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'''''Red Light''''' is a 1949 American [[film noir]] [[crime film]] directed and produced by [[Roy Del Ruth]], starring [[George Raft]] and [[Virginia Mayo]], and based on the story "This Guy Gideon" by [[Don "Red" Barry]], featuring strong religious overtones.<ref>{{IMDb title|id=0041790|title=Red Light}}.</ref>
'''''Red Light''''' is a 1949 American [[film noir]] [[crime film]] starring [[George Raft]] and [[Virginia Mayo]], and directed and produced by [[Roy Del Ruth]]. Based on the story "This Guy Gideon" by [[Don "Red" Barry]], it features strong religious overtones.<ref>{{IMDb title|id=0041790|title=Red Light}}.</ref>


It was one of several thrillers Raft made in the late 1940s.<ref>{{cite magazine|magazine=Filmink|url=https://www.filmink.com.au/stars-stop-stars-george-raft/|first=Stephen|last=Vagg|title=Why Stars Stop Being Stars: George Raft|date=February 9, 2020}}</ref>
It was one of several thrillers Raft made in the late 1940s.<ref>{{cite magazine|magazine=Filmink|url=https://www.filmink.com.au/stars-stop-stars-george-raft/|first=Stephen|last=Vagg|title=Why Stars Stop Being Stars: George Raft|date=February 9, 2020}}</ref>


==Plot==
==Plot==
Bookkeeper Nick Cherney is sent to jail for [[Embezzlement|embezzling]] from Johnny Torno's trucking company. One week before getting out, he sees a [[newsreel]] showing Johnny welcoming home his heroic brother Jess, a [[Catholic]] [[chaplain]] just returned from a [[World War II]] prisoner-of-war camp. Nick decides to get back at Johnny and hires Rocky (a fellow-inmate about to be released) to murder Jess.
{{long plot|date=January 2022}}
Bookkeeper Nick Cherney is sent to jail for [[Embezzlement|embezzling]] from Johnny Torno's trucking company. One week before getting out, he sees a [[newsreel]] showing Johnny welcoming home his brother Jess, a heroic [[Catholic]] [[chaplain]] just returned from a [[World War II]] prisoner-of-war camp. Nick decides to get back at Johnny and hires Rocky (a fellow-inmate being released ahead of Nick) to murder Jess.


Jess is staying in a local hotel room, about to depart for his first parish in another city. Johnny arrives not long after his brother has been shot by Rocky. Knowing that he is about to die, Jess indicates that a clue can be found in the room's [[Gideon Bible]]. However, the book is not there.
Johnny arrives soon after Rocky has shot his brother. Knowing that he is about to die, Jess indicates that a clue can be found in the room's [[Gideon Bible]]. However, the book is not there.


Johnny investigates on his own, resulting in much tension with the police. He tracks down and questions people who occupied the hotel room, believing that one of them is in possession of the bible. He hires Carla North, herself a one-time resident of the room, to help him search. He insists she stay at his luxury apartment while he moves into his office.
Johnny investigates on his own, creating much tension with the police. He tracks down and questions people who occupied Jess' hotel room, believing that one of them has the Bible. He hires Carla North, who once stayed in the room, and lost her brother in World War II, to help him search. He insists she live at his luxury apartment; he moves into his office.


While Johnny is questioning another hotel guest, he notices Rocky watching him and sets a trap. Rocky manages to escape, after Johnny wounds him.
While Johnny is questioning another hotel guest, now in Reno, he notices Rocky watching him and sets a trap. Rocky manages to escape, after Johnny wounds him.


Later, aboard a train, Rocky attempts to blackmail Nick, who deals with this by causing his ex-con acquaintance to fall off the train. Nick then goes to Johnny's trucking company office to look for the bible Carla has apparently found. While there, he murders manager Warni Hazard.
Later Rocky attempts to blackmail Nick, who shoves him off the train. The clerk at Nick's apartment tells him that he told a man that Nick had gone to Reno. Deducing who the man was, Nick goes to Johnny's trucking company office and murders manager Warni Hazard. The death is reported as an accident.


