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{{short description|American music producer and film director}}
{{short description|American music producer and film director}}

{{tone|date=October 2021}}
{{Infobox person
{{Infobox person
| name = James William Guercio
| name = James William Guercio
| image =
| image =
| caption =
| caption =
| other_names = Jim Guercio
| other_names = Jimmy Guercio
| birth_date = {{birth date and age|1945|7|18}}
| birth_date = {{birth date and age|1945|7|18}}
| birth_place = [[Chicago|Chicago, Illinois]], U.S.
| birth_place = [[Chicago|Chicago, Illinois]], U.S.
Line 13: Line 11:
| occupation = Music producer, songwriter, [[movie producer]], [[Film director|director]]
| occupation = Music producer, songwriter, [[movie producer]], [[Film director|director]]
| spouse = Lucy Angle Guercio
| spouse = Lucy Angle Guercio
| parents = Grace Guercio (1923-2010)<br />James Guercio, Sr. (1922-1998)
| parents = Grace Guercio (1923-2010)<br />James Guercio, Sr. (1920-1998)
| children = 4
| children = 3
}}
}}
'''James William Guercio''' (born July 18, 1945) is an American music producer, musician, songwriter, and director. He is well known for his work as the producer of [[Chicago (band)|Chicago]]'s early albums as well as early recordings of [[The Buckinghams]] and [[Blood, Sweat & Tears]]. He has worked briefly in the motion picture industry as a producer and director. In the mid-1970s, Guercio managed [[the Beach Boys]] and was a member of their backing band.
'''James William Guercio''' (born July 18, 1945) is an American music producer, musician, songwriter and director. He is best known for his work as the producer of [[Chicago (band)|Chicago]]'s first eleven studio albums. He also produced the early recordings of [[The Buckinghams]] and [[Blood, Sweat & Tears]]. In the mid-1970s, he managed [[the Beach Boys]] and was a member of their backing band. Guercio has also worked in the motion picture industry as a producer and director. He is married to the former model Lucy Angle.

==Early life and music industry accomplishments==
Guercio was born on July 18, 1945, in Chicago, IL to James Guercio, Sr (1922-1998) and Grace Guercio (née Williams, October 11, 1923 – August 23, 2010). He is of Italian, German, Irish, Scottish and English ancestry. He has 4 brothers and 2 sisters. As a child, he was friends with future [[Styx (band)|Styx]] keyboardist and vocalist [[Dennis DeYoung]].


==Early life and career==
Guercio moved to Los Angeles in the mid-1960s and began working as a [[session musician]] and songwriter. He played on several recordings, wrote [[Chad & Jeremy]]'s 1966 Top 30 pop hit "[[Distant Shores (song)|Distant Shores]]", and is listed as a "contributor" to [[Frank Zappa]]'s 1966 debut album ''[[Freak Out!]]'' (he was briefly a member of [[the Mothers of Invention]] prior to the album's recording). Hired by [[Columbia Records]] as a staff producer, Guercio began working with [[the Buckinghams]] and helped them create four big 1967 hits including two Top Tens — "[[Don't You Care]]" and "[[Mercy, Mercy, Mercy]]" — and two singles which peaked immediately outside the Top Ten: "[[Hey Baby (They're Playing Our Song)]]" and "[[Susan (song)|Susan]]".<ref>{{cite web |url={{AllMusic|class=artist|id=james-william-guercio-mn0000207832 |tab=biography |pure_url=yes}} |first=Ed |last=Hogan |title=James William Guercio Biography |publisher=[[All Media Network]] |work=[[AllMusic]] |access-date=6 January 2015}}</ref>
Guercio was born on July 18, 1945, in Chicago, Illinois, to James Guercio, Sr (1922-1998) and Grace Guercio (née Williams, 1923 – 2010). He is of Italian, German, Irish, Scottish, and English descent. He has four brothers and two sisters. As a child, he was friends with future [[Styx (band)|Styx]] keyboardist and vocalist [[Dennis DeYoung]].


