Fay Templeton: Difference between revisions
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After several years on the road playing in various melodramas and musical farces, Templeton was given the title role in ''Hendrik Hudson'', which opened at the 14th Street Theater on August 18, 1890. It was a "trouser role", one in which an actress appears in male clothing, then a popular feature of operettas. Her role was of a faithless husband. She won accolades singing "The Same Old Thing", but the show lasted only 16 performances.<ref>{{Cite web |title=Encyclopedia of Arkansas |url=https://encyclopediaofarkansas.net/entries/fay-templeton-5275/ |access-date=2023-11-28 |website=Encyclopedia of Arkansas |language=en-US}}</ref> |
After several years on the road playing in various melodramas and musical farces, Templeton was given the title role in ''Hendrik Hudson'', which opened at the 14th Street Theater on August 18, 1890. It was a "trouser role", one in which an actress appears in male clothing, then a popular feature of operettas. Her role was of a faithless husband. She won accolades singing "The Same Old Thing", but the show lasted only 16 performances.<ref>{{Cite web |title=Encyclopedia of Arkansas |url=https://encyclopediaofarkansas.net/entries/fay-templeton-5275/ |access-date=2023-11-28 |website=Encyclopedia of Arkansas |language=en-US}}</ref> |
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By 1890, Templeton had formed her own opera company and starred in various operettas, none of which fared well financially. In 1895, she starred in another trouser role in E.E. Rice's ''[[Excelsior, Jr.]]'' at [[Oscar Hammerstein I|Oscar Hammerstein]]'s Olympic Theater.<ref>{{Cite book | |
By 1890, Templeton had formed her own opera company and starred in various operettas, none of which fared well financially. In 1895, she starred in another trouser role in E.E. Rice's ''[[Excelsior, Jr.]]'' at [[Oscar Hammerstein I|Oscar Hammerstein]]'s Olympic Theater.<ref>{{Cite book |last1=Bordman |first1=Gerald Martin |url=https://books.google.com/books?id=OVdShkzkX74C&pg=PA165 |title=American Musical Theatre: A Chronicle |last2=Norton |first2=Richard |date=2010 |publisher=Oxford University Press |isbn=978-0-19-972970-8 |language=en}}</ref> |
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==Weber & Fields== |
==Weber & Fields== |
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In 1896, the comic duo [[Joe Weber (vaudevillian)|Joe Weber]] and [[Lew Fields]] leased a Broadway theater which they dubbed the "Weber & Fields' Broadway Music Hall";<ref>https://www.ibdb.com/theatre/webers-music-hall-1383</ref> with this as a base of operations, they formed a stock company made up of headliners, including Templeton. Her appearance and weight well suited the burlesque stage rather than Gay Nineties; moreover, her comedic versatility, long dark hair, sultry smile, and throaty-voiced singing continued to win over audiences.<ref name=Bordman/> |
In 1896, the comic duo [[Joe Weber (vaudevillian)|Joe Weber]] and [[Lew Fields]] leased a Broadway theater which they dubbed the "Weber & Fields' Broadway Music Hall";<ref>{{cite web | url=https://www.ibdb.com/theatre/webers-music-hall-1383 | title=Weber's Music Hall – New York, NY | IBDB }}</ref> with this as a base of operations, they formed a stock company made up of headliners, including Templeton. Her appearance and weight well suited the burlesque stage rather than Gay Nineties; moreover, her comedic versatility, long dark hair, sultry smile, and throaty-voiced singing continued to win over audiences.<ref name=Bordman/> |
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In "Fiddle Dee Dee",<ref name="ibdb.com">https://www.ibdb.com/broadway-production/fiddle-dee-dee-5349</ref> a 1900 Weber & Fields production, Templeton performed the [[John Stromberg]] composition "Ma Blushin' Rosie, Ma Posie Sweet",<ref>https://jscholarship.library.jhu.edu/handle/1774.2/31845?show=full</ref> its first performance. The number which became the hit of the show, and was re-recorded by multiple artists in later years, including [[Al Jolson]]. In 1901, she premiered "I'm a Respectable Working Girl"<ref>{{Cite book | |
