Jump to content

A Musical Joke: Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous editNext edit →
Content deleted Content added
VisualWikitext
removed material tagged with {{Citation needed|date=December 2018}}; refer a connection with Mozart's starling to that article.
Line 29: Line 29:
The piece is notable for one of the earliest known uses of [[polytonality]] (though not the earliest, being predated by [[Heinrich Ignaz Franz Biber |Heinrich Ignaz Franz Biber's]] ''Battalia''), creating the gesture of complete collapse at the finale. This may be intended to produce the impression of grossly out-of-tune string playing, since the horns alone conclude in the [[tonic key]]. The lower strings behave as if the tonic has become B-flat, while the violins and violas switch to G major, [[A major]] and [[E-flat major]], respectively.
The piece is notable for one of the earliest known uses of [[polytonality]] (though not the earliest, being predated by [[Heinrich Ignaz Franz Biber |Heinrich Ignaz Franz Biber's]] ''Battalia''), creating the gesture of complete collapse at the finale. This may be intended to produce the impression of grossly out-of-tune string playing, since the horns alone conclude in the [[tonic key]]. The lower strings behave as if the tonic has become B-flat, while the violins and violas switch to G major, [[A major]] and [[E-flat major]], respectively.


For a reading of some elements of this composition to the sounds made by Mozart's pet bird, see [[Mozart's starling]].

{{Original research section|date=July 2021}}
Whole-tone scales and polytonality are foreign to music of the [[Classical period (music)|Classical era]]. However, these became common for early 20th-century composers like [[Claude Debussy]] and [[Igor Stravinsky]], who were searching for a new musical language. In this later context, these were legitimate new techniques in serious music. In Mozart's time, however, these non-classical elements gave the piece its comedy, expressing the composer's humor.
Whole-tone scales and polytonality are foreign to music of the [[Classical period (music)|Classical era]]. However, these became common for early 20th-century composers like [[Claude Debussy]] and [[Igor Stravinsky]], who were searching for a new musical language. In this later context, these were legitimate new techniques in serious music. In Mozart's time, however, these non-classical elements gave the piece its comedy, expressing the composer's humor.

==Possible Origin==

In a 1990 paper, psychologists Meredith J. West and Andrew P. King linked the composition with the vocalizations of a [[common starling]], purchased by Mozart on May 27, 1784 (http://www.jstor.org/stable/29773940). The bird, called Dummkopf (fool), died three years later and Mozart held a funeral for the bird and wrote a poem that he recited graveside. This piece was started in 1784 and completed June 12, 1787, eight days after the death of Dumkopff. It was the first to be completed after the deaths of both the starling and Mozart's father (d. May 28, 1787). West and King conclude that the song bears "the vocal autograph of a starling."


==Translation==
==Translation==


The title ''A Musical Joke'' might be a poor rendering of the German original: ''[[wikt:Spaß|Spaß]]'' does not necessarily connote the jocular, for which the word ''[[wikt:Scherz|Scherz]]'' would more likely be used. In [[Fritz Spiegl]]'s view, a more accurate translation would be ''Some Musical Fun''.<ref>{{cite AV media|date=October 1981|medium=Radio broadcast|publisher=BBC Radio 3|title=[Untitled talk]}}{{full citation needed|date=December 2018}}</ref> The sometimes-mentioned nicknames "Dorfmusikantensextett" ("village musicians' sextet") and "Bauernsinfonie" ("farmers' symphony") were added after Mozart's death.
The title ''A Musical Joke'' might be a poor rendering of the German original: ''[[wikt:Spaß|Spaß]]'' does not necessarily connote the jocular, for which the word ''[[wikt:Scherz|Scherz]]'' would more likely be used. In [[Fritz Spiegl]]'s view, a more accurate translation would be ''Some Musical Fun''.<ref>{{cite AV media|date=October 1981|medium=Radio broadcast|publisher=[[BBC Radio 3]]|title=[Untitled talk]}}{{full citation needed|date=December 2018}}</ref> The sometimes-mentioned nicknames "Dorfmusikantensextett" ("village musicians' sextet") and "Bauernsinfonie" ("farmers' symphony") were added after Mozart's death.