In the 1960s, Guercio moved to Los Angeles and began working as a [[session musician]] and songwriter. He played on several recordings, wrote [[Chad & Jeremy]]'s 1966 Top 30 pop hit "[[Distant Shores (song)|Distant Shores]]", and is listed as a "contributor" to [[Frank Zappa]]'s 1966 debut album ''[[Freak Out!]]'' having briefly been a member of [[the Mothers of Invention]]. Guercio was hired by [[Columbia Records]] as a staff producer, and in 1967 he worked with [[The Buckinghams]] as producer of the singles "[[Don't You Care]]," "[[Mercy, Mercy, Mercy]], "[[Hey Baby (They're Playing Our Song)]]" and "[[Susan (song)|Susan]]".<ref>{{cite web |url={{AllMusic|class=artist|id=james-william-guercio-mn0000207832 |tab=biography |pure_url=yes}} |first=Ed |last=Hogan |title=James William Guercio Biography |publisher=[[All Media Network]] |work=[[AllMusic]] |access-date=6 January 2015}}</ref>
During his college years in Chicago, Guercio had become friends with saxophonist [[Walter Parazaider]]. Parazaider invited Guercio to hear his new band, The Big Thing, and Guercio offered to manage and produce them. He relocated the band to Los Angeles in 1968, convinced them to change their name to The Chicago Transit Authority, and arranged for them to appear in local clubs where they quickly became popular. While recording their first album for CBS/Columbia, Guercio was also approached about producing a second album for [[Blood, Sweat & Tears]]. Both of these highly successful albums were released in 1969, and ''Blood, Sweat & Tears'' won Guercio an Album of the Year [[Grammy Award]].<ref>{{cite journal |url=http://www.downbeat.com/default.asp?sect=stories&subsect=story_detail&sid=1128 |first=Harvey |last=Siders |title=Chicago: Jazz-Rock Pioneers |journal=[[Down Beat]] |date=29 October 1970 |issn=0012-5768 |url-status=dead |archive-url=https://web.archive.org/web/20140706045638/http://www.downbeat.com/default.asp?sect=stories&subsect=story_detail&sid=1128 |archive-date=6 July 2014 }}</ref>


Guercio attended [[DePaul University]], where he was a friend of saxophonist [[Walter Parazaider]]. Parazaider invited Guercio to hear his new band, The Big Thing, and Guercio offered to manage and produce them. In 1968 he relocated the band to Los Angeles and convinced them to change their name to The Chicago Transit Authority. While recording their first album for CBS/Columbia, Guercio was also approached about producing a second album for [[Blood, Sweat & Tears]]. Both albums were released in 1969 and ''Blood, Sweat & Tears'' won Guercio an Album of the Year [[Grammy Award]].<ref>{{cite journal |url=http://www.downbeat.com/default.asp?sect=stories&subsect=story_detail&sid=1128 |first=Harvey |last=Siders |title=Chicago: Jazz-Rock Pioneers |journal=[[Down Beat]] |date=29 October 1970 |issn=0012-5768 |url-status=dead |archive-url=https://web.archive.org/web/20140706045638/http://www.downbeat.com/default.asp?sect=stories&subsect=story_detail&sid=1128 |archive-date=6 July 2014 }}</ref>
In 1969, Guercio shortened the band's name to [[Chicago (band)|Chicago]] and worked with them on a second album, ''[[Chicago II]]''. Both this album and the original ''[[The Chicago Transit Authority (album)|The Chicago Transit Authority]]'' featured long recordings which were moderately popular on FM stations, but when Guercio edited several tracks down to a radio-friendly 3-minute length—including single versions of "[[Make Me Smile]]", "[[25 or 6 to 4]]", and "[[Beginnings (Chicago song)|Beginnings]]"—Chicago became a huge commercial success. Guercio would ultimately produce eleven albums for the band (including five straight number 1 pop albums, starting with ''[[Chicago V]]'') and 17 Top 25 singles.


In 1969, Guercio shortened The Chicago Transit Authority's name to [[Chicago (band)|Chicago]] and worked with them on a second album, ''[[Chicago II]]''. The band became a commercial success and Guercio produced eleven more of their albums, including five number 1 pop albums, starting with ''[[Chicago V]],'' and 17 Top 25 singles.
Guercio's attention was not only on the big-time artists. In 1969 he encountered street poet and musician [[Moondog]], going on to produce two albums with the eccentric character; on the second he performed vocals with Moondog and the artist's daughter. Guercio produced the [[Firesign Theatre]]'s single "Station Break", which was released in November 1969 (and later appeared on the ''[[Forward Into the Past]]'' anthology), and in April 1970, Guercio produced the "Shoes for Industry" segment of their classic LP ''[[Don't Crush That Dwarf, Hand Me the Pliers]]''. In addition, both ''Dwarf'' and Firesign's earlier ''[[How Can You Be in Two Places at Once When You're Not Anywhere at All]]'' were labelled with "Poseidon Productions: A Division of James William Guercio Enterprises Inc." He even joined [[The Beach Boys]] in the mid-1970s as a bass player in live shows and as their manager, before returning to solely working with Chicago.