In "Fiddle Dee Dee",<ref name="ibdb.com">{{Cite web|url=https://www.ibdb.com/broadway-production/fiddle-dee-dee-5349|title=Fiddle-dee-dee – Broadway Musical – Original | IBDB|website=www.ibdb.com}}</ref> a 1900 Weber & Fields production, Templeton performed the [[John Stromberg]] composition "Ma Blushin' Rosie, Ma Posie Sweet",<ref>{{cite web | url=https://jscholarship.library.jhu.edu/handle/1774.2/31845?show=full | title=My Blushin' Rosie. My Posie Sweet | date=1900 }}</ref> its first performance. The number which became the hit of the show, and was re-recorded by multiple artists in later years, including [[Al Jolson]]. In 1901, she premiered "I'm a Respectable Working Girl"<ref>{{Cite book |last1=Templeton |first1=Fay |url=https://digitalcommons.library.umaine.edu/mmb-vp/2512 |title=I'm a Respectable Workin' Girl |last2=Stromberg |first2=John |last3=Smith |date=1901 |publisher=M. Witmark & Sons |language=en}}</ref> in a new Music Hall show; this production incorporated elements of one-act burlesque shows "Quo Vas Iss", "Arizona", 'Exhibit II", and "Fiddle Dee Dee". For all of these, music was composed Stromberg with lyrics by [[Edgar Smith (librettist)|Edgar Smith]].<ref name="ibdb.com"/> |
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In 1903, Templeton introduced the whimsical "The Woodchuck Song" ([[How much wood would a woodchuck chuck]]) written by [[Robert Hobart Davis]] for her, as part of the musical The Runaways.<ref>The Tammany Times, Volumes 20–21, 1902, Page 305</ref> |
In 1903, Templeton introduced the whimsical "The Woodchuck Song" ([[How much wood would a woodchuck chuck]]) written by [[Robert Hobart Davis]] for her, as part of the musical The Runaways.<ref>The Tammany Times, Volumes 20–21, 1902, Page 305</ref> |
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==1906 to 1913== |
==1906 to 1913== |
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[[George M. Cohan]] hired Templeton to play the lead in ''[[Forty-Five Minutes from Broadway]]''. Templeton introduced the hit songs "So Long Mary" and "Mary Is a Grand Old Name".<ref>https://www.britannica.com/biography/Fay-Templeton</ref> The musical debuted on January 1, 1906 at the [[New Amsterdam Theatre]] on [[Broadway theatre|Broadway]] and ran for 90 performances before closing on March 17. Following her August marriage to Pittsburgh industrialist William Patterson, Templeton announced her retirement from the stage yet reprised her role in [[Forty-Five Minutes from Broadway]] for its November re-opening.<ref>https://www.ibdb.com/broadway-production/forty-five-minutes-from-broadway-5203</ref><ref>https://www.newspapers.com/image/48204220/?terms=Cohan |
[[George M. Cohan]] hired Templeton to play the lead in ''[[Forty-Five Minutes from Broadway]]''. Templeton introduced the hit songs "So Long Mary" and "Mary Is a Grand Old Name".<ref>{{cite web | url=https://www.britannica.com/biography/Fay-Templeton | title=Fay Templeton | Vaudeville, Broadway, Comedienne | Britannica }}</ref> The musical debuted on January 1, 1906 at the [[New Amsterdam Theatre]] on [[Broadway theatre|Broadway]] and ran for 90 performances before closing on March 17. Following her August marriage to Pittsburgh industrialist William Patterson, Templeton announced her retirement from the stage yet reprised her role in [[Forty-Five Minutes from Broadway]] for its November re-opening.<ref>{{Cite web|url=https://www.ibdb.com/broadway-production/forty-five-minutes-from-broadway-5203|title=Forty-five Minutes from Broadway – Broadway Play – 1906 Revival | IBDB|website=www.ibdb.com}}</ref><ref>{{Cite web|url=https://www.newspapers.com/image/48204220/?terms=Cohan+templeton&match=1|title=Feb 18, 1907, page 4 - The Tribune at Newspapers.com|website=Newspapers.com}}</ref> |
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In 1911, Weber & Fields began planning their reunion with a Jubilee touring company featuring all the old Music Hall stars. Templeton was one of the first to volunteer.<ref>https://levysheetmusic.mse.jhu.edu/collection/189/097</ref> The tour lasted five months and broke all records for touring companies. She continued in vaudeville with an act that included songs from previous shows. |
In 1911, Weber & Fields began planning their reunion with a Jubilee touring company featuring all the old Music Hall stars. Templeton was one of the first to volunteer.<ref>{{cite web | url=https://levysheetmusic.mse.jhu.edu/collection/189/097 | title=189.097 - the Island of Roses and Love. The Song Hit of the Weber Field Jubilee. | Levy Music Collection }}</ref> The tour lasted five months and broke all records for touring companies. She continued in vaudeville with an act that included songs from previous shows.{{Citation needed |date=July 2024}} |
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During her time with Weber & Fields, Templeton frequently appeared alongside [[Peter F. Dailey]], a well known burlesque and vaudeville performer. Dailey died in 1908, shortly after a performance, in Chicago; he was buried in the West family plot along with Fay's first husband, [[William H. West (entertainer)|William H. West]]. West and Dailey were brothers-in-law, married to sisters Emma Hanley and Mary Hanley Angus, respectively. |
