Atalanta Fugiens: Difference between revisions
Content deleted Content added
m Bot: link syntax and minor changes |
|||
| Line 29: | Line 29: | ||
** [http://livres-d-hermes.pagesperso-orange.fr/DOC/ATALA101.HTM pagesperso-orange.fr] (complete scanned text including German epigrams; with appendix, errata; without engravings, fugues) |
** [http://livres-d-hermes.pagesperso-orange.fr/DOC/ATALA101.HTM pagesperso-orange.fr] (complete scanned text including German epigrams; with appendix, errata; without engravings, fugues) |
||
* [[c:Category:Atalanta Fugiens|Images and other media at Wikimedia Commons]] |
* [[c:Category:Atalanta Fugiens|Images and other media at Wikimedia Commons]] |
||
* [ |
* [[s:Michael Maier- Epigram verse to ''Atalanta Fugiens''|English translation of Epigram Verse at wikisource]] |
||
*[https://www.academia.edu/779423/Oratorium-Auditorium-Laboratorium_Early_Modern_Improvisations_on_Cabala_Music_and_Alchemy Forshaw, Peter J (2010)] 'Oratorium-Auditorium-Laboratorium: Early Modern Improvisations on Cabala, Music and Alchemy'. |
*[https://www.academia.edu/779423/Oratorium-Auditorium-Laboratorium_Early_Modern_Improvisations_on_Cabala_Music_and_Alchemy Forshaw, Peter J (2010)] 'Oratorium-Auditorium-Laboratorium: Early Modern Improvisations on Cabala, Music and Alchemy'. |
||
Revision as of 17:43, 4 July 2015
Atalanta Fugiens (Atalanta in flight) is an emblem book by Michael Maier (1568-1622), published by Johann Theodor de Bry in Oppenheim in 1617 (2nd edition 1618). It consists of 50 discourses with illustrations by Matthias Merian, each of which is accompanied by an epigrammatic verse, prose and a musical fugue. It may therefore be considered an early example of multimedia.
Title page
The title page depicts various scenes from Greek mythology related to golden apples:
- Top: Garden of the Hesperides.
- Left: Hercules stretching out his arm to seize one of the golden apples.
- Right: Aphrodite handing the golden apples to Hippomenes.
- Bottom: Race between Atalanta and Hippomenes, with Atalanta picking up an apple. Behind them is a temple with lovers embracing each other, while in the background they appear as a lion and lioness.
Preface
The preface contains a dissertation upon ancient music and narrates the Greek myth of Atalanta and Hippomenes.
Discourses
Each of the 50 discourses contains:
- A detailed copper-plated engraving by Matthias Merian.
- An epigram in verse set to music in the form of a fugue for three voices - Atalanta, or the vox fugiens; Hippomenes, or the vox sequens, and Pomum objectum (Apple) or vox morans. "Atalanta fugiens" is a play on the word "fugue"[2]
- An epigram in German.
- A Latin verse with an accompanying discourse.[3]
References
- ^ Peter Forshaw/Ritman Library - Ritman Library Webinar on 'Atalanta Fugiens., at 48:45
- ^ Peter Forshaw/Ritman Library, at 18:15.
- ^ Count Michael Maier: Life and writings J.B.Craven pub. 1914 reprinted 2003 Ibis Press
External links
- Copies at various websites:
- scribd.com (with engravings; without fugues, German epigrams)
- pagesperso-orange.fr (complete scanned text including German epigrams; with appendix, errata; without engravings, fugues)
- Images and other media at Wikimedia Commons
- English translation of Epigram Verse at wikisource
- Forshaw, Peter J (2010) 'Oratorium-Auditorium-Laboratorium: Early Modern Improvisations on Cabala, Music and Alchemy'.