In 1969, he met street poet and musician [[Moondog]] and produced two albums for him, and also performed vocals with Moondog and his daughter. In November 1969, Guercio produced the [[Firesign Theatre]]'s single, "Station Break." In April 1970, he produced the "Shoes for Industry" segment of their LP ''[[Don't Crush That Dwarf, Hand Me the Pliers]]''. Both ''Dwarf'' and Firesign's earlier ''[[How Can You Be in Two Places at Once When You're Not Anywhere at All]]'' were labelled "Poseidon Productions: A Division of James William Guercio Enterprises Inc." Guercio joined [[The Beach Boys]] in the mid-1970s as their manager and played bass for them in live shows, before returning to work with Chicago. In 1976, Guercio earned two Grammy Awards for Chicago's single "[[If You Leave Me Now]]."
The ''[[Chicago X]]'' album yielded the band's first number 1 single, "[[If You Leave Me Now]]", which also earned two Grammy Awards (best pop performance for the band, and [[Grammy Award for Best Instrumental Arrangement Accompanying Vocalist(s)|best arrangement]] for Guercio). However, Guercio and the band members found themselves increasingly at odds over creative decisions, tour schedules, and finances. They parted ways soon after completing ''[[Chicago XI]]'' in late 1977 as a result of the discovery that his contract paid him 51% of profits, with the other 49% going to the other eight members of Chicago, who split it evenly. Upon discovery of the inequity, band members decided that it was time for a change. In the CNN biography "Now More Than Ever: The History of Chicago", the group's discontent with Guercio was revealed, indicating that "millions of dollars" had gone to Guercio, under his tenure as band manager.


In 1977, Guercio and Chicago parted ways after the band discovered that his contract was paying him 51% of profits, with the other 49% shared between the eight band members. In the CNN biography "Now More Than Ever: The History of Chicago", the group revealed that "millions of dollars" had gone to Guercio while he was their manager. He has also been accused of mismanagement by Chicago, having been found to have pocketed royalty payments for most of the band's tenure.<ref>{{cite web |last1=Smith |first1=Benjamin |date=19 January 2018 |title=Like Cocaine. 'Now More Than Ever: The History of Chicago' is Too Much of a Good Thing |url=https://decider.com/2018/01/19/now-more-than-ever-the-history-of-chicago-on-netflix-review/ |access-date=10 May 2023 |website=Decider |publisher=NYP Holdings, Inc.}}</ref>
== Other accomplishments ==
Guercio has been accused of mismanagement “Jimmy Guercio, built a recording studio outside Denver with profits from the band, who didn’t realize things were amiss until it was too late. When they finally wised up, they found out Guercio had been pocketing 100% of their publishing royalties for nearly 10 years, which, given the band’s success, was literally millions of dollars.”https://decider.com/2018/01/19/now-more-than-ever-the-history-of-chicago-on-netflix-review/
https://decider.com/2018/01/19/now-more-than-ever-the-history-of-chicago-on-netflix-review/


== Other projects ==
Guercio directed and produced the 1973 film ''[[Electra Glide in Blue]]''.<ref>{{cite news |url=https://www.nytimes.com/movie/review?res=9807E7D61631E63BBC4851DFBE668388669EDE |first=Roger |last=Greenspun |author-link=Roger Greenspun |title=Electra Glide in Blue |newspaper=[[The New York Times]] |date=20 August 1973}}</ref> The film starred [[Robert Blake (actor)|Robert Blake]] and featured [[Peter Cetera]] and other members of Chicago in bit parts. The film was well received by critics. He also produced the 1981 Robert Blake film ''[[Second-Hand Hearts]].''