During her time with Weber & Fields, Templeton frequently appeared alongside [[Peter F. Dailey]], a well known burlesque and vaudeville performer. Dailey died in 1908, shortly after a performance, in Chicago; he was buried in the West family plot along with Fay's first husband, [[William H. West (entertainer)|William H. West]]. West and Dailey were brothers-in-law, married to sisters Emma Hanley and Mary Hanley Angus, respectively.{{Citation needed |date=July 2024}} |
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In 1913, Templeton again announced her retirement. |
In 1913, Templeton again announced her retirement.{{Citation needed |date=July 2024}} |
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==Recordings and motion pictures== |
==Recordings and motion pictures== |
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Templeton appeared in at least three short films from 1904 to 1907. |
Templeton appeared in at least three short films from 1904 to 1907. |
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Many of Templeton's songwriting efforts were performed on radio and recorded on phonograph.<ref>[https://books.google.com/books?id=q4mXh7krTxkC&dq=fay+templeton+victor+recordings&pg=PA19 Popular American Recording Pioneers: 1895-1925 by Frank Hoffmann, B. Lee Cooper and Tim Gracyk c.2000] Retrieved January 15, 2017 {{ISBN|1-56024-993-5}} , {{ISBN|0-7890-1220-0}}(paperback)</ref><ref>[http://adp.library.ucsb.edu/index.php/talent/detail/114780/Templeton_Fay_composer Discography of American Historical Recordings] Retrieved January 15, 2017</ref> However, no recordings of her voice are extant. |
Many of Templeton's songwriting efforts were performed on radio and recorded on phonograph.<ref>[https://books.google.com/books?id=q4mXh7krTxkC&dq=fay+templeton+victor+recordings&pg=PA19 Popular American Recording Pioneers: 1895-1925 by Frank Hoffmann, B. Lee Cooper and Tim Gracyk c.2000] Retrieved January 15, 2017 {{ISBN|1-56024-993-5}} , {{ISBN|0-7890-1220-0}}(paperback)</ref><ref>[http://adp.library.ucsb.edu/index.php/talent/detail/114780/Templeton_Fay_composer Discography of American Historical Recordings] Retrieved January 15, 2017</ref> However, no recordings of her voice are extant.{{Citation needed |date=July 2024}} |
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==Returning to performing== |
==Returning to performing== |
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In 1925, Templeton appeared in an 'old-timer's' show at the [[Palace Theatre (Broadway)|Palace Theater]], again working with Weber & Fields. At this time, Templeton re-announced retirement. Asked if she would continue to perform, she replied, "It's been great fun, but it's a new Broadway and a new theater, and hereafter I'll be content to look on from out front". |
In 1925, Templeton appeared in an 'old-timer's' show at the [[Palace Theatre (Broadway)|Palace Theater]], again working with Weber & Fields. At this time, Templeton re-announced retirement. Asked if she would continue to perform, she replied, "It's been great fun, but it's a new Broadway and a new theater, and hereafter I'll be content to look on from out front".{{Citation needed |date=July 2024}} |
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In another change of heart, she returned to the stage in 1926 to play Mrs. Cripps aka |
In another change of heart, she returned to the stage in 1926 to play Mrs. Cripps aka |
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'Buttercup' in a revival of [[H.M.S. Pinafore]]. Again, she claimed it was her last appearance on stage. |
'Buttercup' in a revival of [[H.M.S. Pinafore]]. Again, she claimed it was her last appearance on stage.{{Citation needed |date=July 2024}} |
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When Templeton's husband died suddenly in 1932, she returned to the stage |
When Templeton's husband died suddenly in 1932, she returned to the stage to resume earning a living; her husband's estate was never settled, leaving her without independent means of support.{{Citation needed |date=July 2024}} |
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Her most significant stage appearance was in 1934’s production of "[[Roberta (musical)|Roberta]]" by [[Jerome Kern]] in the role of Aunt Minnie, a dress shop owner in Paris. "Smoke Gets In Your Eyes", which was debuted in this play, became a signature American classic song. Written for Templeton, the musical number "[[Yesterdays (1933 song)]] has also entered the American songbook as a jazz standard. While no recording of Templeton's rendition exists, the classic has been covered by dozens of artists over the decades since Templeton's launch of it in the show. |