Johnny learns of this murder and returns to his apartment to ask Carla to locate Pablo Cabrillo, the last name on the list. But, she is tired of Johnny's obsessive nature and leaves him. Johnny is then confronted by the police, who subsequently put a 24-hour watch on him. With help from his employees, he manages to slip away.
Obsessed with revenge, Johnny asks Carla to locate the last person on his list, Pablo Cabrillo. But she is tired of Johnny's overbearing quest and tells him they need to forget about the dead. He slaps her, then tries to apologize, but she leaves. The police confront Johnny and subsequently put a 24-hour watch on him. With help from an employee, he manages to slip away.


Johnny drives to see Pablo Cabrillo, who turns out to be a GI blinded in the war. He admits to stealing the [[Bible]], because it was his only inspiration during his intense despair. Pablo agrees to let Johnny look at the bible, but they learn that it was stolen only an hour earlier by a young, beautiful woman.
Johnny drives to see Cabrillo, who turns out to be a veteran, blinded in the war. He admits to taking the Bible, but asks to keep it due to its significance to him. He explains that, believing he would be a burden to his family, he was about to shoot himself when the window washer stopped him. He picked up the Bible and read to him, restoring his hope. Johnny insists on taking the book and Cabrillo agrees to let him have it, but they learn that it was taken only an hour earlier by a young, beautiful woman.


Johnny angrily goes to church where, in a burst of rage, he breaks a stained-glass window that he himself had recently sponsored. Remorseful, he returns to his office to write a check to replace the window; while there he receives word that Carla has checked into a hotel. Nick arrives at Johnny's office and agrees to help find Carla, who shortly arrives at the office with the bible. The police show up moments later to tell Johnny that they found his gun&mdash;one he had taken from Rocky.
Johnny angrily goes to church where, in a burst of rage, he breaks a stained-glass window that he had recently donated in thanksgiving for Jess' safe return from the war. Remorseful, he returns to his office and writes a check to replace the window; while there he receives word that Carla has checked into a hotel. Nick arrives at Johnny's office and agrees to help find Carla She soon arrives at the office with the Bible. The police show up moments later to tell Johnny that they found his gun—one he had taken from Rocky.


With Nick watching worriedly, Carla gives Johnny the missing Bible. Inside it he finds not information about the killer's identity, but a reference to Romans 12:19 forbidding revenge, and a plea from his brother to not seek retribution. Nick thinks he is off the hook. Relieved, he turns to leave.
Worried, Nick watches as Carla gives Johnny the book. Inside, he finds nothing about the killer's identity; instead he finds that his brother circled around [[Romans 12:19]], and wrote a plea from him not to kill. Johnny is initially angry and disappointed, until Carla asks him to re-read what his brother wrote and consider that it was the last instruction he left him.


However, when he gets to the head of the stairs, he spots Rocky on the floor below. In a shootout, Nick fatally wounds Rocky, but before he dies Rocky identifies Nick as the mastermind behind Jess's murder. Holding all of them at gunpoint, Nick confesses in front of the police before Johnny shoots and wounds Nick.
Nick thinks he is off the hook. Relieved, he turns to leave, only to spot Rocky in the lobby. In a shootout, Nick fatally wounds Rocky, but before Rocky dies, he tells the others that Nick payed for Jess' murder. Holding all of them at gunpoint, Nick confesses in front of the police before Johnny shoots and wounds him.