Guercio founded [[Caribou Ranch]], a recording studio in Colorado. The first radio hit recorded at Caribou was [[Joe Walsh]]'s "[[Rocky Mountain Way]]." In addition to Chicago (starting with ''[[Chicago VI]]''), the studio has been used by numerous other artists, including [[Elton John]] (for his ''[[Caribou (album)|Caribou]]'' album as well as ''[[Captain Fantastic and the Brown Dirt Cowboy]]'' and ''[[Rock of the Westies]]''), [[Dan Fogelberg]], [[Return to Forever]], [[Billy Joel]], [[Rod Stewart]], [[Carole King]], [[Stephen Stills]], [[Waylon Jennings]], [[Amy Grant]], [[Supertramp]], [[Badfinger]] and [[The Beach Boys]]. In March 1985 the studio complex was shut down after a fire destroyed the control room and caused about $3 million of damage.<ref>{{cite news |url=https://www.nytimes.com/1985/03/04/us/fire-in-recording-studio.html |title=Fire in Recording Studio |newspaper=[[The New York Times]] |agency=[[Associated Press]] |date=4 March 1985}}</ref>
Guercio became interested in motion picture production, and he was given the opportunity to produce and direct the 1973 film ''[[Electra Glide in Blue]]''; he also wrote and produced the film's musical soundtrack.<ref>{{cite news |url=https://www.nytimes.com/movie/review?res=9807E7D61631E63BBC4851DFBE668388669EDE |first=Roger |last=Greenspun |author-link=Roger Greenspun |title=Electra Glide in Blue |newspaper=[[The New York Times]] |date=20 August 1973}}</ref> The film starred [[Robert Blake (actor)|Robert Blake]] and featured [[Peter Cetera]] and other members of Chicago in bit parts. Although the film was well received by critics and has subsequently become a cult classic, it saw only modest commercial success. Guercio produced one other Robert Blake film, ''[[Second-Hand Hearts]]'', which was released in 1981. Guercio is an alumnus of [[DePaul University]].


In addition to the recording studio, Guercio also founded a record label, [[Caribou Records]], which [[Caribou Records discography|released albums by]] the [[The Beach Boys|Beach Boys]], [[Carl Wilson]], [[Dennis Wilson]], the [[L.A. Express]] and a few other artists.
Guercio was the founder of [[Caribou Ranch]], a popular recording studio in Colorado's Rocky Mountains. The first radio hit recorded at Caribou was [[Joe Walsh]]'s "[[Rocky Mountain Way]]". In addition to Chicago (starting with ''[[Chicago VI]]''), the studio has been used by numerous other artists: [[Elton John]] (for his ''[[Caribou (album)|Caribou]]'' album as well as ''[[Captain Fantastic and the Brown Dirt Cowboy]]'' and ''[[Rock of the Westies]]''), [[Dan Fogelberg]], [[Return to Forever]], [[Billy Joel]], [[Rod Stewart]], [[Carole King]], [[Stephen Stills]], [[Waylon Jennings]], [[Amy Grant]], [[Supertramp]], Badfinger and [[The Beach Boys]]. Unfortunately, the studio complex was shut down and never used again after a March 1985 fire destroyed the control room and caused about $3 million in damage.<ref>{{cite news |url=https://www.nytimes.com/1985/03/04/us/fire-in-recording-studio.html |title=Fire in Recording Studio |newspaper=[[The New York Times]] |agency=[[Associated Press]] |date=4 March 1985}}</ref>


In 1978, the Caribou Ranch lent its name to a pro soccer team, the [[Colorado Caribous]] of the [[North American Soccer League (1968–1984)|North American Soccer League]]. Co-owned by Guercio and future [[Washington state]] governor [[Booth Gardner]], the Caribous were not a success on or off the field: they finished in last place, drew poor crowds at [[Mile High Stadium]], and wore uniforms that many observers thought made the team into a laughingstock (brown and tan, with a strip of leather fringe across the chest). Guercio and Booth sold the club, after the 1978 season, to interests in Atlanta who renamed them the [[Atlanta Chiefs]].
In 1978, the Caribou Ranch lent its name to a pro soccer team, the [[Colorado Caribous]] of the [[North American Soccer League (1968–1984)|North American Soccer League]]. Co-owned by Guercio and future [[Washington state]] governor [[Booth Gardner]], the Caribous finished in last place, drew poor crowds at [[Mile High Stadium]], and wore uniforms that were ridiculed by numerous observers (brown and tan, with a strip of leather fringe across the chest). After the 1978 season, Guercio and Booth sold the club to interests in Atlanta who renamed them the [[Atlanta Chiefs]].