Her most significant stage appearance was in 1934’s production of "[[Roberta (musical)|Roberta]]" by [[Jerome Kern]] in the role of Aunt Minnie, a dress shop owner in Paris. "Smoke Gets In Your Eyes", which was debuted in this play, became a signature American classic song. Written for Templeton, the musical number "[[Yesterdays (1933 song)]] has also entered the American songbook as a jazz standard. While no recording of Templeton's rendition exists, the classic has been covered by dozens of artists over the decades since Templeton's launch of it in the show.{{Citation needed |date=July 2024}} |
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[[Bob Hope]], in his American stage debut, provided comic relief for this show, which ran nine months. |
[[Bob Hope]], in his American stage debut, provided comic relief for this show, which ran nine months.{{Citation needed |date=July 2024}} |
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==Personal life== |
==Personal life== |
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In May 1883, Templeton eloped with [[William H. West (entertainer)|William H. West]] ("Billy"), a blackface minstrel performer, marrying in Nashville, Tennessee. After a three week visit to New York City, followed by three weeks in Chicago, Templeton left West and returned to New York. West filed for divorce in December 1886, in Chicago, citing "desertion" by Templeton. Templeton acknowledged this marriage on the marriage license for her 1906 wedding to William J Patterson, altering her "age at first marriage" to 15. No records have been found for the dissolution of this marriage other than press reports.{{Citation needed |date=August 2023}} |
In May 1883, Templeton eloped with [[William H. West (entertainer)|William H. West]] ("Billy"), a blackface minstrel performer, marrying in Nashville, Tennessee. After a three week visit to New York City, followed by three weeks in Chicago, Templeton left West and returned to New York. West filed for divorce in December 1886, in Chicago, citing "desertion" by Templeton. Templeton acknowledged this marriage on the marriage license for her 1906 wedding to William J Patterson, altering her "age at first marriage" to 15. No records have been found for the dissolution of this marriage other than press reports.{{Citation needed |date=August 2023}} |
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In 1887, Templeton began a long term relationship with Howell Osborn, the son of a wealthy New York City broker. Osborn was described as "the most conspicuous of the gilded youth about town". The two lived in England and toured the continent for several years. At his death in May 1895, Osborn left Templeton $100,000; Templeton signed the probate record as "Fay Templeton-Osborn, formerly Fay Templeton", implying that the couple were wed.<ref>https://aadl.org/node/478343</ref> Further, on her marriage license to her final husband, Templeton listed her name as "Fay T. Osborn". No marriage license or records for Osborn and Templeton are noted to support assertions that the couple married in France. After debts were paid from Osborn's estate, less than $21,000 was remaindered to Templeton.{{Citation needed |date=August 2023}} |
In 1887, Templeton began a long term relationship with Howell Osborn, the son of a wealthy New York City broker. Osborn was described as "the most conspicuous of the gilded youth about town". The two lived in England and toured the continent for several years. At his death in May 1895, Osborn left Templeton $100,000; Templeton signed the probate record as "Fay Templeton-Osborn, formerly Fay Templeton", implying that the couple were wed.<ref>{{cite web | url=https://aadl.org/node/478343 | title=Fay Templeton His Widow | Ann Arbor District Library }}</ref> Further, on her marriage license to her final husband, Templeton listed her name as "Fay T. Osborn". No marriage license or records for Osborn and Templeton are noted to support assertions that the couple married in France. After debts were paid from Osborn's estate, less than $21,000 was remaindered to Templeton.{{Citation needed |date=August 2023}} |
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On 1 Aug 1906, Templeton married William J Patterson, a partner at the Pittsburgh engineering firm of [[Heyl & Patterson Inc.]]Their marriage was held in Ridley Park, Pennsylvania. Following a European honeymoon, the couple made their main residence in Springdale, Pennsylvania. The marriage, which was childless, ended in Patterson's death in 1931. Patterson died intestate; his estate, valued at $136,000, was never distributed and his death left Templeton destitute.{{Citation needed |date=August 2023}} |