Pursued by Johnny and the police, Nick flees to the roof in a rainstorm. Nick has a clear shot at Johnny, but is out of bullets. Johnny aims at Nick, but remembers his brother's message. Nick flees as the police close in, accidentally steps on the main power supply to Torno's huge [[neon sign]], and is electrocuted.
Pursued by Johnny and the police, Nick flees to the roof. Nick has a clear shot at Johnny, but he is out of bullets. Johnny aims at Nick, but remembers his brother's injunction. Nick flees up a huge neon sign for Torno's trucking company as the police close in. He accidentally steps on the sign's power supply and is electrocuted. Carla confronts Johnny, assuming he killed Nick, before the police tell her otherwise. The policeman tells Johnny that his brother "believed Someone else was on the case," and that he was right.


==Cast==
==Cast==
Line 62: Line 60:
* [[Arthur Shields]] as Father Redmond
* [[Arthur Shields]] as Father Redmond
* [[William Frawley]] as a hotel night clerk
* [[William Frawley]] as a hotel night clerk
* [[Victor Sen Yung|Sen Young]] as Vincent, houseboy (uncredited)


==Production==
==Production==
It was based on a story called ''Mr Gideon''. Roy Del Ruth and his associate Joe Kaufman brought the film rights in May 1946 from writer Donald Barry and Producer Lou Rock. The originally announced wanting [[Frank Sinatra]] to play the lead.<ref>{{Cite news|author=Schallert, E.|title='Free agent' leslie will do independent picture.|date=May 28, 1946|work=Los Angeles Times|id={{ProQuest|165643975}}}}</ref>
The film is based on a story by writer Donald Barry called ''Mr Gideon''. Roy Del Ruth and his associate Joe Kaufman brought the film rights in May 1946 from Barry and producer Lou Rock.<ref>{{Cite news|author=Schallert, E.|title='Free agent' leslie will do independent picture.|date=May 28, 1946|work=Los Angeles Times|id={{ProQuest|165643975}}}}</ref>


Roy Del Ruth set up his production company at [[Monogram Pictures]], who were trying to expand into more prestigious product. Del Ruth made ''[[It Happened on Fifth Avenue]]'' for them, one of Monogram's most expensive pictures to date. He was meant to follow it with ''Mr Gideon'' but the project was delayed.<ref>{{Cite news|title=OUT HOLLYWOOD WAY|author=T. F.|date=Sep 8, 1946|work=New York Times|id={{ProQuest|107412501}}}}</ref>
Del Ruth set up his production company at [[Monogram Pictures]], who were trying to expand into more prestigious films. He made ''[[It Happened on Fifth Avenue]]'' for them, one of Monogram's most expensive pictures to date. He was meant to follow it with ''Mr Gideon'' but the project was delayed.<ref>{{Cite news|title=OUT HOLLYWOOD WAY|author=T. F.|date=Sep 8, 1946|work=New York Times|id={{ProQuest|107412501}}}}</ref>


The story was retitled ''Red Light'' after a survey.<ref>{{cite news|title=French Star to Keynote Korda Bilingual Series|author=Schallert, Edwin|work=Los Angeles Times|date=22 Mar 1947|page=A5}}</ref> Del Ruth started doing background filming in San Francisco in June 1947.<ref>{{Cite news|author=Schallert, E.|title=DRAMA AND FILM.|date=Jun 30, 1947|work=Los Angeles Times|id={{ProQuest|165773654}}}}</ref> However, it was a while before filming of the actual movie began.
The story was retitled ''Red Light'' after a survey.<ref>{{cite news|title=French Star to Keynote Korda Bilingual Series|author=Schallert, Edwin|work=Los Angeles Times|date=22 Mar 1947|page=A5}}</ref> Del Ruth started doing background filming in San Francisco in June 1947,<ref>{{Cite news|author=Schallert, E.|title=DRAMA AND FILM.|date=Jun 30, 1947|work=Los Angeles Times|id={{ProQuest|165773654}}}}</ref> followed by delay.