After the split-up with Chicago and the Caribou Ranch fire, Guercio became disenchanted with the recording industry and pursued a career in large-scale cattle ranching, property development, and oil and gas exploration, drilling and production, particularly [[coalbed methane]] wells. In the late 1980s, Guercio purchased the [[Country Music Television]] (CMT) channel.<ref>{{cite journal |url=https://books.google.com/books?id=sSQEAAAAMBAJ&q=country+music+television+james+guercio&pg=PA36-IA4 |first=Andrew |last=Roblin |title=New Acts, New Outlets Expanding Horizons |journal=[[Billboard (magazine)|Billboard]] |page=C-4 |date=18 October 1986 |issn=0006-2510}}</ref> In one of his more well-publicized transactions, in the early 1990s he sold CMT to media tycoon [[Ed Gaylord]] and [[Westinghouse Electric Corporation|Westinghouse]] Broadcasting.
After the split-up with Chicago and the Caribou Ranch fire, Guercio pursued a career in cattle ranching, property development, oil and gas exploration, drilling, and production, particularly [[coalbed methane]] wells. In the late 1980s, he purchased the [[Country Music Television]] (CMT) channel.<ref>{{cite magazine |url=https://books.google.com/books?id=sSQEAAAAMBAJ&q=country+music+television+james+guercio&pg=PA36-IA4 |first=Andrew |last=Roblin |title=New Acts, New Outlets Expanding Horizons |magazine=[[Billboard (magazine)|Billboard]] |page=C-4 |date=18 October 1986 |issn=0006-2510}}</ref> In the early 1990s he sold CMT to media tycoon [[Ed Gaylord]] and [[Westinghouse Electric Corporation|Westinghouse]] Broadcasting.


==References==
==References==
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[[Category:American film directors]]
[[Category:Film directors from Illinois]]
[[Category:Film producers from Illinois]]
[[Category:Film producers from Illinois]]
[[Category:American music managers]]
[[Category:American music managers]]
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[[Category:American entertainment industry businesspeople]]
[[Category:American entertainment industry businesspeople]]
[[Category:American rock bass guitarists]]
[[Category:American rock bass guitarists]]
[[Category:American film directors of Italian descent]]
[[Category:American people of Italian descent]]
[[Category:Guitarists from Chicago]]
[[Category:Guitarists from Chicago]]
[[Category:American male bass guitarists]]
[[Category:American male bass guitarists]]

Latest revision as of 11:41, 27 December 2024

James William Guercio
Born (1945-07-18) July 18, 1945 (age 79)
Other namesJimmy Guercio
Occupation(s)Music producer, songwriter, movie producer, director
SpouseLucy Angle Guercio
Children3
Parent(s)Grace Guercio (1923-2010)
James Guercio, Sr. (1920-1998)

James William Guercio (born July 18, 1945) is an American music producer, musician, songwriter and director. He is best known for his work as the producer of Chicago's first eleven studio albums. He also produced the early recordings of The Buckinghams and Blood, Sweat & Tears. In the mid-1970s, he managed the Beach Boys and was a member of their backing band. Guercio has also worked in the motion picture industry as a producer and director. He is married to the former model Lucy Angle.

Early life and career

[edit]

Guercio was born on July 18, 1945, in Chicago, Illinois, to James Guercio, Sr (1922-1998) and Grace Guercio (née Williams, 1923 – 2010). He is of Italian, German, Irish, Scottish, and English descent. He has four brothers and two sisters. As a child, he was friends with future Styx keyboardist and vocalist Dennis DeYoung.

In the 1960s, Guercio moved to Los Angeles and began working as a session musician and songwriter. He played on several recordings, wrote Chad & Jeremy's 1966 Top 30 pop hit "Distant Shores", and is listed as a "contributor" to Frank Zappa's 1966 debut album Freak Out! having briefly been a member of the Mothers of Invention. Guercio was hired by Columbia Records as a staff producer, and in 1967 he worked with The Buckinghams as producer of the singles "Don't You Care," "Mercy, Mercy, Mercy, "Hey Baby (They're Playing Our Song)" and "Susan".[1]

Guercio attended DePaul University, where he was a friend of saxophonist Walter Parazaider. Parazaider invited Guercio to hear his new band, The Big Thing, and Guercio offered to manage and produce them. In 1968 he relocated the band to Los Angeles and convinced them to change their name to The Chicago Transit Authority. While recording their first album for CBS/Columbia, Guercio was also approached about producing a second album for Blood, Sweat & Tears. Both albums were released in 1969 and Blood, Sweat & Tears won Guercio an Album of the Year Grammy Award.[2]

In 1969, Guercio shortened The Chicago Transit Authority's name to Chicago and worked with them on a second album, Chicago II. The band became a commercial success and Guercio produced eleven more of their albums, including five number 1 pop albums, starting with Chicago V, and 17 Top 25 singles.