==Other uses==
A version by [[Waldo de los Ríos]] of the opening of the finale was used for many years as the theme tune to the [[BBC]]'s ''[[Horse of the Year Show]]'' and other televised [[show jumping]] events.{{Citation needed|date=December 2018}}


==References==
==References==
Line 54: Line 50:
{{Wolfgang Amadeus Mozart}}
{{Wolfgang Amadeus Mozart}}
{{Mozart Divertimenti}}
{{Mozart Divertimenti}}
{{Portal bar|Classical music}}
{{Authority control}}
{{Authority control}}


Revision as of 13:01, 22 July 2021

A Musical Joke (in German: Ein musikalischer Spaß) K. 522, (Divertimento for two horns and string quartet) is a composition by Wolfgang Amadeus Mozart; the composer entered it in his Verzeichnis aller meiner Werke (Catalogue of All My Works) on June 14, 1787. Commentators have opined that the piece's purpose is satirical – that "[its] harmonic and rhythmic gaffes serve to parody the work of incompetent composers"[1] – though Mozart himself is not known to have revealed his actual intentions.

Structure and compositional elements

Mozart's exercise in polytonality, from the end of the piece
A 2021 synthesized version of the first movement, performed by Iki Ènèng

The piece consists of four movements and takes about 20 minutes to perform.

  1. Allegro (sonata form), F major
  2. Menuetto and trio, F major (trio in B-flat major)
  3. Adagio cantabile, C major
  4. Presto (sonata rondo form), F major

Compositorial comedic devices include:

  • secondary dominants replacing necessary subdominant chords;
  • discords in the horns;
  • parallel fifths
  • whole tone scales in the violin's high register;
  • clumsy orchestration, backing a thin melodic line with a heavy, monotonous accompaniment in the last movement;
  • going to the wrong keys for a sonata-form structure (the first movement, for example, never succeeds in modulating to the dominant, and simply jumps there instead after a few failed attempts);
  • starting the slow movement in the wrong key (G major instead of C major);
  • a pathetic attempt at a fugato, also in the last movement.

The piece is notable for one of the earliest known uses of polytonality (though not the earliest, being predated by Heinrich Ignaz Franz Biber's Battalia), creating the gesture of complete collapse at the finale. This may be intended to produce the impression of grossly out-of-tune string playing, since the horns alone conclude in the tonic key. The lower strings behave as if the tonic has become B-flat, while the violins and violas switch to G major, A major and E-flat major, respectively.

For a reading of some elements of this composition to the sounds made by Mozart's pet bird, see Mozart's starling.

Whole-tone scales and polytonality are foreign to music of the Classical era. However, these became common for early 20th-century composers like Claude Debussy and Igor Stravinsky, who were searching for a new musical language. In this later context, these were legitimate new techniques in serious music. In Mozart's time, however, these non-classical elements gave the piece its comedy, expressing the composer's humor.

Translation

The title A Musical Joke might be a poor rendering of the German original: Spaß does not necessarily connote the jocular, for which the word Scherz would more likely be used. In Fritz Spiegl's view, a more accurate translation would be Some Musical Fun.[2] The sometimes-mentioned nicknames "Dorfmusikantensextett" ("village musicians' sextet") and "Bauernsinfonie" ("farmers' symphony") were added after Mozart's death.

References

  1. ^ Sadie, Stanley (1980). "Wolfgang Amadeus Mozart". The New Grove Dictionary of Music and Musicians. London.{{cite book}}: CS1 maint: location missing publisher (link)
  2. ^ [Untitled talk] (Radio broadcast). BBC Radio 3. October 1981.[full citation needed]
Retrieved from "https://en.wikipedia.org/w/index.php?title=A_Musical_Joke&oldid=1034901177"