Monogram formed a subsidiary, Allied Artists, who would distribute their more prestigious movies. Del Ruth made ''[[The Babe Ruth Story]]'' for Allied Artists and they announced they would finance ''Red Light''.<ref>{{Cite news|title=Of local origin. |date=Jun 1, 1948|work=New York Times|id={{ProQuest|108194978}}}}</ref> Del Ruth wanted [[Edward G. Robinson]], [[William Bendix]] and [[Charles Bickford]] for the main roles.<ref>{{Cite news|author=Schallert, E. |date=Apr 15, 1948|title=Film vaudeville here; ryan avenger at MGM|work=Los Angeles Times}}</ref> He thought the budget would be around $1.25 to 1.5 million.<ref>{{Cite news|author=Scheuer, P. K. |date=Aug 28, 1947|title=DRAMA AND FILM|work=Los Angeles Times}}</ref> In September 1948 Joseph Kaufman, who worked for Del Ruth, said they were trying to get Robert Ryan to play the lead.<ref>{{cite news|title=Article 3 -- No Title|date=Sep 9, 1948|work=Los Angeles Times|page=23}}</ref>
Monogram formed a subsidiary, Allied Artists, to distribute their more prestigious movies. Del Ruth made ''[[The Babe Ruth Story]]'' for Allied Artists, which announced it would finance ''Red Light''.<ref>{{Cite news|title=Of local origin. |date=Jun 1, 1948|work=New York Times|id={{ProQuest|108194978}}}}</ref> Del Ruth wanted [[Edward G. Robinson]], [[William Bendix]] and [[Charles Bickford]] for the main roles.<ref>{{Cite news|author=Schallert, E. |date=Apr 15, 1948|title=Film vaudeville here; ryan avenger at MGM|work=Los Angeles Times}}</ref> He thought the budget would be around $1.25 to $1.5 million.<ref>{{Cite news|author=Scheuer, P. K. |date=Aug 28, 1947|title=DRAMA AND FILM|work=Los Angeles Times}}</ref> In September 1948 Joseph Kaufman, who worked for Del Ruth, said they were trying to get [[Robert Ryan]] to play the lead.<ref>{{cite news|title=Article 3 -- No Title|date=Sep 9, 1948|work=Los Angeles Times|page=23}}</ref>


In January 1949 it was announced that Monogram and [[United Artists]] had signed a deal whereby United Artists would distribute ''Red Light'' and another movie ''[[Gun Crazy]]''. The films would be financed by Pioneer Pictures, a new company which Monogram half owned, the other half being owned by Eastern investors. George Raft was announced as star.<ref>{{cite news|author=THOMAS F BRADY |date=Jan 11, 1949|title=UA AND MONOGRAM IN DEAL ON SELLING|work=New York Times}}</ref> [[Virginia Mayo]] was borrowed to play the female lead.
In January 1949 it was announced that Monogram and [[United Artists]] had signed a deal whereby United Artists would distribute ''Red Light'' and another movie ''[[Gun Crazy]]''. The films would be financed by Pioneer Pictures, a new company which Monogram co-owned with Eastern investors. George Raft was announced as star.<ref>{{cite news|author=THOMAS F BRADY |date=Jan 11, 1949|title=UA AND MONOGRAM IN DEAL ON SELLING|work=New York Times}}</ref> [[Virginia Mayo]] was borrowed from producer [[Samuel Goldwyn]] to play the female lead.


Raft was paid $65,000 for his role.<ref name="raft">{{Cite news|title=Everett Aaker, ''The Films of George Raft'', McFarland & Company, 2013 p 141}}</ref> He signed in February 1949 and filming started in March.<ref>{{Cite news|title=BISCHOFF CANCELS FILM FINANCE DEAL|author=THOMAS F BRADY|date=Feb 8, 1949|work=New York Times|id={{ProQuest|105764606}}}}</ref> The production manager, Joe Gilpin, died of a heart attack during filming.<ref>{{Cite news|title=JOE C. GILPIN|date=Mar 20, 1949|work=New York Times|id={{ProQuest|105704007}}}}</ref>
Raft was paid $65,000 for his role.<ref name="raft">{{Cite news|title=Everett Aaker, ''The Films of George Raft'', McFarland & Company, 2013 p 141}}</ref> He signed in February 1949 and filming started in March.<ref>{{Cite news|title=BISCHOFF CANCELS FILM FINANCE DEAL|author=THOMAS F BRADY|date=Feb 8, 1949|work=New York Times|id={{ProQuest|105764606}}}}</ref>