In 1969, he met street poet and musician Moondog and produced two albums for him, and also performed vocals with Moondog and his daughter. In November 1969, Guercio produced the Firesign Theatre's single, "Station Break." In April 1970, he produced the "Shoes for Industry" segment of their LP Don't Crush That Dwarf, Hand Me the Pliers. Both Dwarf and Firesign's earlier How Can You Be in Two Places at Once When You're Not Anywhere at All were labelled "Poseidon Productions: A Division of James William Guercio Enterprises Inc." Guercio joined The Beach Boys in the mid-1970s as their manager and played bass for them in live shows, before returning to work with Chicago. In 1976, Guercio earned two Grammy Awards for Chicago's single "If You Leave Me Now."

In 1977, Guercio and Chicago parted ways after the band discovered that his contract was paying him 51% of profits, with the other 49% shared between the eight band members. In the CNN biography "Now More Than Ever: The History of Chicago", the group revealed that "millions of dollars" had gone to Guercio while he was their manager. He has also been accused of mismanagement by Chicago, having been found to have pocketed royalty payments for most of the band's tenure.[3]

Other projects

[edit]

Guercio directed and produced the 1973 film Electra Glide in Blue.[4] The film starred Robert Blake and featured Peter Cetera and other members of Chicago in bit parts. The film was well received by critics. He also produced the 1981 Robert Blake film Second-Hand Hearts.

Guercio founded Caribou Ranch, a recording studio in Colorado. The first radio hit recorded at Caribou was Joe Walsh's "Rocky Mountain Way." In addition to Chicago (starting with Chicago VI), the studio has been used by numerous other artists, including Elton John (for his Caribou album as well as Captain Fantastic and the Brown Dirt Cowboy and Rock of the Westies), Dan Fogelberg, Return to Forever, Billy Joel, Rod Stewart, Carole King, Stephen Stills, Waylon Jennings, Amy Grant, Supertramp, Badfinger and The Beach Boys. In March 1985 the studio complex was shut down after a fire destroyed the control room and caused about $3 million of damage.[5]

In addition to the recording studio, Guercio also founded a record label, Caribou Records, which released albums by the Beach Boys, Carl Wilson, Dennis Wilson, the L.A. Express and a few other artists.

In 1978, the Caribou Ranch lent its name to a pro soccer team, the Colorado Caribous of the North American Soccer League. Co-owned by Guercio and future Washington state governor Booth Gardner, the Caribous finished in last place, drew poor crowds at Mile High Stadium, and wore uniforms that were ridiculed by numerous observers (brown and tan, with a strip of leather fringe across the chest). After the 1978 season, Guercio and Booth sold the club to interests in Atlanta who renamed them the Atlanta Chiefs.

After the split-up with Chicago and the Caribou Ranch fire, Guercio pursued a career in cattle ranching, property development, oil and gas exploration, drilling, and production, particularly coalbed methane wells. In the late 1980s, he purchased the Country Music Television (CMT) channel.[6] In the early 1990s he sold CMT to media tycoon Ed Gaylord and Westinghouse Broadcasting.

References

[edit]
  1. ^ Hogan, Ed. "James William Guercio Biography". AllMusic. All Media Network. Retrieved 6 January 2015.
  2. ^ Siders, Harvey (29 October 1970). "Chicago: Jazz-Rock Pioneers". Down Beat. ISSN 0012-5768. Archived from the original on 6 July 2014.
  3. ^ Smith, Benjamin (19 January 2018). "Like Cocaine. 'Now More Than Ever: The History of Chicago' is Too Much of a Good Thing". Decider. NYP Holdings, Inc. Retrieved 10 May 2023.
  4. ^ Greenspun, Roger (20 August 1973). "Electra Glide in Blue". The New York Times.
  5. ^ "Fire in Recording Studio". The New York Times. Associated Press. 4 March 1985.
  6. ^ Roblin, Andrew (18 October 1986). "New Acts, New Outlets Expanding Horizons". Billboard. p. C-4. ISSN 0006-2510.
[edit]