On 1 Aug 1906, Templeton married William J Patterson, a partner at the Pittsburgh engineering firm of [[Heyl & Patterson Inc.]]Their marriage was held in Ridley Park, Pennsylvania. Following a European honeymoon, the couple made their main residence in Springdale, Pennsylvania. The marriage, which was childless, ended in Patterson's death in 1931. Patterson died intestate; his estate, valued at $136,000, was never distributed and his death left Templeton destitute.{{Citation needed |date=August 2023}} |
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In June 2010, recordings of music composed by Fay Templeton preserved on two 1896-1897 [[gramophone]] recordings were discovered aboard the wreck of the [[Klondike Gold Rush]] paddlewheeler ''[[A. J. Goddard]]''. Other recordings were discovered as well. The ''Goddard'' sank in a storm on October 22, 1901, in Lake Laberge, Yukon. The wreckage was first discovered in June 2008; the recordings were discovered on a more complete exploration of the vessel on 5 Jul 2008. The recordings' vocals featured other artists, but no voice recordings of Templeton, either speaking or singing, were part of the wreckage recovery. |
In June 2010, recordings of music composed by Fay Templeton preserved on two 1896-1897 [[gramophone]] recordings were discovered aboard the wreck of the [[Klondike Gold Rush]] paddlewheeler ''[[A. J. Goddard]]''. Other recordings were discovered as well. The ''Goddard'' sank in a storm on October 22, 1901, in Lake Laberge, Yukon. The wreckage was first discovered in June 2008; the recordings were discovered on a more complete exploration of the vessel on 5 Jul 2008. The recordings' vocals featured other artists, but no voice recordings of Templeton, either speaking or singing, were part of the wreckage recovery. |
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Templeton's recovered titles are "Ma Onliest One", recorded in New York on April 17, 1896, with [[Len Spencer]] heard in the vocals, and "Rendez Vous Waltz", recorded on July 1, 1897, with music performed by the Metropolitan Orchestra. The gramophone recording process used on these discs was developed by [[Emile Berliner]].<ref>[http://wirelessinnovator.com/index.php?articleID=23917§ionID=84 Wireless Innovator: Power, Politics and Policy, Gold Rush era music from the A.J. Goddard wreck identified, February 28, 2011] {{webarchive|url=https://archive.today/20130805203137/http://wirelessinnovator.com/index.php?articleID=23917§ionID=84 |date=August 5, 2013 }}</ref><ref> |
Templeton's recovered titles are "Ma Onliest One", recorded in New York on April 17, 1896, with [[Len Spencer]] heard in the vocals, and "Rendez Vous Waltz", recorded on July 1, 1897, with music performed by the Metropolitan Orchestra. The gramophone recording process used on these discs was developed by [[Emile Berliner]].<ref>[http://wirelessinnovator.com/index.php?articleID=23917§ionID=84 Wireless Innovator: Power, Politics and Policy, Gold Rush era music from the A.J. Goddard wreck identified, February 28, 2011] {{webarchive|url=https://archive.today/20130805203137/http://wirelessinnovator.com/index.php?articleID=23917§ionID=84 |date=August 5, 2013 }}</ref><ref>{{Cite web|url=http://www.tc.gov.yk.ca/publications/The_Wreck_of_AJ_Goddard.pdf|title=Arts and culture | Government of Yukon}}</ref><ref>[http://www.gov.yk.ca/news/11-032.html Yukon News Release], gov.yk.ca, February 28, 2011.</ref> |
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==In popular culture== |
==In popular culture== |
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[[Category:20th-century American actresses]] |
[[Category:20th-century American actresses]] |
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[[Category:Actresses from Little Rock, Arkansas]] |
[[Category:Actresses from Little Rock, Arkansas]] |
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[[Category: |
[[Category:American vaudeville performers]] |
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[[Category:Burials at Kensico Cemetery]] |
[[Category:Burials at Kensico Cemetery]] |
Latest revision as of 18:11, 29 October 2024
Fay Templeton | |
---|---|
Born | Little Rock, Arkansas, U.S. | December 25, 1865
Died | October 3, 1939 | (aged 73)
Occupation | Actress |
Years active | 1870–1934 |
Spouse(s) | William H. West William J. Patterson |
Fay Templeton (December 25, 1865 – October 3, 1939)[1] was an American actress, singer, songwriter, and comedian.
Her parents were John J. Templeton and Alice Van Asse, both of whom were actors/vaudevillians; Fay followed in their footsteps, making her Broadway debut in 1900. Templeton excelled on the legitimate and vaudeville stages for more than half a century. She was a favorite headliner and heroine of popular theater, appearing until 1934. For a time she dated Sam Shubert, of the Shubert family of theatre owners, until his death in a railroad accident.