==Reception==
==Reception==
Line 84: Line 81:
The New York Times said the film was "in the main, a contest familiar to Raft's retinue of fans, complete with hard, laconic characters, a search for a culprit, a few fireworks and with the Word in the Good Book as its sole, extraordinary twist."<ref>{{Cite news|title=George raft in a crime melodrama. |date=Jan 16, 1950|work=New York Times|id={{ProQuest|111356922}}}}</ref>
The New York Times said the film was "in the main, a contest familiar to Raft's retinue of fans, complete with hard, laconic characters, a search for a culprit, a few fireworks and with the Word in the Good Book as its sole, extraordinary twist."<ref>{{Cite news|title=George raft in a crime melodrama. |date=Jan 16, 1950|work=New York Times|id={{ProQuest|111356922}}}}</ref>


Film critic Dennis Schwartz said of the film, "Roy Del Ruth directs a routine film noir infused with themes of revenge and religion, as it veers more towards a regular crime drama except for photographic flashes that reveal the film's dark undertones. The film's classic noir shot is of the villainous Raymond Burr smoking and smiling as his frightened victim is being crushed to death while hiding under a trailer, as Burr has just kicked out the jack holding it up ... The film held my interest mainly because this was a perfect part for Raft and it was well-crafted."<ref>[http://homepages.sover.net/~ozus/redlight.htm Schwartz, Dennis.] ''Ozus' World Movie Reviews'', film review, March 21, 2004. Last accessed: November 30, 2009.</ref>
In 2004 film critic Dennis Schwartz said of the film, "Roy Del Ruth directs a routine film noir infused with themes of revenge and religion, as it veers more towards a regular crime drama except for photographic flashes that reveal the film's dark undertones. The film's classic noir shot is of the villainous Raymond Burr smoking and smiling as his frightened victim is being crushed to death while hiding under a trailer, as Burr has just kicked out the jack holding it up ... The film held my interest mainly because this was a perfect part for Raft and it was well-crafted."<ref>[https://dennisschwartzreviews.com/redlight Schwartz, Dennis] ''Dennis Schwartz Movie Reviews'', film review, March 21, 2004. Last accessed: July 20, 2024.</ref>

Has been shown on the [[Turner Classic Movies]] show 'Noir Alley' with [[Eddie Muller]].


==References==
==References==

Revision as of 07:59, 27 August 2024

Red Light
Theatrical release poster
Directed byRoy Del Ruth
Screenplay byGeorge Callahan
Charles Grayson (additional dialogue)
Based onthe story "This Guy Gideon"
by Don "Red" Barry
Produced byRoy Del Ruth
Joseph Kaufman (associate)
StarringGeorge Raft
Virginia Mayo
CinematographyBert Glennon
Edited byRichard V. Heermance
Music byDimitri Tiomkin
Production
company
Roy Del Ruth Productions (as Pioneer Pictures Corp.)
Distributed byUnited Artists
Release date
  • September 30, 1949 (1949-09-30) (United States)
Running time
83 minutes
CountryUnited States
LanguageEnglish

Red Light is a 1949 American film noir crime film starring George Raft and Virginia Mayo, and directed and produced by Roy Del Ruth. Based on the story "This Guy Gideon" by Don "Red" Barry, it features strong religious overtones.[1]

It was one of several thrillers Raft made in the late 1940s.[2]

Plot

Bookkeeper Nick Cherney is sent to jail for embezzling from Johnny Torno's trucking company. One week before getting out, he sees a newsreel showing Johnny welcoming home his heroic brother Jess, a Catholic chaplain just returned from a World War II prisoner-of-war camp. Nick decides to get back at Johnny and hires Rocky (a fellow-inmate about to be released) to murder Jess.

