings. His work is noted for its ornamental quality and for its exotic references (e.g. the Moorish influences seen in the Palais du Trocadero).<ref name=":0" /> Among his most notable projects are the popular [[Fontaine Saint-Michel|Saint-Michel Fountain]] in [[Place Saint-Michel]], the old Palais du [[Trocadéro]] (demolished in 1937), the town hall of the nineteenth arrondissement and the two theatres at the [[Place du Châtelet]] (the [[Théâtre du Châtelet]] and the [[Théâtre de la Ville]].)
Davioud spent his entire career in the planning department of Paris. He was a key member of the team that radically altered the layout and look of Paris. As a close associate of the urban planner [[Baron Haussmann]], he designed much of the characteristic Parisian street furniture: benches, pavilions, bandstands, fountains, lampposts, signposts, fences and balustrades, jetties, monuments, as well as a number of landmark buildings. His work is noted for its ornamental quality and for its exotic references (e.g. the Moorish influences seen in the Palais du Trocadero).<ref name=":0" /> Among his most notable projects are the popular [[Fontaine Saint-Michel|Saint-Michel Fountain]] in [[Place Saint-Michel]], the old Palais du [[Trocadéro]] (built for thé 1878 World Fair, demolished in 1937), the town hall of the nineteenth arrondissement and the two theatres at the [[Place du Châtelet]] (the [[Théâtre du Châtelet]] and the [[Théâtre de la Ville]].)


In 1868, Davioud succeeded [[Jacques Landry]] as mayor of [[Houlgate]], where he stayed until 1871. His mandate was interrupted when he was appointed ''capitaine du génie'' during the [[Franco-Prussian War]]. Noted for his work in Paris, he built a single villa in Houlgate, ''La Brise'', on the ''Route de Caumont''.
In 1868, Davioud succeeded [[Jacques Landry]] as mayor of [[Houlgate]], where he stayed until 1871. His mandate was interrupted when he was appointed ''capitaine du génie'' during the [[Franco-Prussian War]]. Noted for his work in Paris, he built a single villa in Houlgate, ''La Brise'', on the ''Route de Caumont''.
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== Gallery ==
== Gallery ==
<gallery mode="packed">
<gallery mode="packed">
File:The Trocadero, Exposition Universal, 1900, Paris, France.jpg|The Palace of Trocadero, built for the 1878 Universal Exposition
File:Paris mairie XIX.jpg|Town hall of the nineteenth arrondissement of Paris
File:Paris mairie XIX.jpg|Town hall of the nineteenth arrondissement of Paris
File:Paris 2014 Pavillon Davioud 01.jpg|The Davioud Pavilion, Luxembourg Gardens
File:Paris 2014 Pavillon Davioud 01.jpg|The Davioud Pavilion, Luxembourg Gardens

Revision as of 01:47, 7 April 2022

Jean-Antoine-Gabriel Davioud (French: [ʒɑ̃ ɑ̃twan ɡabʁijɛl davju]; 30 October 1824 – 6 April 1881) was a French architect. He spent his entire career as an inspector general under the Baron Haussmann and worked closely with him on the transformation of Paris under Napoleon III and the Second Empire. Davioud is remembered for his contributions to architecture (e.g. the two theaters on the place du Châtelet and the town hall of the 19th arrondissement), parks (e.g. the Pre-Catelan garden and the square des Batignolles) and urban amenities (fountains, pavilions, benches and kiosks). These contributions now form an integral part of the style of Haussmann's Paris.

Biography

The two theaters in central Paris designed by Davioud

Davioud was born in Paris and studied at the École des Beaux-Arts under Léon Vaudoyer. He won the prestigious Second Grand Prix de Rome. In 1843, he began working in the planning department of the municipal government of Paris. First, he served as an assistant inspector and later was promoted to inspector general for architectural works. In 1855, he became chief architect for the city’s parks and public spaces, where he worked with Adolphe Alphand (e.g. on the Bois de Boulogne and the Bois de Vincennes).[1]

In November 1851, Davioud was asked to execute drawings of the façades of 80 of the 250 buildings that were to be demolished under Haussmann’s plans to extend the rue de Rivoli in central Paris. The demolitions were to begin in early 1852. This left only 60 days for Davioud to complete his drawings, which were to be colorized using his notes. He completed the task, but many of these drawings were destroyed when the Hôtel de Ville (the town hall) was burned down in 1871 during the Paris Commune. The surviving drawings now form part of the archive of documentation of what Paris looked like before the Haussmannian transformation during the Second Empire.[2]

The Palais du Trocadero, built for the World Fair of 1878

Davioud spent his entire career in the planning department of Paris. He was a key member of the team that radically altered the layout and look of Paris. As a close associate of the urban planner Baron Haussmann, he designed much of the characteristic Parisian street furniture: benches, pavilions, bandstands, fountains, lampposts, signposts, fences and balustrades, jetties, monuments, as well as a number of landmark buildings. His work is noted for its ornamental quality and for its exotic references (e.g. the Moorish influences seen in the Palais du Trocadero).[1] Among his most notable projects are the popular Saint-Michel Fountain in Place Saint-Michel, the old Palais du Trocadéro (built for thé 1878 World Fair, demolished in 1937), the town hall of the nineteenth arrondissement and the two theatres at the Place du Châtelet (the Théâtre du Châtelet and the Théâtre de la Ville.)

In 1868, Davioud succeeded Jacques Landry as mayor of Houlgate, where he stayed until 1871. His mandate was interrupted when he was appointed capitaine du génie during the Franco-Prussian War. Noted for his work in Paris, he built a single villa in Houlgate, La Brise, on the Route de Caumont.

Davioud died in 1881. In 1918, his family donated 600 of his drawings to the General Inspectorate of Technical Services for Architecture. The drawings were subsequently split between the Hôtel de Ville and the pavillon de Bagatelle. Their re-discovery in 1981 by the Library of the Hôtel de Ville helped to reveal Davioud’s major contributions to the city of Paris and renewed interest in his work.[1]

Selected works

See also

References

  1. ^ a b c "« L'architecture parisienne doit beaucoup à Gabriel Davioud »". www.paris.fr (in French). Retrieved 2022-04-04.
  2. ^ Jarassé, Dominique (1989). "A la barbe d'Haussmann". Revue de l'Art. 84 (1): 81–82. doi:10.3406/rvart.1989.347778.
  • Adolf K. Placzek, Macmillan Encyclopedia of Architects, Collier Macmillan, 1982, page 504.
  • Structurae entry
  • Marcel Miocque; Huguette Vernochet; Alain Bertaud; Lise Dassonville-Agron (2001). Houlgate entre mer et campagne. Éditions Charles Corlet. p. 31. ISBN 2-85480-976-9.