Some of her notable performances were in H.M.S. Pinafore and Roberta. Her career longevity was attributable not only to her physical appearance, which was of the fashionable robust nature of her time, but her multitude of talents from singing to composing.
Early life and career
[edit]Templeton was born on December 25, 1865, in Little Rock, Arkansas, where her parents were starring with the Templeton Opera Company. Her father, John Templeton, was a well-known Southern theatre manager, comedian, and author. Her mother, Helen Alice Vane (aka Alice Van Asse), starred with her husband.[2] At age three, Templeton, dressed as Cupid, sang fairy tale songs between the acts of her father's plays. Gradually, she was incorporated into the productions as a bit player, and then at age 5, had lines to recite. At age 8, she played Puck in A Midsummer Night's Dream, making her New York debut at Grand Opera House.[3]
At fifteen, Templeton joined a light opera company, playing in a juvenile version of Gilbert and Sullivan's H.M.S. Pinafore. She also played in The Mascot and Billee Taylor.[3]
On October 7, 1885, Templeton had her formal Broadway debut in a revival of Evangeline. The play ran for 201 performances. In this show, she displayed talent as both a comedian and mimic. She starred in the London premiere of Monte Cristo Jr., an 1886 hit.[3]
After several years on the road playing in various melodramas and musical farces, Templeton was given the title role in Hendrik Hudson, which opened at the 14th Street Theater on August 18, 1890. It was a "trouser role", one in which an actress appears in male clothing, then a popular feature of operettas. Her role was of a faithless husband. She won accolades singing "The Same Old Thing", but the show lasted only 16 performances.[4]
By 1890, Templeton had formed her own opera company and starred in various operettas, none of which fared well financially. In 1895, she starred in another trouser role in E.E. Rice's Excelsior, Jr. at Oscar Hammerstein's Olympic Theater.[5]
Weber & Fields
[edit]In 1896, the comic duo Joe Weber and Lew Fields leased a Broadway theater which they dubbed the "Weber & Fields' Broadway Music Hall";[6] with this as a base of operations, they formed a stock company made up of headliners, including Templeton. Her appearance and weight well suited the burlesque stage rather than Gay Nineties; moreover, her comedic versatility, long dark hair, sultry smile, and throaty-voiced singing continued to win over audiences.[3]
In "Fiddle Dee Dee",[7] a 1900 Weber & Fields production, Templeton performed the John Stromberg composition "Ma Blushin' Rosie, Ma Posie Sweet",[8] its first performance. The number which became the hit of the show, and was re-recorded by multiple artists in later years, including Al Jolson. In 1901, she premiered "I'm a Respectable Working Girl"[9] in a new Music Hall show; this production incorporated elements of one-act burlesque shows "Quo Vas Iss", "Arizona", 'Exhibit II", and "Fiddle Dee Dee". For all of these, music was composed Stromberg with lyrics by Edgar Smith.[7]
In 1903, Templeton introduced the whimsical "The Woodchuck Song" (How much wood would a woodchuck chuck) written by Robert Hobart Davis for her, as part of the musical The Runaways.[10]
1906 to 1913
[edit]George M. Cohan hired Templeton to play the lead in Forty-Five Minutes from Broadway. Templeton introduced the hit songs "So Long Mary" and "Mary Is a Grand Old Name".[11] The musical debuted on January 1, 1906 at the New Amsterdam Theatre on Broadway and ran for 90 performances before closing on March 17. Following her August marriage to Pittsburgh industrialist William Patterson, Templeton announced her retirement from the stage yet reprised her role in Forty-Five Minutes from Broadway for its November re-opening.[12][13]
In 1911, Weber & Fields began planning their reunion with a Jubilee touring company featuring all the old Music Hall stars. Templeton was one of the first to volunteer.[14] The tour lasted five months and broke all records for touring companies. She continued in vaudeville with an act that included songs from previous shows.[citation needed]
During her time with Weber & Fields, Templeton frequently appeared alongside Peter F. Dailey, a well known burlesque and vaudeville performer. Dailey died in 1908, shortly after a performance, in Chicago; he was buried in the West family plot along with Fay's first husband, William H. West. West and Dailey were brothers-in-law, married to sisters Emma Hanley and Mary Hanley Angus, respectively.[citation needed]
In 1913, Templeton again announced her retirement.[citation needed]
Recordings and motion pictures
[edit]Templeton appeared in only one full-length motion picture, preferring to perform in the live theatre. Her sole foray into full-length motion pictures was 1933’s Broadway to Hollywood (film), which featured many stars of the stage in numerous roles.[citation needed]
Templeton appeared in at least three short films from 1904 to 1907.