Johnny arrives soon after Rocky has shot his brother. Knowing that he is about to die, Jess indicates that a clue can be found in the room's Gideon Bible. However, the book is not there.

Johnny investigates on his own, creating much tension with the police. He tracks down and questions people who occupied Jess' hotel room, believing that one of them has the Bible. He hires Carla North, who once stayed in the room, and lost her brother in World War II, to help him search. He insists she live at his luxury apartment; he moves into his office.

While Johnny is questioning another hotel guest, now in Reno, he notices Rocky watching him and sets a trap. Rocky manages to escape, after Johnny wounds him.

Later Rocky attempts to blackmail Nick, who shoves him off the train. The clerk at Nick's apartment tells him that he told a man that Nick had gone to Reno. Deducing who the man was, Nick goes to Johnny's trucking company office and murders manager Warni Hazard. The death is reported as an accident.

Obsessed with revenge, Johnny asks Carla to locate the last person on his list, Pablo Cabrillo. But she is tired of Johnny's overbearing quest and tells him they need to forget about the dead. He slaps her, then tries to apologize, but she leaves. The police confront Johnny and subsequently put a 24-hour watch on him. With help from an employee, he manages to slip away.

Johnny drives to see Cabrillo, who turns out to be a veteran, blinded in the war. He admits to taking the Bible, but asks to keep it due to its significance to him. He explains that, believing he would be a burden to his family, he was about to shoot himself when the window washer stopped him. He picked up the Bible and read to him, restoring his hope. Johnny insists on taking the book and Cabrillo agrees to let him have it, but they learn that it was taken only an hour earlier by a young, beautiful woman.

Johnny angrily goes to church where, in a burst of rage, he breaks a stained-glass window that he had recently donated in thanksgiving for Jess' safe return from the war. Remorseful, he returns to his office and writes a check to replace the window; while there he receives word that Carla has checked into a hotel. Nick arrives at Johnny's office and agrees to help find Carla.  She soon arrives at the office with the Bible. The police show up moments later to tell Johnny that they found his gun—one he had taken from Rocky.

Worried, Nick watches as Carla gives Johnny the book. Inside, he finds nothing about the killer's identity; instead he finds that his brother circled around Romans 12:19, and wrote a plea from him not to kill. Johnny is initially angry and disappointed, until Carla asks him to re-read what his brother wrote and consider that it was the last instruction he left him.

Nick thinks he is off the hook. Relieved, he turns to leave, only to spot Rocky in the lobby. In a shootout, Nick fatally wounds Rocky, but before Rocky dies, he tells the others that Nick payed for Jess' murder. Holding all of them at gunpoint, Nick confesses in front of the police before Johnny shoots and wounds him.

Pursued by Johnny and the police, Nick flees to the roof. Nick has a clear shot at Johnny, but he is out of bullets. Johnny aims at Nick, but remembers his brother's injunction. Nick flees up a huge neon sign for Torno's trucking company as the police close in. He accidentally steps on the sign's power supply and is electrocuted. Carla confronts Johnny, assuming he killed Nick, before the police tell her otherwise. The policeman tells Johnny that his brother "believed Someone else was on the case," and that he was right.

Cast

Production

The film is based on a story by writer Donald Barry called Mr Gideon. Roy Del Ruth and his associate Joe Kaufman brought the film rights in May 1946 from Barry and producer Lou Rock.[3]

Del Ruth set up his production company at Monogram Pictures, who were trying to expand into more prestigious films. He made It Happened on Fifth Avenue for them, one of Monogram's most expensive pictures to date. He was meant to follow it with Mr Gideon but the project was delayed.[4]

The story was retitled Red Light after a survey.[5] Del Ruth started doing background filming in San Francisco in June 1947,[6] followed by delay.