Many of Templeton's songwriting efforts were performed on radio and recorded on phonograph.[15][16] However, no recordings of her voice are extant.[citation needed]
Returning to performing
[edit]In 1925, Templeton appeared in an 'old-timer's' show at the Palace Theater, again working with Weber & Fields. At this time, Templeton re-announced retirement. Asked if she would continue to perform, she replied, "It's been great fun, but it's a new Broadway and a new theater, and hereafter I'll be content to look on from out front".[citation needed]
In another change of heart, she returned to the stage in 1926 to play Mrs. Cripps aka 'Buttercup' in a revival of H.M.S. Pinafore. Again, she claimed it was her last appearance on stage.[citation needed]
When Templeton's husband died suddenly in 1932, she returned to the stage to resume earning a living; her husband's estate was never settled, leaving her without independent means of support.[citation needed]
Her most significant stage appearance was in 1934’s production of "Roberta" by Jerome Kern in the role of Aunt Minnie, a dress shop owner in Paris. "Smoke Gets In Your Eyes", which was debuted in this play, became a signature American classic song. Written for Templeton, the musical number "Yesterdays (1933 song) has also entered the American songbook as a jazz standard. While no recording of Templeton's rendition exists, the classic has been covered by dozens of artists over the decades since Templeton's launch of it in the show.[citation needed]
Bob Hope, in his American stage debut, provided comic relief for this show, which ran nine months.[citation needed]
Personal life
[edit]In May 1883, Templeton eloped with William H. West ("Billy"), a blackface minstrel performer, marrying in Nashville, Tennessee. After a three week visit to New York City, followed by three weeks in Chicago, Templeton left West and returned to New York. West filed for divorce in December 1886, in Chicago, citing "desertion" by Templeton. Templeton acknowledged this marriage on the marriage license for her 1906 wedding to William J Patterson, altering her "age at first marriage" to 15. No records have been found for the dissolution of this marriage other than press reports.[citation needed]
In 1887, Templeton began a long term relationship with Howell Osborn, the son of a wealthy New York City broker. Osborn was described as "the most conspicuous of the gilded youth about town". The two lived in England and toured the continent for several years. At his death in May 1895, Osborn left Templeton $100,000; Templeton signed the probate record as "Fay Templeton-Osborn, formerly Fay Templeton", implying that the couple were wed.[17] Further, on her marriage license to her final husband, Templeton listed her name as "Fay T. Osborn". No marriage license or records for Osborn and Templeton are noted to support assertions that the couple married in France. After debts were paid from Osborn's estate, less than $21,000 was remaindered to Templeton.[citation needed]
On 1 Aug 1906, Templeton married William J Patterson, a partner at the Pittsburgh engineering firm of Heyl & Patterson Inc.Their marriage was held in Ridley Park, Pennsylvania. Following a European honeymoon, the couple made their main residence in Springdale, Pennsylvania. The marriage, which was childless, ended in Patterson's death in 1931. Patterson died intestate; his estate, valued at $136,000, was never distributed and his death left Templeton destitute.[citation needed]
Death
[edit]At age 71 and suffering from arthritis, Templeton found herself unable to support herself. In 1936, she relocated from Pittsburgh to the Lillian Booth Actors Home Englewood, New Jersey.[18]
Afterward, Templeton moved to San Francisco, living with a cousin. She died on October 3, 1939, at age 73, in San Francisco.[citation needed]
Musical compositions recovered
[edit]In June 2010, recordings of music composed by Fay Templeton preserved on two 1896-1897 gramophone recordings were discovered aboard the wreck of the Klondike Gold Rush paddlewheeler A. J. Goddard. Other recordings were discovered as well. The Goddard sank in a storm on October 22, 1901, in Lake Laberge, Yukon. The wreckage was first discovered in June 2008; the recordings were discovered on a more complete exploration of the vessel on 5 Jul 2008. The recordings' vocals featured other artists, but no voice recordings of Templeton, either speaking or singing, were part of the wreckage recovery.
Templeton's recovered titles are "Ma Onliest One", recorded in New York on April 17, 1896, with Len Spencer heard in the vocals, and "Rendez Vous Waltz", recorded on July 1, 1897, with music performed by the Metropolitan Orchestra. The gramophone recording process used on these discs was developed by Emile Berliner.[19][20][21]
In popular culture
[edit]In the 1941 musical Babes on Broadway, Judy Garland performs an impression of Templeton singing "Mary's a Grand Old Name".[22]
In the 1942 movie musical Yankee Doodle Dandy, Templeton was portrayed by actress Irene Manning.
In the 1968 Broadway musical George M!, she was portrayed by Jacqueline Alloway.[23]
Selected musicals
[edit]- Evangeline (1885)
- Fiddle-Dee-Dee (1900) with David Warfield and De Wolfe Hopper
- Broadway to Tokio (1900), as Cleopatra
- The Runaways (1903)
- George M. Cohan's Forty-five Minutes from Broadway (1906) with Victor Moore
- Hokey-Pokey (1912) with Joe Weber, Lew Fields, and Lillian Russell
Selected short-version filmography
[edit]- The Strenuous Life; or Anti-Race Suicide (1903, short; Edison). A satire directed at then-President Theodore Roosevelt.
- How a French Nobleman Got a Wife Through the New York Herald Personal Columns (1904, short; Edison). A parody of the late nineteenth/early 20th century phenomenon of the American dollar princess marriages between impoverished European aristocrats and wealthy American women.
- Getting Evidence (1907, short; Edison)
References
[edit]- ^ Blum, Daniel. Great Stars of the American Stage, c.1952 & this 2nd edit. c.1954 Profile #30
- ^ portrait and short biography Retrieved October 31, 2016 (retrieved from Wayback Machine April 12, 2017)
- ^ a b c d Bordman, Gerald. American Musical Theatre: A Chronicle, Oxford University Press, 2010 ISBN 0199729700 p. 119
- ^ "Encyclopedia of Arkansas". Encyclopedia of Arkansas. Retrieved November 28, 2023.
- ^ Bordman, Gerald Martin; Norton, Richard (2010). American Musical Theatre: A Chronicle. Oxford University Press. ISBN 978-0-19-972970-8.
- ^ "Weber's Music Hall – New York, NY | IBDB".
- ^ a b "Fiddle-dee-dee – Broadway Musical – Original | IBDB". www.ibdb.com.
- ^ "My Blushin' Rosie. My Posie Sweet". 1900.
- ^ Templeton, Fay; Stromberg, John; Smith (1901). I'm a Respectable Workin' Girl. M. Witmark & Sons.
- ^ The Tammany Times, Volumes 20–21, 1902, Page 305
- ^ "Fay Templeton | Vaudeville, Broadway, Comedienne | Britannica".
- ^ "Forty-five Minutes from Broadway – Broadway Play – 1906 Revival | IBDB". www.ibdb.com.
- ^ "Feb 18, 1907, page 4 - The Tribune at Newspapers.com". Newspapers.com.
- ^ "189.097 - the Island of Roses and Love. The Song Hit of the Weber Field Jubilee. | Levy Music Collection".
- ^ Popular American Recording Pioneers: 1895-1925 by Frank Hoffmann, B. Lee Cooper and Tim Gracyk c.2000 Retrieved January 15, 2017 ISBN 1-56024-993-5 , ISBN 0-7890-1220-0(paperback)
- ^ Discography of American Historical Recordings Retrieved January 15, 2017
- ^ "Fay Templeton His Widow | Ann Arbor District Library".
- ^ La Gorce, Tammy (January 18, 2004). "Life's Dramas Play at Home For Actors". The New York Times (National ed.). p. NJ14. Retrieved February 9, 2019.
- ^ Wireless Innovator: Power, Politics and Policy, Gold Rush era music from the A.J. Goddard wreck identified, February 28, 2011 Archived August 5, 2013, at archive.today
- ^ "Arts and culture | Government of Yukon" (PDF).
- ^ Yukon News Release, gov.yk.ca, February 28, 2011.
- ^ Neibaur, James (April 16, 2016). The Essential Mickey Rooney. Rowman & Littlefield. p. 128. ISBN 9781442260962.
- ^ "George M!". Internet Broadway Database. Retrieved June 8, 2017.
External links
[edit]- Fay Templeton at the Internet Broadway Database
- Fay Templeton at IMDb
- Fay Templeton at Who's Who in Musicals
- Fay Templeton as a child playing Cupid
- Fay Templeton photo gallery NYP Library
- Fay Templeton North American Theatre Online