Monogram formed a subsidiary, Allied Artists, to distribute their more prestigious movies. Del Ruth made The Babe Ruth Story for Allied Artists, which announced it would finance Red Light.[7] Del Ruth wanted Edward G. Robinson, William Bendix and Charles Bickford for the main roles.[8] He thought the budget would be around $1.25 to $1.5 million.[9] In September 1948 Joseph Kaufman, who worked for Del Ruth, said they were trying to get Robert Ryan to play the lead.[10]

In January 1949 it was announced that Monogram and United Artists had signed a deal whereby United Artists would distribute Red Light and another movie Gun Crazy. The films would be financed by Pioneer Pictures, a new company which Monogram co-owned with Eastern investors. George Raft was announced as star.[11] Virginia Mayo was borrowed from producer Samuel Goldwyn to play the female lead.

Raft was paid $65,000 for his role.[12] He signed in February 1949 and filming started in March.[13]

Reception

Critical response

The Los Angeles Times said the film "generates suspense and promises to emerge as a taut, exciting melodrama" but that it was let down by its "religious reform theme".[14]

The New York Times said the film was "in the main, a contest familiar to Raft's retinue of fans, complete with hard, laconic characters, a search for a culprit, a few fireworks and with the Word in the Good Book as its sole, extraordinary twist."[15]

In 2004 film critic Dennis Schwartz said of the film, "Roy Del Ruth directs a routine film noir infused with themes of revenge and religion, as it veers more towards a regular crime drama except for photographic flashes that reveal the film's dark undertones. The film's classic noir shot is of the villainous Raymond Burr smoking and smiling as his frightened victim is being crushed to death while hiding under a trailer, as Burr has just kicked out the jack holding it up ... The film held my interest mainly because this was a perfect part for Raft and it was well-crafted."[16]

Has been shown on the Turner Classic Movies show 'Noir Alley' with Eddie Muller.

References

  1. ^ Red Light at IMDb.
  2. ^ Vagg, Stephen (February 9, 2020). "Why Stars Stop Being Stars: George Raft". Filmink.
  3. ^ Schallert, E. (May 28, 1946). "'Free agent' leslie will do independent picture". Los Angeles Times. ProQuest 165643975.
  4. ^ T. F. (Sep 8, 1946). "OUT HOLLYWOOD WAY". New York Times. ProQuest 107412501.
  5. ^ Schallert, Edwin (22 Mar 1947). "French Star to Keynote Korda Bilingual Series". Los Angeles Times. p. A5.
  6. ^ Schallert, E. (Jun 30, 1947). "DRAMA AND FILM". Los Angeles Times. ProQuest 165773654.
  7. ^ "Of local origin". New York Times. Jun 1, 1948. ProQuest 108194978.
  8. ^ Schallert, E. (Apr 15, 1948). "Film vaudeville here; ryan avenger at MGM". Los Angeles Times.
  9. ^ Scheuer, P. K. (Aug 28, 1947). "DRAMA AND FILM". Los Angeles Times.
  10. ^ "Article 3 -- No Title". Los Angeles Times. Sep 9, 1948. p. 23.
  11. ^ THOMAS F BRADY (Jan 11, 1949). "UA AND MONOGRAM IN DEAL ON SELLING". New York Times.
  12. ^ "Everett Aaker, The Films of George Raft, McFarland & Company, 2013 p 141".
  13. ^ THOMAS F BRADY (Feb 8, 1949). "BISCHOFF CANCELS FILM FINANCE DEAL". New York Times. ProQuest 105764606.
  14. ^ Scott, J. L. (Sep 16, 1949). "'Red light' stars raft on music hall screens". Los Angeles Times. ProQuest 166017743.
  15. ^ "George raft in a crime melodrama". New York Times. Jan 16, 1950. ProQuest 111356922.
  16. ^ Schwartz, Dennis Dennis Schwartz Movie Reviews, film review, March 21, 2004. Last accessed: July 20, 2024.